netflix

The Xiaomi 15 with a gift tablet, the PlayStation VR 2 at demolition price, a projector with Netflix and more. Hunting bargains

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March has begun with some most interesting offers distributed in several stores: the launch of the new Xiaomi 15PlayStation has dropped the price of its VR glasses and can be found in a pack, they have dropped the price of some televisions and much more. Let’s review what are The best offers of the week in the new hunting bargains. Xiaomi 15 by 999.99 eurosXiaomi’s new mobile comes with his last gift tablet and several additional discounts. PlayStation VR2 by 499 eurosa pack that includes PlayStation glasses next to the video game ‘Horizon: Call of the Mountain’ Wimius K9 by 248.88 eurosa good projector that comes with Wifi and with several pre -installed apps. Among them we can find Netflix. Philips 65pus8209 by 499 eurosa 65 -inch QLed TV with Ambilight, Alexa and Dolby Atmos. Western Digital WD Black Sn770 by 114.90 eurosa 2 TB SSD with speeds up to 5,150 MB/s. Xiaomi 15 During the MWC 2025 we have been able to know the new Xiaomi 15and the brand has not taken long to launch a most interesting promotion. If we buy it for 999.99 euros Before March 16 in its 256 GB configuration we take the new Xiaomi Pad 7 which is valued at 400 euros. In addition, we can access a 150 euros reimbursement And if we are students we can have an additional 20%discount. Not bad. * Some price may have changed from the last review PlayStation VR2 At the end of February we knew that PlayStation would reduce its glasses this March PlayStation VR2. And although they now have a good price, some stores have decided to go one step further by launching an offer pack. It is about PlayStation VR2 pack that comes next to the video game ‘Horizon: Call of the Mountain‘, one of the best titles to start in the VR glasses and squeeze all its potential. Can be found in Mediamarkt by 449 eurosthe same price that glasses are alone with the new offer. PlayStation + Horizon: Call of the Mountain * Some price may have changed from the last review Wimius K9 If we want to enjoy more and better films and series – and, why not, video games – from home comfort, a good projector is a holy hand. There are many models to choose from, but personally I always recommend the Wimius K9 for its excellent value for money. Can be found on Amazonm by 248.88 euros Through a discount coupon and comes with Wifi, It has pre -installed apps like Netflix and allows to project images at 300 inches. * Some price may have changed from the last review Philips 65pus8209 On the other hand, if what we are looking for is a good screen of big screen, much eye with the new offer of Carrefour. By 499 euros We have the Philips 65pus8209 65 inches, a good Qled television that, of course, has the particular technology Ambilight of Philips. In addition, it comes with Alexa integrated and is compatible with Dolby Atmos. * Some price may have changed from the last review Western Digital WD Black Sn770 From time to time we can find very good prices in SSD of good storage capacity. Now we have the Western Digital WD Black Sn770 of 2 TB by 114.90 eurosa good price considering that it offers a very good speed of up to 5,150 MB/s. It is a SSD NVME M.2 2280 PCIE GEN4 which is compatible both with desktop computers, laptops and even with PlayStation 5. Western Digital WD Black SN770 (2TB) * Some price may have changed from the last review Some of the links of this article are affiliated and can report a benefit to Xataka. In case of non -availability, offers may vary. Images | Xiaomi, PlayStation, Wimius, Philips, WD In Xataka | The best mobiles, we have tried them and here are their analysis In Xataka | Best home film projectors: which to buy and five recommended models from 299 to 18,000 euros

You have a few days to see this magnificent science fiction film by the director of ‘Ex Machina’ that will disappear from Netflix

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They were the early days of Netflix’s mass implantation, when it was still far from being the aesthetic and thematic roller in which it has ended up becoming. The platform premiered in 2018 ‘Annihilation‘, a film that had gone through a nightmare struggles to see the light due to its daring proposal, which made cinemas only in a few countries. Finally, Netflix acquired rights and premiered it as their own world. Now, after being one of the exclusive jewels of its catalog, the platform announces that it will withdraw it on March 11. Behind her is Alex Garland, an essential name for modern science fiction who has signed as a scriptwriter or director as daring and personal as’Ex machina‘,’Men‘, ‘Devs‘,’Civil War‘or the script of’ dredd ‘or ’28 days later’. However, with ‘annihilation’ the project was choked: it was the adaptation of the start of the trilogy of books ‘Southern Reach’ by Jeff Vandermeer, an unclassifiable science fiction work very complicated to translate into a conventional narrative argument. ‘Aniquilación’ starts when the husband of a biologist returns from a secret mission in an area cordoned off by the army, zone X, and of which nothing is known. To find out what has happened, he joins a group of five scientific women to discover which intentions has the alien force that controls it. Others have entered the area before her, but no one has ever returned. Zone X is the great finding of this film that, even needing more footage to explain its final stretch, and simplifying too much the fascinating proposal of the book, Throw a series of suggestive images of the fauna and flora of the place that are among the great recent findings of the genre. Excellently interpreted and with a rambling production design, it should be reviewed before Netflix disappears, because who knows how and when we will enter the X zone again. Header | Netflix In Xataka | Within Alex Garland’s mind, the renovator of modern science fiction thanks to works such as ‘Devs’ or ‘Ex-Machina’

Netflix is ​​not worried that users cancel the subscription. The data reflect that, sooner or later, most return

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How is it possible that content platforms on demand They rise in price year and year also if every time users cancel (or say they cancel) their subscription? It’s curious. Normally, in another context, it would be that price increases and foreseeable cancellations affected companies, but Netflix does not seem that it matters. Rather. Context. Despite price increases and the wave of cancellations that comments on social networks usually imply, the reality is that Netflix’s benefit It was 10,247 million dollars In the fourth quarter of 2024, 16% more than the same quarter of the previous year and the best result since 2021. Was the users canceling their mass subscriptions? If we understand “mass cancel” as in the United States only 19 million subscribers arrive in the fourth quarter of 2024 when Netflix expected 9.8 million, then yes. Comes back. According to data from the Analytical analysis company to which it has had access Business Insiderthe reality is as follows: price increases cause cancellations, yes, but users do not take long to return. The case of Netflix is ​​also curious because this “repentance” is greater than on the rest of the platforms. The data. According to Antenna, 50% of users who cancel their subscription subscribe at six months. If we expand the time range until the year, the percentage rises to 61% of users. In other words, six out of ten cancellations recover after the year. In the case of having canceled a price increase, the return will be with updated prices, ergo paying more and compensating in some way the cancellations not recovered. Moreover, it is most likely that user who returns to opt for a cheaper plan, but with advertising. 55% of the new highs They choose that modality, in fact. The data reflects that the Netflix subscriber recovery rate is much higher than that of its competitors Netflix vs the world. The consultant’s data shows that Netflix’s recovery rate is much higher than the average of the rest of the platforms. While at six months Netflix recovers 50% of users, the rest of the platforms barely recover 34%. In the case of Netflix it is also striking that two out of ten cancellations recover in just one month. There is a roof. Netflix has not stopped innovating in its programming, moving from series and films to also offer sports and live events. 300 million subscribers give good faith that this has worked, but everything has a limit. Netflix seems aware that 1) continuing to grow will be complicated and 2) “As we continue to invest in programming and offer more value to our partners, we will occasionally ask them to pay a little more to be able to reinvest and continue improving Netflix.” That is to say, that prices will continue to rise. Netflix knows that continuing subscribers will not be easy and maybe that explains that from now Don’t give that figure. We will know numbers of audiences, view, benefits, growth, etc., but not how many subscribers do Netflix have. Most likely, we will not see that data again until the 400 or 500 million are reached, very publicitable figures and from which the platform can breastfeed. Cover image | Netflix In Xataka | This exclusive Netflix thriller competes in intensity and brutality with ‘John Wick’ and is already number 1 in 27 countries

This exclusive Netflix thriller competes in intensity and brutality with ‘John Wick’ and is already number 1 in 27 countries

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The most hardcore fans of action cinema can become as demanding as those of the most cinephile genres: That is why the choreographies, the edition and the rhythm of any new film that premieres of their favorite style examine the millimeter. And that’s why films such as ‘Kill Bill’, ‘The Raid’ or ‘John Wick’ are contributed: it is not easy to satisfy them. I may Netflix has found the key To do so with ‘Oni-Goroshi: City of demons‘, a frantic and violent epic of extreme action that has perched on the number 1 of platform views in 27 countries. The reasons are clear: a clear and linear argument that gives rise to innumerable sequences of action shot and edited with a taste that we do not usually see very often in the exclusive of streaming. The film is based on the manga of the same name as Masamichi Kawabe, and introduces us to a retired hired killer who lives with his family. But When your last mission fulfills, the consequences are unpredictable: A group of criminals murders his family. Given dead, he will undertake a devastating revenge 12 years after the tragic facts. And although the result does not reach the category of total classics of the genre commented above, the result is brutal and frantic enough (especially in its initial stretch, when it adopts a more realistic and dirty perspective) to justify the tremendous success it is having. In times of scarcity, films like this ‘Oni-Goroshi’ show that the quality action cinema is far from dying. Header | Netflix In Xataka | The director of Netflix’s best action film returns with a new lead and blood epic at the height of his legend

It is considered one of the best video game adaptations to the cinema ever made and has just arrived at Netflix

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Almost twenty years have passed since its premiere, but it is undeniable that the overcrowding visual force of ‘Silent Hill‘, that He has just arrived in Netflixremains intact. In the last two decades, the special effects have evolved in very different directions, but the incredible makeup of this Christophe Gans movie and its clear and open intention to make a faithful and respectful version of Konami’s original video game has gained Many of his fans. And that, as they say, ‘Silent Hill’ is maladaptable: the unforgettable experience of the first video games exists because it lives in the first person, and that makes that The cryptic argument and the atmosphere built with fog and sirens sounding in the distance Be sufficient to raise panic. But Gans has the need to convert that sensory experience into a film with conventional argument, and that sometimes makes decisions that move away ‘Silent Hill’ from an absolutely literal adaptation. In spite of everything, it works at a wonders. In this adaptation, a woman lives desperate to find a cure for her daughter’s mysterious disease, and decides to locate Silent Hill, a town that the girl speaks constantly in dreams. But upon arrival, a mysterious figure causes an accident after which, his daughter disappears. Accompanied by a police officer, the two women begin to look for it, and will soon discover that the desert people after a devastating fire hides much more than it seems. ‘Silent Hill’ belongs to a time when cinema began to produce, finally, visually faithful adaptations to the video games that inspired them. Far away were the times of the hilarious ones (but far from the originals) ‘Super Mario Bros.’ or ‘Street Fighter’, and Hollywood began to pay attention to the digital medium with films such as this or the success ‘Tomb Raider’. We would still have to suffer horrendous productions such as the bulk of UWE Boll’s films, also of this era, but ‘Silent Hill’ stands out among the rest for understanding and adapting, even with its problems, Konami’s original game with a remarkable dignity. In Xataka | ‘PT’: The best horror video game in history is a demo and hard just a few hours

You may not know her, but this mixture of ‘Mad Max’ and superhero cinema is one of the blockbusters of 2024 and is in Netflix

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The Asian continent and its great audiovisual powers (South Korea, China, Japan, India) form a box office successes that, although in this increasingly globalized world they begin not to remain restricted to their respective territories, Sometimes they still have a name outside their borders. Even when an Indian film is the most expensive of all time (72 million dollars, exceeding the 66 of ‘RRR’) and gets the best premiere of all time for a film in that country, with 66 million dollars in His first days. We talk about ‘KALKI 2898 AD ‘that You can see in Netflix And that it is a curiosy centrifuger of recent references: ‘Mad Max’, ‘Dune’, ‘Star Wars’ and even Marvel Superhero style meet in a spectacular and discouragement production, starring two local superstterlas, Prabhas and Deepika Padukone. The film leads us to a post-apocalyptic future where a 200-year totalitarian monarch reigns that resides in an inverted pyramid on the city, and where it performs perverse experiments with fertile women so that their immortality is prolonged. The city under its domain is an impoverished territory where a hunter will end up helping to flee to a fugitive, which has a purpose related to the reincarnation of Visnu, the God who protected humanity. As you can see, a very peculiar mixture of Hindu mythology and an argument clearly inspired by ‘Fury on the road’, only with the prophetic elements of ‘Dune’ and ‘Star Wars’ along the way. AND All seasoned with the crazy rigor choreographies That, yes, they culminate in an open end and arranged for a future second part, which will continue the so -called Kalki film universe. In Xataka | ‘Mad Max: Fury on the road’: How George Miller’s masterpiece suffered years of traumas and conflicts until he reached the cinema

If ‘the snow girl’ has left you wanting, you can recover this 6 -episodes miniseries in Netflix with a similar argument

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The second season of ‘The snow girl’ has become one of Netflix’s recent successes. If you have already finished with it and look for similar series, it is possible that this co -production between the United States and Germany that premiered in 2023 (curiously, very close in time to the first season of ‘The snow girl’) You are interested in its similarities with the adaptation of Javier Castillo’s novel. It’s about ‘my sweet girl’, It is also in Netflixand shows us a woman who has a curious relationship with her two children, with whom she lives retained under conditions of great security. His routine is very similar day to day and they have an order that must be fulfilled under any concept: to follow all the orders of a man who sometimes enters his room. One day, the mother manages to escape and has a car accident in the flight. In the hospital he will meet his parents, who have been looking for her for more than a decade. As you can see, a series full of turns and that is told from the perspective of the injured and semi -amnesic mother, the girl who knows endless secrets of her past life and, of course, the couple of police officers investigating the case. I inevitably remember films like ‘The Room’ and ‘Lost’that also handle issues related to disappearances for a long time and kidnappings that completely disconnect the victims of their families. If you still have any questions, a couple more data: on the one hand, it has a 100% critical score sweet In Rottren Tomatoeswhich undoubtedly makes it a very attractive proposal. In addition, it only extends by six episodes, so it is perfect for a high intensity suspense discharge that can be practically consumed of a sitting. Header | Netflix In Xataka | Only five episodes has needed this miniseries of suspense to permit to the most watched of Netflix

It’s like ‘champions’ but in real image, it’s full of absurd humor and has just arrived in Netflix

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It is possible that although you have not seen ‘Shaolin Soccer‘, that He has just arrived in Netflixyou know her through the many memes and clips that circulate from it on the Internet. Possibly you have seen a football game in which players, all Chinese, make martial arts, paralyze time, make exaggerated acrobatics or a goalkeeper dressed in Bruce’s yellow monkey in ‘Dragon Operation’ chains spectacular stops. Now you have the opportunity to watch the full movie, which we guarantee that it is up to those clips. An absolute delirium in which un monk Shaolin is obsessed with popularizing the Kung Fu Among modern society. A reunion with a friend, former failed footballer, will lead them to launch an absurd apparent idea: form a team that mixes football with martial arts. Stephen Chow is the director and protagonist of this film, and also an absolute star of the Chinese comedy. If you have seen any other production of yours, it is possibly the absolutely trchantest ‘kung fu sion’ (also You have it in Netflix), which coincides with this in much of the cast, or perhaps the most recent and also hilarious ‘Las Sirenas’. Perhaps these are the most affordable for the non -Asian public, but if you like them, you have a little filmography full of parodies of all kinds, and in which jewels of absurd and incorrect humor shine as’ Love on delivery ‘,’ The God of Cookry ‘or’ from Beijing with love ‘. ‘Shaolin Soccer’ was shot when ‘Matrix0 had just sweetened on screens around the world and special effects type Bullet Time They also abound here, although instead of showing the ballistic choreographies of Neo and Trinity, they are at the service of absurd football expertise, and where the VAR has no reason to be. If you like football, this can be your life movieand if not, with more reason … too. In Xataka | In China, mythical heroes ridicule Marvel. And the box office of this animated film shows it again

almost exceed Netflix in the US

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If we are witnessing something in recent months, it is how the stampede of launch, audience peaks, capital premieres and other blows of effect of the platforms of streaming They calm down. The dust sits, frantic ads and blockbusters are increasingly scarce. But the low intensity combat continues. Netflix Queen, but … and then? We have declared how more or less informal winner of the war of streaming to Netflix: its number of spectators and the rhythm and scope of its premieres goes far beyond those of its competitors, to the point that the company itself is going to Stop communicating your number of subscribers. It is no longer in that war. But those who leave the rear have much to fight. For example, Prime Video has experienced a growth in the last quarter of 2024 that has put him very close to the queen. Prime video takes the front. This growth in the US market, According to data from the Parrot Analytics consultancyit has made it the second platform in the country, adding 16.7% of the total content requests of consumers. Before that quarter it was at 13.3% and in fourth place, behind Hulu (which in the United States is more powerful than Disney+, although in Europe Hulu and Disney+ are grouped) and Max. Netflix is ​​still in the lead, but by little, With 18.1% (Image of Parrot Analytics). What is this change? The power of cinema. The Catalog of Prime Video films is very extensive: with more than 25,000 films and more than 2,700 series in the United States, it is the most content platform. The figures in other countries have not been made public, but in many cases (such as the Metro catalog, Amazon property) Rights are shared, and it is true that you just have to wander for a while for prime video to check that the platform fund such as Disney+ or Max exceeds in no problems. In addition, it is the only platform, Next to Filminthat pays systematic attention to both classic and cult and series B cinema, what you taste apart, allows you to multiply your number of titles. This consistent commitment to cinema was strengthened in 2024, when the platform increased its catalog by spectacular 71.7%. For limited time. This explosive increase in catalog will not always be there (in the United States hundreds of universal films have arrived to Prime Video that will spend next year to Netflix; in Spain, a good part of that catalog background are distributed between Filmin, Prime video and skyshowtime). But for now, it has served to give this push: Parrot estimates that, in the first three quarters of 2024, 36.3% of Prime Video’s revenues were driven by the films. The movies also matter. In a panorama absolutely dominated by the series, it is comforting to verify that films can also boost the finance of the platforms. It is the reason why, without a doubt, Prime Video is one of the most budget they invest in the production of new feature films, such as’Road House‘,’ Jackpot! ‘ Or, in Spain, ‘Apocalypse z‘: They know that it is a good way to step on the heels of the gigantic Netflix. Header | Prime video In Xataka | Mrbeast showed that he was the biggest youtuber of all time. Now he devastates Prime Video audiences with his contest

This new Netflix intrigue miniseries caught the most watched top and you can ventilate it with a sitting

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It is worthy of studying the ristra of Thrillers that premieres Netflix destined for rapid and almost anxious consumption, which present a riddle that is resolved in a few chapters and that, as a sugary soda, leaves our palates at the same time satiated but wanting more. We often speak here of the almost continuous adaptations of Harlan Cobenand recently happened with brilling success For the platform The Romanian ‘Hidden revenge‘, also known as’ subteran’. In just six episodes of forty minutes, ‘hidden revenge’ tells us A story that exhibits some originality and turns that are not the usual. Nor are the excellent interpretations usual, above the average (especially that of the protagonist, Ana Alaru) and her portrait without concessions of the sordid criminal underworld where the action takes place. Something that possibly has to thank the Romanian origin of the series, a country where Thrillers occur to the limit that do not have time to walk with hot cloths. We will meet a woman who presence the violent death of her husband at the hands of what an organized band looks like. From that moment on, his life will be in danger and begin a counterreloj career with her husband’s murderers, while trying to save her son and discover who is behind the crime. The key will be a computer that contains vital information and a large amount of money. A couple of treasures that will force women to let their most expeditious and wild side out. The miniseries premiered last week and entered directly into the Top 10 of 34 countries. It started at number 5 of the most English -speaking series globally with 3.7 million viewers, exceeding such popular series as ‘La Palma’. The secret of its success, apart from its intense rhythm and that does not leave a minute for the respite, it could well be in its six episodes of 40 minutes, which allows you to see almost a sitting. Header | Netflix In Xataka | This Netflix thriller, with more than 60 million views in a month, is the last and suffocating production of Sam Raimi

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