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13 premiere movies and series to watch in February 2026 on Netflix, Prime Video, HBO Max and streaming

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Christmas is definitely behind us and the platforms greet 2026 with a few powerful premieres, some expected returns and a resurgence of the platform fight. Choose your favorite, because we bring you the juiciest news of February in terms of streaming. The queen of chess If you think that ‘Queen’s Gambit‘ is among the best things Netflix has ever produced, check out this documentary that tells the true story of the legendary Hungarian chess player Judit Polgár. Overcoming the sexism of a space controlled by men, she challenged champions like Garry Kasparov to become a champion of the sport with a career that began when she was only 12 years old, as the result of her parents’ experiment to raise geniuses. On Netflix February 6 Samuel After a triumphant stint on RTVE, this acclaimed Franco-Spanish series comes to Netflix, consisting of a single season of 21 four-minute episodes. An endearing and sometimes somewhat crude vision of the transition from childhood to adolescence through Samuel’s personal diary, which narrates his concerns, fears, goals and feelings, including everything from unrequited love to experiences such as the death of a friend’s grandmother. The minimalist visual style has a spontaneous touch that tends towards graphic experimentation, and gives rise to a little gem that adds to the best of Netflix’s animation section. On Netflix February 5 Stargate SG1 By surprise and in anticipation of the new series that Prime Video will produce, this modern classic of television science fiction arrives on Netflix. Although the platform has not specified what we can expect from this recovery, we trust that we will have at our disposal the ten seasons of which it consisted, no less than 214 episodes in total. A year after Roland Emmerich’s 1994 film tells the story, it starts with the idea that Ra was not the only alien who used stargates to transport human slaves to multiple planets. Let’s hope things go well for Netflix and we can enjoy successive spin-offs like ‘Atlantis’, ‘Universe’ and even the two direct-to-DVD movies. On Netflix February 15 The deception The Russo brothers are behind the production of this film that recovers the trope of the expert assassin retired and far from the madding crowd, but in a pirate key: Ercell “Bloody Mary” Bodden thought she had escaped her violent past, finding peace in the Cayman Islands with her husband, her son and her sister-in-law. But when her infamous ex-captain arrives seeking revenge, her world falls apart and she is forced back into action. The cast is headed by Priyanka Chopra, whom the Russos already showed us in ‘Citadel‘ and the always reliable Karl Urban. On Prime Video on February 25 Ponies Emilia Clarke and Haley Lu Richardson star in this spy comedy that promises excitement and entanglement with airs vintage thanks to its setting in the late seventies. In Moscow, two ponies (“people of no interest”) work as secretaries at the United States embassy until their husbands are murdered under mysterious circumstances. That’s when they become CIA agents. One of them is the daughter of Soviet immigrants, speaks Russian and is overqualified. His companion, the complete opposite: a somewhat reckless village girl. Together, they try to uncover a great conspiracy in the middle of the Cold War. Now available on SkyShowtime Neighbors The trendy indie production company in Hollywood, A24, is behind this documentary series that sometimes seems like a sitcom and sometimes like a demented thriller: it examines stories of absurd, scandalous and dramatic residential conflicts, starring a fauna of extravagant characters spread across the United States. Each episode features a group of neighbors in conflict, with protests ranging from property lines to the use of pets or the appearance with which they go out on the street. Surviving Paradise: Beyond Jehovah’s Witnesses For a long time, Jehovah’s Witnesses have been part of the friendlier landscape of Spanish religion. But hidden behind absolute secrecy was what many former members of the organization describe as a much more disturbing reality. This documentary goes into the annulment methods typical of a sect that many former members claim are practiced in secret: three episodes that talk about the passage of these former Witnesses through the group, their abandonment of it and the subsequent organization until reaching the trials in 2022. Rafaela and her crazy world This new series from the Chanante universe, created by Aníbal Gómez and based on his own book ‘The amazing world of Rafaella Mozarella’, promises to be absolutely insane. It is directed by Ernesto Sevilla and on board are many of the usual suspects: Aníbal himself, Ingrid García-Jonsson, Carlos Areces, Joaquín Reyes and Arturo Valls. Surreal and hooligan, it will tell us the life of a teenager who lives immersed in a dysfunctional family accompanied by three friends and a poodle. At Atresplayer on February 15 The Muppet Show (2026) Let’s get rid of comebacks that don’t interest anyone. This is the most anticipated reboot in television history since ‘DuckTales’ returned: all the classic characters in a legendary program with, how could it be otherwise, a special guest. In this case, Sabrina Carpenter with the help of the great comedian Maya Rudolph. Produces a certified Muppet fan, Seth Rogen, on a roll since he made ‘The Studio’. If this turns out half as well, we have Muppets for a while. On Disney+ on February 4 In an instant (In the Blink of an Eye) He directed two of Pixar’s best films, ‘WALL-E’ and ‘Finding Nemo’, and the industry fell on him when he signed a box office disaster that almost took down Disney, the highly underrated ‘John Carter’. It seems that Hollywood has forgiven him, and Andrew Stanton returns with a film that exhibits declared influences from ‘2001: A Space Odyssey’, ‘Magnolia’ and ‘Interstellar’. The film features three interconnected stories spanning thousands of years exploring the entire history of the world, and was presented at Sundance, where it won the prestigious Alfred P. Sloan Award (awarded for the best representation of science, … Read more

13 premiere movies and series to watch in January 2026 on Netflix, Prime Video, HBO Max and streaming

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New year, new recommendations. We come with an impressive avalanche of recommendations for you to start the year audiovisually. All platforms, all genres and all tastes. Don’t let 2026 catch you at a different pace, here are our proposals of all kinds for the month of January. him and her Promising six-episode psychological thriller starring Tessa Thompson (who also serves as executive producer) and Jon Bernthal, which follows a former news anchor who returns to her hometown to cover a crime. A detective suspects her involvement, pursuing her until he places her at the center of his own investigation. The twist: they were married, and they both knew the victim. A story full of twists and surprises that has a most attractive cast. On Netflix from January 8 Agatha Christie: The Seven Spheres He whodunit is, without a doubt, in fashion: the success of ‘Daggers in the Back’ or ‘Only Murders in the Building’ corroborate this, so Netflix has decided to resort to the sourdough of all this: three episodes based on one of Agatha Christie’s least adapted works. In a luxurious rural mansion, a high society party turns into tragedy when a practical joke against a known sleepyhead who is given eight alarm clocks set for 6:30 in the morning triggers a murder. In the cast, Mia McKenna Bruce, Helena Bonham Carter and Martin Freeman. Behind the scenes, Chris Chibnall, creator of ‘Broadchurch’, produces and writes. It includes scenarios filmed in Ronda, with the Real Maestranza bullring, the Puente Nuevo and the Palace of the Moro King. On Netflix from January 15 The loot Police thriller directed and written by Joe Carnahan (‘White Hell’, ‘The A-Team’), which reunites Matt Damon and Ben Affleck as protagonists and represents the first collaboration between Netflix and Artists Equity, the production company founded by the two actors. Inspired by true events, it follows a group of Miami agents who during a raid discover $20 million hidden in an abandoned safe house. The discovery unleashes a spiral of mistrust, ambition and moral dilemmas. Carnahan talks about the film as an homage to classic seventies crime thrillers like ‘Serpico’. Firm candidate to be one of Netflix’s first hits by early 2026. On Netflix from January 16 The Bridgertons – S4 New season of the hit series romantic, this time based on the third novel by Julia Quinn, which focuses on Benedict Bridgerton, the second and bohemian son of the family, and who has resisted marital conventions while his brothers have found marital happiness. It will premiere divided into two parts: Part 1 arrives on January 29 with four episodes and Part 2 on February 26 with the remaining four. The season promises a visual tone inspired by fairy tales, with an emphasis on the masked ball as a dream setting, and combining romance, secret identities, class tensions and the classic visual elegance of ‘The Bridgertons’. On Netflix from January 29 Beauty Science fiction and body horror at the hands of Ryan Murphy, with two FBI agents sent to Paris to investigate the mysterious and grotesque deaths of international supermodels in the world of haute couture. His research reveals the existence of a sexually transmitted virus that gives physical perfection to ordinary people, but with lethal consequences. The trail leads directly to a tech billionaire who has secretly designed a miracle drug. A reflection on the cult of the physical, in a film where performers like Isabella Rossellini stand out in a role that dialogues with her witch from ‘Death suits you so well’. On Disney+ from January 21 wonder man A bit of cover (and with a format binge watchingas already proven with ‘Echo’) the new Marvel series arrives at the end of January. With a meta point and some humor, it tells the story of Hollywood actor Simon Williams, who is trying to get his career off the ground. After a chance meeting with another actor, Trevor Slattery (Ben Kingsley, the fake Mandarin from ‘Iron Man 3’), Simon discovers that a remake of ‘Wonder Man’, a classic superhero film, is being prepared. The two actors, at opposite ends of their careers, will try to get a role. Developed by Destin Daniel Cretton, director of ‘Shang-Chi’, it is the first live-action project of Phase 6 in 2026. On Disney+ from January 27 The Death of Bunny Munro Six-episode British miniseries based on the novel of the same name by Nick Cave published in 2009. Matt Smith plays a sex-addicted beauty product salesman who, after the suicide of his wife, embarks on a chaotic road trip through the south of England with his nine-year-old son while a serial killer disguised as a demon stalks the area. A dark comedy about toxic masculinity and grief where Smith’s performance and his commitment to a repulsive character stand out. On Showtime starting January 30 The Demolition Brothers Action comedy directed by Ángel Manuel Soto (‘Blue Beetle’) that brings together two Hollywood action heavyweights: Jason Momoa and Dave Bautista. The film features two estranged half-brothers, an impulsive police officer and a disciplined Marine, forced to reunite after the mysterious death of their father in Hawaii. What begins as a family reunion quickly turns into a dangerous investigation. Explosive action, characteristic humor of its heroes and setting in the exotic streets of Hawaii. On Prime Video from January 28 crazy old woman Psychological horror that marks the directorial debut of Argentine screenwriter Martín Mauregui. Produced by JA Bayona, it stars Carmen Maura in one of the darkest and most disturbing roles of her career, and in it we will meet a boy who receives a message from an ex-girlfriend asking him to temporarily take care of her mother, who has senile dementia. What seems like a simple act of compassion quickly transforms into a claustrophobic nightmare that addresses, according to Bayona, how violence is transmitted from one generation to another. On Prime Video from January 14 The Pitt – T2 Nine months after the end of its acclaimed first season, … Read more

13 premiere movies and series to watch in December 2025 on Netflix, Prime Video, HBO Max and streaming

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Good! Christmas right there and unless you work as Santa’s elf, everything indicates that you will be able to dig out the blanket from the attic where you have it and organize some good sessions with the stove, slippers and streaming. As these parties usually come loaded on the platforms, here are some ideas so that you don’t miss out on any news. Percy Jackson and the Olympians Among the many franchises that Disney found with the purchase of Fox was Percy Jackson, which had already given rise to two films at the beginning of the last decade that sought, like so many of the time, to find a new Harry Potter. Although they did reasonably well at the box office, their departure from Rick Riordan’s original novels earned them quite a bit of antipathy, which seemed to be moderated with a more faithful Disney+ series. Now comes the second season, where a teenager with a destiny bigger than he imagines travels across the United States fighting monsters and gods to return his lightning bolt to Zeus. On Disney+ from December 10 Mad Men – Complete Series There are series that never go out of style, and ‘Mad Men’ is, indisputably, one of them. After a time away from our screens (unless you subscribed to Lionsgate+), now you have the opportunity to binge the almost one hundred episodes of this satirical epic that perfectly portrays New York in the sixties. Donald Draper, executive of a major advertising firm, is the protagonist of this series that helps us understand each and every one of the vices of the society we live in now, sixty-odd years later. On Disney+ from December 14 The last outburst Is one of the best films in the history of Spanish cinema. Many say that it is the best: a mix of experimental cinema, vampire film and desperate and addictive love letter to cinema. Converted into a cult film, ‘Arrebato’ is the core of this unclassifiable (like its object of study) mix of documentary and fiction that investigates the strange black hole that the film represents for all those who see it and worked on it. ‘The Last Rapture’ follows the clues that would explain the disappearance of Iván Zulueta and his film, accompanied by Jaime Chávarri and the original actors of the classic, Eusebio Poncela, Cecilia Roth and Marta Fernández-Muro. On Movistar Plus+ from December 3 relay Among Movistar’s more or less unreleased releases, this thriller that seems to seek inspiration from the conspiracy thrillers of the seventies especially draws our attention. But updated, of course: now the target is anonymity in the internet age. Directed by the always reliable David Mackenzie, whom we remember from ‘Comanchería’, it stars Lily James, Riz Ahmed and Sam Worthington, and we will follow a scientist who has been fired after warning about the side effects of the project she was working on. But she has evidence that the company is hiding information and believes she is being persecuted. On Movistar Plus+ from December 26 good boy A simple and direct horror gem, practically silent, that in just 72 minutes tells a story told from the perspective of Indy, a dog who, together with his owner, faces supernatural phenomena in an isolated house. Continuously at the height of the dog, giving us a unique immersion in the story, the film avoids the typical anthropomorphic vision of the animal in a minimal budget experiment that plays with atmosphere and sound to create a feeling of constant threat. It took years to film, since the dog is the director’s real pet and is not trained to act. On Filmin since December 19 Zodiac Killer Project Only a killer like Zodiac could spark a documentary true crime like this one, where the important thing is, obviously, not the investigation and the identity of the criminal, but rather a deep reflection on the codes and topics of the genre. We will walk through the typical true crime scenarios, but stripped of all spectacularity, accompanied by a deep reflection on a completely saturated style and taking as a starting point, precisely, an abandoned documentary about the Zodiac Killer. On Filmin since December 26 F1: The Movie The movie that has turned around finances from Apple’s audiovisual division after a series of failures is this fast-paced sports film focused on Formula 1. We will learn the story of the most promising driver of the 90s until an accident is about to put an end to him. Thirty years later, he has become a kind of driver for hire who receives a proposal from a former teammate, owner of a Formula 1 team on the brink of closure. An authentic visual spectacle thanks to the realistic immersion in the races through first-person shots and effects without CGI tricks. On Apple TV from December 12 Fallout T2 One of the most popular science fiction series returns funny and praised in recent timesand also a production that has lifted the curse of video game adaptations, demonstrating that no project is sufficiently ambitious when it is done with knowledge of the facts. We also leave the first season at a very interesting point: Lucy searching for her father after being betrayed and the Ghoul searching for his family, who may have survived the Holocaust. And their steps take them to a mythical location. None other than New Vegas, legendary setting for the franchise. On Prime Video from December 17 Palm Springs Although it has been roaming around on all types of platforms for some time now, this cult comedy is always a delight that can be reviewed again and again thanks to how it reinvents the concept of a time loop with a contemporary tone and melancholic atmosphere. Andy Samberg and Cristin Milioti have perfect chemistry and together they go a step further than what we have already seen in classics like ‘Trapped in Time’. Here, Samberg is locked in a loop that repeats the same day over and … Read more

In Ukraine we had seen armored vehicles from Mad Max, but the latest Russian invention has left everyone speechless: assault “hedgehogs”

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Last June, several images captured by reconnaissance drones of the Ukrainian forces sighted a unprecedented Russian offensive: Waves of two-wheeled troops launching motorcycle charges to break the kyiv front. If the scene seemed like a still from Mad Max, shortly after it would become reality with the appearance of trucks that we saw in the movie. The latest: in an unprecedented turn of the screw, Moscow has brought out its assault “hedgehogs” The tank turned into a “hedgehog”. The recent appearance of a T-80BVM Russian equipped with an extreme structure of steel cables along with foliage and tree branches, described as an “assault hedgehog”offers a revealing picture of the state of mechanized warfare in Ukraine. The photographs, broadcast by the channel Vodohray Telegramshow a T-80BVM with an anti-mine roller TMT-K and a T-72B3 with a KMT-7, both wrapped in dense cable cages covering the chassis, tower and top. On the T-80BVM, in addition, a electronic warfare system. This modification, primarily intended to thwart FPV drone attacks, represents the rapid adaptation of the battlefield to a threat that has completely altered the relationship between armor, mobility and survivability. And more. The structures that are seen look for prevent direct impact or cause drones to become trapped or damaged before reaching vulnerable points. However, the additional protection noticeably increases weightvolume and operational complexity: tanks become slower, more visible and difficult to maneuver in urban or forested areas. Still, the fact that these modifications arise not only from field improvisations but also from organized units highlights the extent to which drone warfare is redefining the very form of ground combat. T-80BV in the Kubinka tank museum Evolution of the T-80BVM. He original T-80developed in the late 1970s, was conceived as an elite tank capable of combining firepower with exceptional mobility thanks to its gas turbine engine. This feature made it faster and quieter than other Soviet models, which made it a symbol of military modernity in its time. With the dissolution of the USSR, many T-80s were stored, but the version T-80BVM (introduced in the 2010s) introduced important improvements: Relikt reactive shieldingmore modern optical and thermal systems, and mechanical adjustments to increase reliability, especially in cold environments. In Ukraine, where a war of attrition is being fought with very dynamic fronts, the T-80BVM has been used like crash car for quick attacks or penetration maneuvers, but the proliferation of drones has reduced their safety margins, forcing the modification of even a tank originally designed to move quickly and freely. Other armor seen in Ukraine FPV and the collapse of the classics. The expansion of FPV drones (capable of attacking from above or vulnerable flanks) has generated a conceptual crisis for traditional armor. Tower ledges, engine cover and commander’s hatch hinge have become critical points that even a cheap drone can exploit with an improvised payload. For this reason, both Russia and Ukraine have experimented with “cages”“mobile bunkers” and supplementary armor. It turns out that the first versions of these cages, superficial or with rigid bars, were insufficient: the drones learned to maneuver between gaps or detonate just above them. Hence the cable structures They represent a more advanced iteration of that improvised defense: they are more flexible, denser, and more likely to entangle or slow down small aircraft. However, its effectiveness is uneven, depending on the quality of the wiring, the speed of the drone and the ability of the FPV operator to manually adjust its trajectory. Camouflages and protections. we have gone counting before. The war has generated enormous tactical creativity on both sides. They have been seen covered armored of thermal networks to confuse infrared cameras, coated vehicles of tires to absorb shock waves, camouflaged transport with awnings and scrap metal to break silhouettes and even towers protected by improvisations of beams and bars that are reminiscent of shed roofs. Some of these designs seek to deceive reconnaissance drones, others intend just gain seconds before the impact of an FPV, a time that can allow the crew to abort, retreat or request cover. Each innovation introduces new countermeasures: when the cages appeareddrones began to carry loads at an angle, and when jammers appeared, wired drones or drones with more autonomous guidance systems began to be seen. War, in this sense, has become a constant laboratory where adaptation is measured in hours, not years. Uncertainty. Having said all this, the image of the “steel hedgehog” around the T-80BVM is not only curious: it symbolizes a war in which the rules of armored combat are changing at great speed. Tanks are still valuable, but can no longer operate without a dense layer electronic supportinfantry cover and constant surveillance of the nearby sky. The question that emerges is whether these adaptations keep the car useful or whether they represent an attempt to keep a car alive. concept in transformation. For now, the response on the front is pragmatic: any measure that allows us to survive one more mission is welcome, even if it turns a vehicle designed for speed and direct impact into a slow, heavy creature covered in metallic thorns. Because in the war in Ukraine, survival has become the true armor. Image | Telegram, Alan Wilson, ArmyInform In Xataka | An imperceptible hum is wreaking havoc in Ukraine. When it arrives there is no turning back: the Russians are already everywhere In Xataka | The Ukrainian army has been asked what it urgently needs. The answer was clear: no missiles or drones, just cars

13 premiere movies and series to watch in November 2025 on Netflix, Prime Video, HBO Max and streaming

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The passing of Halloween has left us with a few interesting horror films in the catalogs of all platforms, but the next thing is coming, which is inevitably Christmas. Many of you will already be noticing how the romances of divorced women in sweaters are flooding streaming, but let’s try to abstract ourselves from that tempting little candy with a brief review of other attractive news for the month of November. That there is everything. Frankenstein Guillermo del Toro he has finally made his dream come true to adapt Mary Shelley’s canonical science fiction novel, while being both very faithful and very personal and in line with her usual obsessions. A monster different from the one we are used to in cinema, a mad scientist more deranged than usual and sumptuous settings and special effects that are the best of the show. That and the extraordinary incarnations of Jacob Elordi, Oscar Isaac and Mia Goth, of course. On Netflix November 7 Stranger Things S5 The final season of ‘Stranger Things’, which will premiere divided into three parts between November 2025 and January 2026, promises to bring an epic closure to the saga. Set in the fall of 1987, the city is scarred by the rifts open to the Upside Down, and the group is tasked with finding and eliminating Vecna, who is still alive. The government has placed the town under military quarantine, making the task difficult. The season will have 8 full length episodesalmost like feature films, and will bring the entire group together for one last decisive battle. We return to Hawkins for the last time! On Netflix on November 26 Vallecas File A documentary series in three episodes that reviews the most famous and high-profile poltergeist case in Spain, which occurred after a mysterious death in the Madrid neighborhood 35 years ago. The production explores unpublished archives, to which key testimonies are added to show the human drama behind the myth. The series delves into the limits between parapsychology, the poltergeist phenomenon and the power of suggestion, in a series that attempts to delve into the real case that inspired Paco Plaza’s film ‘Veronica‘. On HBO Max on November 7 ozzy: No Escape From Now A documentary that offers an intimate and unvarnished portrait of the last years of Ozzy Osbournelegendary leader of Black Sabbath, in which he had to face the physical deterioration caused by Parkinson’s and other ailments, cope with the awareness of his own mortality and the desire to return to the stage for the last time. Avoiding easy tears by showing Ozzy’s fragility and humor in the face of adversity, it gives a unique testimony of the last bars of the life of one of the last rock stars we had left. His influence is also reviewed with the appearance of figures such as Slash, James Hetfield, Billy Idol and Tom Morello. On Skyshowtime on November 2 The Paper When we first heard about the idea, we raised an eyebrow: was there really a need to invoke the spirit of ‘The Office’ in an entirely new series? But when the first reviews arrived, apparently everything was going well: without being ‘The Office’ (remember that in its first seasons ‘The Office’ was not ‘The Office’ either), Greg Daniels, creator of the original series, seems to have correctly invoked the spirit of the classic: the team that made the mockumentary of that series focuses this time on a historic paper newspaper and its editor, who tries to keep it afloat. On Skyshowtime on November 14 Bat-Fam Did you like the Christmas special movie?Merry Mini Bat Christmas‘? Average: the best thing to come out of DC in years, if you ask us. Now, their characters return with a look at the intimacy of the Wayne family, especially the heir to the Mantle, young Damian Wayne, but with a lot of new characters and old acquaintances, all passed through a delicious visual filter. Our favorite is clearly Man-Bat, so you’ll have to choose another one. On Prime Video on November 10 All of the law None other than Sarah Paulson, Naomi Watts and Glenn Close share the cast with… Kim Kardashian. Only the prolific Ryan Murphy could give rise to such a concoction, with a series of legal intrigue that distances itself (partially, because its usual casting returns, Kardasian included) from the grotesque horrors of ‘American Horror Story’ and company. A kind of ‘Suits’ in a feminine key where a group of lawyers specialized in divorces leave a firm dominated by men to open their own office. ANDn Disney+ on November 4 The Fantastic Four: Firsts Steps Although it was not the revolution that many expected (and that Marvel needs), the new Fantastic Four movie has reinitiated the presence of these iconic heroes on screen with a fresher approach and more faithful to the essence of Stan Lee and Jack Kirby’s comic. Adventure, science fiction and light family drama combine in a film that benefits from dispensing with close ties to the rest of the world. MCUalthough it cannot escape the style, tone, humor and, above all, the closed structure without much oxygen of the rest of the house’s films. Still, great finds like the new introduction of Galactus and his herald Silver Surfer, as well as a very appropriate leading quartet. ANDn Disney+ on November 5 Jakarta Two proper names usually linked to comedy, Diego San José (‘Come Juan’, ‘Eight Basque surnames’, ‘Vaya semanita’) and Javier Cámaraenter this time into dramatic territory with a series about disenchantment and second chances: a former Olympic badminton player finds himself becoming a physical education teacher, and finds in a problematic but talented girl the possibility of achieving a lost dream. It is about competing in Jakarta, where this sport has prestige and can rediscover some of the glory of the past, in a sporting drama without an epic of winners. ANDn Movistar Plus+ on November 6 Anatomy of a moment Directed by Alberto Rodríguez and based on the … Read more

Xiaomi 17, Xiaomi 17 Pro, Xiaomi 17 Pro max, characteristics, price and technical file

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Xiaomi has taken the first step at home with the launch of the 17, 17 pro and 17 pro max. Three models that, apart from its power and specifications, reveal a difficult intention to hide: Competerate frontal with Apple. Parallelism with iPhone 17 and 17 pro Not only is it in the name, but also in the way the brand has structured the range. The common denominator is a shared technical platform, but the differences arrive with concrete decisions in design, battery and photography. In the PRO, the great novelty is a back screen that seeks to recover the “Wow effect” on the Android scene. Technical sheet of the Xiaomi 17, 17 Pro and 17 pro max Xiaomi 17 Xiaomi 17 Pro Xiaomi 17 pro max dimensions and weight Long: 151.1 mm Width: 71.8 mm Thickness: 8.06 mm (the chamber protuberance is not taken into account) Weight: 191 g Long: 151.1 mm Width: 71.8 mm Thickness: 8.0 mm Weight: 192 g Long: 162.9 mm Width: 77.6 mm Thickness: 8.0 mm Weight: 219 g screen OLED 6.3 inches 2656 x 1220 Up to 120 Hz 3500 nits DCI-P3 HDR10+, HDR VIVID | Dolby Vision OLED 6.3 inches 2656 x 1220 Up to 120 Hz 3500 nits DCI-P3 HDR10+, HDR VIVID | Dolby Vision OLED 6.9 inches 2608 x 1200 Up to 120 Hz 3500 nits DCI-P3 HDR10+, HDR VIVID | Dolby Vision rear screen No Super Sunlight of 2.7 “low consumption AMOLED 904 x 572 Up to 120 Hz F 1 nit at 3500 nits Super Sunlight of 2.9 “low consumption AMOLED 967 x 596 Up to 120 Hz F 1 nit at 3500 nits processor Snapdragon 8 “Extreme Edition” Gen 5 Manufactured in process of 3 Nm Eight -core Oryon CPU with a maximum frequency of up to 4.6 GHz Snapdragon 8 “Extreme Edition” Gen 5 Manufactured in process of 3 Nm Eight -core Oryon CPU with a maximum frequency of up to 4.6 GHz Snapdragon 8 “Extreme Edition” Gen 5 Manufactured in process of 3 Nm Eight -core Oryon CPU with a maximum frequency of up to 4.6 GHz graph Adreno GPU Adreno GPU Adreno GPU Memory and storage 12 GB/16 GB LPDDR5X 256 GB / 512 GB UFS 4.1 12 GB/16 GB LPDDR5X 256 GB / 512 GB UFS 4.1 12 GB/16 GB LPDDR5X 512 GB/1 TB UFS 4.1E load and battery 7000 mAh Silicon-carbon with high energy density QC3+ / QC3.0 / QC2.0 / PD3.0 / PD2.0 Xiaomi cable load arises from 100 w Xiaomi wireless load arises from 50 w 22.5 w wireless inverse charging 6300 mAh Silicon-carbon with high energy density QC3+ / QC3.0 / QC2.0 / PD3.0 / PD2.0 Xiaomi cable load arises from 100 w Xiaomi wireless load arises from 50 w 22.5 w wireless inverse charging 7500m MAH Silicon-carbon with high energy density QC3+ / QC3.0 / QC2.0 / PD3.0 / PD2.0 Xiaomi cable load arises from 100 w Xiaomi wireless load arises from 50 w 22.5 w wireless inverse charging rear cameras Leica optics Main Chamber: 50 MP (ƒ/1.67, 23 mm) Floating Teleobjective: 50 MP (ƒ/2.0, 60 mm, 10 cm approach to infinity, zoom eis Ultra wide angle: 50 MP (ƒ/2.4, 102 °, 6p lens) Leica optics Main Chamber: 50 MP (ƒ/1.67, 23 mm) Floating Teleobjective: 50 MP (ƒ/3.0, 60 mm, 10 cm approach to infinity, zoom eis | 5x optical zoom | 20 cm macro teleobjective Ultra wide angle: 50 MP (ƒ/2.4, 102 °, 6p lens) Leica optics Main Chamber: 50 MP (ƒ/1.67, 23 mm) High light collection teleobjective: 50 MP (ƒ/2.6, 60 mm, 10 cm approach to infinity, zoom eis | 5x optical zoom | 20 cm macro teleobjective Ultra wide angle: 50 MP (ƒ/2.4, 102 °, 6p lens) front camera 50 MP (ƒ/2.2, 90 °) 50 MP (ƒ/2.2, 90 °) 50 MP (ƒ/2.2, 90 °) GRID 5g SUPPORT FOR 2 NANO-SIM 5g SUPPORT FOR 2 NANO-SIM 5g SUPPORT FOR 2 NANO-SIM ports USB 3.2 GEN1 (5 GBPS) USB 3.2 GEN1 (5 GBPS) USB 3.2 GEN1 (5 GBPS) Wireless connectivity Wifi 7, Wi-Fi 6, Wi-Fi 5, Wi-Fi 4 and 802.11a/B/G Wi-Fi 2.4g | 5G wifi Mlo, 2×2 mime, 8×8 sound for Mu-Mimo, Wifi Direct, Miracast, 2.4g and 5g of double channel Bluetooth 5.4, dual bluetooth SBC/AAC/APTX/APTX HD/APTX Adaptive/LDAC/LHDC 5.0/LC3/MIHC NFC Wifi 7, Wi-Fi 6, Wi-Fi 5, Wi-Fi 4 and 802.11a/B/G Wi-Fi 2.4g | 5G wifi Mlo, 2×2 mime, 8×8 sound for Mu-Mimo, Wifi Direct, Miracast, 2.4g and 5g of double channel Bluetooth 5.4, dual bluetooth SBC/AAC/APTX/APTX HD/APTX Adaptive/LDAC/LHDC 5.0/LC3/MIHC NFC Wifi 7, Wi-Fi 6, Wi-Fi 5, Wi-Fi 4 and 802.11a/B/G Wi-Fi 2.4g | 5G wifi Mlo, 2×2 mime, 8×8 sound for Mu-Mimo, Wifi Direct, Miracast, 2.4g and 5g of double channel Bluetooth 5.4, dual bluetooth SBC/AAC/APTX/APTX HD/APTX Adaptive/LDAC/LHDC 5.0/LC3/MIHC NFC Positioning B1I + B1C + B2A ｜ GPS: L1 + L5 ｜ Galileo: E1 + E5A GLONASS: G1 ｜ QZSS: L1 + L5 ｜ Navic L5 B1I + B1C + B2A ｜ GPS: L1 + L5 ｜ Galileo: E1 + E5A GLONASS: G1 ｜ QZSS: L1 + L5 ｜ Navic L5 B1I + B1C + B2A ｜ GPS: L1 + L5 ｜ Galileo: E1 + E5A GLONASS: G1 ｜ QZSS: L1 + L5 ｜ Navic L5 Operating system Xiaomi Hyperos 3 Xiaomi Hyperos 3 Xiaomi Hyperos 3 OTHERS Unlock with fingerprint Unlock with fingerprint Unlock with fingerprint box content Mobile, current adapter, USB type C cable, cover, screen protector (factory installed), SIM card pin, user manual Mobile, current adapter, USB type C cable, cover, screen protector (factory installed), SIM card pin, user manual Mobile, current adapter, USB type C cable, cover, screen protector (factory installed), SIM card pin, user manual price From 4,499 yuan From 4,999 yuan From 5,999 yuan The starting point is the same, the outcome not so much The three Xiaomi 17 share a platform that places the series at the top of Android. The new Snapdragon 8 Elite Gen 5officially presented by Qualcomm the day before the launch, appears here with the label “Extreme … Read more

My real experience with the Aura Triple Aero 15.6 “Pro Max

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I have spent recent weeks using the Aura Triple Aero 15.6 ”Pro Maxrimbonbante name for this device consisting of three external monitors that fold in one piece. Your promise is that you can turn any space into a workstation with 43 inches of screen. After using it both at home and in a hotel, I have a clear perspective for who makes this product of 520 euros. The first time I deployed the three screens at home I felt that immediate satisfaction of having plenty of visual space. The deployment is not entirely intuitive, but once you understand it, it is fast: about thirty seconds have passed since you put it on the table until you have everything working. A single USB-C cable from my laptop-which transmits both image and energy, as it should be-in addition to the power supply, and the three screens come alive. It is elegant in its simplicity. Image: Xataka. But here comes the first nuance: This weighs 3.2 kilos. It is not very much, but it is not a trivial weight when you already load with more luggage. In addition, the dimensions tell: in my usual backpack it is not possible, one of the greats is needed. The 15.6 inches come in pleasure, the problem is the metal structure that surrounds them. I had to reorganize my cabin suitcase, where it enters very tightly. A centimeter more thickness and would have to use another suitcase, of those that do not enter the cabin and have to be billed. If it becomes a few centimeters larger, I would not have entered the cabin suitcase. But he entered. Image: Xataka. Then we arrive at another nuance: the reality of the full HD in the middle of 2025. I come from working with a 4K monitor at home (Something else, in fact), either to use the 14 -inch laptop screen. The difference in sharpness is palpable. MacBook Pro 14 “: 3,024 × 1,964 pixels. Density.254 ppp. Huawei Mateview 28,2 “: 3840 x 2560 pixels. Density: 163 ppi. Aura Triple Aero 15.6 “Pro Max: 1920 x 1080 pixels (each panel). Density: 141. And not only sharpness, the quality of the panel also falls behind. IPS / WLED panel, maximum brightness of 350 nits and contrast 1,200: 1. The three 1080p screens of the aura are functional, but when you are accustomed to the density of pixels and the quality of a modern panel, the text is no longer fully clear. Image: Xataka. Using these panels I got an email from a Baltic person, and I could simply distinguish if what was about a vowel of his name was a point or a tilde. It turned out to be a point. It is the type of concession you can accept on a travel devicebut that completely discards the aura as a permanent replacement for my desktop configuration. I do not think that is his intention, but it is good to take it into account in case that temptation arises. Admitted resolutions. Image: Xataka. Possibilities of disposition or duplication of screens. Image: Xataka. During my stay at the hotel, the test came with the real use. I had to prepare a couple of interviews documented and preparing the questions, and analyze the balance of a company related to the above. There, the aura shone. Be able to review spreadsheets and maintain Notion Open, adding the browser in sight, and Apple Music in a third panel … I felt it was worth it. The fact is that the work had already begun at home, there I just had to give him the final auctions. Less than two hours of use. The process of riding, configuring, disassembling and especially loading the system in the suitcase during the entire trip made me question if it had been worth it The space sacrificed in the suitcase and the three extra kilos. Something characteristic that did not expect to assess is the ability to use screens in different provisions. You can put them straight, lean the sides to you as if it were a Cockpit… or something surprising: put them in the form of a triangle. The panels are de facto have the magnetized edge to get well if you want to use them like that. You can make the experience more immersive guiding the side screens towards you … Image: Xataka. … or you can put them in a triangle shape so that those who are around can see what you show on the screen without the need to get together in front of the main panel. Image: Xataka. Cenital view of the triangular disposition. Image: Xataka. It makes sense to A case of specific use: Allow several people to see the screen on the screen simultaneously and without having to pile up, simply being around a table. It is true that it is very useful in that case, but it is also true that it is a tremendously specific case. This device brings integrated speaker, oriented towards the back of the central panel. It works, but don’t wait miracles. They sound better and with better orientation the integrated in my laptop. The support is robust and offers three heights, although the lowest position is unstable with the weight of the set. It is a frame that must be treated with some care. By the way, the product box came both with temperate crystals for the three panels and with the case. Image: Xataka. All that is sold separately, but I would say it is almost imperative for those who buy the aura. Swork everything, the case. Without it, the external screen exposed when the device is folded is an invitation to the disaster. This product is not exactly plug and play: It is necessary to download your drivers From the manufacturer’s website, but once installed, the use is immediate. The central issue with the aura is who makes sense for. It is a unusual pinton product, of which we stop to examine when … Read more

New iPhone 17 Pro and iPhone 17 Pro Max

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Apple has just revealed its cards to fight for the Best 2025 mobile and early 2026: the iPhone 17 Pro and the iPhone 17 Pro Max. In the traditional ‘Keynote‘From the Apple Parkthe company has presented these new models that arrive next to the iPhone 17 and the very rumored iPhone 17 Air. Goodbye Crystal and Titanium, Hi Unibody of Aluminum. And that is good Ahead, the new iPhone 17 pro are almost identical to the previous ones. On the sides, more of the same: they have not touched the Chamber tactile control introduced into all past generation models, nor have the position of the button on the left side which allows you to customize it with different actions. The body is an aluminum unibody In the rear and inside it is where the changes are seen. Do not catch us by surprise because housing companies They already burst the announcement A few days ago confirming the design of the new iPhone 17 Pro. Apart from the Triplet of Chambers that we have been seeing from the iPhone 11 Prowe have a Lidar sensor displaced to the opposite side and, together with the flash, a more elongated module. It is as if they had taken the cameras module of the previous ones and had stretched it to the other side. And it is not a simple issue of aesthetics: the materials have changed responding to a need: The one to dissipate the heat better. The great part of the chassis is now a single piece of aluminum. This includes the sides, the internal structure and the camera module. Goodbye to the crystal, goodbye to the titanium of the latest generations. Far from being a step back, aluminum is a perfect material to dissipate heat better. It is more efficient than glass and was a historical need for iPhone. 48 megapixel cameras. The three And one more year, Apple has dedicated a good part of the presentation to talk about the photographic section of the new iPhone. Before moving on to specific characteristics that allow the processing and new ways, we go with the cold numbers because there are news. We finally have four cameras that have the same resolution. The main camera of the iPhone 17 Pro and Pro Max, as well as the great angle and – as a novelty – the telephoto, now have 48 megapixels. The megapixel war, fortunately, has long since was left behind for many modelsbut if something has taught us the Computer photography It is that, with more megapixels, imposing photos can be obtained even using the digital zoom. In fact, the iPhone 17 and 17 Pro Max Telefoto changes compared to previous generations. Of the 5x optics, we pass to the 4x optics, but with a novelty: thanks to those 48 megapixels in the Telefoto sensor, on the screen we see a new 8x icon. Apple calls it as “Zoom 8x with quality equivalent to that of an optical telephoto”, something similar to what has happened with the 2x, and what allows us to have a huge range of options between 0.5x and that 8x hybrid. In development … In Xataka | Mobile with better cameras that we have analyzed in recent months

It is not that the war has entered its Mad Max phase, is that Ukraine is using the trucks we saw in the movie

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In the month of June some began to arrive disturbing images From the war in Ukraine. We had previously seen how First and second World War were recognized in Some practicesbut the last was radical: waves offensive of Russian troops on two wheels, in motorcycles as a main tool to move towards the Ukrainian lines, in an attempt to avoid the destruction of their armored Modern to the power of drones. To that phase He has followed another almost traced to Miller’s movie. An improvised armor. Yes, the war in Ukraine has turned the battlefields into stages that remind of Mad Max universewith military vehicles covered by improvised shields seeking to resist the scourge of explosive drones. A recent image Taken in Kostiantynyaivka, north of Donetsk, showed a Humvee American used by Ukraine surrounded by a huge metal cage with networks and sticks protruding from its structure, an extreme example of solutions of fortune That both Russians and Ukrainians develop to try to protect themselves from an increasingly lethal enemy: the small drones that, with costs of just a few hundred dollars, are capable of destroying armor of millions. Origin and evolution. These protective screens, popularly known as “Cope Cages”began to be seen months ago, when the proliferation of drones transformed the land war. Initially they were installed only in combat cars and armored vehicles, but soon They spread to a wide range of systems. Your designs They vary greatly: Some structures are crude and heavy, others are better planned, incorporating metal cages, steel plates, chains, skewers, camouflage networks and even reactive armor to reinforce the most vulnerable areas. In the Russian case, some tanks have become completely coveredwhat has earned them the nickname “Tortuga tanks” for its resemblance to the shell of these animals. Industrial adaptation What began as improvisation of the soldiers themselves has evolved towards a more organized production. In fact, the Russian army already distributes official instructions for the construction of these cages, while in Ukraine several companies have developed versions adapted to different models, since T-64 and T-72 tanks of Soviet origin to the Abrams and Bradley supplied by the United States, even through Patriot antiacere systems. Despite this, the real effectiveness of these devices is the object of debate. The reason? Although they can offer some protection against FPV drones and some anti -tank weapons, Its weight and volume They usually hinder mobility and vehicle operations. The omnipresent drone. It We have counted many times. He drone boom low cost, used massively by both sides, has consolidated its role as asymmetric factor Decisive: They are able to neutralize high -value vehicles or eliminate entire crews with a minimum investment. The proliferation of this type of weapons has forced the last resort defenses as These “Cope Cages”but it has also promoted the development of more sophisticated technological measures. Electronic countermeasures. Both Ukraine and Russia resort to extensively to The electronic warblocking communications between operators and drones or interfering with your systems GPS navigation. In response to this, new generations of drones resistant to these techniques have emerged, such as connection models by optical fiberthat maintain a direct physical link with the operator and leave behind cable kilometers in the field. Outside, drones endowed of artificial intelligence They begin to be used more frequently, capable of completing their missions even if the connection is interrupted. Race between attack and defense. If you also want, the image of vehicles covered by improvised cages is the visible materialization of the New war dynamics In Ukraine: a constant career between the offensive capacity of cheap drones and the defensive creativity of soldiers and engineers. Although, as we said, some of these shields offer limited protection, their expansion reflects the urgency with which both armies try to adapt to an environment where the main threat does not always come from a long -range missile, but from a small artisanal drone that, thrown by an operator kilometers away, can decide the fate of a combat car that costs a fortune. Image | Special Kherson Cat, Heute, X, Аinform In Xataka | Ukraine has opened the most advanced Drone Kamikaze in Russia. Now they know what the key to their power is: nvidia In Xataka | Ukraine has hunted an “invisible” drone of Russia. The surprise has been capitalized when opening it: it is “made in USA”

Russia is surprising Ukraine with suicidal attacks. They are not drones, they are waves of an assault on the Max style motorcycle

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Drones have changed so much Combat tactics that the war in Ukraine has become a Test laboratory where leading and arsenal technologies of the past are mixed to try to find an advantage over the enemy. Already We have seen like the First and second World War were recognized in Some practices. The last one: a Russian offensive that Ukraine did not see to arrive: two -wheel troops offensive waves. Suicide loads. The images That they have state seeing In different channels they are more typical of The Mad Max saga that we saw in the cinema. And not only because of the appearance and surroundings of these squads, but for the type of offensive and the end in most cases. What is appreciated is a dangerous evolution of assault tactics, one where the Russian army has begun to Use motorcycles as a main tool to move towards the Ukrainian lines, in an attempt to avoid the destruction of their armored Modern to the power of precision attack drones. In figures, Telegram told That a quarter of the Russian soldiers who participate in terrestrial offensives now do so on two wheels, a number that underlines Moscow’s strategic despair before an enemy that dominates the air with swarms of DONS FPV. These incursions, which often involve More than 100 motorists simultaneously, they have a mortality rate extremely highwhich is why Russian combatants themselves have begun to share in networks Survival guides with tips that seem to be extracted from a postpocalyptic war scenario. A brutal logic. The logic behind these motorcycle loads is as simple as chilling: the tanks They are easy white and the soldiers on foot too slow. Motorcycles, on the other hand, can move quickly, disperse, zigzagen and, hopefully, dodge the drones before being detected. It happens that speed is not protection, and FPV, with speeds of up to 190 km/hy autonomy of several minutes, make any error into a death sentence. The shared guide on the Russian channel of Telegram Rambo School It summarizes it clearly: “Your motorcycle is speed, no armor. An error is death.” The recommendation: Avoid straight roads, move through broken land, react in less than three seconds, get rid of any extra weight and, if a drone is detected, separate from colleagues to divide the risk. “No frenzy. Or you die,” repeat the central slogan. The small possibility of surviving improves if exhaust routes have been explored and drives between trees, buildings or directly towards the weeds, waiting for drone to shock before impacting. Tactics without return. They counted in Forbes that these attacks do not seek to take a large -scale strategic ground, but to win a few meters and press defensive lines. His success, therefore, is marginal and almost always temporary, but responds to A brutal reality: The life of the Russian soldier is treated as expendable in a wear war where priority is volume, not efficiency. Unlike any western army, which would hardly accept such a low level in a single operation, Russia seems comfortable assuming that 80-90% of these motorcyclists It will not return. Surviving one of these onslaught does not imply a reward, but to be the first in the next wave. A war that mutates. We have gone counting before. The change of military paradigm on the Ukrainian front shows a war that It is reinventing Its forms In real time. Of tanks turned into mobile coffinsit has passed to Light vehicles such as buggies, quads and motorcycles, which offer some more mobility at the cost of protection. The trend seems clear: prioritize evasion over resistance. However, the evolution is reciprocal. If motorcycle loads demonstrate a real tactical threat, it will be possible much before Ukraine introduces specific countermeasures, such as “antimotos” drones with wider fields of vision or explosive fragmentation heads designed to cancel these mobile targets, and then the Russian contrary and thus…. At the moment, Ukraine has already tripled its production of drones in a year, reaching the 4.5 million in 2025with increasingly trained operators to intercept and eliminate motorcyclists before they approach the front. Perpetual sacrifice. In short, the phenomenon of Suicide charges In motorcycle not only evidences the high human cost that is willing to pay, but also the increasingly character asymmetric and technological of the conflict. The image of soldiers without armor launching On dirt roads to avoid drones as if they were intelligent projectiles portrays a war that has left behind any traditional notion of war confrontation. If you want also, what happens in the front is more similar to a lethal experiment of military evolution, where adaptation means the difference between being sprayed in seconds or lasting enough to, perhaps, die in the next wave. The phrase that summarizes this dynamic is not a metaphor, it is a battle array Among the troops: run or die. Image | Telegram/Ministry of Defense of Russia In Xataka | The Ukraine War is getting rid, first of all, with drones. And that is leaving an infinite fiber optic trail through the field In Xataka | Renault was a pioneer in the production of war tanks. And now you will start manufacturing drones for Ukraine

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