Ryan Gosling fulfills his dream and replaces Nicolas Cage in the role of this Marvel superhero

Ryan Gosling wanted it and Marvel has made it happen. After insisting for years that he would love to play Ghost Rider, the actor’s desire to ‘Barbie‘has finally been fulfilled. During San Diego Comic-Con, Kevin Feige officially announced that Ryan Gosling will play Marvel’s famous demon biker in a new movie. Gosling was invited to take the stage in Hall H, where he excitedly said, “Is this really happening? This is a character I’ve been dreaming of playing for a long time.” He then added that “only one director could make this movie,” just before giving way to Shawn Levy, the director of ‘Deadpool and Wolverine‘. An alliance that comes from afar This won’t be Shawn Levy’s first time directing Ryan Gosling. Both are already working together on ‘Star Wars: Starfighter‘, whose release in theaters is scheduled for May 27 next year. Later they will meet again in ‘Ghost Rider’, whose script will be in the hands of Jonathan Tropper (‘The Adam Project’, ‘The Wrecking Crew’). The release date is not confirmed, but it is expected that goes to 2028. In this way, Ryan Gosling takes over from Nicolas Cage in the role of Johnny Blaze. Cage played the character in ‘Ghost Rider: The Ghost Rider‘ in 2007, as well as in the sequel ‘Ghost Rider: Spirit of Vengeance‘ in 2012. Nicolas Cage’s Ghost Rider Both films were absolutely trashed by critics, although they were surprisingly profitable. The first, whose budget was 110 million dollars, has 26% on Rotten Tomatoesbut raised $228.7 million. The second, despite being even worse (18%), raised 132.5 million. It did not generate direct losses, but it was enough of an indicator for Sony to decide to sell the rights to the character, which ended up returning to Marvel Studios. According to exposed Kevin Feige in 2013, “When a character comes back to us it’s usually because the other studios don’t want to make any more movies, which almost always means that the previous installments weren’t particularly well received. They all have potential, but we’re not going to say ‘We’ve got him back, let’s do it now!’” 13 years later, after passing through the fourth season of ‘Agents of SHIELD’ and with superhero movies in low hours, It seems that it is time. As for Ryan Gosling, the actor is preparing for a golden future in commercial cinema after the consecutive successes of ‘Barbie’ and ‘The Specialist’. The next step will be taken within Disney and in the Star Wars franchise, another saga that It’s not going through its best moment either.. Via | AlloCiné Image | AlloCiné

The highest-grossing superhero movie in history returns to theaters to repeat its success with a longer version

In 2019, Marvel re-released ‘Avengers: Endgame’ with unreleased footage to take the title of highest-grossing film in history from ‘Avatar’. The crown lasted a year and a half. In 2026 the maneuver is activated again, this time linked to ‘Avengers: Doomsday’. It is the jewel in the crown of the Marvel team and Disney is not going to stop squeezing it. The return Marvel has confirmed that ‘Avengers: Endgame’ returns to theaters on September 25, 2026 under the title ‘Avengers Endgame Encore’. The new version includes a special introduction, additional scenes and a final scene that, for now, will only be seen in IMAX and Infinity Vision screenings, the premium screen system that Disney presented a few months ago. ‘Endgame’ continues to be the ceiling that Marvel Studios has not touched again, neither at the box office nor in the feeling of collective event that surrounded it, and that spirit is what the studio wants to evoke for ‘Avengers: Doomsday’. What’s new? Joe Russo has confirmed that the scenes filmed for this re-release are set in ‘Doomsday’, and describes them as a fundamental piece to build a bridge to the new film. Marvel already used this re-release formula, almost identical, with ‘Endgame’ itself: in June 2019, just two months after its premiere, the film would return to theaters with seven minutes of extra footage and an explicit objective: to surpass ‘Avatar’ at the box office before the premiere of ‘Spider-Man: Far From Home’. That maneuver worked. On July 20, 2019, during the Marvel panel at San Diego Comic-Con, the studio confirmed that ‘Endgame’ had surpassed the $2.789 million accumulated by ‘Avatar’ until then, thus becoming the highest-grossing film in history. The celebration was short-lived: in March 2021, ‘Avatar’ was released again in China and regained the title in a single weekend. Since then, the distance between both films has not stopped growing: today ‘Avengers: Endgame’ accumulates 2,799 million dollars compared to 2,923 million for ‘Avatar’. There is almost 124 million difference, much more than what separated both films in 2019. Fall without Avengers. The collections of the ‘Endgame’ films have suffered a constant decline. Let’s remember some cases: ‘Eternals’ raised 402 million dollars with a budget of between 200 and 250 million. ‘Black Widow’ stood at 379 million, weighed down by its simultaneous premiere on Disney+. ‘Quantumania’ suffered the worst second weekend drop in Marvel Studios history. ‘The Marvels’ closed that streak without achieving the financial success that the studio expected. The real goal of ‘Avengers Endgame Encore’ is no longer to recover a record that today seems unattainable, but to rebuild the feeling of an event that Marvel lost years ago: to remind the public, just before December and the premiere of ‘Doomsday’, why they cared about this story. What is played in December. ‘Avengers: Doomsday’ hits theaters on December 18, 2026, the same day as ‘Dune: Part Three’, a coincidence that already has generated friction for the distribution of IMAX screens. Ticket sales for Infinity Vision screenings of ‘Avengers: Doomsday’ start right now, on July 20. Five days later, at San Diego Comic-Con, Marvel will show the first official trailer for the film. Depending on how both events are received, we will see if Marvel is in a position to bottle again that seemingly unrepeatable lightning bolt that was ‘Endgame’ In Xataka | In just one month in office and with 1,000 layoffs, Disney’s new CEO dismantles the art department that built the MCU

Tomorrow one of the most acclaimed Marvel superhero series of all time returns to Disney+

Since the start of its cinematic incarnation, no adaptation of the X-Men had aroused as much expectation as the second season of ‘X-Men’97’which arrives this July 1st at Disney+. After the first season won Best Animated Series at the Critics’ Choice Awards, it became clear that this was not just another animated superhero series. Its secret: an exquisite balance between the nostalgia that it embraces from its very title and its own identity and quality that keep it standing without needing to appeal to the affection of fans. Just two years ago, ‘X-Men’97’ accumulated 4 million views in its first five days, becoming the biggest premiere of an animated series on the platform since ‘What If…?’ Although that has not turned it into a series with a massive following (its content is still a niche bet), its careful animation style, faithful to the original from the nineties but at the same time sufficiently current, has earned countless praise. The proof: the viewing of the original 1992 series on the platform has doubled since the premiere of this ‘X-Men’97’. The argument leads us to an intertemporal mess of those that (literally) make an epoch: from Ancient Egypt, where Xavier, Magneto, Rogue, Nightcrawler and the Beast are, to the year 3960, where Cyclops and Jean Gray meet future versions of their children. Apocalypse is the central antagonist this time, in a season that will have no trouble surpassing the poor live-action version from a few years ago. Among the acquisitions in the cast, Neve Campbell stands out as Polaris, daughter of Magneto. A quick look at the episode titles leads us to guess some of the scenarios and enemies that will be featured this season: there is a ‘Days of Past Future’ that obviously plays with the classic ‘Days of Future Past’); ‘A Force to Be Reckoned With’ introduces X-Force; ‘Rise of Apocalypse’ refers to one of the group’s most fearsome enemies; ‘Weapon X, Lies, and DVDs’ takes us back to Wolverine’s time as Weapon X; ‘Strange Land, Savage Heart’ is a reference to one of the fan-favorite settings, the Savage Land; and ‘The Dead Man’s Hand’ may be a nod to another long-awaited return, that of Gambit. Some confirmed secondary characters are Sabretooth, Mariko, Mental Butterfly, Archangel or Colossus, among many others. In Xataka | Today one of the platform’s most massive hits returns to Netflix: 60 million views and 6 weeks in the top 10

You may not know her, but this mixture of ‘Mad Max’ and superhero cinema is one of the blockbusters of 2024 and is in Netflix

The Asian continent and its great audiovisual powers (South Korea, China, Japan, India) form a box office successes that, although in this increasingly globalized world they begin not to remain restricted to their respective territories, Sometimes they still have a name outside their borders. Even when an Indian film is the most expensive of all time (72 million dollars, exceeding the 66 of ‘RRR’) and gets the best premiere of all time for a film in that country, with 66 million dollars in His first days. We talk about ‘KALKI 2898 AD ‘that You can see in Netflix And that it is a curiosy centrifuger of recent references: ‘Mad Max’, ‘Dune’, ‘Star Wars’ and even Marvel Superhero style meet in a spectacular and discouragement production, starring two local superstterlas, Prabhas and Deepika Padukone. The film leads us to a post-apocalyptic future where a 200-year totalitarian monarch reigns that resides in an inverted pyramid on the city, and where it performs perverse experiments with fertile women so that their immortality is prolonged. The city under its domain is an impoverished territory where a hunter will end up helping to flee to a fugitive, which has a purpose related to the reincarnation of Visnu, the God who protected humanity. As you can see, a very peculiar mixture of Hindu mythology and an argument clearly inspired by ‘Fury on the road’, only with the prophetic elements of ‘Dune’ and ‘Star Wars’ along the way. AND All seasoned with the crazy rigor choreographies That, yes, they culminate in an open end and arranged for a future second part, which will continue the so -called Kalki film universe. In Xataka | ‘Mad Max: Fury on the road’: How George Miller’s masterpiece suffered years of traumas and conflicts until he reached the cinema

He has not created a superhero, but radiation has given healing powers to the most unexpected material: to concrete

It is difficult to imagine a world without concrete. This material has been fundamental in the history of mankind And it is still a pillar in modern construction. Although we are exploring more sustainable alternatives such as woodthere are constructions in which the concrete remains the clear protagonist. An example is nuclear power plants, which need to be resistant and well isolated. And a new study has investigated The effect of nuclear radiation on concrete. The most surprising thing is that radiation bombardment has an effect … curative. The study. The researchers at the University of Tokyo were not looking for a U -cement Self -backreparable concretebut the impact of nuclear radiation on concrete. Being the main structural material and armor in nuclear centrals and reactors, there is a concern about how radiation influences the aging of that armor. Specifically, the objective was to verify what is the impact on quartz, a common material in the rock that is used in the mixture of concrete, regardless of the part of the world in which that mixture is manufactured, and measure the impact on quartz It can help us understand how radiation affects the structure of the building. The good news is that, in theory, these concrete structures are more stable in the long term of what was believed, since radiation induces relaxation processes in quartz that allow some recovery of their internal structure. Irradia the quartz. To carry out the study, the effects of the irradiation of neutrons in different types of quartz were investigated. The synthetic, metacuarcita, sandstone and granodiorite quartz were irradiated at a temperature between 45 and 62 degrees Celsius, with a damage by displaced atom that ranged between 0.01 and 0.23 units. IPPEI Maruyama is one of those responsible for the investigation and Comment That the flow of neutron radiation “distorts the crystalline structure, causing amorphization and expansion.” This would be something negative because it implies that the material is not stable, but the surprising thing is that, due to the role of silicon and oxygen within the quartz grains, a healing process is triggered that mitigates the expansion of the volume of the material induced by Radiation. Self -repair. “At the same time there is a phenomenon in which distorted crystals recover and the expansion decreases,” says Maruyama. This is something that depends on the size of mineral crystals within concrete. For example, the largest grains showed a lower expansion, so the degradation of the concrete, which is one of the current concerns when building and maintaining nuclear centrals, could be less severe than what was thought. Likewise, the researcher confirms that “a lower radiation rate allows more time for self -reparation”, allowing nuclear energy plants to “operate safely for longer periods of time” of which it was expected initially. Next steps. There are still questions to be resolved, since the same team comments that they have a task ahead. The University of Tokyo’s team has been studying the impact of radiation on concrete since 2008, but confirms that it is an expensive field of study, so carrying out extensive research is not easy. Now, with this finding, Maruyama is confident that they will continue to explore the impact of nuclear radiation beyond quartz to, for example, see if that expansion phenomenon occurs in other minerals that make up the concrete. The objective is not only to predict how cracks are formed due to the expansion of minerals that are being bombarded by radiation, but how to select the best materials to create a much more resistant concrete for future nuclear energy plants. Beyond the centrals. We will have to see the next steps of the researchers to strengthen those first opinions of the study, but it is evident that getting a self -realistic concrete is an obsession. Due to CO2 emissions during its productionto what Its maintenance is very expensive Since it is ending world -sand reserves, having a material that repairs itself is something that different teams throughout the planet have been investigating for years. And progress has been made, such as mixtures with sugar either coffee that allow some self -repair of concrete. We will see, yes, what takes to use that new concrete on a day -to -day basis. Image | SAM300292 In Xataka | We use both cement that has become a serious problem. Solution: replace it with garbage

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