netflix

Netflix has left the fever by the Korean series: they are drowning in their own money

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Although they have not yet arrived in the mainstream As they have done, for example, The Turkish soapsKorean fictions are followed by millions of people worldwide and have transcended the borders of Asian countries. Netflix is ​​to blameand has led to South Korea to be known for much more diverse and varied productions than the one that remains its greatest success, ‘the squid game’. However, Netflix machinery He also has his dark side and has been about to crack the solid bases of the genre. Korean explosion. In recent years, Korean or K-Drams fictions have experienced unprecedented growth. Netflix has been a key actor in this phenomenon, positioning the South Korean content as The second most watched globallyonly behind American productions. Since 2023, K-Drams are between 8% and 9% of the total visualization hours in Netflix, highlighting titles such as ‘The Squid’s game’, but also ‘The Queen of Tears’, ‘Crash Landing on You’ or ‘Love at the door next door.’ Cloud expenses. Netflix investment in Korean products It is very important: More than half of the popular Korean titles on the platform are originals of Netflix herself, and about a third are exclusive, many of them made in collaboration with local studies. However, The costs have shot: At present, the average price per episode is about $ 700,000, arriving in some cases, such as ‘the squid game’, to exceed two million dollars per episode, more than double what they cost in 2020, and much more than they cost before the arrival of Netflix (about 200,000 dollars). Success series such as ‘If life gives you mandarins’ cost more than 40 million dollars per season. In Xataka Netflix’s best Korean series (because not everything is ‘the squid game’) Fall in production. The consequences that Netflix, a powerful platform and with financial muscle, has multiplied costs to generate luxurious and interesting productions for the international public are multiple. On the one hand, production has fallen, especially the one that comes from medium -sized companies and produced by traditional Korean channels: From 141 in 2022 to 123 in 2023 already just 100 in 2024. A pressure has also been generated so that the series are more expensive, which has multiplied the number of blockbustersbut it has reduced the average productions. The superstars. The architects of the Korean series know that the deals are often the authentic causing causes a series to succeed, which leads to a good part of the budgets to be invested in the protagonists, which can come to charge around 500,000 dollars per episode. One of the decisions that Netflix has taken to stop is climbing in the series budgets that can make the industry crackimitate the salaries of the actorswhich has set 400 million WON (just under $ 300,000) per episode. {“Videid”: “x850eq5”, “Autoplay”: false, “Title”: “The game of the squid”, “Tag”: “The game of the squid”, “Duration”: “476”} Goodbye to risk. The Korean fiction industry is at a key moment, where it is continually discussed between profitability and quality. The increase in budgets has raised expectations on the series, but has also increased financial risk, to the point that, unlike the situation before the arrival of Netflix, The series need to be global successes To recover the investment. This entails an added danger: to greater financial risk, less taste for risk, more will tend to be conservative, to embrace proven success formulas. What can make the Korean series lose one of their indisputable strengths for the global public: the ability to surprise. Has Netflix charged the Korean fiction industry? Of course, it has immersed it in a dynamic of inflated budgets and the need for show that at the moment, it is affecting medium, authentic mortar productions that give solidity to the industry with volume and stability. Korea has a clear benchmark to not look for mistakes: Hollywood, plunged into a creative crisis and an elephantiasis in the productions that question its near future. For now, the South Korean industry has a margin to react. If Netflix allows it. Header | Netflix In Xataka | This intriguing Netflix Korean series set in an infernal contest is the perfect successor of ‘The Squid’s game’ (Function () {Window._js_modules = Window._js_modules || {}; var headelement = document.getelegsbytagname (‘head’) (0); if (_js_modules.instagram) {var instagramscript = Document.Createlement (‘script’); }}) (); – The news Netflix has left the fever by the Korean series: they are drowning in their own money It was originally posted in Xataka by John Tones .

13 films and premiere series to see in June 2025 in Netflix, Prime Video, HBO Max and Streaming

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The overwhelming heat that has unleashed a few weeks just wants, let’s recognize it, to slide into a house with all the blinds and choked to series and films as if there were no tomorrow. There are some recommendations among the premieres of streaming so that this healthy and commendable activity is not made. Mikaela The hyperactive Daniel Calparsolo (last year premiered ‘Assault on the Central Bank’ and ‘El Correo’, and this 2025 still has ‘Salvador’) lands on Netflix with this film, after just a couple of months of his passage through cinemas. Antonio Resines is the great claim of this thriller in which on the eve of Reyes an unprecedented snowstorm Asola Spain. On a collapsed highway, a group of robbers takes the opportunity to assault a armored van, which will face the unexpected couple that form a veteran and desperate policeman and a young woman trapped without wanting to in a counterreloj persecution. The survivors From Jane Harper’s sales success, we have here a splendid youth mystery of summer atmosphere. We moved to a quiet coastal town, where fifteen years ago, the death of three young people hit all who lived there. Now, a new murder unleashes a new avalanche of questions: Does this new death have something to do with the tragic past? The squid game – T3 The conclusion of Netflix’s great success is just around the corner, in a third and last season that continues linearly what we saw in the second. We will see what was the failed rebellion headed by Gi-Hun and how he is forced to participate again in the violent contest. Also, with the identity of the leader of the organizers of the Game revealed, the balance of suspicions and threats that the game keeps up will change. Predator: murderer of murderers An anthological animation film that continues to prolong the mythology of ‘Predator’, recently revived by Disney thanks to the unexpected success of ‘Predator: the dam’. In this case we will see, with its consequent deployment of ultraviolence Cartoon, three warriors from three eras (a Vikinga and its young son, a ninja of feudal Japan and a pilot from World War II) who face the final hunter. Ironheart More franchises of the Disney factory, in this case of Marvel, which after ‘Daredevil’ is very thoroughly in the Lore Of the movies, with a character we have only seen fleetingly in the sequel of ‘Black Panther’. With the production of Ryan Coogler, director of the films of the Wakandian hero and now again in the candlestick thanks to the great ‘Sinners’, we will know the story of a young gifted who is prepared to load with the legacy of Iron Man. The Killer The total masterpiece of the action cinema led by John Woo in 1989 receives a new version signed by its own creator. And it’s not bad: it moves the action to Paris and makes a few changes both in the narrative approach and in the main cast. We will meet Zee (Nathalie Emmanuel), a lethal killer who refuses to kill a young singer who is blind in a shooting, which unleashes a chain of betrayals and faces her to her own past … already an implacable police inspector. Leaving the romantic tone, Woo brings a more worthy proposal that continues its own legacy. June 24 in Skyshowtime Chespirito: without wanting If we say Roberto Gómez Bolaños, he will possibly sound at all. If we say ‘El Chavo del Ocho’ or ‘El Chapulín Colorado’, no doubt yes: these comedies that swept the world where Spanish spoke became a star to their interpreter and screenwriter, who had a career full of shadows. This biographical series enters its triumphs and failures, portraying a time when television was very different from now. Mountainhead Jesse Armstrong, the multipremized creator of ‘Succession‘, Write and direct this original film for HBO with a cast headed by Steve Carell. He tells how a very powerful group of billionaires thanks to their creations linked to high technology meet to ski just when an international crisis explodes due to the misinformation generated by AI and disseminated by the social network of which one of them is creative. Apparently they have remained to reconnect after years without seeing, but everyone has a hidden agenda. The nameless New version of Ramsey Campbell’s novel that already inspired one of the modern classics of Spanish horror cinema, ‘Los Name’ by Jaume Balagueró. On this occasion we will have the story in Miniseries format, which will allow to develop more thoroughly the arterer’s story of a woman who, years after losing her daughter in a traumatic way, discovers that it is possible that she can stay alive. TEKEPHONIC CALLS WITHOUT EXPLANATION They will lead her to contact the inspector who took the case in her day, and to let a strange sect could be behind everything. June 26 at Movistar Plus+ The tutoring The protagonist of ‘The worst person in the world’ shows again with a unique interpretation for a very unique thriller awarded in Cannes and that raises a very interesting moral enigma: a 6 -year -old boy is accused of transferring certain limits with a classmate. Nobody knows exactly what has happened, so the school’s address summons parents to discuss the subject, who puts it on the table a series of issues such as child sexuality or violence at certain ages where everything is taboo. Daniela Forever Nacho Vigalondo’s latest film is a strange but exciting love story that attacks with a science fiction excuse topics such as duel or obsession. The protagonist, after losing his girlfriend, is invited to be part of a clinical trial that will allow him to control his dreams. When he discovers that he can see her again every night and resume her relationship where she had stayed, everything acquires such romantic as sinister dyes. And will get many more dangerous. Smoke Fire is the great intangible protagonist of this criminal series based on real … Read more

All Netflix series have the same appearance and the same photograph. And Netflix has proposed to solve it

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It is a runrún in the audiovisual industry for years: all Netflix productions have the same finish. In the case of the most almighty fiction factory of the moment, it is a problem, and has won him abundant criticism. Netflix herself knows it and has got to work to solve it: a series of technical novelties that want to end what has been known for years as “Netflix aesthetics.” What is Netflix aesthetics? It is about Visual finish of the series and platform filmsthat It draws attention For generating common features in products that, on paper, would not have to have them: romantic series, horror movies and even realities And documentaries end up receiving a very common distinctive bath with very recognizable characteristics: Excess shine and color; or, on the contrary, areas of the plane very dark or unnecessarily in gloom. Saturated lighting, especially in night images. Devotion to neons, in a kind of aesthetics inherited from the eighties (of what We believe that were the eighties, at least) and that is perceived in series like ‘Stranger Things‘. In terms of editing and assembly, little innovative decisions and Manido resourceseven sometimes overexpressive. The lighting highlights details of makeup and the costumes, which underlines how often Netflix productions have a little original or unnecessarily “studied” production design. In general terms, all these decisions lead to a Netflix production being recognizable at a distance, even in series and films with large production values ​​(‘red alert’) or that should be characterized, precisely, by its distinctive touch (‘Sandman’). But … why? This visual standardization is completely sought after, and there are several reasons for it. One is the standardization of the image due to the technical specifications that Netflix seeks. Among other things, A couple of years ago There was the obligation to use certain cameras, the minimum resolution requirements and what percentage of each production could use an unauthorized camera. These approved cameras began being just a couple, but the list has grown a lot since then. As Some observers claimthat list is currently as long as it could be in an independent production shot in digital. That is, you can no longer blame everything to the limitations that Netflix put a few years ago, because that list of recommended material to roll has grown a lot. What matters. The theoretical Haley Nahman It contributed a possible reason for this visual standardization of Netflix, when it began to detect it in productions outside the platform, such as the horror film ‘M3gan’, and which can basically be reduced to a search for “less conflict.” That is, scenarios with fewer elements, or less illuminated elements (more scarce characters, more sober decoration, more areas in gloom …). Thus costs are not only cheaper because you have to take care of less problematic aspects of a plane, but because it generates an “instruction book” to apply in every situation. The algorithm culture. Of course, the Blind faith of Netflix in the designs of the algorithm It also has a lot to do with this replacement for constants: if something works, it is tried to repeat, and that not only applies to the themes and genres, which we have seen with the appearance of clones of ‘The squid game‘ either ‘Bridgerton‘. It also affects aesthetics, and in that sense, manufacturing visual rollers that coincide with the most popular is more than a technical issue. Even the most striking finishes, such as ‘Stranger Things’, find their immediate replica (in ‘Fear Street’, for example). Below the risk. It is not necessary to influence it too much, but if Netflix has become the most popular and followed platform, it is to polish all kinds of stridency or aesthetics that leave the norm, in order to appeal to as many audience as possible. Again ‘red alert’ is the best example: a cast (The Rock, Ryan Reynolds, Gal Gadot) that seems elaborated by an AI, an aesthetic that is the common average term of all spy films, an argument that has been made with an Excel sheet of common places … Beyond the final quality, what matters is to appeal to the most, the better. An improvement. Aware that this aesthetic can have its positive side in terms of effectiveness, but not so much if the belief is spread that everything that comes from the Netfllix factory is identical (and therefore, it is not worth approaching new proposals), the platform recently announced support for HDR10+ and Dolby Vision. They are formats that allow a much broader dynamic and color range, and better preserve the creative intention and offering richer and detailed images. Specifically, the platform promises with this improvement more precise colors and greater detail in each frame, which will help mitigate one of the eternal complaints of the specyers: the darkest scenes of movies and series barely have details. It is a key movement for a future in which platforms are obliged to stand out in front of the competition. Or at least, it seems that each of its proposals has a distinctive and unique style. Header | Netflix In Xataka | ‘The Eternaluta’ is a masterpiece of science fiction, but the story of its creator gives him an absolutely unique background

LaLiga has in her hand to prevent people from stopping seeing illegal IPTV. You just have to imitate Netflix

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The nightmare of IPS blocks by LaLiga continues. Not only that: it seems to increase. Soccer is becoming a problem For Internet users in our country, and are (we are) paying fair for sinners. Why is this happening? This is what we try to find out analyzing one of the potential root problems – the cost of seeing football – and stating those prices with what has happened on other streaming platforms. Why what works for Netflix or Spotify does not do so for football? Let’s see it. How much does football cost in Spain and Europe Today in Spain football fans depend on telephone operators to enjoy these broadcasts. If the objective is to be able to access all the First Division Soccer matches of LaLiga and those of competitions such as the Champions League, The options are two: Movistar+ and Orange. They told it a few months ago Our mobile Xataka companionswhich explained what were the disputes available plans, in which fiber, mobile and television are always combined in different versions. In those two cases Prices start from 115 euros per month of Movistar or the 80.95 euros per month of Orange (although without mobile data). O2 and Jazztel also offer some games, but much more limited: each day we have access to a LaLiga EA Sports (First Division) match, a Champions League match (if celebrated day) and three games of LaLiga Hypermotion (Second Division). That exclusivity of Movistar and Orange, however, They could change: Yoigo and Masmoble plan a television service with Orange TV infrastructure and in which 90 channels and all football will be included. At the moment there are no prices or defined availability date for this project. And in Europe? Other European countries have different costs, but it is important here to emphasize that the prices we will talk about are access to football without further ad I would go apart. Thus, we have: France: Dazn has a package to see all the link 1 for 35 euros per month (25 euros/month if you are under 26 years). Canal+ has a plan that also includes European competitions and costs 29.99 euros per month. Germany: In Dazn Unlimited All Bundesliga and Champions League matches for 34.99 euros per month are available. There are some optional platforms such as Sky with similar prices. Italy: DAZN offers all the A series A for 30 euros per month, while they can see the Champions League, it must be combined with Sky Italy, which has a cost of 25 euros per month. The total cost is therefore 55 euros per month. England: Sky Sports has all the rights to convey the matches, and the package costs about 22 pounds per month (26 euros/month). BT Sport broadcasts the Champions League, and the cost in that case is 25 euros per month, so the combined cost is about 51 euros per month. What is also true is that these amounts and these plans vary constantly and both operators and platforms offer constant promotions in order to capture more users. When Netflix taught us the way There was a time when music downloads or films on P2P networks were especially popular. That was cumbersome and illegal, but there were not many more options either. Or none. This was what was seen in Netflix in 2015, when he arrived in Spain. Everything would change with the arrival of Netflix, Spotify and its competitors, who showed that we could have streaming services of fantastic content, accessible, with a great catalog and with a more than reasonable price. Suddenly I was no longer compensated to be looking for other places: The legal alternative was really remarkable. The subscription model settled and became the norm, and thanks to a good balance, content companies realized something striking: the best way to fight illegal content was to offer a good service at an acceptable price. This principle has been corrupted in recent years: Servcios like Netflix have Uploaded prices Notably, they have stopped allowing Share accounts And they have also put ads, Like all its competitors. Users can protest (we protest), but time has proved those responsible for these services, who have not stopped growing and They are in record figures. How have things come out to Netflix? We can see it in two quite representative graphics of the situation. Since 2012, when the service began to be available in the US (arrived in Spain Something later), Netflix was raising prices more and more frequent. With each climb protests, yes, but … Sooner or later most return. Netflix price evolution in the US. These changes have been analogous in the rest of the world, and Spain is no exception. Source: The Verge. In fact, growth in users is apparently unstoppable in Netflix. The plan with advertisements, which we can criticize so much, It has been a resounding success And today more than half of the new subscribers arrive at the service thanks to this plan. Evolution of Netflix subscribers globally from 2011 to 2024. Source: Business of Apps. At present, the platform has More than 300 million subscriberswhen a decade ago The figure was five times lower (62.71, According to Business of Apps). There have been hardly two semester throughout its history in which there had The shared accounts or the plan with ads. That seems to make it clear that despite everything to millions of users They are still compensated by paying those subscriptions And not to go to illegal content distribution services, so if it works for them, what is happening with football in Spain? The Netflix of Sports Today the standard plan with Netflix ads costs 7 euros per month. Not bad, especially considering what football costs. Even considering the cost of the most affordable plans to see all football in Spain (with many asterisks, about 29 euros in Orange), the price both here and in other countries in Europe seems elevated. Seeing football in Spain costs about 30 euros a month with Orange … Read more

How to use the trick to unlock hidden series and movies on Netflix

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Let’s tell you How to unlock series and hidden movies in the Netflix catalog with a simple trick. Sometimes there may be people who speak to you about some sensational content but then you do not find it on the platform, and this trick can be a solution. This trick is especially useful for unlocking content that is not translated into Spanish, such as many K-Drams. All you have to do is change a specific adjustment in the application configuration or the service website. Come on, although in the catches we make the changes to the web, you can also make them in the app. 7 tricks to make Netflix the most Unlock series and films in Netflix The starting point is what we have told you: you have heard of a series in Netflix, but when you look for it you do not find it in the catalog. You can see some recommendation, but not what you are looking for. Now comes the magic, you have to go to the Netflix settings and section Visualization language. Once you are inside, Change the language to English And keep the changes. Once you make this change, make the search again. You will see what New content appearsand in many searches you may find that program they had talked about but you couldn’t find. The series and films that appear now but did not appear before they are not bent to Spanish, although the most possible that you can see them with subtitles in your language. In Xataka Basics | Netflix price (2025): All plans and rates available in Spain

Revolution is doing in the bank the same as Netflix in entertainment or Amazon in retail: conquer from the margins

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That Revolution sets a 2.25% payroll account It is not news. The news is that it has taken so long to do so. This is the time when The so -called “Neobancos” complete their metamorphosis: from rebel alternative to direct competitorof complementary bet to total substitute. Traditional banking has been watching Revolution for years and company as irritating digital mosquitoes. Annoying, but not lethal. “They lack regulatory muscle,” they said. “They cannot give mortgages,” they argued. “People want branches,” they self -convent. Evil Timing. Meanwhile, 4.5 million Spaniards already have Revolution. The third largest population in Europe for Fintech. It only remains to close the circle: Mortgages on the wayNetwork of ATMs announced and now, finally, the payroll account. This is not a tactical movement, it is strategic. The Neobancos have followed a calculated trajectory: first international transfers (the weakest point of traditional banking), then the basic accounts, then the investments, and now the heart of the banking business. Until They accept Bizum and Friends of the Treasury have become. The rest will also come. They have applied The classic disruption manual: enter through the margins and move towards the nucleusfirst occupying the less protected spaces and advancing patiently to colonize the center. Traditional bank has always responded as the incumbents respond: underestimating, imitating late and bad, and finally panic. Do you remember what happened to the telecos after The appearance of the OMVs? The interesting thing about this moment is not that Revolution offers its 2.25%payroll account, but that we have reached the point where the differential between “Neobanco” and “Bank” is purely semantic. It is the moment that the disruption complete its cycle and the disruptor becomes the new established power. We saw it with Amazon in retailwith Netflix in entertainment and now we are seeing it with Revolution in Banking. The Revolution It is over, the post-Banco era begins, where digital entities are simply “banks” and traditional are vestiges of another industrial era. “After Picasso, only God!” Said Dora Maar, lover and muse of the Malaga painter. And after the Neobancos reach the throne? Surely, A period of concentration – we also saw it in the telecos –where the most successful Neobancos absorb the little ones. And then? A stage in which traditional banking is oriented to a more concrete customer profile than the current generalist: seniors and conservatives. The unknown is whether Revolution will keep its advantage – cultural and technological – once this transformation is completed. History lets us intuit that no: yesterday’s revolutionary is the bureaucrat of tomorrow. There is no need to think about ing. But until that time comes, we are going to see a fantastic show: that of traditional bank giants (some are over 150 years old) that are going to be displaced by those who less than a decade were startups in a Coworking. In Xataka | India has been moving away from international payment networks. It is a hard blow for the giants Visa and Mastercard Outstanding image | Revolution

The director of ‘Train to Busan’ signs this Korean thriller in Netflix that is among the most sinister of the platform

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There is much talk about ‘adolescence’ in Netflix, but the platform catalog is overflowing with very different options from each other. This same weekend It has been released This stimulating ‘Revelation‘, which guarantees a good time of thriller in the purest Korean style: it is a morbid, intriguing, sinister and turning movie. In it we will meet a pastor of deep faith and believe together in divine revelations, which makes him suspect that a very specific person is responsible for a kidnapping case. To solve the case you will have to collaborate with a detectivewho lives tormented by his past: his dead sister’s ghost, which appears in chilling visions. Those responsible for ‘Revelation’ are not precisely unknown: Yeon Sang-Ho, director and coguionist, gained international fame with ‘Train to Busan’ and his sequelae, and has collaborated with Netflix previously with the fantastic and delusional ‘course to hell’, among others. Much eye for his animation films, especially the extraordinary ‘The Fake’, whose atmosphere in a small tent in which sermons are offered tremendously remembers one of the key spaces of ‘Revelation’. Korean cinema has become one of the most watched out of Asia, especially for the impact of its romantic series. But as the most cinephile sector knows, it all started with films such as ‘Old Boy’ or the foundational ‘Memories of Murder’, with which ‘revelation’ has some point in common. Especially that dark atmosphere of the rural Korea Where we are already used to the fact that, under a layer of apparent normality, the most heinous crimes take place. Header | Netflix In Xataka | Netflix’s best Korean series (because not everything is ‘the squid game’)

This disastrous adaptation of one of the most beloved series of the 80s was a box office failure. But he’s sweeping in Netflix

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He caught the attention at the time for two very different issues: on the one hand, it is the adaptation, hopeful, of one of the most legendary anime of the eighties, one that, in Spain, in addition, ignited the fondness of Japanese animation as significantly as his contemporaries ‘Dragon Ball’ or ‘Champions’. On the other, it was notorious for his Capital failure: only seven million dollars at the box officea completely improper collection for an adaptation of such a known series. We talk, of course, ‘The Knights of Zodiac’based on the legendary manga of Masami Kurumada and its running anime version, and now it is Available in Netflix. Interestingly, and although the number 1 in films is occupied by the (either very brilliant) ”Electric status‘, has reached a surprising number 2. Once again, films that are shipwrecked in cinemas find their space on the platforms of streamingwhere spectators find it easier to take a risk in search of content. In this new version we will meet Seiya, a teenage conflicting who makes a living fighting for money while looking for her kidnapped sister. When In one of his fights, mystical powers are revealed that he did not know, The young man discovers a world of saints at war, magical training and a reincarnated goddess who asks for her protection. It has a reserved place within the Knights of the Zodiac. The quality of the film was compared at the time with the disastrous adaptation in real image of ‘Dragon Ball’, although ‘The Knights of Zodiac’ is, perhaps, a step above. The sympathetic presence of a couple of stars in low hours (Famke Janssen and Mark Dacascos) and some, despite everything, overwhelming combat choreographies, make the disturbing disturbing in times: between horrendous digital effects and sub -sub -branches of a devastating ramp, a completely unworthy film of the epic touch and the adorable ingenuity of the original mangain. In Xataka | The anime triumphs in Netflix, and the figures sing: the platform is already one of the world’s Japanese animation

Years pass and television continues to mark the times to Netflix. Montoya’s “signing” is the best example

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The success of the latest edition of ‘The island of temptations’ is difficult to quantify. Already Not only is it figuresfigures that have achieved tame the two great current titans of the AccessBroncano and Motos: The impact between the public has gone much further, turning Montoya into a international scope meme and that transcends languages. The last to surrender: Netflix. Montoya, please. In these same terms the Netflix original and officers In social networks to promote ‘Temptation Island’, a reality which has eight seasons and that will arrive on March 12 to Netflix, after passing through US chains such as Fox and use Network. To promote it, Montoya has launched all its ICT repertoire: shout “no, please”, run from one place to another and kneel with arms to heaven. A very brief video of just thirty seconds but that records the international scope of the Montoya phenomenon. Montoya, the man announced. Montoya has not stopped since the phenomenon exploded in networks. In recent weeks has already participated in nine adsin almost all using their best -known colets and attitudes. Interestingly, it has not only announced trademarks such as the King’s League or Burger King, but also organizations that do not usually interest television characters, such as FP courses or waste recycling. In the height of the Stunts advertising promoted a brand of sweets Just before jumping to the sea at the Gala last Sunday of ‘Survivors’. It is not exhausted. Precisely, the presence of Montoya in ‘Survivors’ is what has made the broadcast of this last Sunday the best premiere of the program in Share Since 2020, reaching a spectacular 19.6% and leading the night strip without problems. 1,683,000 spectators followed the arrival of Montoya to the island, one more evidence that, despite the overexposure and the multiple advertising appearances of Montoya, the phenomenon has not yet been burned. The Talisman of Telecinco. Beyond the anecdote of the announcement, it is clear that Montoya has become a magnet for audiences to such an extent that Telecinco has managed to get Netflix following its wake, and not the other way around, as usual. It is not just the overwhelming personality of the Andalusian, it is also the proof that traditional linear television, so often out of conversation In social networks and tastes of the youngest viewerskeep marking the pace when it manages to house a phenomenon as powerful and international as Montoya. Reality fever. We have commented on occasion that Telecinco, after unsuccessful attempts to emerge with different formats (the failure of the Latin programof ‘Whoever falls fallsor the talent ‘Factor X’ and ‘Next Level Chef’ will mark its grill for years), it has become a producing machine realities. They have happened in their programming, without rest, ‘Big Brother Dúo’, ‘The island of temptations’ and, now, ‘Survivors’. A policy that, again, has taken good Netflix note, since it is easy to find on its grill realities of spicy tone as ‘false love’, ‘playing with fire’ or ‘love with bail’. Montoya’s shadow is being more elongated than we expected. The traditional TV rules. As much as For years An unstoppable decline of traditional TV is being perceived in front of the streamingin many ways that continues to mark rhythms and trends. Let’s not forget that, for example, one of the greatest success of prime video in Spain throughout its history is’Operation Triunfo‘, clone of the legendary talent of the linear TV. Or that, do what the platforms do with their luxurious original releases, the most seen in streaming They are still linear classics as ‘Gray’ Anatomy, ‘Family’ or ‘Law and Order’. The success of ‘the one that is coming’ in Prime Videoeven above Telecinco, it is still the proof that the situation is far from being able to define itself with blacks and blacks, with victorious and defeated. Header | Mediaset – Netflix In Xataka | Ana Rosa’s return in the morning is a rearma

If ‘the substance’ captivated you, look at this visceral French horror piece in Netflix

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‘The substance’ finally did not take the deserved Oscar to those who was nominatedbut his single presence in the ceremony is poison for everything that is hollow in Hollywood with his radical proposal. In fact, his messages about the demands that the entertainment industry requires the female body anticipated, in fact, which ended up being the award for best actress (a mature Demi Moore defeated by a version of itself that was much better in front of the cameras). But We can celebrate his moral triumph with a good dose of marrano horror filmbloody and with a radical message thanks to this French gore classic of the nineties that dialogues perfectly with the movie of Coralie Fargeat. It’s about ‘Baby Blood‘, that He has just arrived in Netflix And that proposes a cheap, rude and direct festival of wild humor, dribs of blood at discretion and a message that touches the antisocial. Everything starts when a strange creature is introduced into a woman’s uterus. The brand new pregnant has no choice but to become a murderer to feed the being that lives in its bosom. Like life itself. The result drinks both of the fantastic cinema of the fifties but in a key completely out of mother (with forgiveness) and of the Frank Henenlotter ‘Basket Case’ and ‘Brain Damage’ classics, but in gala version, that is, even more scarf and dirty. Such an influences blender is The ideal bridge between the gore cinema more serve as eighties and what was to come both in the most extreme horror cinema and, years later, in ‘The substance’. Because if it is important for something capital ‘Baby Blood’ is to understand horror cinema from France that would arrive a few years later. Films like ‘Inside’, ‘Martyrs’ or ‘High Voltage’ find their visionary and very precedent in ‘Baby Blood’, as overflowing with violence, and with a corrosive message about motherhood. Not for all palates, but if the extreme is yours, you have an appointment with sandungueros babies who feed on blood. In Xataka | On his way to the Oscars, ‘The substance’ has added another milestone: the most watched premiere in the whole story of Filmin

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