returns

Tomorrow the best science fiction series of the moment returns, with a twist in its story that has given it a perfect score

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This July 3 comes to AppleTV the third season of ‘Silo‘. And this marks the halfway point of the series: in December 2024, Apple confirmed the simultaneous renewal of a third and fourth season, and stated that the latter was conceived as the definitive closure of the story. We are halfway through this exciting series, and everything seems to indicate that we are once again facing an event: the third season boasts 100% from critics on Rotten Tomatoesthe best so far. ‘Silo’ is set in a toxic and uninhabitable future in which 10,000 people live locked in a gigantic 144-story underground silo, with no memory of how or why they got there, and firmly believing that going outside means certain death. The series follows Juliette (Rebecca Ferguson), a low-level engineer who, after the suspicious death of the sheriff, begins to unravel the thread of lies that sustain the social order of the underground complex. In this new season, Juliette has become mayor of Silo 18, but with memory gaps about what she has experienced outside, with the community trying to rebuild itself after the rebellion of the previous season and facing a new threat. In parallel, the season opens a second timeline set centuries agocentered on a congressman and a journalist who begin to uncover the conspiracy that would end up leading to the construction of the silos. This half “from the past” largely adapts ‘Shift’, the second book of Hugh Howey’s trilogy on which the series is inspired and which Minotauro has published in Spanish, and is the main novelty of this season compared to the previous two, focused almost exclusively on Juliette’s present. The praise for this new season has not stopped appearing in the last week, and the originality of the time jump stands out above all. The setting, interpretations and, as always on Apple TV+, ambition of the series, make it an absolutely essential event for science fiction lovers. In Xataka | Today one of the most acclaimed Marvel superhero series of all time returns to Disney+

Tomorrow one of the most acclaimed Marvel superhero series of all time returns to Disney+

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Since the start of its cinematic incarnation, no adaptation of the X-Men had aroused as much expectation as the second season of ‘X-Men’97’which arrives this July 1st at Disney+. After the first season won Best Animated Series at the Critics’ Choice Awards, it became clear that this was not just another animated superhero series. Its secret: an exquisite balance between the nostalgia that it embraces from its very title and its own identity and quality that keep it standing without needing to appeal to the affection of fans. Just two years ago, ‘X-Men’97’ accumulated 4 million views in its first five days, becoming the biggest premiere of an animated series on the platform since ‘What If…?’ Although that has not turned it into a series with a massive following (its content is still a niche bet), its careful animation style, faithful to the original from the nineties but at the same time sufficiently current, has earned countless praise. The proof: the viewing of the original 1992 series on the platform has doubled since the premiere of this ‘X-Men’97’. The argument leads us to an intertemporal mess of those that (literally) make an epoch: from Ancient Egypt, where Xavier, Magneto, Rogue, Nightcrawler and the Beast are, to the year 3960, where Cyclops and Jean Gray meet future versions of their children. Apocalypse is the central antagonist this time, in a season that will have no trouble surpassing the poor live-action version from a few years ago. Among the acquisitions in the cast, Neve Campbell stands out as Polaris, daughter of Magneto. A quick look at the episode titles leads us to guess some of the scenarios and enemies that will be featured this season: there is a ‘Days of Past Future’ that obviously plays with the classic ‘Days of Future Past’); ‘A Force to Be Reckoned With’ introduces X-Force; ‘Rise of Apocalypse’ refers to one of the group’s most fearsome enemies; ‘Weapon X, Lies, and DVDs’ takes us back to Wolverine’s time as Weapon X; ‘Strange Land, Savage Heart’ is a reference to one of the fan-favorite settings, the Savage Land; and ‘The Dead Man’s Hand’ may be a nod to another long-awaited return, that of Gambit. Some confirmed secondary characters are Sabretooth, Mariko, Mental Butterfly, Archangel or Colossus, among many others. In Xataka | Today one of the platform’s most massive hits returns to Netflix: 60 million views and 6 weeks in the top 10

Amazon Prime Day returns in Spain with confirmed dates and benefits

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Amazon announced weeks ago that during this month of June that we have just begun, a new edition of its Prime Day: several days full of bargains, exclusive for Prime members, with which we can save a pinch on technology, home, video games and much more. But it was not until today, June 2, when has confirmed the final dates. Amazon Prime – annual subscription The price could vary. We earn commission from these links Amazon’s Prime Day 2026 arrives at the end of June with four days of offers Specifically, will take place between the 23rd and 26th of this month June. That is to say: it will kick off at midnight from Monday the 22nd to Tuesday the 23rd and will last for four full days, ending at 11:59 p.m. on Friday, June 26. We therefore have four days ahead of us to take advantage of the thousands of offers that Amazon will launch, compared to two days in previous editions. That is to say, double the time to save us a pinchFor example, in that cheap television that we had been thinking about buying for some time to watch the soccer World Cup. Or in that phone with which to replace our old mobile phone and much, much more. Furthermore, another change that we see this year compared to previous editions of this summer Prime Day is the chosen month. In this sense, the usual thing in recent years was for it to take place in July, but This time it will be done in June. Right now, in fact: exactly, in three weeks. An exclusive campaign for Prime members Like the dates of this Prime Day, Amazon has also announced that It is an exclusive sales campaign for its Prime members. Contrary to what happens with the Spring Sale Festival a few weeks ago or the Black Friday November, whose bargains are accessible to any type of user. So, how to take advantage of the sales this Prime Day if we are not subscribed? Very easy: just enjoy the free trial that Amazon offers for new registrations, which not only opens the doors of Prime Day to us but also allows us to save the cost of shipping, access a wide catalog of movies, series and documentaries through Prime Video and more for thirty days. Amazon Prime – 30 days free trial The price could vary. We earn commission from these links Once we are Prime members, we will be able to access the Prime Day offers which, as in previous years, will have guaranteed discounts on Amazon devices (Kindle, Echo, fire tv…). And also in brands such as Braun, Puma, Samsung and Philips, among othersas they have already confirmed. More offers, now available on AliExpress In case we don’t want to wait until then, right now we have another very powerful one available. AliExpress sales campaign. From yesterday until next June 10, we found bargains in nintendo switch 2, PlayStation 5 Pro, garmin watches, Xiaomi’s best-selling phones and much more in their Summer Promo. Some Amazon deals that you can now take advantage of XIAOMI REDMI Note 15 Pro 5G The price could vary. We earn commission from these links Midea Portasplit Portable Air Conditioner 4 in 1 | 3000 frigories The price could vary. We earn commission from these links Some of the links in this article are affiliated and may provide a benefit to Xataka. In case of non-availability, offers may vary. Images | amazon In Xataka | The best mobile phones, we have tested them and here are their analyzes In Xataka | Which smart air conditioner to buy. How to choose a connected air conditioning system and featured models

One of the best science fiction series in history is animated, and today it returns to HBO Max with new episodes

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In 2013, Adult Swim premiered a series about an alcoholic scientist and his teenage grandson traveling the multiverse. ‘Rick and Morty‘ seemed like another hooligan animated series, but it became, for reasons that have a lot to do with being in the right place at the right time, into one of the most relevant television phenomena of the last two decades. The ninth season has just arrived HBO Maxand everything indicates that they are going to give us more of the same. Which in the case of ‘Rick and Morty’ is always excellent news. Season 7, released in 2023, was the first without Justin Roiland, one of the series’ co-creators. Adult Swim cut ties with him in January of that year following criminal domestic violence charges (ultimately dismissed) and the ‘Rick and Morty’ characters, voiced by him, were reassigned to other actors (and if you didn’t know it, it would be impossible for you to detect it). The public reaction was cold, and it ended up having the lowest score in the series’ history on Rotten Tomatoes. The eighth season, broadcast in 2025, was proof that the series could survive trauma. It started with 100% among critics and its public score reached 93%, which finally stabilized at 79%. A considerable improvement over the previous year and more in line with the series average. Now comes the time to confirm that, indeed, the series has overcome past traumas. And he does it in a big way: with the return of Evil Morty and with the introduction of a new cosmic entitythe Collective. Furthermore, this return is accompanied by other news: Warner Bros. is in the first stages of development of a feature film. Its possible director, Jacob Hair, has helmed several episodes since 2019 and is the current supervising director of the series. According to the co-creator of the series, Dan Harmon, the intention is to invest more money and make a 90-minute episode, no more, no less. It may not seem too ambitious, but let’s not forget that we are facing one of the best science fiction series of all time. In Xataka | Five years later, there is a Netflix series so well made that psychologists recommend it to understand mental health

Tomorrow one of the platform’s main action heroes returns to Prime Video, although he does so in an unexpected format

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When Amazon closed ‘Tom Clancy’s Jack Ryan’ in July 2023, the fourth and final season left one character with accounts settled. John Krasinski had spent five years playing a CIA analyst perpetually misplaced in a world that surpassed him. Few expected him to return to the character so soon and, above all, to do so in this way: ‘Jack Ryan: Covert Warthe first film derived from the series, arrives this Wednesday, May 20 to Prime Video. When Amazon premiered the series in 2018, the streaming It was still an incipient phenomenon. Amazon needed a high-budget action product, and opted for this well-known CIA analyst who had already had four previous performers: Alec Baldwin, Harrison Ford, Ben Affleck and Chris Pine. Krasinski stayed with the character throughout the television run, allowing the character to be developed in greater detail than his previous incarnations. The series was a success: 37% of Prime Video users watched the series during the first month. In 2024, Amazon MGM Studios announced the production of a film that would continue the series. The last time we saw Ryan star in a feature film was in ‘Jack Ryan: Enter Shadow’ in 2014, with Chris Pine. Here, Krasinski is joined by Sienna Miller as an MI6 agent. The plot follows Ryan, removed from the action but dragged back when uncovers a corrupt black ops unit known as Project Starling. The film arrives at a peculiar time for Prime Video. “The platform has built a very solid action ecosystem in recent years, with series like ‘Fallout’, ‘The Boys’ and, above all, ‘Reacher’, the epitome of that subgenre of thrillers and action.”for parents” to which Jack Ryan also belongs. The third season of ‘Reacher’ accumulated 54.6 million global viewers in its first two weeks. It is not surprising that Amazon has already suggested that ‘Covert War’ is not an end, but a new chapter. In Xataka | Today on Prime Video, the conclusion of the best series from the creator of ‘The Sandman’ comes with a radical surprise in its duration

VAT on electricity returns to 21%

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VAT on electricity and gas returns to 21% as of June 1. That’s the news of the day, and before you put your hands on your head thinking about your next bill, breathe, because there is a lot of fabric to cut here. You’re probably wondering: why is this happening? If we have been hearing for months that we have a “renewable shield” that protects us from the global energy crisis, what the hell has happened to give us back the fiscal axe? The short answer is that the system has worked so well that, paradoxically, it has taken away our aid. Spain is facing a strange energy and economic paradox: the good health of our generation system and the moderation of inflation have caused the defense mechanism designed by the Government to blow up. The result is bittersweet and frustrating for the average consumer: we generate the cheapest energy in Europe, but the tax burden on your next bill will return to pre-crisis normality. The CPI trap. The Government has not removed the aid because of a last-minute whim, but because the law itself required it to be done. The anti-crisis decree had a catch or “kill clause”: stated that, if energy prices stopped skyrocketing and did not rise more than 15% compared to April of the previous year, the tax reductions would be automatically canceled in June. And that is exactly what has happened. Data from the National Institute of Statistics (INE) show that the shield has worked. General inflation has slowed to 3.2%. The person largely responsible for this relief? The cheaper energy in our homes: electricity has fallen by 4.3% and gas by 9.6% compared to last year. As prices have shown these negative rates, far from exceeding that legal limit of 15%, the rule has fulfilled its threat. The system has made our energy so cheap that, by law, we lose the exceptional 0.5% bonus on the special tax on electricity and we have to pay VAT on electricity and gas again at 21%. But will the “renewable shield” be of any use? The Ministry of Economy sticks out its chest and celebrates that the moderation of prices demonstrates the capacity of the “renewable shield” and confirms that the Spanish system can absorb external shocks such as the war in Iran. In fact, Spain is resisting much better than its neighbors because the share of clean energy in our generation mix already exceeds 60%. Unlike countries like Italy or Germany, which depend heavily on the gray fringe of fossil generation, Spain’s massive wind and solar deployment sinks wholesale prices during the day. We have even seen historical milestones where the wholesale market has set negative prices of up to -10 euros per megawatt hour (MWh). However, why don’t we notice this renewable miracle on the bill? The wholesale cost of energy represents only 41% of an average household bill. The rest of the amount they swallow it network tolls (23%), VAT (17%), system charges (10%) and commercial margins. Cheap wholesale electricity is necessary, but insufficient if tolls and taxes continue to suffocate the final bill. Be careful when you go to get gas. The INE details that “fuels and lubricants for personal vehicles” They experienced a year-on-year increase in prices of more than 15% (15.5%), dragged down by a huge inflation of 28.2% in diesel. By exceeding the legal threshold of 15%, gasoline will maintain its 10% VAT reduction and aid for professional diesel, at least until June 30. The danger of summer. The withdrawal of part of the light tax shield will be immediately noticeable. According to the calculations of Francisco Valverde, expert analyst in the electricity market in statements for The Newspaperthe return to normal taxes will mean a bill increase of around 15% for all consumers in June. For an average customer, this will imply an additional payment of between 8 and 9 euros, while for gas the upward impact will be between 9% and 10%. But the horizon hides a greater challenge: summer. The analyst Antonio Aceituno warns that our current “hydraulic shield” will begin to give way. With heat waves, solar panels lose efficiency, the use of air conditioning increases demand and expensive gas combined cycles will have to be turned on to avoid blackouts. If the conflict in the Middle East persists, forecasts suggest that the wholesale bill could jump above 100 euros per MWh in June, reaching around 120 euros in the middle of summer. The cracks that no one wants to see. To understand why the renewable miracle does not end up sticking in your pocket, you have to look at the structural flaws that experts denounce: An inelastic and “passive” demand: Joaquín Coronado highlights a huge dysfunction in our market. When electricity reaches ridiculous prices of €0.51/MWh, Spanish consumers do not react by consuming more to take advantage of the bargain. By not using that cheap energy, it ends up being exported by French and Portuguese agents, which paradoxically drags our prices up through European coupling. “All against all” in the sector: According to Coronadothe actors in the Spanish electricity sector are immersed in an internal war, blaming each other and resenting cooperation. The expert suggests that Spain should rethink its institutional architecture, looking to the United Kingdom, where a system operator has been created (National Energy System Operator) with operational independence to separate network planning from asset ownership. The “night fissure”: The transition is incomplete. As evening falls, solar energy disappears and we depend on gas again. Without investments in mass storage systems and batteries to store the day’s excess megawatts, we will continue to be hostage to volatility every time the sun sets. The hidden price of the miracle. The Government’s response plan fulfilled its main objective: to cushion the war and save household purchasing power. We have managed to decouple our system from the worst international gas whims and avoided fuel inflation that would be close to 28.9% without aid. But June … Read more

Artemis II takes off successfully and humanity returns to the Moon after more than 50 years

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Artemis II It has taken off successfully and we are not facing just any launch. What we have seen marks the return of beings humans heading to the Moon more than half a century after the last missions of the Apollo program, a milestone that for decades seemed reserved for the history books. This time, furthermore, it is not just about returning, but about taking a crew further from Earth than any human being has gone in more than half a century, in a mission designed to validate NASA’s deep exploration system in real conditions. To understand the dimension of this takeoff, it is worth stopping for a moment at what exactly Artemis II is. The mission represents the first crewed flight of NASA’s new exploration system, which combines the Orion spacecraft, the SLS rocket and the Kennedy Space Center’s ground systems. For approximately ten days, the astronauts will evaluate the behavior of the ship in real deep space conditions, something that until now had only been tested without people on board. NASA itself raises it as an essential step to pave the way for future missions designed to return to the lunar surface. The journey that returns humans to the lunar environment Before reaching this moment, what we have had has been a countdown with some tension. In the hours before, the teams had to review an anomaly in a temperature sensor of a battery of the abort system, which NASA attributed to an instrumentation problem and which, according to the agency, would not affect the launch. Added to this was another incident in the flight termination system, the safety mechanism that allows the rocket to be destroyed if it deviates from its trajectory and poses a threat, a problem that placed the mission in “no go.” Both setbacks were left behind before takeoff and are now part of the background of a day that finally went ahead. The planned flight path of Artemis II Over the next few days, what we will see will be a relatively short, but very demanding mission. After launch, the spacecraft will first enter a high orbit around the Earth for about 24 hours to check that all systems are working correctly, before beginning the journey to the Moon. From there, the crew will perform various maneuvers, including a manual control test and approach to the upper stage of the SLS, to validate Orion’s behavior in real situations. The plan is to circle the Moon and return without setting foot on our satelliteon a journey of about ten days designed to rehearse each key phase of the trip. The crew of Artemis II If you look at the crew, What we find is a very measured mix of experience and symbolism. Reid Wiseman is the mission commander, accompanied by Victor Glover as pilot and Christina Koch and Jeremy Hansen as mission specialists, four profiles who have already experienced space first-hand. Together they have accumulated 660 days in orbit and 12 spacewalks, which fits with a mission in which every decision counts. Added to that is something that also weighs: Koch will be the first woman to travel to the Moon and Hansen the first non-American to do so, opening a new stage in who is part of these trips. There is a detail that touches us a little more closely and that we should not lose sight of. Part of this mission also passes through Spainspecifically by Tres Cantos, in Madrid, where Airbus Crisa has designed, manufactured and validated the Thermal Control Unit of the European Service Moduleintegrated into Orion. This system is responsible for supplying air and water to the crew and maintaining the temperature within appropriate levels for both the astronauts and the equipment. It is a discreet piece within the whole, but without it it would not be possible to sustain a mission like this in safe conditions. In development. Images | POT In Xataka | The Artemis II astronauts will carry out experiments in what will be their own study models

Soda Stereo returns projecting a musician who died 12 years ago

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On March 21, 2026, Charly Alberti and Zeta Bosio went up to the Movistar Arena in Buenos Aires next to screens that reproduced the voice and guitar of the deceased third vertex of the Soda Stereo triangle, Gustavo Cerati. They showed previous recordings of the musician, and they intended to go far beyond a simple hologram. A part of the public, from social networks, did not see it as something so revolutionary. What just happened with Soda Stereo is one more chapter (although, a particularly revealing one) in the industrialization of the posthumous concert. The ghost of Cerati. It was known when and where Soda Stereo returned, but it was not known how. On September 29, 2025, the announcement on networks was brief and deliberately ambiguous: “It is not a tribute. It is not a tribute. It is not a movie. It is Soda, live. Soda = Avant-garde.” The promise was that Gustavo Cerati, who died in 2014, would be on stage, although the word “hologram” was carefully avoided in the announcement. What the public found on March 21 at the Movistar Arena in Buenos Aires was something simpler and more complex at the same time: screens, depth effects and the voice and guitar recordings that Cerati left on the 1997 and 2007 tours. The figures. The tour already has, before finishing its first week, more than 500,000 tickets sold and 33 dates in Latin America and Spain, the last scheduled for September 24 in Madrid. What can be seen in the show is, behind a semi-transparent curtain, Cerati’s silhouette that gives way, song by song, to a clearer presence on the side screens: shots of his hands on the blue Jackson guitar, full-length images… A total of nineteen songs, with 3D glasses for two of them. Fan reaction. The reaction on networks was very polarized. A part of the audience was moved but another part, the loudest, described the show as “fraud” and “fantochada”. The argument for rejection, more than technical, was emotional: “Cerati always changed some arrangement live, made jokes, talked to the audience. “That’s not Cerati, it’s not live, it has no humanity.” pointed out a user. “Cerati” and “fraud” became trending topics among reviews of “the “technological prowess” is normalized by the third song. And then there is nothing left. It is one song after another (sometimes they are not even on stage). And the viewer feels as if they were watching a DVD with 15 thousand other people.” Everything to the millimeter. In the review he made The Nation of the concert, he said that the show “is not a recital. It is a show, calculated to the millimeter, with a script, without possibilities of spontaneity or improvisation.” And it is something that can be applied to what most great live concerts have become: every gesture of the artist, every speech between songs is extremely scripted. But in the case of Cerati, even more spontaneous moments (there is a moment in which he greets the other two members with “Hello, Zeta, Charly…”) are especially artificial, because they will always be repeated the same. Funeral precedents. This is not the first time that the music industry has resorted to this type of resources. When Tupac Shakur’s image appeared on the Coachella stage alongside Snoop Dogg and Dr. Dre in April 2012, the 90,000 attendees were left speechless. The video racked up 15 million views on YouTube in 48 hours and sales of the rapper’s catalog skyrocketed. Technically it was not a hologram, but an old trick from 19th century illusionism: a projection on a screen in front of the audience known as Pepper’s Ghost. Since then, spectral versions of Michael Jackson, Roy Orbison, Whitney Houston and Frank Zappa have graced the stage. They were all isolated events: the first time it was thought about extending it over time was the ABBA Voyage show in 2022: a permanent residence in London with a 3,000-seat venue built specifically for the show, with effects from Industrial Light & Magic and with the four members of the group actively participating in the motion capture process. ABBA Voyage had a turnover of more than one hundred million pounds in 2024 alone. Something more modest. The Soda Stereo show is inspired by the ABBA model, but in a reduced version, since the technology used is significantly more modest. There is an extra difference: ABBA Voyage works because its four members consciously decided how they wanted to be represented. With Soda Stereo, Cerati did not make any decisions about this project. Consent is exercised by whoever controls his image: Benito Cerati, son of the musician, who has defended the Soda Stereo initiative. The problem is that, according to fansCerati was known for exactly the opposite of this: improvisation, stage risk and unpredictability were always present in his concerts. In Xataka | Spotify killed the record and the industry pivoted to concerts. Netflix killed cinema and the industry was left with a “space crisis”

They are declared null and void and he returns to work with 25,000 euros

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There are work stories that seem taken from from the script of a series of Netflix lawyers, but they really happen. The story of a saleswoman at an Asturian paint store is one of them: in less than a year she went through two dismissals, two trials and ended up in the same position, but with the company sentenced to pay her more than 25,000 euros. as compensation. The most curious thing is that the whole mess started with something as simple as a change of schedule which she refused. Almost two years later, it has become clear to the company that it was not a good idea. The first dismissal: an excuse without evidence. As detailed in the sentence of the casethe employee had been working in the company since September 2023 with a permanent contract, combining administrative tasks with those of a salesperson in a paint store. In April 2024, the company fired her, alleging a “voluntary and continued decrease in normal work performance” as an argument for taking a disciplinary dismissal. However, the Social Court No. 6 of Oviedo did not believe it. The ruling stated that “the content of the dismissal letter is a standard format that is given to everyone the company wants to fire; and in fact it is stated that the plaintiff was working well but that she needs someone with more time availability.” That is, the court recognized that the company had fired her because she did not want to change her schedule, and they did so just eight days after she rejected it. As a result, the judge declared the void dismissalordered that she be reinstated under the same conditions and in the same position, and ordered the company to pay her 5,000 euros for violation of her rights, plus all the salaries she had stopped receiving since her dismissal. Back to work, and back in the spotlight. The employee returned to her position on September 25, 2024. Just ten days later, the company temporarily sent her to cover a replacement in one of its stores in another nearby town. At the end of October, when checking her email, she found a message from her sales manager in which she was accused of having made several drums and cans of paint disappear during the days she had been assigned to that store. The company gave him five days to explain the disappearance of the products. That same day, the employee succumbed to the pressure and a doctor estimated that he should undergo a medical leave due to generalized anxiety. Days later, the employee reported the pressure to the Labor Inspection, and in November the company reopened a disciplinary file against her. On December 19, 2024, the second disciplinary dismissal came, this time with three accusations: having stolen merchandise from the company, seriously insulting the manager and making an insulting phone call to the sales manager. The second trial: there was no evidence either. None of these accusations could be proven during the judicial process. The company did not present inventories or any objective evidence about the whereabouts of the missing drums. Regarding the alleged insults, the judge showed that the witness who corroborated them was not reliable, among other reasons because he had had a direct role at the first dismissal. Therefore, the court again declared the dismissal void, and once again ordered the company to reinstate the worker and pay her the wages not collected since the dismissal. Furthermore, for having relapsed in its conduct, the court sentenced the company to pay compensation Additional 11,249.50 euros for violating the employee’s rights. Protecting rights cannot have retaliation. The company appealed the ruling, but the Superior Court of Justice of Asturias confirmed it on January 27, 2026. The underlying reason for all this judicial farce is a basic principle: when a worker claims his rights before the court or denounces his company, the company should not take retaliation against the worker. If it does so, as the judges have correctly detected, the courts can declare the dismissal null and void and add extra compensation for the damage caused to the employee’s labor rights. In this case, the court assessed that everything occurred in a very specific context: the employee had already won a lawsuit for the first dismissal, she had only been back at the company for a few weeks and had just reported it to the Labor Inspection. With that history, and without the company could prove none of the accusations against him, the judges concluded that the second dismissal was retaliation. The final result accumulates a sum greater than 25,000 euros between compensation and unpaid salaries, and the unpaid salaries from the second dismissal are still pending. And all for one schedule change. In Xataka | If you resign, you need to give advance notice of voluntary resignation: how and when to give it Image | Illustrious Bar Association of OviedoUnsplash (Center for Aging Better)

The few video game magazines that remain in print have retro content. That’s why ‘Micromanía’ returns in sheet format

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In times when the traditional video game press, on paper and sold in kiosks, has practically disappeared from the map (only with some glorious exception that barely resists), products aimed at the nostalgic waterline of the most veteran players are, however, in very good health. They know it well in Made with Pixelswho publish not only a magazine dedicated to retro (‘Pixels‘), but also official continuations of kiosk icons such as ‘microhobby‘ and now, ‘Micromania‘… in sheet format! Two-year hiatus. In January 2024, just over 24 months ago, the veteran ‘Micromania‘, the magazine of microcomputers first, PC later, which would accompany several generations of gamers. Its first issues, in traditional format, covered current 8-bit machines such as Spectrum 48K, Amstrad CPC and Commodore 64. They revolutionized newsstands with their second stage, the most iconic, in a tabloid format that multiplied the content and served as a bridge to 16 bits. A third stage, again in a traditional format, would focus on the PC world. A mixed return. In this new incarnation the format will be somewhat smaller: 25cm x 35cm, that is, larger than any other magazine, but without reaching the brutal excess of the original. The magazine will be bimonthly, and can be purchased in digital format in PDF (5.99 euros), in paper (11.99) or both (13.99). The layout and design are inevitably reminiscent of the original style and the contents will be comparable: analysis in the classic style of Amiga, Atari ST, MS-DOS, Game Boy, NES, Master System, Mega Drive, SNESm, etc., arcade games, news on the current retro scene, solutions and maps… What’s in number one. For now, the contents of the first issue that we know are: Cover dedicated to Monkey Island, with report on Ron Gilbert and the complete saga Two gift posters on the central pages of each issue in giant size Damned Castile Requiem– Exclusive review and downloadable demos for Mega Drive and Dreamcast Interviews with original editors of Hobby Press (Microhobby, Micromanía, Hobby Consolas) Reunion with Turbo Girlset of the first cover in sheet format, 38 years ago Who is behind. Without a doubt, this is the most interesting detail of this proposal: behind the writing of the magazine there are a good number of names from the classic age of video game journalism in Spain, which guarantee that the style of the reviews and articles will be in line with what was done then. It is directed by José Luis Sanz, who was already in charge of ‘Hobby Consolas’, and he is accompanied by Marcos García, who directed magazines, paradoxically, in the competition: ‘Superjuegos’ and ‘Revista Oficial Playstation’, among others. They are joined by editors such as Jesús Martínez del Vas, José Luis Rodríguez, J. Luis Molina and Juanjo Muñoz, among others. Bet on the past. As it could not be otherwise, the magazines that survive on paper, with few exceptions, rely on retro content, or at least retro has a strong presence in their pages. In addition to the aforementioned Hecho con Pixels titles, publications such as the Spanish edition of ‘Retro Gamer’, also by Axel Springer, are added. The new incarnation of ‘Micromanía’ is aimed, obviously, at those who bought it at the time: a juicy market of forty-somethings looking to return to even the most spectacularly uncomfortable format in the history of our newsstands. In Xataka | A programmer’s ingenuity turned a fatal error in this classic video game into a congratulatory message

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