Anya Taylor-Joy is a lucky con artist in one of this week’s most intriguing premieres, now streaming

Apple TV+ premieres today the first two episodes of ‘Lucky‘, a series with a few stars in the cast and that is based on a formula that the platform already knows well: turning a best-selling novel into a streaming success. In this case, it adapts the book of the same name by Marissa Stapley, published in 2021 and which went viral a few months later, when it was chosen as a recommendation for Reese Witherspoon’s reading club. From there, the book topped the sales charts for months. The plot, however, partially moves away from the original starting point. In the novel, Lucky Armstrong is a con artist who wins the lottery with a ticket purchased at random and cannot collect it without giving herself away. The series changes the mechanism: a million-dollar heist goes wrong, causes her husband to disappear and she finds herself pursued by both the FBI and a mafia boss. However, the result wants to preserve the spirit of the original character. Leading the cast, Anya Taylor-Joy returns to television for the first time since Netflix’s memorable ‘The Queen’s Gambit’. She’s joined by Annette Bening as her mother-in-law and crime boss, and the always-worthy Timothy Olyphant. The aforementioned Reese Witherspoon, after discovering the novel, continues to be linked to the story by producing it (this is not the first time she has done so, her hits were ‘Gone Girl’ and ‘Big Little Lies’), and TTaylor-Joy also serves as executive producer through her own company.Ladykiller. On this occasion, ‘Lucky’ seems to follow in the footsteps of ‘Presumed Innocent’, which was based on a best-seller by Scott Turow and also had a cast of bells headed by Jake Gyllenhaal. Here again we find great actors, a taste for intense thrillers (here seasoned with explosive action sequences) and a visual finish, as always in Apple TV+, which puts the platform several steps ahead of its competitors. Not much will be said about ‘Lucky’, but it will undoubtedly become one of the proposals to follow this summer. In Xataka | 11 years after its end, this masterpiece of British suspense comes streaming and completely free

the delay of streaming compared to DTT

This World Cup has involved a meeting in the field with friends in every match in Spaina fairly typical scene that shows that, when there is football (and even more so when La Roja plays), everything comes to a standstill. We take the TV out on the porch, grab some chairs, have some snacks and dinner, and what more could you ask for. Well yes, one thing is: don’t let the neighbor spoil the surprise of the goals. Since we did not have a coaxial cable antenna at hand, we streamed through the app Movistar Plus+. The thing about streaming is that, generally, the retransmission it’s more late than the signal that is emitted from DTT. It is not particularly annoying as long as there are no cuts, but an event like a World Cup, where each goal is shouted out loud, can become quite a nuisance. And even more so when the signal is more than a minute late, as was the case with us. So I couldn’t think of anything other than to explain the reasons why this happens and its possible solutions. The traditional antenna is faster than it looks Traditional television, which is received via antenna, also has its own delay. It has never been a one hundred percent instantaneous broadcast, since the networks They usually apply a small margin between five and ten seconds, precisely to be able to cut off in time if something inappropriate happens live. This cushion has existed for decades and is the same for all viewers who watch the signal on the antenna. The difference is that this delay is short, stable and homogeneous. Everyone who watches the game on DTT sees it, more or less, at the same time. However, in streaming things change. The (much longer) journey of a signal over the Internet To understand why streaming always arrives later, we have to follow the path that the image takes from the stadium to our devices. And this journey goes through several stages: first with the capture of the image, then with encoding, transcoding, distribution and, finally, decoding on the viewer’s device. Each of those steps adds timeand none are instantaneous. Image generated by AI with Gemini The key is how that video is distributed over the internet. The vast majority of streaming platformswhether large general services or sports applications, use protocols such as HLS or its equivalent DASH. Both work in a very specific way, since the server does not send a continuous stream of video, but rather cuts it into small fragments of between two and ten seconds in length, which the player downloads one after the other. So that the playback is not cut off or stuck if the connection fails for a moment, the player does not limit itself to downloading the fragment that is to be seen at that moment, but also also save several fragments aheadsomething we call “buffer“. This mechanism prioritizes making the video look fluid over seeing it at the exact moment it happens, and that is precisely the price you pay in seconds of delay. To this we must add the distribution through the so-called CDNs (content distribution networks), which are the infrastructures that allow millions of people to watch the same game at the same time without the original servers collapsing. The CDN77 company calculate that, adding network latency, transcoding time (about five seconds on average) and the player’s own buffer, common HTTP protocols generatea total delay of between 25 and 40 secondsfrom the moment the play occurs until it reaches the viewer’s screen. Amazon Web Services, which provides technical support to numerous streaming platforms, matches in that the player’s safety margin is a decision made by each application, and the greater the margin, the more protected the playback is against cuts, but also the later the image reaches the viewer. There are extreme cases. FEED technical magazine remember that, during the last Euro Cup, many viewers received the notification of the goal on their mobile phone before even seeing it on the screen streaming, and also cites the case of boxing match between Mike Tyson and Jake Paul broadcast by Netflix, which had significant loading and lag problems. And there is no solution? It’s not that the platforms don’t want to reduce the delay, it’s that they want to do it without sacrificing image quality or connection stability It is complicated and expensive. In current streaming, each application distributes the content through its own distribution networks, which causes the delay to vary from one service to another, something that does not normally happen with classic television, where all viewers usually share the same delay. This is precisely why “low latency” versions of common protocols, known as LL-HLS and LL-DASH, have begun to appear. These variants allow the player to start downloading and to show a video fragment even before that fragment has completely finished recording, instead of waiting until it is completely closed. It is a technical change that can cut the delay from the usual 15-30 seconds to just two or five, depending on collect the Dacast platform. Some chains have already begun to apply it in practice. From FEED they count that Sky Sports launched a low latency version of its main channel this year that has managed to reduce the lag by 20 seconds compared to the previous version, and that the BBC has done its first tests of low latency streaming on its iPlayer platform to measure how this technology behaves on a large scale with the current internet infrastructure. What can you do While waiting for these technologies to become widespread, something that in an event with the global audience of a World Cup is neither easy nor cheap to implement, the most practical recommendation is still to turn on the antenna whenever you can, if you don’t want your goal spoiled, and flee from WhatsApp and social networks at that time. Cover image | Wemax Projectors (Unsplash) and RTVE In … Read more

11 years after its end, this masterpiece of British suspense comes streaming and completely free

The day it aired its last episode and thus definitively closed its exciting story, half of the British television audience that night was hooked by the end. Three years have passed since that (and eleven since the broadcast of the first episode), and now the extraordinary ‘Happy Valley‘has landed, without subscription or registration, in the catalog of TV Artcompletely free access. In this BBC series We will meet police sergeant Catherine Cawood in Halifax, West Yorkshire, who combines daily work in an area plagued by drugs and low-level crime with a personal life marked by the suicide of her teenage daughter. Catherine raises her grandson, lives with her sister, a former recovering addict, and carries a deep resentment towards the man she considers indirectly responsible for that tragedy. When he leaves prison and returns to the area, he is involved in a kidnapping that crosses his path again with that of Catherine. Each of the three seasons of the series develops a different criminal case, but maintains the pulse between both characters and the portrait of Catherine’s degraded family environment. And all this without leaving the Calderdale region, which It works almost like another character, with its closed climate and its battered economy. due to deindustrialization. The third and final season closed the story with 7.5 million viewers and an incredible share 41.6%, very rare figures to see today. ‘Happy Valley’ is one of the best pieces of that fascinating subgenre that is the British rural police drama, which series like ‘Broadchurch’ or ‘Line of Duty’ had previously cultivated. This plot is also close to ‘The Hunt’ or ‘Mare of Easttown’: an exhausted researcher who brings her personal life to the center of the plot. In any case, this multi-award-winning and highly praised three-part story has its own personality and is worth recovering. Especially now that you have it just a click away. In Xataka | It’s been 20 years since we saw its last episode but audiences have not fallen, and 5.9 million viewers continue to watch it every month

Today in streaming, one of the most epic box office failures of recent decades receives a portrait worthy of its legend

Mike Figgis sent an email congratulating Francis Ford Coppola for resuming, forty years after imagining it, a project called ‘Megalopolis‘, a film financing and collection apocalyptic He added a postscript half jokingly: if he felt like it, he could document the filming. Coppola accepted, and thus ‘MegaDoc‘, that Filmin premieres today. Figgis had full access to the filming, without a script or preconditions. Figgis and Coppola had known each other since the nineties, when the Briton directed Nicolas Cage, the director’s nephew, in ‘Leaving Las Vegas’. In November 2022, when filming began, ‘Megalopolis’ was the biggest unknown in American independent cinema: a science fiction fable set in a New York inspired by Catiline’s conspiracy against republican Rome, financed entirely by Coppola with more than 120 million dollars from the sale of part of his wine business There is a very interesting detail in the nature of ‘MegaDoc’. Eleanor Coppola, the director’s wife for more than sixty years, died on April 12, 2024, just a month before the premiere of ‘Megalopolis’. It was she who in 1991 directed ‘Corazones en tinieblas’, the documentary about the filming of ‘Apocalypse Now’ that became the making of in its own genre within documentaries. ‘MegaDoc’ inherits that family tradition of documenting the creative process from withinalthough this time it is a filmmaker from outside the clan who holds the camera. In ‘MegaDoc’ we will see Shia LaBeouf’s confrontations with Coppola, who even told him that he was the most difficult actor he had ever worked with. Aubrey Plaza turned Figgis almost into another character in the film, ordering her without leaving her role as the Wow Platinum presenter to follow him as if it were her personal camera. Adam Driver, the protagonist, asked not to be filmed during filming and only gave an interview at the end. The result is a documentary as eventful and as peculiar in its destiny as the film it portrays. In Xataka | Today on Netflix, the exciting third installment of one of the most viewed sagas in the history of the platform

Today on Prime Video, a disaster movie that lost 45 million in theaters but is sweeping streaming

In January 2026, ‘Greenland 2‘ premiered at number six at the US box office and closed its run in theaters with 44.8 million dollars collected against a budget of 90. The numbers are incontestable: a tremendous failure. Five months later, the sequel starring Gerard Butler tops the most watched lists on HBO Max in the United States, and now lands in Spain in Prime Video. The story of this saga begins with a pandemic and a comet. The first ‘Greenland’ never reached American theaters: COVID-19 forced it to be transferred directly to video on demand in December of that year. In international cinemas it did have a theatrical release, and it worked very well, since the reviews were good despite it being a genre not very popular with specialists. But it was the perfect time for a film of this type. The sequel tried to ride that same wave, but it didn’t turn out so well, although it ended up finding its audience. The family protagonist of the first installment has been in an underground bunker in Greenland for five years after the impact of a comet, but a series of earthquakes destroys the shelter and forces them to evacuate. They will head towards the south of France, where a crater has generated a habitable microclimate, free of electromagnetic storms and radiation. A true epic in which they will have to test their courage, their resistance and their trust in the family unit. The trajectory of ‘Greenland 2’ has parallels with that of ‘Tomorrow’s War’, the science fiction thriller with Chris Pratt that Paramount gave to Prime Video during the pandemic. It passed without pain or glory in theaters, with barely 19 million dollars collected against a budget of 200 million, but it became one of the most viewed films of the year. streaming at that time and one of the first massive successes of the Amazon platform. New dynamics of exploitation, new unexpected successes, and yes, a common point: the destruction of the planet, better to see it comfortably at home. In Xataka | Premiere: Harlan Coben is the real King Midas of Netflix, and he has a new series to confirm it

the latest from the director of ‘Longlegs’, streaming in two days

Oz Perkins has become one of the key names in modern horror thanks to films like ‘Longlegs’ (127 million grossed with a budget of less than 10) or ‘The Monkey’, which adapted a story by Stephern King, all filmed and released in record time. With them still fresh he arrivedKeeper‘, his third feature film in sixteen months, endorsed by Guillermo del Toro, Bong Joon-ho and James Wan. In theaters it did not attract as much attention as its predecessors, but from this Thursday you have the opportunity to see with your own eyes if Perkins is the last great master of horror or a bluff in Movistar Plus. ‘Keeper’ was filmed while work on ‘The Monkey’ was paralyzed by the writers’ and actors’ strikes of 2023. With these time and budget restrictions, a single location and a small cast were chosen: the film follows a couple celebrating their first anniversary in an isolated cabin in the countryside, where the dark secrets of one of them begin to emerge. In this way, Perkins turns topics such as control in the couple or toxic masculinity into horror material. The film relies entirely on the work of its two protagonists, especially that of Tatiana Maslany, known for ‘Orphan Black’ and Marvel’s ‘She-Hulk’. But The most striking thing about the experience is its wonderful monstersappearances and special effects: beings with faces frozen in an infinite scream, creatures with multiple faces, twisted necks… However, the film did not convince. The opening weekend numbers were the worst of Perkins’ directing career. ‘Keeper’ only cost 6 million dollars, and even so, it fell short when it came to recovering the investment, with 6.2 million dollars in collection that pale in comparison to the aforementioned 128 of ‘Longlegs’ or the 68 of ‘The Monkey0. Still, it is a wonderful claustrophobic nightmare that makes clearer than ever everything that Perkins owes to Cronenberg, Aster or Argento. Now you have the perfect opportunity to re-fish it. In Xataka | Today the new film ‘The Lord of the Rings’ arrives on Netflix by surprise, whose genesis is as interesting as its plot

what it is and how it wants to revolutionize streaming with its improved efficiency

Let’s explain to you what is AV2 codeca new video codec that has arrived after more than five years of development. It is the successor of the AV1 present in most large platforms where video is broadcast over the Internet, so it represents a future improvement in how we all watch online videos. We are going to start the article by explaining what this codec is and what it is for, so that you understand it even if you have never heard of its predecessor. Then we will tell you its main improvements, and we will end with an estimate of when it can start arriving. What is the AV2 codec and what is it for? A video codec is the technology, the software responsible for compress and decompress moving images. Thus, the images are sent from a server to your computer compressed so that they do not occupy or consume excessive amounts of data, and then they are decompressed on your computer to view them in maximum quality. For example, if you wanted to watch a 4K movie on a streaming service, this would possibly cost you huge amounts of gigabytes, and would require a connection of a speed that not everyone has. But thanks to video codecs, less data is consumed on the mobile, and you require less fast WiFi than if the video were uncompressed. That said, AV2 is the successor codec to the very popular AV1currently used by YouTube, Netflix, Twitch, Instagram, Discord, and many other video platforms. It has been developed by the Alliance for Open Media (AOMedia), a consortium made up of more than 50 companies, including Google, Apple, Netflix, Amazon, Intel, Nvidia, Microsoft and Samsung. The main characteristic of AOMedia developments is that it works under a free patent policy, so any manufacturer or platform you can implement the codec without paying licenses. This is what makes its adoption expected to be as massive as that of its predecessor. In fact, its objective is the same: that you can watch higher quality video with less bandwidth, or with the same quality but consuming less data. Of course, it comes with a series of technical improvements that will improve the experience even more. AV2 codec news According to its creators, the AV2 offers 30% higher compression efficiency than AV1 approximately, with improvements of 28.6% in the YUV-PSNR metric and 32.6% in the VMAF benchmark. This means that you can get the same image quality when you watch movies or series on services like Netflix, but consuming 30% less bandwidth. Furthermore, if you already have a good fiber, the platform will be able to offer you higher image quality with the same connectionmaintaining the same bit rate. This makes it a new codec especially useful for 4K or 8K content. Therefore, when platforms begin to adopt this new technology we should notice an improvement, at least, in the data we consume when viewing content. On a technical level, in addition to these new features, these others stand out: Larger superblocks: AV2 uses 256×256 pixel blocks versus AV1’s 128×128, allowing for smarter partitioning and improved image prediction. Up to 7 reference frames: This improves prediction of movement between scenes. Support for immersive and multi-stream formats: Support is included for formats such as 3D videos through several layers, and for sports broadcasts with several simultaneous cameras. Planned future extensions: The AV2 codec is also expected to eventually implement support for 12-bit video and greater color depth, as well as potential AI/ML capabilities, which will be offered as optional extended profiles. When will AV2 arrive? The AV2 codec has been official since the beginning of June 2026, but for it to reach devices such as smart televisions or mobile phones, chips are needed that are capable of playing files compressed with this technology. Therefore, possibly not until 2027 or 2028 when, with the arrival of chips from MediaTek, Qualcomm, Amlogic or Rockchip that incorporate support for the technology, it begins to reach us all en masse. That will also be when we start to see it arrive on the main streaming platforms, although there are no specific dates for this either. It will just do it over time. Support will also have to start arriving in the main Internet browsers. According to AOMedia, 53% of its members plan to adopt AV2 within 12 months of its launch, and 88% plan to do so within the next two years. Therefore, The technology is ready and now it needs to be implementedand this will take time. In Xataka Basics | How and where to download 4K and full resolution wallpapers for your Windows PC

It is the most faithful recreation of a Viking battle in history, in a film that you can watch for free on streaming this week

There is a sequence in sensational viking epic ‘The man of the north where the attackers move in columns, not in lines, as the Vikings actually fought. Any other production would have ignored that detail, but its director Robert Eggers remained faithful to reality. Now you can check it out for free and until June 19 on the platform RTVE Play. Historian William Short analyzed the combat in the film, evaluating how faithful the film’s depiction of battles was, and gave it a 9 out of 10 for historical accuracy, recognizing that the depth of Eggers’ research is reflected in the attention to these types of details. From Viking combat techniques to the credibility of the costumes, weapons and rituals of the time. For comparison, Short was much less generous with the 1958 classic ‘The Vikings’ with Kirk Douglas, to whom he gave just a 5 out of 10 for historical accuracy. Short’s starting point was precisely that battle formation in columns: the Vikings did not advance in long lines along the battlefield, and in the film three very characteristic advancing columns are distinguished. But his successes go further: Short also examined the figure of berserker played by Alexander Skarsgårdand although the nature of the berserkers remains somewhat mysterious, sources document that they went into a battle frenzy, howling like wolves and biting at their shields. As for the language, Eggers did not opt ​​for the usual English in these productions. He worked with Icelandic linguist Haukur Þorgeirsson to reconstruct Old Norse in ritual scenes and chants, taking poems written in medieval Iceland and reinterpreting them into what would have been the pronunciation of his time. In short: a must-see film for devotees of Nordic culture that is worth claiming, especially considering that it was a failure at the box office with just 69.6 million in worldwide receipts. In Xataka | Today on Netflix: the first stop-motion film made in Mexico arrives with the seal of Guillermo del Toro

Schwarzenegger was the absolute king of the box office in the 80s and 90s. His next two films will go directly to streaming

Let Schwarzenegger’s next thing go straight to streamingcoming from the actor who dominated the global box office for fifteen years (from ‘Terminator’ to ‘The End of Days’, passing through ‘Predator’, ‘Total Challenge’ and a ‘Dangerous Lies’ that raised almost 400 million dollars and it was the first film in history to exceed a budget of 100 million), it may seem like a step backwards. But yes: while those two projects land, he is also working on what he considers the definitive project of his career, and that one is going to theaters. First movie. The first of these productions is titled ‘The Man with the Bag’ and arrives on December 2, 2026 on Prime Video. Adam Shankman (‘Modern Family’, ‘Only Murders in the Building’) directs a Christmas action comedy in which Schwarzenegger plays Santa Claus, whose magic bag of gifts is stolen and is forced to turn to an ex-thief recently released from prison and signed off his own list of naughty children to recover it. Alan Ritchson (‘Reacher’), Awkwafina and Ken Jeong complete the cast of this action-packed family entertainment. Second movie. ‘The Kellys’ has a different register: it is a police thriller directed by Brad Peyton (‘San Andrés’), also for Prime Video. Liam Hemsworth is a New York cop whose wife is taken hostage by terrorists inside an abandoned military building. To rescue her he will have to team up with his own family. Among them is Schwarzenegger, although his exact role has not been detailed. The premiere is scheduled for 2027. How we got here. We are not talking about a career exactly in decline: since his greatest hits triumphed in cinema, Schwarzenegger’s career has gone through unusual interruptions, such as his political career. When he returned to the (other) showbiz, in 2023, he made his television debut with ‘FUBAR’, a spy comedy for Netflix that started with 11 million views in its first two days. The second season, however, barely lasted a week in the Top 10, and was canceled. However, his eternal rival and business partner Sylvester Stallone has gone in another direction. In ‘Tulsa King’, Stallone has found solid television continuity for his career, which has already been going on for two seasons and counting. One possible cause is that Stallone built a new image from scratch on television, while Schwarzenegger tried to export his action image to streaming, and it didn’t quite stick. Conan King. Meanwhile, the actor is working on what he describes as the central project of this last phase of his career. ‘King Conan’ is scheduled to begin filming in 2027, with Christopher McQuarrie (director of the last four ‘Mission: Impossible’) at the helm, for 20th Century Studios and with distribution planned in theaters. Schwarzenegger described the project with a reference that says a lot about the tone and intentions of the project: ‘Unforgiven’ by Clint Eastwood. The idea is to portray a Conan who has been king for forty years, who has aged, who no longer has the physique of his glory years and who is beginning to be vulnerable. An action hero in decline as dramatic material: very far from what he is going to try now for streaming. In Xataka | Romantic series continue to arouse passions and Amazon has 25 million viewers to corroborate it

Tomorrow the new version of a classic sordid thriller that gave Scorsese one of his masterpieces comes to streaming

John D. MacDonald published his novel ‘The Executioners’ in 1957. Since then, the same character (Max Cady, the ex-convict who returns to civilian life determined to destroy the life of the lawyer who locked him up) has survived two films, a television series, 69 years of life and three generations of leading actors (Mitchum, De Niro, Bardem) giving him life. Now, ‘Cape Fear‘ comes to Apple TV+ with Javier Bardem in the role of Cady and a premise that, this time, puts a woman in the eye of the hurricane. This is the most visible modification compared to the movies: a former lawyer (Amy Adams) who works in an NGO dedicated to exonerating unjustly convicted prisoners, is married to a lawyer for wealthy clients (Patrick Wilson). This time there is an intimate and forbidden relationship at Cady’s (Javier Bardem) trial, which accentuates the idea of ​​a family with a dysfunctional point that the villain wants to blow up. The series format also helps to expand the children’s characters: one goes through depression and is a victim of social isolation, another carries the label of “perfect daughter” while her parents overprotect her problematic brother. The person responsible for the series is not a newcomer to the genre. Nick Antosca is the creator of the magnificent anthology horror series inspired by creepypasta ‘Channel Zero’, and showrunner of the award-winning ‘The Act’, which turned an apparent story of true crime in a tortuous descent into the abysses of the mind. Some perfect precedents for a story that wins the murkier it appears. The main comments of the series, as it could not be otherwise, will be brought together by Javier Bardem in his new incarnation of Max Cady, especially because the comparison with his two predecessors is inevitable: Robert Mitchum captured a subtle evil, De Niro opted for biblical and explosive madness, and Bardem brings us sexual charisma and contained violence. Without a doubt, it will be a good way to see if this old story continues to stand the test of time. In Xataka | Today on HBO Max: the latest film directed by one of the greatest masters in the history of cinema

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