Tom Gauld is one of the most accessible and yet peculiar cartoonists of today. His vignettes are a mixture of a wink for the initiated and simple, white humor.which often makes his cartoons a mix of “everyone can understand them” and “if you’re interested in science and literature, sure.” A real rarity in these times when you have to show up at franchise fan clubs with a very clear identification and resume. Because Gauld may talk about quantum physics, multiverses and the secrets of the cosmos, but he doesn’t leave anyone out either, all thanks to deceptively simple, but highly expressive graphics. Able to make an Escherian architectural nonsense believable or to perfectly portray the interior of an impossible dimension with just a couple of lines, Gauld reduces the complex to a couple of gentle strokes, and hence his popularity on the internet and in media of indisputable prestige such as ‘The Guardian’where he makes literary jokes, or ‘New Scientist‘, where it focuses more on science and technology. It is precisely a compilation of jokes of this last type, ‘Physics for cats’, which Salamandra is now publishing. Thanks to this brand new volume we have had the opportunity to speak with him and have him explain his creative processes and his career as a scientific comedian… who does not have much knowledge of science. We started, of course, by asking him how his collaboration with ‘New Scientist’ began and what impact it has had on the way he approaches scientific topics in his comics. It tells us that we have to go back very far in time. “My grandfather was a scientist, a marine biologist, and he always read the ‘New Scientist’. So when he went home, the magazine was always there, and when he finished reading the magazine, he would give it to my father, who was also interested in science. When I was little, I would look at the pictures and diagrams and, from time to time, I would read a little bit of the text.” And from there, a few years later and now a professional cartoonist, he began to collaborate with them. Gauld states that a magazine of this type is a splendid workplace for an illustrator: “Some concepts about reality or other universes cannot be photographed, so in These types of magazines have a good tradition of using illustrationsand in fact most of its covers are illustrations rather than photographs. Then, I don’t remember exactly why, I thought it was strange that they didn’t have a comic strip in the magazine.” He proposed it a decade ago and it was accepted, but, he says, “I got a little scared because I stopped studying science when I was about 16, so I’m not an expert at all.” How to draw science It is obvious that this approach to science from a non-scientist perspective will entail difficulties. But contrary to what it might seem, “the really difficult thing with vignettes is not getting the scientific details right.” His process is: “I read the magazine, I follow scientists on social media, I listen to podcasts and radio shows about science, and anything that I think could make a joke I write down in my notebook.” And his approach is clear: “I’m giving my own light-hearted, fun take on something that’s quite serious and thoughtful. I try to do it without being derogatory, like when you make fun of a friend you respect.” Which inevitably brings us to the next question: how do you balance scientific precision with the artistic freedom to create such abstract concepts? And in fact, here the lack of scientific training is revealed as an advantage: “When creating the strips, the fact that I have no scientific training, that I am an ordinary person, not a professional, perhaps helps me judge the level of knowledge at which the jokes should be.” And he adds: “I never want to make a cartoon that makes people feel stupid.which makes one think that a doctorate is needed to understand it”. What happens then when he stumbles upon concepts that even he can’t understand? “When some real science is mentioned in the cartoon, I like to get it right, so I do some research on the Internet or ask someone at New Scientist to check my formulas or whatever. Or I do it so badly that it’s obvious I’m not trying to get it right. In fact, last night an astrophysicist mentioned that one of the formulas in the background of one of my strips was correct and that he liked it, which I was very happy about.” When we ask him if there are any scientific ideas or theories related to physics that he finds especially inspiring, he tells us that two come to mind. “One that I think I keep coming back to in the cartoons is, and I guess this is more of a philosophical question than a physical one: What is reality? That and the idea of many worlds. The other is quantum theory, which I still don’t understand. I’ve made some jokes about it and I’m proud of them, but I think they could be improved if I ever managed to understand all of quantum theory. Which may never happen, but I keep trying.” And here we enter into a personal question, but we couldn’t help but ask him: does Tom Gauld like Gary Larson’s humor? (Larson, for those who don’t know, is the creator of ‘The Far Side’, absolute master of comics with background geeka mix of surreal humor and deep knowledge of biology and science absolutely unmatched). “I’ve mentioned Gary Larson as an influence in almost every interview I’ve done today,” he confesses, “so I’m glad you brought it up.” Typical Gary Larson: “‘Hey! What is this, Higgins? Physics equations?… Do you like your job as a cartoonist, Higgins?” And he adds: “The cartoons from ‘The Far Side’ appeared in my local newspaper when I was a teenager and I have … Read more
