In record time since its release in theaters, one of the most resounding box office failures of the year arrives tomorrow on Prime Video

‘He-Man and the Masters of the Universe’ comes to Prime Video this Wednesday, July 22, just forty-seven days after its release in theaters. The reason for arriving at streaming With such a short margin of time it is its failure at the box office: it opened with 29.4 million dollars in North America, remained at 64.6 million domestically and closed the world tour at 113.3 million, very far from recovering a budget of between 170 and 200 million dollars. The rapid arrival of films that better captured the public’s attention, such as ‘Toy Story 4’ or the surprise hits of ‘Backrooms’ and ‘Obsession’, ended up burying it. However, the film is very enjoyable and moves away from the greatest temptation that a project to adapt a toy franchise from the eighties like this one can have: making it adult and reflective. Travis Knight, director of the excellent ‘Bumblebee’, does not darken Eternia: he opts for bright colors and Jared Leto’s Skeletor who enjoys every line of the cartoon villain without taking himself too seriously. Nicholas Galitzine builds a clumsy rather than heroic He-Man, closer to a clueless kid from a family movie from the decade in which dolls were rampant than to Dolph Lundgren, and that character is what guides the entire film. Seeing her now, at home and without paying an entrance fee, is a good way to meet her again. It works better for someone who recognizes the names Roboto or Tri-Klops than for someone looking for the founding film of a new fantasy franchise, mind you. But Luckily, the film also holds up without the need for those winks.with action shot with skill and a cast that delivers performances (Idris Elba as Duncan, Camila Mendes as Teela, Alison Brie as Evil-Lyn) that are in the perfect (and not at all complacent) space between self-parody and more or less sincere emotion. It is not clear if the film will find an audience as the even better ‘Dungeons & Dragons: Honor Among Thieves’ from 2023 ended up finding, but what is guaranteed is that the Mattel franchise has just definitively entered a period of hibernation that, hand in hand with another summer puncture, ‘The Mandalorian & Grogu’, leaves a very clear lesson: nostalgia millennial It is no longer enough, on its own, to sustain a blockbuster. In Xataka | If you think Nicolas Cage can’t go any further, try this strange gem that just arrived on Prime Video

Tomorrow one of the most incredibly strange films of the late Nicolas Cage arrives on Prime Video

There is a scene where Nicolas Cage fills a bottle with cloudy water from a public tap and tries to drink it. Shortly after he is about to eat a dead rat. Neither of them is the strangest image in the film, and that says enough about the terrain in which it moves.The Surfer‘, a psychological thriller that had a very discreet run in theaters in 2025 and now, a year and a half later and since July 17, it shines as one of the strangest pieces in the summer catalog of Prime Video. The film follows an unnamed man (Cage) who takes his teenage son to the Australian beach where he surfed as a child. He wants to buy the family house on the cliff, the same one he grew up in before his father died. The welcome is not what was expected: a group of local surfers, the Bay Boys, led by the charismatic Scally (Julian McMahon, whom we remember from ‘Nip and Tuck’ and The Fantastic Four – no, not that one, the other one… no, that one neither, the other one -), prevents him from entering the water with a mantra that is repeated throughout the film: “If you don’t live here, you don’t surf here.” And what starts as a one-time humiliation turns into a spiral of harassment with the heat of the Australian summer in the background. The Irishman Lorcan Finnegan, director of the film, is not a new name for fans of psychological tension films. Before this, he signed the magnificent ‘Vivarium’, with Jesse Eisenberg and Imogen Poots trapped in a residential neighborhood that repeats itself ad infinitum, and ‘Nocebo Effect’ (2022), with an Eva Green affected by a suffocating exotic disease. In all three titles he works with a closed and oppressive space that begins as everyday and ends up becoming a trap. And this time the film has an excellent plus: the Australian sun, which has given us so many magnificent works of extreme oppression, such as ‘Long Weekend’ or ‘Waking Up in Hell’. On this occasion, in addition, the disturbing desert of the country is contrasted with the beaches where Cage goes, allowing himself to give one of his best manic and out of character performances, for the first time in an environment that does him absolute justice. In Xataka | We won’t have any more ‘Stargate’: the perfect excuse to recover this peak of 90s science fiction

Tomorrow the best science fiction series of the moment returns, with a twist in its story that has given it a perfect score

This July 3 comes to AppleTV the third season of ‘Silo‘. And this marks the halfway point of the series: in December 2024, Apple confirmed the simultaneous renewal of a third and fourth season, and stated that the latter was conceived as the definitive closure of the story. We are halfway through this exciting series, and everything seems to indicate that we are once again facing an event: the third season boasts 100% from critics on Rotten Tomatoesthe best so far. ‘Silo’ is set in a toxic and uninhabitable future in which 10,000 people live locked in a gigantic 144-story underground silo, with no memory of how or why they got there, and firmly believing that going outside means certain death. The series follows Juliette (Rebecca Ferguson), a low-level engineer who, after the suspicious death of the sheriff, begins to unravel the thread of lies that sustain the social order of the underground complex. In this new season, Juliette has become mayor of Silo 18, but with memory gaps about what she has experienced outside, with the community trying to rebuild itself after the rebellion of the previous season and facing a new threat. In parallel, the season opens a second timeline set centuries agocentered on a congressman and a journalist who begin to uncover the conspiracy that would end up leading to the construction of the silos. This half “from the past” largely adapts ‘Shift’, the second book of Hugh Howey’s trilogy on which the series is inspired and which Minotauro has published in Spanish, and is the main novelty of this season compared to the previous two, focused almost exclusively on Juliette’s present. The praise for this new season has not stopped appearing in the last week, and the originality of the time jump stands out above all. The setting, interpretations and, as always on Apple TV+, ambition of the series, make it an absolutely essential event for science fiction lovers. In Xataka | Today one of the most acclaimed Marvel superhero series of all time returns to Disney+

Tomorrow one of the most acclaimed Marvel superhero series of all time returns to Disney+

Since the start of its cinematic incarnation, no adaptation of the X-Men had aroused as much expectation as the second season of ‘X-Men’97’which arrives this July 1st at Disney+. After the first season won Best Animated Series at the Critics’ Choice Awards, it became clear that this was not just another animated superhero series. Its secret: an exquisite balance between the nostalgia that it embraces from its very title and its own identity and quality that keep it standing without needing to appeal to the affection of fans. Just two years ago, ‘X-Men’97’ accumulated 4 million views in its first five days, becoming the biggest premiere of an animated series on the platform since ‘What If…?’ Although that has not turned it into a series with a massive following (its content is still a niche bet), its careful animation style, faithful to the original from the nineties but at the same time sufficiently current, has earned countless praise. The proof: the viewing of the original 1992 series on the platform has doubled since the premiere of this ‘X-Men’97’. The argument leads us to an intertemporal mess of those that (literally) make an epoch: from Ancient Egypt, where Xavier, Magneto, Rogue, Nightcrawler and the Beast are, to the year 3960, where Cyclops and Jean Gray meet future versions of their children. Apocalypse is the central antagonist this time, in a season that will have no trouble surpassing the poor live-action version from a few years ago. Among the acquisitions in the cast, Neve Campbell stands out as Polaris, daughter of Magneto. A quick look at the episode titles leads us to guess some of the scenarios and enemies that will be featured this season: there is a ‘Days of Past Future’ that obviously plays with the classic ‘Days of Future Past’); ‘A Force to Be Reckoned With’ introduces X-Force; ‘Rise of Apocalypse’ refers to one of the group’s most fearsome enemies; ‘Weapon X, Lies, and DVDs’ takes us back to Wolverine’s time as Weapon X; ‘Strange Land, Savage Heart’ is a reference to one of the fan-favorite settings, the Savage Land; and ‘The Dead Man’s Hand’ may be a nod to another long-awaited return, that of Gambit. Some confirmed secondary characters are Sabretooth, Mariko, Mental Butterfly, Archangel or Colossus, among many others. In Xataka | Today one of the platform’s most massive hits returns to Netflix: 60 million views and 6 weeks in the top 10

Tomorrow the new version of a classic sordid thriller that gave Scorsese one of his masterpieces comes to streaming

John D. MacDonald published his novel ‘The Executioners’ in 1957. Since then, the same character (Max Cady, the ex-convict who returns to civilian life determined to destroy the life of the lawyer who locked him up) has survived two films, a television series, 69 years of life and three generations of leading actors (Mitchum, De Niro, Bardem) giving him life. Now, ‘Cape Fear‘ comes to Apple TV+ with Javier Bardem in the role of Cady and a premise that, this time, puts a woman in the eye of the hurricane. This is the most visible modification compared to the movies: a former lawyer (Amy Adams) who works in an NGO dedicated to exonerating unjustly convicted prisoners, is married to a lawyer for wealthy clients (Patrick Wilson). This time there is an intimate and forbidden relationship at Cady’s (Javier Bardem) trial, which accentuates the idea of ​​a family with a dysfunctional point that the villain wants to blow up. The series format also helps to expand the children’s characters: one goes through depression and is a victim of social isolation, another carries the label of “perfect daughter” while her parents overprotect her problematic brother. The person responsible for the series is not a newcomer to the genre. Nick Antosca is the creator of the magnificent anthology horror series inspired by creepypasta ‘Channel Zero’, and showrunner of the award-winning ‘The Act’, which turned an apparent story of true crime in a tortuous descent into the abysses of the mind. Some perfect precedents for a story that wins the murkier it appears. The main comments of the series, as it could not be otherwise, will be brought together by Javier Bardem in his new incarnation of Max Cady, especially because the comparison with his two predecessors is inevitable: Robert Mitchum captured a subtle evil, De Niro opted for biblical and explosive madness, and Bardem brings us sexual charisma and contained violence. Without a doubt, it will be a good way to see if this old story continues to stand the test of time. In Xataka | Today on HBO Max: the latest film directed by one of the greatest masters in the history of cinema

Tomorrow the spin-off of one of the best space uchronias of recent years arrives, and it comes with an unexpected twist

On May 29 Apple TV+ does two things at the same time: closes the fifth season of ‘For All Mankind’ and premieres its spin-off, ‘city ​​of stars‘, from its own creators. The original series has been telling the alternative space race from Houston for seven years, and the new project contemplates it from Moscow, within the Soviet space program that in this uchronic universe reached the Moon first. ‘For All Mankind’ started in 2019 with a simple premise: what would have happened if the Soviets had put a man on the Moon before the Americans? The series This parallel vision has been escalating until it lands on Mars and extends beyond, accumulating five installments and a sixth (already confirmed as the final one) that will close the complete narrative arc. ‘Star City’ is a prequel that returns to the seventies, to the founding moment of that alternative universe, but with the perspective reversed. Where ‘For All Humanity’ assumed the Soviet triumph as a starting point and contemplated it from the United States, the spin-off is installed within the USSR space program: laboratories, cosmonaut barracks, corridors guarded by the KGB… An excellent setting for a proposal maintained by the team from the last seasons of its predecessor, among which stands out Ronald D. Moore, screenwriter remembered for ‘Galactica’, ‘Star Trek: The Next Generation’ and ‘Deep Space Nine’. The cast is led by Rhys Ifans in a role inspired by the Soviet engineer Sergei Korolev (who died in 1966 but survived in this universe and took the space program to unknown heights). And the tone of this ‘City of Stars’ clearly diverges from that of its mother series: if in ‘For All Mankind’ we had a humanist drama of space adventure, here we go to the espionage thriller also inspired by the real Soviet project, where ships less reliable than those of the Americans, deaths hidden from the outside and the presence of the KGB in mission control itself met. In Xataka | Today on Prime Video, a series with a superb Nicolas Cage that is already said to be Marvel’s best proposal in years

Tomorrow on Prime Video, a series with a superb Nicolas Cage that is already said to be Marvel’s best proposal in years

Nicolas Cage was about to don the Superman suit in the mid-nineties, in a Tim Burton production by Warner Bros. that was canceled when filming was already imminent. Decades later, two estimable ‘Ghost Rider’ films, an animated cameo in ‘Spider-Man: Into the Spider-Verse’ and a very brief multiversal nod in ‘The Flash’ as ​​the Superman that never was are his resume as an actor with a cape and/or mask. ‘Spider-Noir‘ comes to Prime Video this May 27 and makes us dream of an unleashed Cage who restores some dignity to the exhibition of mediocrities that superhero cinema has become. The series is not a spin-off of the Spiderverse films, although Cage voiced Spider-Man Noir in the aforementioned ‘Into the Spider-Verse’. It is based on the comics from the 2009 Marvel Noir line, which relocated the label’s classic characters to an alternate interwar universe. In this version, Cage plays Ben Reilly (not Peter Parker, as in the original comics), a private investigator who ends up becoming a superhero called The Spider. The nickname comes from the heroes who inspired Stan Lee in the creation of the publisher’s first superheroes. Prime Video has released the series in two visual formats, “Authentic Black and White” and “True-Hue Full Color”, i.e. black and white in the style of the thirties and vibrant colors and with an artificial point. It is an unusual decision that, those responsible say, is not free: neither of the two is the “main” one, both have been calibrated and designed so that they function completely and autonomously. The color one, specifically, has sought the effect of an artificially colored black and white film. ‘Spider-Noir’ enjoys a spectacular 92% on Rotten Tomatoesone of the highest scores for any property in the live-action Spider-Man franchise. It is already spoken of as one of the best series of the yearand the interpretation of Cage, lost sometimes (just sometimes) in recent years among products that do not deserve his talent, as one of the most eccentric and stimulating contributions to the MCU. In Xataka | Today the culmination of one of the most famous series in the history of Spain arrives on Prime Video in an ironic closing format

Tomorrow one of the platform’s main action heroes returns to Prime Video, although he does so in an unexpected format

When Amazon closed ‘Tom Clancy’s Jack Ryan’ in July 2023, the fourth and final season left one character with accounts settled. John Krasinski had spent five years playing a CIA analyst perpetually misplaced in a world that surpassed him. Few expected him to return to the character so soon and, above all, to do so in this way: ‘Jack Ryan: Covert Warthe first film derived from the series, arrives this Wednesday, May 20 to Prime Video. When Amazon premiered the series in 2018, the streaming It was still an incipient phenomenon. Amazon needed a high-budget action product, and opted for this well-known CIA analyst who had already had four previous performers: Alec Baldwin, Harrison Ford, Ben Affleck and Chris Pine. Krasinski stayed with the character throughout the television run, allowing the character to be developed in greater detail than his previous incarnations. The series was a success: 37% of Prime Video users watched the series during the first month. In 2024, Amazon MGM Studios announced the production of a film that would continue the series. The last time we saw Ryan star in a feature film was in ‘Jack Ryan: Enter Shadow’ in 2014, with Chris Pine. Here, Krasinski is joined by Sienna Miller as an MI6 agent. The plot follows Ryan, removed from the action but dragged back when uncovers a corrupt black ops unit known as Project Starling. The film arrives at a peculiar time for Prime Video. “The platform has built a very solid action ecosystem in recent years, with series like ‘Fallout’, ‘The Boys’ and, above all, ‘Reacher’, the epitome of that subgenre of thrillers and action.”for parents” to which Jack Ryan also belongs. The third season of ‘Reacher’ accumulated 54.6 million global viewers in its first two weeks. It is not surprising that Amazon has already suggested that ‘Covert War’ is not an end, but a new chapter. In Xataka | Today on Prime Video, the conclusion of the best series from the creator of ‘The Sandman’ comes with a radical surprise in its duration

What if the combustion engine of tomorrow was French?

The European Union is committed to the electric car. It is a plan that has been around for years and, although some modifications have been made, it is not going to change. The decision led manufacturers to jump to “all electric.” The final objective was clear: simplify ranges adapting to the most restrictive regulation, the European one, trusting that the public would embrace the technology at a good pace. Although the growth of electric car It is evident, this embrace of the public has not gone at the pace that was expected. This has made manufacturers rethink their objectives.. Europe is a smaller market than the North American market (where the electric car is advancing at a very low rate) and the South American market (where the combustion engine seems to continue to be indispensable for many years to come. China is committed to the electric car but its own idiosyncrasies makes electric cars designed to please Europe unsaleable. As a result, manufacturers have lobbied as hard as they can to force the European Union to change the rules of the game. They have achieved itbut in a minimal way. And from 2035, cars with combustion engines can continue to be sold but they will be limited to units for the rich. Meanwhile, there was someone who was betting on the combustion engine, to maintain a wide range of technologies where the heat engine for “the popular classes”. That country has been France. We have the case of Horse Project, supported by Renault and the Chinese group Geely. But the last thing, the French colleagues from L’Automobile It is that of Aramco, who are clear that the future of the combustion engine involves simplifying what we already know. A simpler engine to keep combustion alive As we said, relevant projects have been emerging from France to keep the combustion engine alive. With direct consequences in our country. Or that they should have them. As we said, Horse Project born as a result of the collaboration between Renault and the Chinese manufacturer Geely. This last group owns purely electric brands such as Smart but its own cars, The Geely Starray EM-iwill use plug-in hybrid engines when they arrive in Europe. Lotus, which also belongs to Geely and also had made the leap to “all electric”has reversed its strategy and will also have a new launch supported by a plug-in hybridization platform. It is the latest example but by no means the only one. At the last Beijing Motor Show, the company presented the latest evolution of an electrified V6 engine with three- and four-cylinder configurations that, they say, guarantee minimal consumption and can offer power of up to 400 kW (544 HP) and 700 Nm of torque. The company has part of its future in Valladolid where the R&D&I center in Europe is located for the development of more efficient combustion engines. The situation is not chosen randomly since there it produces the Renault Captur and Symbioz that continue to use combustion engines and very close by, in Palencia, large models of the group such as Southern, Space and Rafale. For Renault, the thermal engine has become essential. While other companies jumped into the arms of the electric car, those with the rhombus have remained faithful to having one foot in the combustion engine and are based on it to make the leap into new markets such as South Korea with the Renault Filantethe company’s most ambitious car in many years and a bet that aims directly at the premium segment. The other big French commitment to a combustion engine is one that comes from the Aramco headquarters. The Saudi oil company is the most valued in the world and has partnered with Pipo Moteursa small company specialized in engine development. This company has been chosen by Aramco to develop a combustion engine that is as simple as possible to adapt it to different needs. The idea is that the engine will be developed directly as a solution for hybrid vehicles. That is, it is a car designed from scratch under this concept, not with the idea of ​​adapting an existing combustion engine to hybrid technology. The final objective is clear: do not oversize the engine. And that happens by going back to the past. With the idea that a good part of the weight will be carried by the electric motor and the power stored in the battery, a single camshaft is chosen for the engine. That is, there are only two valves per cylinder instead of four, as has been the industry standard for decades. Besides, the classic push rod system is used omitting the use of a timing chain. This makes the whole even cheaper in a solution that once again looks to the past. Additionally, the engine (at least on paper) is easily adaptable to different configurations. Thus, to begin with, it is a 1.6-liter three-cylinder that can be converted without many modifications into a 1.1-liter two-cylinder, a 2.1-liter four-cylinder and a 3.2-liter V6, naturally aspirated or with a turbo, as stated in motor.es. All this comes from the offices that Aramco has in the United States but it is Pipo Moteurs, this small company specialized in motors for competition, that is in charge of making the prototypes. The proposal is even more interesting if we take into account that Aramco is a partner of Horse Projectthe aforementioned company mostly owned by Renault and Geely. Photo | Aramco In Xataka | Keeping combustion engines alive in 2035 leaves us with clear winners. Some called BMW, Porsche and Ferrari

LG, Xiaomi, Philips TVs and more at outlet prices until tomorrow

MediaMarkt is celebrating its traditional VAT-Free Day until tomorrow at 9am. If you are thinking about renew some TV in your housethese are the five best deals that we have found in this famous campaign of this store. Philips Ambilight 75PUS8510 4K QLED Smart TV – 75 Inch Screen The price could vary. We earn commission from these links PEAQ PTV 24GH-5025C by 98.34 euros: 24 inches and with Google TV. Xiaomi TV A Pro 32 2026 by 131.40 euros: 32 inches and with Google TV. Haier H50S80FUX by 296.69 euros: QLED, 50 inches and with Google TV. Philips Ambilight 75PUS8510/12 by 685.12 euros: 75-inch QLED and with Titan OS. LG OLED55B56LA by 759.50 euros: 55-inch OLED and with webOS. PEAQ PTV 24GH-5025C We start our compilation with one of the TVs that is always a hit every time it is on sale. This is this PEAQ PTV 24GH-5025C 24 inchesperfect for the kitchen, bedroom or even a second home. Its price now is 98.34 euros. Peaq is MediaMarkt’s own brand and, for its price, it stands out for operating under the Google TV operating system. Additionally, it is compatible with HDR10 and Dolby Audio. Additionally, with a 12V connection, this TV can be used in a caravan or truck and can be powered via USB-C cable. 24″ LED TV – PEAQ PTV 24GH-5025C, HD Ready, Google TV, Dolby Audio, DVB-T2, Black The price could vary. We earn commission from these links Xiaomi TV A Pro 32 2026 If you are looking for a slightly larger TV (although not much), this 32 inch QLED from Xiaomi is a good option for you. Before it cost 159 euros, but now you can take it, during the Day without VAT, for 131.40 euros. This Xiaomi TV A Pro 32 is compatible with HDR10+, Dolby Audio and DTS:X. It works under the Google TV operating system and is also compatible with Apple AirPlayso you can send content directly from your iPhone or iPad. XIAOMI QLED 32″ A Pro 2026 UltraHD 4K Dolby Audio Google TV The price could vary. We earn commission from these links Haier H50S80FUX Another TV with good value for money that is worth it on MediaMarkt’s VAT-Free Day is this one 50 inch QLED from the Haier firm belonging to the S80F Series. Its previous price was 359 euros, but now you can get it for 296.69 euros. It offers 4K resolution and is compatible with formats such as HDR10 and Dolby Audio. The operating system that comes standard is Google TV and it also offers a refresh rate of 120 Hz, making it a good option for gaming. QLED TV 50″ – Haier S80 Series H50S80FUX, QLED 4K HDR10, Google TV, Gaming 120Hz, Dolby Audio, Black The price could vary. We earn commission from these links Philips Ambilight 75PUS8510/12 If you like try the Ambilight experience and on a big screen, this television model is for you. The Philips Ambilight 75PUS8510/12 mounts a panel 75 inch QLED and now it costs 685.12 euros. In addition, you get a refund of 100 euros and six months of free Movistar Plus. This TV works under the operating system Titan OS and its Ambilight lighting system is its hallmark. It supports Dolby Vision and HDR10, as well as voice assistants Alexa and Google Assistant. Philips Ambilight 75PUS8510 4K QLED Smart TV – 75 Inch Screen The price could vary. We earn commission from these links LG OLED55B56LA Finally, if you want to have an OLED TV, now thanks to this MediaMarkt campaign you will not have to pay the average 1,000 euros for the cheapest models of this type. This from the LG firm It is now on sale and you can buy it for 759.50 euros. Your dashboard 55 inch OLED It is perfect for watching movies and series in the dark, for example. The brain of this television is the α8 Gen2 processor and it is a TV that works under the operating system webOS. LG OLED55B56LA – TV 55″, OLED 4K The price could vary. We earn commission from these links

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