Tomorrow the spin-off of one of the best space uchronias of recent years arrives, and it comes with an unexpected twist

On May 29 Apple TV+ does two things at the same time: closes the fifth season of ‘For All Mankind’ and premieres its spin-off, ‘city ​​of stars‘, from its own creators. The original series has been telling the alternative space race from Houston for seven years, and the new project contemplates it from Moscow, within the Soviet space program that in this uchronic universe reached the Moon first. ‘For All Mankind’ started in 2019 with a simple premise: what would have happened if the Soviets had put a man on the Moon before the Americans? The series This parallel vision has been escalating until it lands on Mars and extends beyond, accumulating five installments and a sixth (already confirmed as the final one) that will close the complete narrative arc. ‘Star City’ is a prequel that returns to the seventies, to the founding moment of that alternative universe, but with the perspective reversed. Where ‘For All Humanity’ assumed the Soviet triumph as a starting point and contemplated it from the United States, the spin-off is installed within the USSR space program: laboratories, cosmonaut barracks, corridors guarded by the KGB… An excellent setting for a proposal maintained by the team from the last seasons of its predecessor, among which stands out Ronald D. Moore, screenwriter remembered for ‘Galactica’, ‘Star Trek: The Next Generation’ and ‘Deep Space Nine’. The cast is led by Rhys Ifans in a role inspired by the Soviet engineer Sergei Korolev (who died in 1966 but survived in this universe and took the space program to unknown heights). And the tone of this ‘City of Stars’ clearly diverges from that of its mother series: if in ‘For All Mankind’ we had a humanist drama of space adventure, here we go to the espionage thriller also inspired by the real Soviet project, where ships less reliable than those of the Americans, deaths hidden from the outside and the presence of the KGB in mission control itself met. In Xataka | Today on Prime Video, a series with a superb Nicolas Cage that is already said to be Marvel’s best proposal in years

Barbacid’s promising cancer study has been withdrawn. The reason is not science, it is a “hidden” spin-off

Last December, the team led by the prestigious researcher Mariano Barbacid filled the headlines of the main media with great news: had found a triple therapy to eliminate pancreatic tumors in animal models. Very relevant news because of how deadly pancreatic cancer is and how it affects our society, but now this euphoria has hit a wall after the decision of the US National Academy of Sciences to remove the item from PNAS magazine. The context. The original article, published on December 2 of last year, was not just another publication, but described the results of administering three drugs in 45 mice who had pancreatic cancer. And although it was a preclinical study that had not been tested in humans and was the expected next step, it generated great expectation. The promise of a cure, even if it was in the animal phase, propelled intense fundraising campaigns to be able to start a clinical trial with humans as soon as possible. In this way, foundations such as CRIS against cancer achieved raise 3.7 million euros in the heat of these advances and thanks to the media showcase that was given to them. And now they withdraw it. The first thing to keep in mind when faced with so many alarmist headlines is that it is not removed from the PNAS magazine because the results have been invented or exaggerated, but rather the reason lies in the omission of important information regarding to conflict of interest. In this case Mariano Barbacid, taking advantage of his status as a member of the National Academy of Sciences of the United States, used a “fast track” of publication that is reserved for academics of this institution. The problem is that this privilege requires scrupulous and impeccable transparency. Data omission. As detailed by El Paísthe alarms went off in February 2026, when the academy received notices about possible conflicts of interest that have now led to the sudden retraction of the article. The problem is that Mariano Barbacid, along with researchers Carmen Guerra and Vasiliki Liaki, are co-owners of Vega Oncotargetsa spin-off which was born in the ecosystem of the National Cancer Research Center (CNIO) with the aim of developing and marketing therapies against pancreatic cancer like this one. This is why informing the journal that the authors had a direct economic and business interest in the success of the study is a violation of the most basic transparency regulations in scientific publication. It always happens. When a researcher wants to publish the results of his or her research, a lot of data must always be provided, both about the method that has been followed and everything behind it, such as the source of financing or the conflicts behind. For example, if a researcher owns shares of a large pharmaceutical company and studies one of its drugs, logically good results will benefit him because the value of the company will increase. And this is something that should always be reported so that anyone reading the research knows if the researcher may have been influenced by an economic component. And in this particular case, the fact that there is already a company that will commercialize the future therapy that is being investigated is logically something that must always be specified, because if the study goes well, it logically benefits the company enormously. There are already answers. As we say, PNAS sanctions bad practice when it comes to being transparent, but in no case does it indicate that the research is poorly done. Along these lines, Carmen Guerra has already admitted the error, as El País points out, and has confirmed that the team has resubmitted the article with this correction, detailing that they do have participation in Vega Oncatargerts. The problem is that now they are going to have to go through the entire standard review process and the republishing will not be fast. Images | UPV brgfx on Freepik In Xataka | Mice today, hope tomorrow: researchers have managed to attack pancreatic cancer before it forms

In two days the animated spin-off of the platform’s only powerful franchise premieres on Netflix: ‘Stranger Things’

On December 31, 2025, Netflix aired the final episode of ‘Stranger Things‘. With it, the platform recorded its most viewed New Year’s broadcast in history and put the finishing touch to the platform’s most viewed series, exceeding 1.2 billion accumulated views. And four months later Eleven, Mike, Dustin and the rest of the Hawkins gang are back, but this time in animated format With new voices and a new showrunnerthis ‘Stranger Things: Stories from 85′ this one arrives April 23 to Netflix. And how is it presented when the main story has already closed? Well, going back to when it wasn’t yet: the series takes place in the winter of 1985, between the second and third original seasons. That interval existed in the canon, although it did not come without a technical problem: at the end of T2, Eleven closes the door to the Other Side. T3 starts in July of that same year. How do you fit interdimensional monsters into a story that takes place during the months when the door is sealed? Easy: Particles from the Other Side that escaped before the door closed have begun to mutate into different plant species in Hawkins, generating hybrid creatures like a “snow shark.” All of this comes from the original visual style of the illustrator Meybis Ruiz Cruz and which, through animation, Netflix has wanted to bring closer to series from the eighties such as ‘He-Man’ or ‘The Real Ghostbusters’, but without losing sight of more recent proposals such as the animated films of the Spider-verse or ‘Arcane’. ‘Stories of 85’ obeys the tactic of keeping a franchise alive once it is impossible to do so with the original actors, through formats that alleviate technical and distribution demands. If this experiment works, we will undoubtedly see similar attempts with series like ‘Wednesday’ or ‘The Bridgertons’, and that without leaving Netflix. And, of course, if it works it will also continue on this side: according to the new showrunnerEric Robles, there are ideas to cover many other intervals in the official series. You have to milk it from somewhere. In Xataka | 16 premieres on Netflix: this week, the new ‘Stranger Things’, a rare British series and the return of Charlize Theron

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