It is from Samsung and arrives with a discount and Galaxy Buds4 as a gift

Samsung has new Odyssey monitors. These are oriented towards gaming as usual, although this time we have two that can also be great for us when it comes to working. The best thing is that they are all now available in the company’s official store and they do it with double promo: We have a 10% discount on everyone and, in addition, some Galaxy Buds4 as a gift. Gaming Monitor 27″ Odyssey G8 G80HF 5K 180 Hz Flat The price could vary. We earn commission from these links Taking advantage of this is very simple: all we have to do is use the code ‘NUEVOSIT10’. Right below we are going to see each of the new monitors and, in addition, We will explain how to buy them at the best price. Odyssey G8 G80HS The first of these monitors is the Odyssey G80HS, which is, as you can read in the title of this article, the world’s first 6K gaming monitor. This resolution means that we can play with greater clarity and a more detailed image, although it is also something that will be great for those of us who work with text. All this with a refresh rate of 165 Hz, which is not bad either. The funny thing is that we can go down to 3K resolution (similar to 1440p) and raise the refresh rate to 330 Hz. This Odyssey, which is 32 inches, has DisplayPort 2.1 and is compatible with HDR10+ Gamingas well as with AMD FreeSync Premium and NVIDIA G-Sync, the two most important VRR technologies that allow gaming without tearing (very annoying image jumps). Using the code ‘NEWIT10‘ and ‘Delivery and Premiere‘, Samsung’s renewal plan, remains in 1,119.10 euros (its RRP is 1,299 euros). Gaming Monitor 32″ Odyssey G80HS 6K 165 Hz Flat The price could vary. We earn commission from these links Odyssey G8 G80HF The Odyssey G8 G80HF is a more compact and smaller version of the previous one. It is 27 inches and in this case it has or5K base resolution with a 180 Hz refresh rate. Also like the previous one, it has Dual Mode, so we can lower its resolution to QHD and raise the refresh rate to 360 Hz. Otherwise, It is exactly the same monitor As far as the most important features are concerned: compatibility with both FreeSync Premium and G-Sync, also with HDR10+ Gaming and comes with DisplayPort 2.1 ports. Using the same discount code and using ‘Delivery and Release’ you stay at 624.10 euros (instead of 749 euros). Gaming Monitor 27″ Odyssey G8 G80HF 5K 180 Hz Flat The price could vary. We earn commission from these links Odyssey G8 OLED G80SH We now move on to the Odyssey G8 OLED G80SH. We don’t have Dual Mode here, although it is still a 32-inch 4K monitor. The key point of this Odyssey is that uses OLED technologywhich represents a leap in image quality compared to IPS panels. By not having a backlight layer (their pixels are self-emissive), these types of panels achieve a pure black color and much better contrast, something that we will notice a lot when playing (especially in dark scenes or in horror games, for example). In fact, one of the new features of this QD-OLED panel uses Penta Tandem technology, which means it has a multi-layer structure. This, in practice, means that you have better brightness, efficiency and better resistance to burning that OLED panels tend to suffer in the long run. In addition, it also uses Glare Free technology that helps avoid those annoying reflections on the screen. To all of the above we must add a 98 W USB-C port (ideal for charging a laptop or any device, for example) and a 240 Hz refresh rate, which we have not mentioned above. Using the code ‘NEWIT10‘ and with ‘Entrega y Estrena’ it remains in 1029.10 euros (has a RRP of 1,199 euros). Gaming Monitor 32″ Odyssey OLED G8 G80SH 4K 240Hz Flat The price could vary. We earn commission from these links Odyssey G7 OLED G73SH We only have one Odyssey monitor left to talk about from this new batch from Samsung: the G7 OLED G73SH. It is a cheaper version than the previous G8, although it is still maintaining the 4K resolution and the 32-inch diagonal. It does have certain cuts, such as the absence of Glare Free or Penta Tandem technology. In exchange for this, this Odyssey does have Dual Mode, being able to lower its resolution to FHD, gaining 330 Hz refresh rate. This can be great for, for example, competitive games that require fast and precise movements (it also helps that the monitor has only 0.03 ms response time). Using the same code and with ‘Delivery and Release’, your price remains at 804.10 eurosa discount compared to its RRP of 949 euros. Gaming Monitor 32″ Odyssey OLED G7 G73SH 4K 165Hz Flat The price could vary. We earn commission from these links Bonus Ball: ViewFinity S85TH Although almost all the monitors that Samsung has released, there is one exception: the new ViewFinity S85TH. This monitor, which has a 40-inch curved screenis more oriented to the professional world and to work. It supports Thunderbolt 5 and has a 140W charging port, making it perfect for connecting a laptop. Despite not being an Odyssey, it falls within the same promotion, so it also has some Galaxy Buds4 as a gift and you can use the code ‘NUEVOSIT10’. With this and ‘Delivery and Release’, its price goes from 999 euros to 849.10 euros. ViewFinity 40″ S8 S85TH 5K2K WUHD 144Hz Curved Monitor The price could vary. We earn commission from these links You may also be interested LG 32GX850A-B – Ultragear OLED Gaming Monitor, 32″, 4K (3840 x 2160), 165 Hz, 0.03 ms (GTG), Dual Mode, G-Sync Compatible and FreeSync Premium Pro, Adjustable Tilt and Height, Grayish Purple The price could vary. We earn commission from these links MSI mag 273QP QD-OLED The price could vary. We earn … Read more

In two days the international blockbuster that has restored the luster to the erotic thriller genre arrives on Prime Video

In December 2025, Lionsgate released a psychological thriller based on a self-published novel that had gone viral on TikTok. Paul Feig, known until then for comedies such as ‘My Best Friend’s Wedding’ or ‘Spies’, was in charge of directing it, and the film, starring Sydney Sweeney and Amanda Seyfried, ended up being the biggest box office success for both actresses, the director, and one of the most profitable thrillers in recent years. It is about ‘The assistant’which this Friday the 5th comes to streaming from the hand of Prime Video. In it we will meet Millie (Sydney Sweeney), on parole for involuntary manslaughter, who accepts a job as a live-in maid for a wealthy family. And little else can be said without ruining the experience, because Millie soon begins to detect strange behavior in her boss (Amanda Seyfried) and that the relationship between her employers is not what it seems, in a trotted return to the erotic thriller of the nineties that actually plays as much at being a fast-paced pocket book full of twists and humor as it is an intuitive piece of post-feminist pulp. The film works as a box of surprises where Sweeney and Seyfried shine with two interpretations that seem to have been raised differently: The first is more B-series, the other is more melodramatic. It is this clash of registers that gives a self-conscious and unpredictable touch to the film, and also what makes the genre mixer work at full capacity: serious psychological thriller at the beginning, revenge fantasy later (also changing, for the better, the final stretch of the original novel). ‘The Housemaid’ opened in third place at the US box office with $18.9 million, behind a colossus like ‘Avatar: Fire and Ash’ and the animated film ‘David’. It was not a spectacular exit, but its secret was that word of mouth worked and it did not fall: it barely fell from its privileged position for weeks, and it performed very well at the international box office. The final gross was $401.7 million worldwide, against a production budget of $35 million. It is not surprising that the sequel is already in the works. In Xataka | Among the 19 premieres on Netflix this week, the documentary about the trial that Michael Jackson experienced in his final years

Every time a megaship arrives at a port, the electrical grid collapses. The alternative already exists and does not need cables to the city

Ports around the world face an urgent and unavoidable mandate: decarbonize. The requirement is to turn off the huge diesel engines of commercial and cruise ships once they dock, connecting them to the local electrical grid. However, in practice, port cities have hit a concrete wall: there is not enough capacity in the land network to plug in these giants of the sea. Faced with this bottleneck, the engineering response has been to take the problem off the ground. A consortium backed by the United Kingdom and led by the firm ELIRE Maritime has been successfully validated what they define as “the world’s first floating, grid-independent hydrogen energy center.” The end of endless port works? To understand the impact of this development, you have to look at the current logistical ordeal. As emphasized Enlitinstall traditional shore power supply systems (known in the industry as shore power) is a real nightmare. The process can take between three and seven years, as it requires massive reinforcements of the network, improvements in substations, complex civil works and permitting deadlines that paralyze any progress. All this consuming land space that most ports lack. By placing the energy infrastructure directly in the water, this obstacle is overcome in one fell swoop. Furthermore, since ELIRE Maritime highlight a crucial financial advantage– The system avoids the risk of creating “stranded assets”. Unlike a concrete substation that cannot be moved if shipping routes change, this floating mega plant can be relocated as market demand dictates, giving port authorities complete independence from the network. Technological radiography. Far from being a mere concept on paper, the technology has just passed a rigorous six-month validation program. The physical design, echoed by all the media, consists of three interconnected hexagonal floating platforms that occupy about 1,200 square meters. But how does it supply power without collapsing? The system does not use huge generators to inject shock energy into the ship, but rather works on the premise of a “giant floating battery.” Through continuously operating 1.3 MW modular fuel cells (supported by up to 146 kW of onboard solar panels), the system slowly charges a massive 45 MWh battery bank throughout the week. When a ship docks, this battery releases energy quickly, delivering 5 MW of clean, continuous power without flinching. To fuel this process, the system consumes between 7,500 and 8,000 kilos of hydrogen per week. It has seven tanks on board integrated into low-pressure containers, which require refueling a couple of times a week. This allows ports to gradually adopt hydrogen without having to undertake extensive work to build pipelines or permanent storage facilities on land. The real impact. To ensure its real-world viability, the platform has undergone stability and wave testing in tanks at the University of Strathclyde, while industry giants such as Schneider Electric and Ricardo UK have successfully validated its entire complex electrical architecture. The environmental lights: According to the feasibility analyzes of the Ricardo consulting firm, the system can reduce emissions from docked ships by 77% compared to traditional diesel generation. In tangible figures, this represents a saving of about 47 tons of CO₂ per ship each week (almost 2,450 tons annually), in addition to completely eradicating emissions of toxic particles, nitrogen oxides (NOx) and sulfur (SOx) that poison the air in coastal cities. The shadow of cost: Today, this solution is more expensive than plugging into the conventional network. The estimated energy cost of this hydrogen hub is between £0.25 and £0.50 per kWh, compared to £0.15 – £0.25 for the traditional ground system. However, the consortium argues that this initial extra cost is offset by the astonishing speed of deployment and they anticipate that standardization and the future drop in the price of hydrogen will equalize the trade balance. The potential is immense. The consortium estimates a global market of 62 TWh annually for grid-independent maritime solutions, with the potential to avoid the emission of 500,000 tons of CO₂ in the next decade. Next stops. As detailed ELIRE Maritimethe consortium is already in commercial talks to start the first real deployments in first-tier ports such as London, Singapore, Hamburg, Brisbane and Riga. The future of maritime decarbonization seems to have found a shortcut. It is not about inventing exotic technologies from scratch, but about integrating what we already know works (hydrogen, batteries and electrical power systems) in a much smarter way. If the mainland does not have enough electricity to power the giants of the oceans, the solution, ironically, has always been to go back into the sea. Image | ELIRE Maritime Xataka | The great challenge of drones was to transport loads for kilometers. A Chinese company has solved it with hydrogen

Tomorrow the spin-off of one of the best space uchronias of recent years arrives, and it comes with an unexpected twist

On May 29 Apple TV+ does two things at the same time: closes the fifth season of ‘For All Mankind’ and premieres its spin-off, ‘city ​​of stars‘, from its own creators. The original series has been telling the alternative space race from Houston for seven years, and the new project contemplates it from Moscow, within the Soviet space program that in this uchronic universe reached the Moon first. ‘For All Mankind’ started in 2019 with a simple premise: what would have happened if the Soviets had put a man on the Moon before the Americans? The series This parallel vision has been escalating until it lands on Mars and extends beyond, accumulating five installments and a sixth (already confirmed as the final one) that will close the complete narrative arc. ‘Star City’ is a prequel that returns to the seventies, to the founding moment of that alternative universe, but with the perspective reversed. Where ‘For All Humanity’ assumed the Soviet triumph as a starting point and contemplated it from the United States, the spin-off is installed within the USSR space program: laboratories, cosmonaut barracks, corridors guarded by the KGB… An excellent setting for a proposal maintained by the team from the last seasons of its predecessor, among which stands out Ronald D. Moore, screenwriter remembered for ‘Galactica’, ‘Star Trek: The Next Generation’ and ‘Deep Space Nine’. The cast is led by Rhys Ifans in a role inspired by the Soviet engineer Sergei Korolev (who died in 1966 but survived in this universe and took the space program to unknown heights). And the tone of this ‘City of Stars’ clearly diverges from that of its mother series: if in ‘For All Mankind’ we had a humanist drama of space adventure, here we go to the espionage thriller also inspired by the real Soviet project, where ships less reliable than those of the Americans, deaths hidden from the outside and the presence of the KGB in mission control itself met. In Xataka | Today on Prime Video, a series with a superb Nicolas Cage that is already said to be Marvel’s best proposal in years

The robot vacuum cleaner that climbs stairs is real, it arrives in Spain and no, it is not a robot vacuum cleaner

Robot vacuum cleaners are capable of navigating without getting lost, removing socks with one arm, take out the paw to better clean the corners and even clean themselves. They do a lot of things, more and more, but what none of them did until now was climb stairs. Due to their very format, robot vacuum cleaners have been limited to solid floors. Then Dreame arrived, said “hold my bucket” and launched the Cyber ​​X, a conceptual robot vacuum cleaner that was capable of climbing stairs using caterpillars. At IFA 2025 they taught the conceptthen they turned it to exhibit at CES of this year and today, at last, we can say that it is no longer conceptual. Is a finished productdefinitive, with release date and price in Spain. And no, although it may seem like it, it is not a robot vacuum cleaner, but rather an accessory for robot vacuum cleaners. Stairs up, stairs down This is a conventional robot vacuum cleaner. With those wheels you can overcome an obstacle, but not a step | Image: Xataka As a general rule, a robot vacuum cleaner has two rear wheels that propel it forward and make it pivot by playing with the speeds or direction of travel. Some have a lifting system that allows them to overcome small obstacles, such as a curb, but none usually exceed eight to ten centimeters. What has Dreame done? Inspired by tanks to launch not a robot vacuum cleaner that climbs stairs, but an attachment with four tracks in which the robot vacuum cleaner is attached to overcome the stairs. The Cyber addonan additional product to the robot vacuum cleaner, which makes all the sense in the world if we think about using it in the long term. Few product categories have evolved as much in such a short time as robot vacuum cleaners. Putting legs on a single model makes no sense while, probably, it would be outdated in a few years. Putting it on an accessory that a robot vacuum fits into is simply a much better idea. This is what the Cyber ​​X looks like without any robot vacuum cleaner inside | Image: Dreame And this is what it looks like with a robot inside | Image: Dreame How does it work? The device has four rubber tracks, an independent ladder vision and detection system, and its own charging base. When the robot vacuum cleaner has to climb stairs, it approaches the Cyber But the robot does not move, the accessory moves. The robot is simply a passenger inside. When it reaches a ladder, the Cyber speed of 0.2 meters per second. It takes 27 seconds to climb a step, according to the company, and supports all types of stairs: straight, L-shaped, with floating steps and spirals. It may not seem very fast, but it is faster than what was available until now, which was nothing. In theory, the robot can overcome all types of stairs | Image: Dreame Upon reaching the top, the Cyber the robot undockscleaning as normal. When finished, the robot returns to the Cyber ​​X and can either go up another floor (it can accommodate up to four floors) or go down. It is when it goes down that the Cyber ​​X shows another of its tricks: it is capable of sweeping and vacuuming the steps. On the inside of the rear track there is two little arms with two brushes that sweep the dust and the dirt on the steps. This moves towards a vacuum cleaner with 6,000 Pa of power located in the rear, which in turn is directly connected to a HEPA filter and the dust container of the robot vacuum cleaner that is a passenger. On the back there are little brushes to clean the steps as you go down | Image: Dreame When it reaches the end, the robot activates a soft landing system, so that the front track rests gently on the ground while the rear track descends the last step. This prevents sudden hits on the ground. If necessary, the robot has a braking system that allows it to stop if it detects pets or people while going up or down. Versions and price of the Dreame Cyber He Cyber It will have a price of 1,199 euros to which the cost of the robot vacuum cleaner will have to be added. In this first phase, the Cyber ​​X is only compatible with the series Dreame X60 Pro (all models regardless of the type of mop), whose cheapest model costs 1,499 euros. It is, by all accounts, a premium product at a premium product price. It will be launched in September of this year. Images | Dreame In Xataka | Best robot vacuum cleaners in quality price. Which one to buy based on use and six recommended models

China already has a GPU that competes with Nvidia’s RTX 3060. The bad thing is that it arrives five years late and worse

The china crusade for achieving the complete independence in the field of semiconductors has taken a new step. The problem is that this step has not been as promising as we expected, and in fact it makes it clear that today the Asian giant is still far away of the semiconductor manufacturers that dominate the market. The alternative for gamers that promised. Lisuan Tech (砺算科技), a Chinese company dedicated to manufacturing semiconductors and solutions such as graphics cards for the end-user market, has launched its new GPU for the consumer market, the LX-7G100. The price and expectations. The official starting price is 3,299 yuan (about 420 euros at the exchange rate), and at that price the equivalent graphics card should be at least an RTX5060 Ti, which is usually below 400 euros. What we get in performance is far from that. Performance tests of the LX-7G100 typically fell well short of the RTX 3060.Source: NotebookCheck. Worse than the RTX 3060. The problem is that those who have had access to this graphics card and have evaluated their benefits They have realized that this manufacturer’s GPU is very far from that price/performance estimate. In fact, it usually competes more with the RTX 3060 of 2021, but even with it it loses: it offers approximately 65% of the performance from its rival NVIDIA. Good specifications. On paper, the LX-7G100 should offer more performance. It has a 7G106 GPU, 12 GB of GDDR6 memory and decent bandwidth, for example. However, it does not have truly mature support for DX12 and does not offer an alternative to Nvidia’s DSLL or AMD’s FSR. When used in modern games, performance plummets due to rendering glitches and code translation bottlenecks. Not even for AI. At Lisuan Tech they have also tried to bet on their ability to run local and private AI models. However, most of the development of AI projects is linked to Nvidia’s CUDA architecture. It is true that the Chinese company has its own compatibility layer to translate PyTorch and CUDA code to its native architecture, but the loss of efficiency is notable, which makes inference or local model training tasks become too slow compared to those allowed by Nvidia graphics. difficult to compete. Lisuan Technology announced the first milestones of this launch a year ago. The rumors they indicated that its G100 graphics processor is manufactured by SMIC with a 6nm photolithographic process that complies with US restrictions. An attempt was made to launch in 2023, but Lisuan had financial problems and a capital injection of $27.7 million managed to keep the project going. It remains to be seen if sales ultimately follow through, although certainly its price/performance ratio makes it attractive only to audiences like the Chinese, who may have more difficulties accessing models like the Nvidia RTX. In Xataka | The end of Nvidia in China seems to be very near: its current market share is 0%

Today the culmination of one of the most famous series in the history of Spain arrives on Prime Video in an ironic closing format

When the series ‘Aída’ ended in June 2014 with four million viewers saying goodbye, no one seriously considered a sequel. A decade later, Paco León turns that reunion into metacinema with ‘There and back’which now premieres Prime Videoa film that functions as another chapter, but also as a question about what it means to revisit something that has not completely disappeared from collective memory. It is clear that the dizzying audience figures for ‘Aída’ belong to another era, when audience fragmentation was not as great as it is now. At one of its peaks, the series reached 33.2% share and 6,282,000 spectators. Throughout its nine years on screen, the series led the audience in its first two seasons; During the 2006-2007 season it was the most viewed Spanish fiction, and in the following season it not only maintained the leadership, but did so above foreign productions. ‘There and back’ arose as a commemoration of the tenth anniversary of the end of the series and twenty years of the original premiere. The filming featured almost the entire original cast (Carmen Machi, Mariano Peña, Miren Ibarguren, Eduardo Casanova, Pepe Viyuela, Melani Olivares, Canco Rodríguez and León himself), with the notable exception of Ana Polvorosa (Lore), who felt that she was not at her best to reprise her role. The twist that no one expected was the one that led the film to merge elements of fiction with metanarrative to show the recording process of an episode, mixing the original characters with the actors themselves giving life to themselves. The narrative axis is Carmen Machi’s resistance to returning to the character, and all this with abundant reflections on the nature and limits of humor, which the original series exceeded on numerous occasions. Can’t you make humor out of anything anymore? ‘Back and forth he does it… and he also wonders why. In Xataka | This Prime Video series ends after 7 years and 40 chapters, making history with an audience more divided than ever

a new Citroën 2 CV arrives

The rumors started months ago but it was not until this morning that Stellantis confirmed the return of the Citroën 2 CV. The automotive conglomerate has barely given details of the launch and has only scheduled us for October 2026 when they will reveal more information at the Paris Motor Show. The information also comes one day after the company presents its future plans for the coming years. One that has put Citroën at the center of its strategy for Europe. The confirmation. Our colleagues pointed out Motorpassion Last January, Citroën was preparing the return of the Citroën 2 CV. It was information that seemed almost confirmed after Coach They will speak with the French design team. Now it is Stellantis itself that has ended up revealing the project. In its statement, Citroën tells us that it will not be until October when we will have new news but it does give some interesting clues about what we can expect from this new Citroën 2 CV. A new category. In the press release, Stellantis points out that this new vehicle is “designed to meet the challenges of electric mobility and new urban regulations, it will contribute to the emergence of a new category of affordable small electric vehicles, which offer greater freedom of movement without giving up personality or attractiveness.” Everything seems to indicate that Stellantis wants to fully enter what is known as E-Car, a new category that is yet to be fully defined. The intention of the European regulators is that, in the style of the kei car Japanese, we have more affordable electric cars available. The idea is to have an intermediate category between the heavy quadricycle and the tourism, limited to 4.1 meters long. It has been spokenfor example, to make some regulations more flexible such as current security requirements or to give an outlet to the new license at 17 years old to drive “light” cars before making the jump to the current B1 license that allows driving cars with a maximum authorized mass of up to 3,500 kg. It has also been put on the table that manufacturing will have to be European or, at least, a relevant part of its components, such as batteries. Gasoline? This reference to the supposed new European category raises the question of whether the next Citroën 2 CV will have gasoline versions or will be purely electric. In recent years, Stellantis has opted for multi-energy platforms but we must remember that From 2027 emissions limits will be tightened and selling small cars with combustion engines will be much more expensive. Putting an electric car on the road with reduced dimensions and price will allow Citroën to reduce global emissions within the company. However, registering cars with a combustion engine would lead you to have to redouble your electric sales efforts, which may not compensate. Nor is it a coincidence that the statement mentions that the new 2 CV is “designed to make mobility accessible to everyone (…) in a world that seeks, once again, more accessible and relevant mobility solutions.” That “relevant” seems to underline the idea of ​​the path that Europe has taken towards zero emissions in its cities. Exploiting nostalgia. The Citroën 2 CV is another example of how the automobile industry seems to have remained anchored in nostalgia, although Stellantis tries to distance itself by ensuring that the new model will be “inspired by the spirit of the original, and not by nostalgia.” The truth is that The electric car has brought a certain flavor of the past to try to convince us to jump to a technology that, purely irrational, is not as attractive as the combustion engine. The Renault 4 and Renault 5 They are a good example but it has also been put on the table bring back the Opel Manta in electric format and Volkswagen has readapted its legendary Transporter to the ID. Buzz. And it makes sense. It must be taken into account that an electric car, especially in the city, has many advantages over a combustion car. Matching technologies, electric has lower energy consumption than combustion in a city. Its cost is very lower and the risk of breakdown is also lower. And although savings are always a good incentive to buy a car, it is also a less attractive purchase argument when it comes to exciting the customer. Because when it comes to buying a car, the irrational still weighs heavily. It is no coincidence that car advertisements continue to appeal to emotions. Aesthetics weigh heavily in this and a good reinterpretation like Renault’s can be key to attracting the public that has money right now. That is to say, those who can miss the most the Renault 4, the Renault 5 or the Citroën 2 CV. Stellantis’ plans. Stellantis’ move also fits perfectly with what was announced yesterday by Antonio Filosa, its CEO after the departure of Carlos Tavares. The automobile conglomerate pointed out that iThey will invest 60 billion euros until 2030 and pointed to a multipolarized future where the strategy for the United States will distance itself from the European one. This will be carried out through a reorganization of its 14 brands. Dodge and Jeep will set the pace in the United States and in Europe Fiat and Peugeot will do so. These two companies are clearly segmented by price and everything indicates that they will be the first to launch models on the market and then reach other companies with modified body formats. With these first steps it seems that Citroën will be focused on being the most affordable company, the gateway to the conglomerate to differentiate itself a little from Fiat, which has also targeted the low-end range in recent years. The new vehicle also seems to allow them to compete at a much lower price than the Renault 5 to steal sales, an electric urban car that, on the contrary, has focused on the details in a car designed with … Read more

Today the latest from a master of horror arrives on Disney+, a survival show that was about to end up in a drawer

The last time before this year that Sam Raimi directed a horror film was in 2009, with ‘Drag Me to Hell’, a return to his roots after the ‘Spider-Man’ trilogy and which remains, perhaps, his best film along with ‘Darkman’ and the ‘Evil Dead’ trilogy. After extensive work in the ‘Oz’ franchises and Marvel, he returns to the humor, suspense and violence of that marvel with this fantastic ‘Send Help‘you just landed on Disney+. In it we will meet a shy and lonely woman (Rachel McAdams) who travels with her arrogant and insufferable boss on a flight that ends up having an accident and leaving them on a desert island in the Pacific. What begins as a survival story becomes an inversion of the work hierarchy: the person who knows how to survive in nature is not the same person who rules in the office. From there, a strange and hilarious mix of ‘Cast Away’ and ‘Misery’ that doesn’t cut corners either in the intensity of its most violent scenes or in the grotesque humor with which it portrays its protagonists. The original idea for the film dates back to before the pandemic, when Raimi came across this script from the authors of ‘Freddy vs. Jason’. When COVID happened, cuts came to the industry, and the studio tried convince the director to reduce the budget and release it on platforms. Raimi wanted the production to reach theaters, so the project was presented to the former Fox, now owned by Disney. In an especially profitable year for traditional horror films like ‘Sinners’ or ‘Weapons’, and for thrillers with a twist like the hit ‘The assistant‘, ‘Send Help’ is placed, as is usual for Raimi, in an intermediate and unclassifiable terrain. Extremely dark humor, a description of characters between social caricature and classic horror comics and a load of impossible plot twists for the enjoyment of those who think that plot coherence is for the weak when there is emotion and narrative pulse. In Xataka | Netflix premieres today the dystopian series that has risen to the throne of the best in history in six seasons

He arrives and hides for as many hours as necessary until his objective appears

In some sectors of the front in Ukraine, units began to detect something strange during the night: in the thermal cameras, small hot spots appeared motionless for hours on rooftops, roads or open fields, without anything happening… until at dawn one of them was suddenly activated and everything changed in a matter of seconds. The birth of the “patient” drone. The war in Ukraine has shaped a new figure on the battlefield, another one: a weapon that does not run or pursue targets, and that does not need to be shown, because it simply wait your moment. These are drones that arrive from the air, land silently and remain hidden for hours or even all night until their target appears, transforming combat into a matter of of patience and calculation where the decisive factor is no longer speed, but the ability to anticipate the enemy. This evolution has blurred the lines between mines, munitions and aircraft, creating a system that turns any logistics route, building or road into a latent trap. How to build an invisible ambush. They counted in Forbes The weekend that the success of these drones does not depend on improvisation, but on meticulous prior work based on signals intelligence, aerial surveillance and analysis of movement patterns to determine where and when to place each device. Once the point is chosen, the drone lands in an area that combines concealment and technical feasibility, often with landing gear modified to adapt to uneven terrain, and is connected via fiber optic (sometimes km) to avoid interference and reduce its detectable signature. From that moment on, a wait begins that can last for hours, with the operator waiting for a single opportunity in which the target enters the field of action. Attack without warning. In the videos that have started to circulate showing this type of ambush drone, whose term comes from the way the Russians have called it, Zhduns (“Waiters”)it can be seen that when the moment arrives, the blow is practically immediate and leaves very little room for reaction, since the device is activated from a minimum distance and without the acoustic warning typical of FPVs in flight. Although these systems usually load less explosive to compensate for the weight of the cable and structure, the factor of surprise compensates for this limitation, allowing precise and effective attacks that turn certain areas into psychologically hostile spaces for the enemy. The result is the creation of authentic “scary zones” where any movement can trigger an invisible attack. The war within the war. The response to these systems has generated an additional layer conflict in which there are drones that search for other drones before they “wake up”, using thermal cameras capable of detecting the residual heat of their components even when they are turned off. Added to this are more advanced sensorssweeping air patrols and the use of decoys to deceive the adversary, creating a constantly evolving game of ambushes, counter-ambushes and counter-ambushes that hardly anyone could have imagined a decade ago. In this surreal environment, superiority does not depend only on technology, but on who learns to adapt the fastest. From the air to the ground: robots that expand the trap. Yes, because this same concept of persistent risk is spreading to the ground with the increasing use of unmanned ground vehicleswhich no longer only transport supplies or evacuate wounded, but also participate in direct attacks and offensive operations. These systems allow reduce exposure of soldiers, taking on critical logistical tasks and, in some cases, holding positions for weeks or launching coordinated attacks against enemy positions. The integration of ground platforms with aerial drones adds a new dimension, allowing ambushes to be deployed from unexpected locations far from the front. Battlefield learning alone. If you also want, it is very possible that the next step points towards increasingly autonomous systems, with artificial intelligence capable of monitoring, detecting movement and alerting the operator, reducing human burden and multiplying the number of devices controlled simultaneously. Although there are technical and ethical limits, especially when it comes to identifying targets, the trend seems clear: battlefields saturated with machines capable of to wait indefinitelylearn from the environment and act at the right moment. In this scenario, war stops being a succession of visible confrontations and becomes a network of hidden threats where the most dangerous enemy is the one that has been waiting for hours (or days) without being seen. And with an unprecedented advantage: impossible to track your breath. Image | x In Xataka | Russia has an unprecedented enemy in the Ukrainian war: Japan has just landed with a weapon to take down its shaheds In Xataka | Ukraine has recalled the weapon used with Stalin to convince the US: literally, turning Donbas into “Donnyland”

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