why in moments of fatigue or anxiety we look for certain flavors and textures

Reaching the end of the work day, closing the computer and having very high anxiety levels are the ideal components for going to the kitchen almost automatically. And we are not looking for a healthy food like a salad or an apple, but the brain seems to be urgently asking for a pizza or a tub of ice cream. And it is not a question of gluttony, but it is pure and simple neurobiology. The evolution. Something we know quite well is that the human relationship with food completely transcends the mere caloric need for survival, but is one of the most important primitive tools. of emotional regulation. But it doesn’t always work in the sense of eating the more calories the better. And it is that, while the chronic stress and fatigue push us towards a carbohydrate binge, deeply negative emotions, such as extreme sadness or grief over losing someone, cause exactly the opposite: the hermetic closure of the stomach. Because? When we talk about stress eating, science is quite clear that this pattern does not seek to satisfy the “physiological hunger” that we all feel in order to survive and that appears gradually and is satisfied with almost anything. Here we talk specifically of an “emotional hunger” that appears suddenly and is satisfied with a very specific, and not at all healthy, food. The blame for this food kidnapping lies with to a large extentthe hypothalamic-pituitary-adrenal axis. This is a very important system that in a situation of acute stress, such as when a car is about to hit us, releases a large amount of adrenaline. In short, it is a system that prepares us to fight or flee, and logically suppresses appetite because in this moment of danger, the last thing the body ‘thinks about’ is digestion, but rather it ‘thinks’ about sending blood to our muscles so that they function at maximum performance. The problem It comes with the chronic stress that work, bills or studies can generate, where the body is constantly releasing cortisol. And this is fundamental, since as demonstrated the classic study According to researcher Elissa Epel, high levels of reactive cortisol alter satiety signals and send a message that warns that the body is in constant danger and needs store energy quickly in case it is necessary in the future. This is where we see that our overall system was developed at a time where food was not always availableand has not yet adapted to ‘modern life’ so as not to have these types of reactions. The carbohydrates. We’re not just looking for calories, we’re looking for neurochemical rescue. This is where the consumption of sugars and fats explosively activates the brain’s reward system, releasing a flood of dopamine which is a form of self-medication, since here food temporarily acts as a buffer from emotional discomfort. In addition, simple carbohydrates play a fundamental role in the synthesis of serotonin, the neurotransmitter associated with well-being and calm. In this way, when eating a plate of pasta or a sweet, we make it easier for tryptophan crosses into the brain and the result is a real, although ephemeral, calming effect that conditions our brain to repeat the action every time we feel very overwhelmed. The case of sadness. If stress pushes us to the refrigerator, acute pain and grief keep us away from it, since in the case of being sad it is quite common to have hardly any appetite, which is also one of the most classic symptoms of some types of depression. Something that we see as quite logical, but the reality is that we have seen that food is comforting; The obligatory question would be: why doesn’t it help with sadness? The reason. Grieving the loss of someone very dear to us establishes in the body a state of biological alarm that is different from the daily stress generated by work or studies. Deep sadness activates the sympathetic nervous system, keeping it in exhausting hypervigilance, and this is a problem. The problem is that digestion is managed by the parasympathetic system and the vagus nerve and in this state of sadness it is completely inhibited, because when the sympathetic system is activated, the parasympathetic is ‘turned off’. The most immediate consequence is that the gastric emptying slows down drasticallycausing nausea, a knotted feeling in the stomach, and a physical inability to swallow or digest solids. Priorities. In this way, the body in its maximum state of sadness prioritizes psychic survival and emotional processing of the trauma that has been experienced over routine metabolic maintenance. From here, the food simply loses its flavor, and the inability to feel pleasure blocks the release of dopamine that would normally give us an appetizing and caloric bite. A cultural question. Since the state of grief causes someone to be unable to eat properly or do everyday tasks such as cooking, all human cultures have developed eating rituals around grief and death. This translates into sharing food in these times of grief or at least making it available to anyone who needs it. But we have also seen how in some cultures food is shared after a funeral to reinforce the social fabric. Here food acts as a tangible reminder that life goes on and that the individual has not been isolated from the group. Images | Drazen Zigic in Magnific Robin Stickel In Xataka | Eating in front of a screen is not a modern mania: it is the new social ritual

Generation Z has found the remedy to streaming subscription fatigue: buying DVDs again

Sales of DVD, Blu-ray and 4K UHD stopped their decline in 2025. They only fell 9% compared to declines of more than 20% in the previous two years. What is the reason for this slowdown? To an unexpected factor, an unforeseen audience: young people from Generation Z who are filling video stores, promoting labels boutique like Criterion and Arrow and turning the physical format into a gesture of resistance against the massification of streaming. Plummet. For more than a decade, the physical format market in home video followed a downward trajectory that seemed irreversible. Between 2019 and 2023 it was reduced by 40% in the United States alone, and the disappearance of chains such as blockbuster it reinforced the feeling that the album was an exhausted medium. In 2024, DVD and Blu-ray sales were below a billion dollars for the first time. Gasping. However, in 2025 a different phenomenon has been detected: the physical disk market generated 870 million dollarsthat is, it only decreased by 9.3% compared to the previous year. What’s more: in the 4K UHD segment (which allows high-quality viewing at home), US consumer spending grew 12% year-on-year. All this in an extremely unfavorable context: with the unstoppable growth of streaming (19.8% in 2025), the physical format represents only 1.4% of total home entertainment. Fed up with streaming. The overdose of supply in streaming is ultimately causing a tiredness effect. According to recent studies47% of American consumers say they pay too much for their insurance services streamingand 41% consider that the available content does not justify the price. The average number of subscriptions per household has been four for a couple of years, an amount that could be at its critical point. DVD solution. Added to this saturation is a problem that film fans know well: the platforms are unreliable and the catalogs change without prior notice. Movies and series disappear for reasons ranging from the completion of exploitation contracts to tax reasons. In a ‘Los Angeles Times’ piece that has investigated this interest Of the youngest to recover physical formats, some young people under thirty spoke about how they became interested in cinema during the pandemic, describing DVD collecting as an act of rebellion against the fragmentation of streaming. Blockbuster, meeting point. That same article talks about renovated versions of old video stores as meeting points for these new collectors. Of course, it is something that mainly concerns the United States, where such specific types of businesses make sense: Vidiots, in Los Angeles, also functions as a movie theater, and is registering its highest revenue peaks since its opening, with an average of 170 daily rentals. Also from there is Cinefile, which has 500 paying members. Visiting the video store functions as a social activity that streaming cannot offer and the community dimension is key to understanding why the phenomenon exceeds pure nostalgia. And you don’t have to go to such specialized stores: Barnes & Noble, one of the few large chains in the country that maintains a space dedicated to the physical format after the withdrawal of Best Buy and Target, speaks of a double-digit percentage growth during the last year. And they point out that the demographic profile of their buyers is increasingly younger. Stamps boutique. The situation experienced by domestic editions is completely unprecedented in the history of the medium: while the major studios reduce their commitment to the physical format, independent labels are experiencing a moment of expansion. Criterion Collection speaks of “significant year-over-year increases” in sales. The cult film specialist Vinegar Syndrome also experiments similar trends. Of course, sales are incomparably lower than the good times of the physical format, but we are not talking about residual phenomena either. In Spain alone, for example, there are half a dozen labels specialized in reissues of films that cannot be found in streaming (El 79, Cameo, Gabita Barbieri, Trashorama…) that survive crises and recessions alluding to a loyal audience and a cinema that cannot be seen any other way. The inevitable comparison. It is inevitable to think of an analogy with the vinyl recoverythe cassette and the VHS that the previous generations, Millennials and Gen-Xers, have carried out. This has been going on since the mid-2010s, in a mix of nostalgia, vindication of the physical and endless discussions about audio and video qualities. Two decades latervinyl is facing its eighteenth consecutive year of growth, with $1.4 billion in sales (the highest figure since 1984) and 44 million units in stores, surpassing the CD for the third consecutive year. The key difference is that vinyl has an industrial infrastructure that supports it: record companies that prioritize the format, active manufacturers and a distribution chain. The physical video, on the other hand, loses player manufacturers and the big studios prioritize streaming about the disc editions. Video game consoles, eternal support of the format, already have institutionalized versions of their hardware without disc readers. At the moment, the recovery of DVD and Blu-Ray is an isolated phenomenon. But those who we keep listening to cassettes We know better than to look over our shoulders at a format that seems dead. Header | Photo of Lance Anderson in Unsplash In Xataka | Despite streaming, I still buy Blu-Rays and DVDs. But the reason has nothing to do with image quality.

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