television

It’s one of the most beloved television series of all time, ideal for a marathon, and it just arrived on Netflix

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Without prior notice,’Friends‘has appeared in the catalog of Netflix. And without abandoning HBO Max, its usual home. Seven years ago, having all ten seasons exclusively was worth $85 million a year. But times have changed, and now the platform streaming one of the most followed and loved series in history also has the most views. And it was not just a Spanish thing: the sitcom returned to many international markets at the beginning of July, with five relevant exceptions: the United States, the United Kingdom, Canada, Germany and Italy. In a matter of days, the series has slipped into position 10 on the global list of Netflix’s most viewed series. A complete success that also hides some numbers worth studying. In 2015, Warner Bros. licensed all 236 episodes to Netflix for the United States and Canada. Four years later, the renewal for 2019 was closed without exclusivity in a range of between 70 and 80 million dollars. But it didn’t last long: in 2019, WarnerMedia paid 85 million annually for five years, 425 million in totalto take the series to its own platform, surpassing Netflix’s offer. Overnight, the series was exclusive to Warner. But Warner, now in the purchasing processis not the content giant it was then. In this way, million-dollar exclusives like this no longer make sense, at least from Warner’s side. It may not be the last of its kind that we see, but while we see how the HBO Max catalog expands to other platforms, we can review this pop culture icon (we recommend starting with season 3, the most balanced) and try to understand how its ending could put more than 50 million viewers in front of the television in 2004. In Xataka | Anya Taylor-Joy changes the chess of ‘The Queen’s Gambit’ for a chase with the FBI in a fast-paced streaming premiere

In 2014, French television imagined August 2050 as hell. This week’s heat wave has already overcome it

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Looking at the map of Europe this week is terrifying. In the United Kingdom, the Met Office has activated its second red notice for extreme heat in history and expect up to 40°C between Wednesday and Thursday. In France, thermometers They recorded 43 ° C on MondayParis is on red alert and Météo-France compares the severity of the episode with that of August 2003a heat wave that left tens of thousands dead on the continent. The situation is so delirious that it is indistinguishable from what more than 10 years ago, in 2014, the French TF1 He gave as an example for August 2050. In Spain, we take extreme heat almost for granted. Further north it turns Europe into a mousetrap. The disturbing thing about this ‘heat wave’ is, above all, the strength and persistence it has in areas where we would not expect it to have it. And, faced with this stupor, scientists have done what they do best: search scientific journals. And there is one that explained everything in quite detail. In June 2022, ‘Nature Communications’ published a paper that argued that European heat waves have grown three to four times faster than in the rest of the mid-latitudes of the northern hemisphere. Europe is one of the hot spots in the temperate part of the world. The jet stream has a lot to do with this. What is the ‘jet stream’… “Jet streams” are large flows of air that distribute heat and cold throughout the entire planet. There are several, but the main one for us is the polar one, which circulates at very northern latitudes. These currents arise in the border zone between two air masses with different properties and, for this reason, they have a crucial role in balancing the climate and meteorological phenomena of the Earth. …and what does it have to do with all this? As the temperature differences between these two air masses decrease, the current loses strength, becomes more erratic, undulates in an exaggerated manner and generates structures like the current one that encapsulates the air of Western Europe without allowing it to cool. It’s good news, right? We know what’s happening. Yes and no. We are clear about the mechanism responsible for, for now, up to 35% variability of temperature in Western Europe; The problem is that we don’t know why the current is changing. The most popular hypothesis, that of Warmer arctic rippling jethas been for years discussed: There are works that see this trend reversed and models that do not reproduce the effect. The rest of the options are varied, but inconclusive: from an effect of aerosols to a collateral impact of the dynamics of the tropical Pacific. Be that as it may, everyone seems to sense that climate change is behind it, but no one is clear how it is. Above all, because all our climate models fall short. And then? What the undulation of the jet guarantees is greater climate variability: enormous heat waves, torrential rains, untimely cold… Europe must prepare. In Xataka | We humans have been discussing what hell is for thousands of years and AEMET already has the answer: France and Spain this weekend

the biggest naval battle you’ve ever seen on television

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It’s been two years since the second season of ‘The House of the Dragon‘ in HBO Max will end, just before one of the key moments of the series: the Battle of the Gorge. This is how this third year of the series based on the work of George RR Martin begins, and it does so with extraordinary reviews, which equal the good times of ‘Game of Thrones’. Will the rest of the season live up to this vibrant start? The second season not only experienced a drop in audience with respect to the first one that made one think that the goose that laid the dragon’s eggs was beginning to look suffocated. There were also complaints from many viewers, who had the perception that the entire year had been a preparation for a naval battle that was about to begin just as the season ended. There was a reason: the season reduced its number of episodes from 10 to 8, and the showrunner Ryan Condal had no choice but to leave the battle for the season that begins now. The Battle of the Gorge is the largest naval conflict in the entire history of Westeros, and pits the forces of Rhaenyra Targaryen, under the command of The Sea Serpent, against the fleet of the Triarchy, allied with the Greens, to break the blockade on King’s Landing. Condal acknowledged that the Gaznate sequence took four years to materialize, and that Even with HBO Max’s budget, it was not clear if it could be filmed on the scale it required.: with dragons, ships and multiple combat fronts. And of course, in the tradition of the series, we will see an important character die who will mark the rest of the season. The third season incorporates several characters from George RR Martin’s book ‘Fire and Blood’: James Norton as Lord Ormund Hightower, Tommy Flanagan as Lord Roderick “Roddy the Ruin” Dustin, Dan Fogler as Ser Torrhen Manderly and Annie Shapero as Alysanne Blackwood. Although without a doubt the most suggestive character will continue to be Rhaenyra: Condal said of her that when a character is told that the gods have chosen him to rule and he has the power of six dragons behind him, “at some point he begins to believe his own legend.” Interesting territory to explore this third year. In Xataka | Tomorrow on Netflix, the film that last year caused people to riot in cinemas around the world

Money doesn’t buy happiness. But it does give a monstrous Bugatti television that folds itself

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A 137-inch television that, when you are not watching it, folds by itself and remains as a luxury decorative structure in your home. Yes, it is as crazy and absurd as it is real. Bugatti has presented to the world “his” first televisionone of the most spectacular on the planet. Of course, it needed a little help, so it relied on the work of C Seed, an Austrian display brand focused entirely on luxury. WTF. The chances of seeing the video of this television and not surprisingly, in my opinion, they are very low. In fact, the first thing I thought when I saw the video was that it was generated by AI. Mistake. The concept is “simple”: a television in 110 and 137 inch formats that folds in 45 seconds and remains as a very expensive decorative element in the home. Beyond the eccentricity, on a technological level it is truly amazing. Original design of the C SEED N1. Two of them can be configured in dozens of options. Bugatti version. Who is behind. The truth is that Bugatti did not invent this television, it was presented by the Austrian company C SEED in 2022 under the name N1, and it began to be sold to order in 2024. C SEED is a young company, founded in 2009 and with headquarters and production plant in Vienna. From the beginning, it focused on luxury televisions and solutions, both for mansions and superyachts, events, etc. It’s a small, absolutely niche company, so if you’ve never heard of it… you’re not alone. The bug. The Bugatti N1 is a complete redesign of the original N1, with materials and lines used in the Bugatti Tourbillona four-wheeled hypercar million of euros. And as for specs… 4K UHD resolution, HDR10+. Foldable microLED technology (five panels). Wisdom Audio self-deploying speaker system. Swivel system up to 180 degrees to the right and left. 1,000 nits brightness. 3m wide, 1.7 meters high, less than 10cm thick in its 137-inch version. 680 kilos for the 137-inch version. The five panels of the television unfolding. How is it possible. C SEED has not created a 137-inch folding panel, the TV is made up of a total of five microLED panels. This is one of the keys: it is not a typical panel with sub-panel hinges visible at a visible level, they are rigid and independent panels. The company has patented its own “Adaptive Joint Calibration” system, in other words, its electronic calibration system to align panel joints with millimeter precision in real time, making them indistinguishable to the eye. MicroLED technology is self-emissive, in which each LED is an individual, independent light emitter. This means that the system can precisely control the intensity, color and on-time of each pixel individually, including the pixels that are on the edge of each panel, next to the board. Go deeper. C Seed does not go into details about the manufacturing of the mechanism that rotates and hides the panel, although the documentation of the panel reveals some images of its interior. In them, we can perfectly appreciate the cavities that house the microLED modules, the screws and some of the joints of the system. In addition to this system, the audio system, signed Wisdom Audio, is especially striking. The speakers are hidden within one of the panel structures, and appear only when we need to play audio. The rest of the time they are hidden, to keep the design as clean as possible. I want one. The C SEED website only allows you to configure the television. Once we have done so, we submit the request and the company will contact us. Depending on the materials chosen, the customizations we want to make and the size, the price of the previous version was around $200,000, so add another few thousand for this Bugatti version. Image | C SEED In Xataka | Best televisions in quality price. Which one to buy and seven recommended 4K smart TVs

The Golden Age of television is over. Specifically, when Netflix assumed it was the second screen in your preferences

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There’s a note that Netflix executives have been writing on the scripts they receive for years: “this is not enough second screen“. That is to say, it is not “second screen” enough, that the scene forces the viewer to pay attention. Apparently, paying attention to the series is now a problem. And although This has been talked about for months.it is now that it is being named. The problem is cataloged. And above all, it raises a vital question: is television ceasing to be creativity and innovation and becoming, once again, background noise? Origins. One of the triggers for this conversation was an article published in December 2024 in the literary magazine ‘n+1’. Its author collected the testimonies of several scriptwriters who had worked for Netflix: A common note from the platform’s executives was to ask the characters to announce out loud what they were doing, so that viewers who had the series playing in the background could follow the thread without having to look at the screen. The article went viral a year or so ago, and gave a name to something that many suspected: Netflix not only tolerated its users being distracted from what was seen on the screen, but also designed its content to encourage that distraction. Second screen. If we look at previous studies on Netflix’s footprint in fictional narrative, we can name the phenomenon: researcher Daphne Rena Idiz had published a study called ‘Local Production for Global Platforms: How Netflix Shapes European Production Cultures’, in which it described how Netflix internally labeled certain series as “second-screen shows” and developed them accordingly. One of their interviewees, for example, explained that the platform had even asked them that, if a character was sad, they expressly said so while crying and violins playing in the background. The logic. Another producer interviewed by Idiz related that Netflix had literally told them: “what you have to know about your audience is that they will watch the series while doing something else and talking to their friends, so you have to show and tell, you have to say a lot more than you would normally say.” And all this is pure commercial logic: what matters is not that the user pays attention to the screen (that’s how traditional advertising worked), but that they do not cancel their subscription. The content should not be boring, but it should not require effort either. When a study in January 2025 made it clear that 91% of Americans looked at their cell phones from time to time while watching a series, it is clear that Netflix is ​​not going against the current. Whether it is part of the problem or its true germ, it is obvious that Netflix is ​​fully riding this wave. More precedents. None of this is new: already during the actors’ strike of 2023, the first steps in this direction began to be detected. Actress and director Justine Bateman declared in a podcast who had spoken with showrunners that they received notes from the platforms telling them that their content “was not sufficiently second screen“, and proposed a term for that: “visual muzak“, television as elevator music. Even earlier, in November 2020, writer Kyle Chayka had coined the concept of “ambient TV“ to describe a sliver of Netflix’s catalog (‘Emily in Paris’ was its prime example) that it defined as content that “you don’t need to follow closely to enjoy, but that is seductive enough to capture your attention if you decide to watch it for a moment.” The proportions. From Serialized They explained that the data collected through Big Data had even determined which was the perfect series, and that it fits with these content decisions that we have seen: the perfect genre is a procedural (doctors, firefighters, detectives, lawyers), it must include a twist or hook visual every eight minutes, a proportion of 70% plot and 30% character development, and the aforementioned explanatory dialogues so as not to get lost. On the contrary. There are those who deny all these visions of work at Netflix which, let’s not forget, do not come from official sources. In this articlethree scriptwriters who had written for the platform claimed to have not received instructions of that type. Screenwriter Danny Brocklehurst, known for his adaptations of Harlan Coben, stated that no one had pressured him to simplify his work or adapt it for distracted viewers. Idiz herself warned in her study that it is advisable not to generalize, since Netflix operates in more than 190 countries with very different production teams and cultures. Something old, something new. The soap operas, the sitcoms of the eighties, the reality shows They have been designed for decades with the partially distracted viewer in mind. It is not new to create content that works in the background, but it is striking to do so when the platforms of streaming Current ones, preceded by the cable era where brands like HBO were born, are sold to us as quality alternatives to conventional television. The Golden Age of Television did not refer to ‘The Price is Right’, but if ‘The Sopranos’ were produced now, it would need a spin every eight minutes. In Xataka | In 2023, watching Netflix without ads cost 7.99 euros/month. Today its cheapest plan with ads costs 8.99 euros/month

two decades of success with the most stable audiences on television

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The same week in April 2006 that La Sexta premiered broadcasts, ‘El Intermedio’ began its career as one of the channel’s flagship programs and Antena 3 launched the current stage of ‘La roulette de laluck’. Two decades later, both programs celebrate their anniversary (one with special panels, the other with Pedro Sánchez wearing borrowed suspenders) and stand out as true anomalies on a grid in eternal motion. The luck of roulette. ‘The roulette of luck’, a word guessing contest broadcast at two in the afternoon, manages to almost double the share of its own network. In the 2025-2026 season The program presented by Jorge Fernández registers a 21.6% screen share, with an average of 1,564,000 viewers and more than 3.1 million unique viewers. Antena 3, as a network, has averaged 12.4% of share. Its main rivals in that range, ‘Mañaneros 360’, is around 12%, and ‘El Precio Justo’ is timidly approaching 9%. It is not punctual: the format has four consecutive years above 20% and maintains a uninterrupted monthly leadership since May 2020. Poor beginnings. When the current stage of the contest started in 2006, it returned to the small screen with a 26.9% share and 1,318,000 viewers: promising figures that deteriorated in the following years. However, its number of viewers skyrocketed when it began to occupy the 2:00 p.m. to 3:00 p.m. slot that ‘The Simpsons’ had until then had, where television consumption is significantly higher. Curiously, ‘La roulette’ has seen its viewer base decrease since the 2020/2021 season, but the share has gone up. The explanation is that linear television as a whole loses audience, but ‘La roulette’ loses it less than its rivals. Not just business days. The robustness of the format also extends to weekends. Since 2020, Antena 3 has been broadcasting reruns of the contest on Saturdays and Sundays, and the program also leads in that slot: in the current season it reaches a 17.8% share and 1,258,000 viewers. All for a proposal that, born in the United States, has had some 60 international versions since 1975, and that arrived in Spain in 1990 with the birth of Antena 3, living a brief stage in Telecinco between 1993 and 1997 and a subsequent hiatus until Jorge Fernández took over the baton in his current stage. The ‘El Intermedio’ case. The satirical news program draws a different, but equally striking curve. In 2026, it averages about 848,000 viewers and reaches between 6% and 7% share (common data in the modest Access Prime Time of La Sexta). All this with specific increases such as the 20th anniversary special broadcast last Thursday, April 16, with which it scored its best quota since February 2022 (10.2%), in an unusually long delivery of more than two hours, and which brought together active politicians (several ministers, Gabriel Rufián or Pedro Sánchez himself) and musicians such as Kiko Veneno, Ana Belén and Víctor Manuel. A complicated hour. ‘El Intermedio’, unlike ‘La roulette’, has never moved from its original space, perhaps the most hostile strip of the entire schedule: the moment in which the viewer chooses where to spend the night. It has ‘El Hormiguero’ on Antena 3 and ‘La Revuelta’ on La 1 as its last direct competitors, but Wyoming has been resisting for two decades. According to a analysis of Barlovento Comunicaciónin 2012 La Sexta designed a strategic positioning of “vertical programming” focused on political and social news. The programs created then (‘The Intermediate’, ‘Al Rojo Vivo’, ‘Better Late’ or ‘Saved’) had the objective of providing street-level information about current events. The Atresmedia umbrella. The two programs share something more than the year of birth: both are from Atresmedia, and both operate in time slots where at least part of the competition cannot find alternatives. In the case of ‘El Intermedio’, the Wyoning program has seen in these twenty years how ‘El Hormiguero’ went from competitor to ally‘First Dates’ on Cuatro took shape as a more stable competitor during the last decade and finally, ‘La revuelta’ appeared, which notably politicized the strip. The numbers. Atresmedia closed 2025 with revenue of 1,002 million euros and maintained its hegemony on television for the fourth consecutive year, with a screen share of 26.1% and a historical advantage of 1.7 points about Mediaset. Antena 3 was once again the most watched channel of the year. These two anniversaries are indicators that the strategy of cheap programs, with rigid structures and a loyal audience continues to be profitable. ‘La roulette’ produces five days a week with a small team and ‘El Intermedio’ works with daily news as raw material, which reduces content development costs. And two decades of holding on. In Xataka | The “audience war” with ‘La Revuelta’ has been very good for ‘El Hormiguero’. Eight million euros of good

invent the remote control before television

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Televisions change, technologies change, but there are interactions that last despite the passage of years, decades and even centuries. An example of this is the remote controller, which has historically allowed us to interact with devices from a distance, although what we currently know is very different from the first concept of remote control. Although televisions did not become more common in the last decades of the 20th century, the concept of the remote controller appeared much earlier. Specifically, in 1901. And a fact that you may not know is that one of the pioneers of the remote control was a Spaniard, the engineer Leonardo Torres Quevedo. The controller anticipated the televisions The history of the remote control dates back, as we said, to the first years of the last century. In 1903, the inventor, mathematician and engineer Leonardo Torres Quevedo (1852-1936) conceived, built and patented the first remote control in history. He called it Telekino, and as one might think It is far from the controls for televisions and other devices we see now. Miniaturization was not a reality until much later and the Telekino took up an entire table. Telekino in Abra. Image: Torresquevedo.org Of course, the Telekino was not created with the idea of ​​controlling televisions remotely, which in reality did not become a reality almost until the incorporation of the cathode ray tube (with the push from Telefunken and other manufacturers). The idea was to control airships without anyone being in danger in the tests, but finally he tried it with boats as they recalled in the written edition of The Country in 2007, when the Institute of Electrical and Electronics Engineers (IEEE) recognized the invention by including it in its official list of milestones in the history of engineering. It was the first time that a Spanish creation became part of this list, in which we find inventions by Benjamin Franklin, Alessandro Volta and Guglielmo Marconi among others. Telekino, as you may have deduced, comes from TV (from ancient Greek, “far”, meaning “at a distance”, “remotely”) and kinein (also from the Greek, “movement”), by the way. IEEE Recognition Plaque. Image: YouTube We already talked about Telekino in Xataka precisely because of this historical recognition, also to remember that at the time it was not highly praised. In fact, Torres Quevedo himself would abandon the project as he did not receive sufficient support. The valuable legacy of Torres Quevedo One of the prototypes of the Telekino is located in the Torres-Quevedo Museum, in the Higher Technical School of Civil, Canal and Port Engineers of the Polytechnic University of Madrid. And thanks to a short (virtual) visit to that museum for the centenary of one of the Spanish engineer’s inventions we can discover more of them, also very relevant. Torres Quevedo is credited with nothing more and nothing less than the first Spanish airship, as well as the first ferry suitable for transporting people (or in other words, an open cable car for people). The invention was patented in 1887, and it would not be until 30 years later when it materialized, being launched on Mount Ulía in San Sebastián in 1907. Compensation also came in the form of international export, since the system reached neither more nor less than to Niagara Falls. Thus, the call Spanish Aerocar It continues to operate today in the well-known region and celebrated its centenary in 2016, having completed more than 10 million transports without recording incidents. Torres Quevedo was also a precursor of modern computing with his Ajedrecista, considered the first chess computer game, and the electromechanical arithmometer, a calculator accompanied by a typewriter, a precursor to digital calculators. In Xataka | In 1925, procrastination was already a problem and someone found the definitive solution: the isolation helmet. In Xataka | We have been fascinated for years by the geniuses who come up with revolutionary innovations out of thin air. It’s always been smoke This article was originally published on Xataka a few years ago, and we have recovered it from the archive.

We stopped watching traditional television because of advertising, but YouTube is willing to recover it with unstoppable ads

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A few days ago, YouTube users in smart TVs They began to notice something that many thought they had left behind forever: unskippable 90-second ads in the middle of forty-minute videos. YouTube had promised in March that non-skippables would be 30 seconds long, but the limit has tripled in a matter of weeks. You see the ads. On March 2, YouTube released a statement announcing the global arrival of 30-second non-skippable ads for those watching the platform on connected TVs. More people than ever are using YouTube in the living room, and advertisers want formats that look like traditional television. Only five weeks later, things began to change: this April 7, several users began to publish on the r/YouTube subreddit 90-second ad screenshots, triple the advertised maximum, which could not be omitted in any way. Some media They collected part of the reactions of the spectators, which ranged from fury to inevitable resignation. YouTube’s response. The platform assured that those 90-second ads were not intentional and that it was “investigating” what had happened. The same source published a survey in January in which 87% of more than 8,600 people questioned claimed to have received non-skippable ads lasting more than 30 seconds, and almost a third said they had seen them exceed two minutes. Paradoxically, in 2017 YouTube removed 30-second non-skippable ads considering them precisely “a relic of traditional television.” The accounts come out. YouTube generated 40.4 billion dollars in advertising revenue in 2025. A figure that exceeds the combined sum of Disney, NBCUniversal, Paramount and Warner Bros. Discovery, which together earned 37.8 billion. The same firm went so far as to declare YouTube “the new king of all media” by estimate its total income at around 62,000 million a year. And it’s not just a matter of raw money: according to NielsenYouTube took over 12.7% of all television viewing time in the US in December 2025, compared to 9% for Netflix. The gap between the two has widened in recent months. More people watch YouTube on TVs than any other screen, and the AI ​​system Google uses to decide which ad format to show (including bumpers 6-second spots, 15-second spots, and the new 30-second non-skippable ones) now have data to decide when a viewer is comfortable enough to tolerate a long ad break. And if you don’t want ads… Anyone who wants to avoid ads has a way out: YouTube Premium, at 13.99 euros per month. There is no middle option, no setting that allows you to opt for shorter or less frequent ads. According to Google itselfthere is no setting to turn off the 30-second format without a paid subscription. The thing is that not even Premium is what it used to be: some service levels include certain types of ads. It is the same pattern that the greats followed streamers: Netflix launched its tier with advertising in 2022; Disney+ followed suit shortly after. “Pay more to see fewer ads” is no longer a promise of digital platforms, it is their business model. What differentiates YouTube from other streaming platforms is that it is not a paid service that has added a free tier with advertising; It is a free platform that has built an advertising business of such magnitude that it can now afford to behave as if it were traditional television. The 90-second ads are another test for Google to discover how far the user’s tolerance can go before they change services or agree to pay. In Xataka | YouTube knows it has a problem with AI “slop” for kids. It turns out that the main culprit is YouTube

date, time and where you can see it on your mobile or television if you are in Spain

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Let’s tell you how you can watch the 2026 Oscars galaso you know the options available in case you want to see it. This is the 98th film awards ceremony, which will take place again at the Dolby Theater in Los Angeles. We are going to start this article by telling you the exact date on which the gala begins, with the day and time it is in the Spanish time zone. And then, we will tell you the methods you have to be able to see it live if you want. When are the Oscars 2026 The 2026 Oscars gala will take place Sunday March 15. It is in the United States, and the start time will be 4:00 p.m. Pacific time and 7:00 p.m. Eastern time, and it will last approximately three and a half hours. But in Spain, the start time will be from 01:00 from Sunday to Monday00:00 hours in the Canary Islands. It will end around 04:30 or 05:00 in Spanish time. Regarding the schedules of the rest of the American countriesin Costa Rica, El Salvador, Guatemala, Honduras, Mexico or Nicaragua will begin at 5 p.m. In Colombia, Cuba, Ecuador, Panama or Peru it will be at 6 p.m., in Bolivia, Puerto Rico and the Dominican Republic at 7 p.m., and in Argentina, Brazil, Chile, Paraguay and Uruguay from 8 p.m. The red carpet It will start a couple of hours earlier. This means that starting at 11pm or midnight on Sunday you will be able to start watching all the Hollywood celebrities parade as they arrive at the gala. How to watch the Oscars in Spain In Spain, the Oscar ceremony will once again be broadcast exclusively by Movistar, specifically in Movistar Plus+ and his channel dedicated to the Oscars on dial 15. His special Oscar night It will begin at 10:30 p.m., and an hour later they will begin broadcasting the red carpet, and then move on to the live signal of the gala. Like every year, you will have all the information in in Espinof and Sensacineour half-brothers dedicated to cinema where you will have the information minute by minute. Also, on Monday morning you will have the summary with the winners in Xataka. In Xataka Basics | The 14 best services and apps to follow and control the series and movies you watch and have all their information

This is how you can win a 75” LG QNED evo AI television

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Xataka Xtra It is already a reality and comes loaded with advantages for subscribers. One of them is that the xatakeros and xatakeras who are part of this community can access exclusive giveaways of products of all kinds, from televisions and robot vacuum cleaners to mobile phones or translators with AI. Is that a little spoiler for the things we have in the oven? Maybe, but also a preview of the level that these draws will have. Today the first giveaway begins: a television LG QNED evo AI 75 inch. Therefore, it is necessary to explain what the dynamics will be not only of this draw, but of all those to come. If you are not yet a Xataka Xtra subscriber and you also want to have the chance to win this and many other prizes in the future, remember that You can join the community from two euros per month. How to participate in the exclusive Xataka Xtra draws Make sure you check that box to automatically participate in the exclusive Xataka Xtra draws | Image: Xataka To participate in the exclusive Xataka Xtra draws, in addition to being a subscriber, you must make sure that you have this box checked in your member area. You can access it directly by clicking on this link or by displaying the side menu and clicking on “Manage subscription”. You will see the access below or next to the modality to which you have subscribed, depending on whether you are reading Xataka from your computer or from your mobile. By simply checking that box you will be participating in the draws. That includes the television one that concerns us today, but also all those that are yet to come. When the day of the draw arrives, all users subscribed to Xataka Xtra who have the box checked will automatically participate, they do not have to do absolutely anything. That being said, here are some frequently asked questions: ¿How the winner will be chosen? From Xataka we will choose a random subscriber and two substitutes. If the winner does not respond within the period stipulated in the legal bases of each draw, the winner will go to the first substitute and, if this does not happen either, to the second. Winning a giveaway does not prevent you from winning in the following ones. How did I find outI will Is there a new giveaway? We will communicate all new giveaways through the website and social networks, as usual, as well as through the exclusive Discord server and our daily newsletter. You can consult the history through this link or watch it directly on the dedicated Discord server channel. How will the winner be contacted? The winner will be notified in the same raffle article, on the Discord server, and will also be notified by email. What products will be raffled? We will raffle products that brands kindly give us, as well as products that we have analyzed and that we consider interesting. For example, a high-end robot vacuum cleaner valued at more than a thousand euros. If it is a product that we have previously analyzed, we will make it clear in the description of the giveaway. Needless to say, we will check it thoroughly before shipping. When will each draw last? 12 days. Do I have to be a Xataka Xtra subscriber to participate in the exclusive draws? Yes, subscribers who are registered on the day of the draw will participate in the draws. The first giveaway: a 75-inch LG QNED evo AI TV As we said before, the first exclusive draw for Xtra subscribers features an LG television, specifically a LG QNED evo AI QNED86 valued at 3,199 euros. It is a MiniLED TV with 2,040 dimming zones, 4K resolution, native 120 Hz, webOS 25 and a ton of AI features to make your life easier. A fully-fledged high-end television that, with the World Cup being held this year, doesn’t sound bad at all. The giveaway begins today, March 4, and the winner will be revealed on March 13. You can find the legal bases in this link. You can only participate in this raffle from the peninsula, but we are working to have raffles for the Balearic Islands, the Canary Islands and even worldwide. We will keep you updated. If you want to participate and choose to take this television, Take advantage of the introductory offer and subscribe. On March 16 we will have a new giveaway that, as we told you, will be really useful. In Xataka | Subscribe now to Xataka Xtra

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