Big Tech has entrusted the keys to its kingdom to NVIDIA. Now they want the keys back

NVIDIA is no longer a gaming graphics card company: NVIDIA is a ubiquitous company. That means it is the baby at the baptism, the bride at the wedding and the cement of the manufacturing industry. artificial intelligence. Your hardware is in the most powerful data centers on the planethis software controls everything and your money invest in any company that has something to say in AI. Big Tech (and everyone) is blindly trusting NVIDIA and has been given the keys to the house, but something is changing. And now they want the keys back to regain control. All the spotlights. Microsoft, Amazon, Google and Meta have bought hundreds of thousands of NVIDIA GPUs to shape your AI aspirations. At some point many began to develop their own hardware, but in the end NVIDIA’s was everywhere and was the one that gave the most guarantees, so they “gave up.” Apple, curiously, opted for Amazon. And not just the big ones. OpenAI, Anthropic, Mistral or xAI are purely AI companies that They bet very heavily on NVIDIA from the beginning. Its hardware is the one that leads the way, the one that Western and Chinese companies want and the one that has such a brutal demand that it has elevated the company as the best client of TSMC and Samsung. amd. But no one likes to have all their eggs in one basket, and those same names are moving. From a position of absolute dominance, in a short time we can move to another in which the hardware market is much more diversified. AMD is NVIDIA’s great historical rival in the PC gaming segment (and in consoles), but although they were out of the conversation for a few years, they have returned with force. They have the hardware and are moving to get the same memory that NVIDIA has (and Samsung wins more than anyone else) and contracts as juicy as the one they achieved recently with Meta. The big rival also has deep pockets and is committed to taking a piece of the AI ​​pie. The Chinese threat. On the other side of the world we have China. We have said on numerous occasions that China is on to other things when we talk about AI. If the West pursues the AGI (with questionable claims like it’s already here), to China doesn’t care exactly. They want fast chips that allow them to create accessible and monetizable models in the short term. But they also have Huawei, the company that has become the spearhead of the Chinese technology industry thanks to its collaboration with foundries such as SMIC is allowing, in an unthinkable way due to vetoes, can develop advanced chips. The development of cutting-edge chips still needs to be achieved, but Huawei already has more powerful inference chips than NVIDIA’s H20, according to them, and a supercluster for training. Taking back control. Because in that term, “inference”, is where the current key is. AI training is important because it is what allows the model to then have the data and have a wardrobe to pull from, but inference is the final layer, which processes the user’s request to provide a response. There is not so much raw power needed, and that is what almost all the companies mentioned above are taking advantage of. Amazon, Google or Meta have programs in which they are actively researching or developing chips proper for inference. OpenAI has signed an agreement with Broadcom to supply chips and xAI along with other companies Musk also has its own chips and they plan to open factories. And in China things are no different with Cambricon wanting to be a local alternative to NVIDIA and giants like Alibaba either ByteDance getting into chip design. Groq. Given this, do you think NVIDIA is standing still? Among their hardware proposals, they have Groq, an inference accelerator that is designed for, next to Vera Rubinprocess a large amount of data at enormous speed. Groq was an unknown in the world of AI – until NVIDIA licensed it – and specialized from the beginning in that: chips with minimal latency for inference. The key is in the architecture of its chips and it was a piece that was missing from the NVIDIA catalog and shows that, although the rest want the keys back, the one that already had them may have made a backup copy to continue being the reference. Because they may all be preparing their chips, but while they arrive, NVIDIA is already there and, in fact, with Groq it seeks to sneak into theThe $50 billion pie: China. Problem for NVIDIA. But of course, that’s part of the story. The other is that NVIDIA also has all its eggs in one basket: that of AI. In the middle of last year we already mentioned that six customers represent 85% of all NVIDIA revenue in the previous quarter. It is an absolute nonsense that shows that, if there is a shift in technology, a puncture of the bubble or a new player that arrives strongly, the situation for NVIDIA may not be so favorable. The question is whether a regime change can come and everything will be allowed to collapse like a house of cards. The uncomfortable thing is that an absurd amount of money is being invested and it’s not something that can escalate forever. In Xataka | Jensen Huang believes we have reached the “coming of the AI ​​wolf.” It is perfect for feeding a Tamagotchi

Netflix entrusted him with more than 70 million for a series. He came with zero episodes and a luxury mattress bill of $638,000

Carl Rinsch, director of the semi-unknown Keanu Reeves film ’47 Ronin’ has been convicted of defrauding $11 million to Netflix. For the production of a science fiction series that was never made… nor was it planned to be made. Electronic fraud, money laundering and illegal transactions are the charges for this ingenious scoundrel who dared to tease one of the giants modern audiovisual corporations. What happened. The ‘White Horse’ project, later renamed ‘Conquest’, started in 2018 as an ambitious science fiction series about an artificial humanoid species that rebels against its creators. Netflix beat out Amazon, Apple and HBO in a bidding war for the rights to the series, disbursing more than 61 million dollars and granting Rinsch final creative control. 44 million dollars later and after filming in Uruguay, Brazil and Hungary, there was nothing on Mr. Netflix’s table. Crazy investments. In March 2020, as the pandemic spread, Rinsch requested an additional 11 million to, supposedly, complete the series. For some reason, Netflix agreed: Rinsch transferred the funds directly to personal accounts and speculated with stock options for Gilead Sciences, the pharmaceutical company that wanted to end COVID-19 (and COVID finished with her), losing approximately half of the capital in weeks. He later invested in Dogecointurning 4 million into 27. With the profits he unleashed a consumerist hurricane that resulted in five Rolls-Royces and a Ferrari worth 2.4 million dollars, two Hästens mattresses handcrafted in Sweden valued at 638,000 dollars, Swiss watches worth 387,000 and antique furniture valued at 3.3 million. Netflix canceled the project in 2021 after receiving only some promotional fragments of the hypothetical series. The sentence. In an unusual strategy, Rinsch chose to testify in his own defensemaintaining that the 11 million constituted a legitimate reimbursement for own capital invested in the project, and that the material already shot served as a negotiation tool to secure a second season that Netflix would never formally authorize. The prosecution presented bank statements showing direct transfers from the production budget to Rinsch’s personal accounts. Why did it happen? To understand this series of misfortunes for Netflix’s pocket, we must contextualize when it occurred: between 2018 and 2020, Netflix was at the center of a kind of streaming “gold rush”, with spending on content that reached $17.3 billion in 2020. The platform then accumulated 45% of global spending on streaming content since 2010, doubling the investment of your closest competitorAmazon Prime Video. The war for creative talent intensified with the launch of Disney+ in November 2019, followed by HBO Max, Apple TV+ and Peacock. Those were the times when, seeking to create a consistent catalog, Netflix prioritized quantity over quality. In this context, Netflix gave Rinsch that final cut for fear of losing the project to rivals. Other frauds. Rinsch is not an isolated case in an industry increasingly vulnerable to fraud. David Ozer, producer with credentials at Starz Media and Sony Pictures Television, serves sentence after diverting more than $200,000 from the ‘Safehaven’ budget. More recently, in August 2025, David Raymond Brown was accused of orchestrating a Ponzi scheme for 12 million dollars: the producer created a fictitious company that issued invoices for non-existent or already paid services and falsified his profile on IMDb to attract more investors. Header | Dima Solomin in Unsplash

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