brutal

The brutal collection of ‘The Hate’ confirms that the most profitable franchise of the moment is not Marvel or DC: it is Christopher Nolan

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‘The Odyssey’ has raised figures in its first weekend that are a true record for Christopher Nolan. The most significant thing, numbers aside, is that with this achievement he not only reaffirms himself as a prominent director in the league of great authors loved by the public and critics, in the style of Spielberg, but he competes directly in the field of sequels, blockbusters, Marvel and DC adaptations (where he has already made his name) and big-budget animation. Nolan already behaves (financially, at least) like a franchise. The numbers. The Nolan’s adaptation of ‘The Odyssey’ from Homer raised $124.5 million in its three opening days in the United States. On a global scale, the figure amounts to $264.1 million, the best worldwide opening of Nolan’s entire career, ahead of the $249 million achieved by ‘The Dark Knight Rises’ in 2012. Why it happens. Beyond the quality of the production and the expectation it has raised, it must be taken into account to explain the success that the premiere was strongly supported in premium rooms. IMAX screenings contributed close to $22 million to the international collection, 15% of the total, which was added to the $29.6 million domestically, 23.8% of the entire US box office. That is to say: large formats accounted for 53% of national revenue. Of course, critics praised the film, and aggregators like Rotten Tomatoes They give him a 95%, the highest grade of Nolan’s career, and sixth of yours to exceed 90% along with Memento, Insomnia, The Dark Knight, Dunkirk and Oppenheimer. Every three years like clockwork. Since the premiere of ‘Interstellar‘ in 2014, Nolan has taken up a tireless rhythm of one film every three years: ‘Dunkirk’ in 2017, ‘Tenet‘in 2020,’Oppenheimer‘ in 2023 and now ‘The Odyssey’ in 2026. Behind this regularity is an unusual production structure in Hollywood. His wife Emma Thomas has produced all of his feature films. They founded the production company Syncopy in 2001, with which Nolan develops his projects without depending on the usual machinery of a large studio. That autonomy partly explains why it can allow these wide parentheses: it does not need to prime a universe annually to justify million-dollar budgets. Fire test. That independence was put to the test in 2021. Nolan broke up with Warner Bros. after the studio decided to release its entire 2021 catalog simultaneously in theaters and on HBO Max. Nolan said the decision made no economic sense, in a statement in which came to comment that the company had gone from having “the perfect machine” for distributing films to dismantling it itself. He moved his next project, ‘Oppenheimer,’ to Universal, the same studio now backing ‘The Odyssey.’ No rival at the moment. Shawn Robbins, director of analytics at Fandango, summarized the phenomenon with a short phrase: “Death, taxes and Christopher Nolan”, referring, in a well-known Anglo-Saxon phrase, to three totems of life that are completely inevitable. Nolan has already gone in there. Of course, the director’s career seems to be an absolute concatenation of critical and public successes that attracts even non-regulars: of the 7.5 million tickets sold in the US, 43% of those spectators go to the cinema only a few times a year. ‘The Odyssey’ has no direct competition next week. The only threat on the calendar is ‘Spider-Man: Brand New Day’, which arrives in two weeks. On the other hand, ‘The Odyssey’ has not yet been released in China, Japan or South Korea, markets that could continue pushing up a figure that already corroborates that the days of Batman are long behind us and that Nolan does not need superheroes to sweep the box office. He alone is his own franchise. In Xataka | Christopher Nolan responds to Matt Damon’s defeatism about ‘The Odyssey’: “Cinema is vital and essential, and continues to transform”

On HBO Max you have the most brutal action comedy just a few weeks after hitting theaters, and it is already number one in 50 countries

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Asia Reaves needs a job and accepts the first one offered to her: housekeeper at The Virgil, an exclusive skyscraper in New York. But that building has been swallowing its tenants for years without leaving a trace: well, not the building, but the cult that hides behind its walls. That premise holds ‘They are going to kill you‘, action and horror comedy that tiptoed through the theaters a couple of months ago and is now one of the most refreshing and forceful proposals in the catalog of HBO Max. A whole hodgepodge of genres to which its director, Kirill Sokolov, is no stranger. His debut, ‘Why don’t you die?’, already stood out for its extreme use of violence. In “They Will Kill You” he repeats that approach but with a much larger budget and a visual work that links the film to aesthetes of the trumpet and the fountains of blood like Tarantino or Sam Raimi. All of this seasoned with a little bit of ‘The Devil’s Seed’ due to the Satanist element, its fabulous supporting cast (where Heather Graham and Patricia Arquette stand out) and the imposing prominence of the art-deco building. The film coincided in theaters with the sequel to ‘Wedding Night’, with which it shares more than one common plot detail: female protagonism, cults in mansions and a bilious forcefulness in his anti-rich message. A great double bill for one night that will send you to bed with a few bruises (you have ‘Wedding Night 2’ on Disney+, in fact). The film suffered a small and undeserved setback in theaters, but it has found its place on the Warner platform, where it started as number one in 51 countries just one day after its arrival on streaming. As happens with so many other films that find a place in digital after a lackluster track record in theaters, the playful, direct and second-round format suits it wonderfully in small spaces. Don’t forget the raincoat, the devil carries katanas. In Xataka | Today “a masterpiece that will go down in history” arrives on Netflix, thanks to an original approach to a unique science fiction story

Today on Netflix, 6 seasons of a brutal and fast-paced action series with an impeccable score

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Before the History Channel jumped into fiction, the network was known for its potential for crazy memes on shows centered around conspiracy theories about aliens in the pyramids. In 2013 he made a strong commitment to his first fiction series: ‘Vikings‘, a production set in 9th century Scandinavia that surpassed 6 million viewers at its premiere. Now you have its 89 episodes in Netflixand continues to triumph in audiences. The source material for the series is somewhat slippery: the main source on the life of Ragnar Lothbrok is the ‘Saga of Ragnar Lothbrok’, a 13th century Icelandic text (among other works that mention him, such as the ‘Heimskringla’, or the ‘Sögubrot’). They are texts that were written three or four centuries after the events they describe, based on oral tradition, and their historical reliability is very debatable (although experts at the time They have praised his rigor when capturing the past). And yet, as the network’s first bet on serialized fiction, it worked: the showrunner Michael Hirst had just written the film ‘Elizabeth’ and created the series ‘The Tudors’. Hirst wrote each of the 89 episodes alone.something unusual in a television production of that scale. The narrative coherence that this generates is considerable, and that is why it has obtained Consistently positive grades on rating aggregators as Rotten Tomatoes (where seasons 3 and 6 achieved a 100% rating from critics), with an average of 93. And all thanks to its balance between the most visceral action and the historical analysis of paganism, customs and geopolitics. And although it was not received in such a unanimously positive way, if you binge the six seasons you also have on Netflix the three seasons of the sequel, ‘Vikings: Valhalla’, set more than a century after the events of the original series, and analyzing the conflicts between the descendants of the Vikings and the English nobility. The Nordic saga does not end here: Amazon Prime has contracted the rights to ‘Bloodaxe’, in which Michael Hirst once again gets behind the scripts, reviewing the life of another famous Nordic creature. In Xataka | Today on Prime Video: the international blockbuster that has restored luster to the erotic thriller genre

the brutal explosion of 12 megatons that in 1908 put us in front of the horrors of space

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On June 30, 1908, an H-bomb-sized explosion destroyed millions of trees for dozens of miles around. This is how Tunguska, a remote Siberian region, entered the history books. Colossal dimensions. The explosion was so wild that there was talk of antimatter in 1965 or even a tiny black hole in 1973. But those are not by far the most “interesting” explanations. There has been talk of UFOs crashing by accident or, attention, of a proof of concept of the famous ““death ray” by Nikola Tesla. However, the reality is much more prosaic and, today, scientists debate whether it was a small asteroid or the fragment of a comet. Because neither in 1921 (when the first expedition was sent to the place), nor in any of the subsequent expeditions, has anything resembling a crater been found. what happened. How then do we know that something happened in Tunguska that June morning? Well, because the whole world found out: seismographs throughout Asia and all of Europe captured the explosion; The Greenwich Observatory captured variations in atmospheric pressure due to the amount of air put into circulation; and, to top it all off, the suspended dust made the night in northern Eurasia so bright that it seemed like day. 12 megatons. That is to say, something happened in those uninhabited lands of the Irkutsk Oblast, there is no doubt about that. The most accepted theory is that this small meteorite caused a thermonuclear explosion at about 8 kilometers in altitude and with a power of 12 megatons. Everything after was death and destruction. Could it be repeated? The short answer is yes. In fact events like of the Eastern Mediterranean, Vitim’s or even that of Chelyabinsk show that it is possible to repeat itself. The long answer is that it is unlikely. Not only because these types of events are already something quite rarebut because (as in all these cases) when they occur, they usually occur in depopulated areas. It’s not a coincidence. The vast majority of the Earth’s surface is unpopulated. However, we must not let our guard down. years ago, the people of Microsiervos rescued a text of Arthur C. Clarke where I imagined what would happen if Tunguska happened in the heart of Europe: At 9:46 (Greenwich Mean Time) on the morning of September 11, in the exceptionally beautiful summer of the year 2077, most of the inhabitants of Europe saw a dazzling fiery ball appear in the eastern sky. In a matter of seconds it became brighter than the Sun and as it moved across the sky—at first in complete silence—it left behind an undulating column of dust and smoke. At some point over Austria it began to disintegrate, producing a series of explosions, so violent that more than a million people were left with their hearing damaged forever. They were the lucky ones. Moving at fifty kilometers per second, a million tons of rock and metal fell onto the plains of northern Italy and destroyed the work of centuries in a flash of seconds. The cities of Padua and Verona were swept from the face of the Earth; and the last glories of Venice sank forever into the sea when the waters of the Adriatic thundered towards land after that devastating blow from heaven. The cultural impact. In the story, 600,000 people died, and the material damage was estimated at more than a trillion dollars.. Date with Rama It was published in 1973 and is, evidently, pure fiction. However, the story is suggestive: the capacity of outer space to compromise life on this planet is as certain as the dinosaurs were, 66 million years ago. That is why every year, on June 30, the Asteroid Day with the intention of raising awareness about this problem and discussing the possibilities we have to protect the Earth. Since this year, in addition, is recognized by the UN. Space is a wonderful place, but, like the nightis also dark and harbors horrors. It doesn’t hurt to remember it, at least once a year. In Xataka | Mysterious lights have been appearing in a remote valley in Norway since 1811. And we still don’t know what they are In Xataka | In 2011, something strange happened inside the Earth. We’ve been investigating it for years and we still don’t know what it was.

The brutal crisis of ViñaRock in one year is explained in an empty venue

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The ViñaRock audience debacle is no longer a secret: the clear highlight of the edition, the Sex Pistols (or the group that today bears that name, without the band’s classic vocalist, Johnny Rotten, at the helm), played in front of around 100,000 people. A year earlier, the same event had brought together 240,000 attendees. ViñaRock is the main victim of the crisis unleashed by the financing of several Spanish festivals by Israeli investment funds. The vindication, part of its DNA. ViñaRock was born in Villarrobledo in 1996 with a very specific profile: combative rock, affordable prices and alternative spirit. This differentiated it from other macro events and also favored the approach of the public and bands with very explicit political positions leaning to the left. It did not take long for it to grow until it became one of the main festivals in Spain under the motto ‘Neither God, nor country, nor king’, becoming the largest of its kind. In 2025 it brought together 240,000 people and generated 22 million euros economic impact in the region. The numbers of 2026. The public number of attendees was 100,000 in three days, less than half that in 2025. The organization presented it as a relative successalthough the economic impact falls: of the 22 million generated in 2025, around 11 million will remain. To compensate for the lower external influx, the festival allowed access by the residents of Villarrobledo through its registration program, a formula that for years reserve tickets at starting price for residents of the municipality before the general sale. In the 2026 edition, this preferential access had more weight than ever, and the result was something that in networks It has been closer to the classic image of a patron saint festival, more than a classic rock festival. How it started. In May 2025. El Salto published an investigationrevealing that Kohlberg Kravis Roberts (KKR), an American venture capital fund, had acquired in 2024 the promoter Superstruct Entertainment for around 1,400 million euros. Superstruct manages nearly 80 festivals around the world and, in Spain, it has more than twenty events under its umbrella, such as Sónar, Arenal Sound, FIB, Resurrection Fest, O Son do Camiño, Monegros Desert Festival or ViñaRock. The crisis came when it became known that KKR maintains positions in Israeli cybersecurity companiesis the main investor of the German media group Axel Springer (which has real estate activity in occupied Palestinian territoriessomething contrary to international law) and its president for the Middle East moved in May 2025 to the Civil-Military Coordination Center run by US army officials in Israel. For many regular bands on the circuit, it was a very difficult issue to ignore. Cancellations begin. The rap-metal group Sons of Aguirre & Scila was among the first to formalize the boycott: in a statement announced that he would not participate in any festival in the KKR orbit again until the owners changed. They were soon joined by Fermín Muguruza, Los de Marras, Sinkope, No Konforme, Residente, Judeline and Samantha Hudson, among others. The ViñaRock tried to do damage controlreaffirming their artistic independence, condemning the situation in Palestine and announcing legal action against what they considered a smear campaign. New poster. In February 2026 It was made public that the festival had been acquired by Orange Alive, and an attempt was made to rebuild the 2026 edition practically from scratch. It didn’t help much, because that same month it was made public that They were still linked to Superconstruct. The poster featured groups such as the Sex Pistols with Frank Carter, Turbonegro, Skindred, Celtas Cortos, Medina Azahara, Kiko Veneno and Barón Rojo. The tickets started at 39.99 euros, notably lower than previous editions, and the videos on social networks left images of the events for posterity. half empty stages. He’s not the only one. The ViñaRock crisis is far from being the only one: the concentration of festivals in the hands of large financial groups is a consolidated trend in the live entertainment industry. Other festivals in the Superstruct orbit may face similar reactions from the public and groups, although Resurrection Fest, similar in nature to ViñaRock, broke attendance record shortly after the controversy broke out. Quite possibly, ViñaRock has been affected by both the boycott and the little time it had to restructure its lineup after the defections. Header | Vinarock In Xataka | If your favorite band has left Spotify, don’t be surprised: they are boycotting their CEO’s warring investments

In 1944, the Nazi occupation of Holland caused a brutal famine. And thanks to her we discovered celiac disease

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The history of wheat is the history of civilization. To be more precise, this cereal is linked to the change from Paleolithic to Neolithic societies, the first complex societies, in 8,500 BC. C. The flowering of our species came thanks to its golden seeds. We had to wait almost 10,000 years to verify that this manna, which for many is synonymous with life, for some of us, is synonymous with death. And, in part, We have the Nazis to thank.. We are in Holland in 1944, in the throes of World War II, and the Wermachtwhich has occupied the country, is fed up with the sporadic rebellions of its native population. The railroad strike carried out by the drivers was reason enough to implement an embargo on food transportation to the northern areas. Survivors interviewed half a century later mentioned how the Hongerwinter or “hunger winter” still sparked flashes of anguish in their minds. According to reports from the time, in areas such as Amsterdam or Rotterdam the shortage caused rationing of 580 kilocalories per adult per day. Faced with this situation, and when a crust of bread could be more precious than the family watch, the Dutch began to eat anything. Your tulips also fell into that category.which in addition to being disgusting and having a negligible energy value, were a food source highly discouraged by doctors, since its toxicity was very high. Would the tulip diet be the beginning of poisoning and indigestion for the population? Yes for the majority, but not for one notable group: the patients at the Juliana Children’s Hospital in The Hague. Discovering celiac disease A child during Hongerwinter. Willem Karel Dicke, a pediatrician, had been investigating these “malnutrition” problems that mysteriously attacked the little ones for some time. In the 1940s, the world average Infant mortality for children under five years old was 15%so, although it was a misfortune, the population was more used to losing children than we are now. Many parents would not have the time or the resources to investigate what caused their children’s weakness, nor would they have the considerations to experiment with their diet, much less if that meant removing the most widespread, convenient and cheap product of all, bread. Although some, the richest, could afford it. For them, the theory of intransigence towards complex nutrients ran at that time, which led to the popularization of the so-called “banana diet”. A regimen that worked, given that this fruit does not contain gluten, but with which adverse effects reappeared in the subjects in their adulthood, as soon as they returned to eating wheat derivatives. As any celiac or person who has lived with one knows, the ubiquity of this product in our pantries is scandalous. Pediatrician Willem Karel Dicke with one of his patients. But in the Netherlands of 1944 there were no bananas. Because there wasn’t there was practically nothing. And yet, despite the lower caloric intake in which society was imbued and the toxic effects of tulips, a good percentage of the children in his hospital felt better than months before. While people were dying in the streets, some children saw how their limbs were getting fatter, their bellies were deflating, and their skin was glowing. If before that episode one in three children with suspected celiac disease died at that time in the Netherlands, the winter of hunger meant that that percentage would fall to zero. What came next is the mere work of field observation. Dicke spent the next few years testing on selected patients. different cerealsmeasuring the weight, growth, general health of the subjects as well as the levels of fat absorption from their feces. By 1950 he was able to publish his findings, which had determined that the cause of “celiac symptoms” came from wheat and rye flour. And no, it had nothing to do with complex nutrients, as had been assumed until then. “Koiliakos,” that mysterious condition that humans had identified in some children since Ancient Greek times and that intrigued pediatricians for millennia, finally had a name and diagnosis. His research earned him a candidacy for Nobel Prize in 1962, but died weeks before the ceremony could take place. Since it is an award that is not offered posthumously, Dr. Dicke missed his chance to go down in the history books in this way. Celiac disease continues to be one of the conditions with the most complex diagnosis, since it is confused with other types of digestive pathologies and its effects manifest in the strangest ways. Without going any further, neurogluten studies How gluten intolerance is behind autism, Parkinson’s or depression. We also do not know how many people suffer from it, and although its existence was known in the 1950s, its diagnosis rate may continue to be lower than the real rate. Today in developed countries there is talk of between 1 and 2% of people with celiac disease and recent epidemiological studies suggest that the disease is possibly ten times more common than it is diagnosed. The percentage of celiacs continues to grow at 15% every year. In Xataka | When the Black Death devastated the continent, Europe became obsessed with a reflex action of the body: sneezing. In Xataka | What we see in Petra is a city “carved in stone”: what it really hides is an amazing water system

the brutal ESA image that summarizes the geological violence of Mars in a single photo

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The noticeable changes in the mars landscape They are very slow. It is estimated that they may take up to millions of years to occur, as it is considered a fairly static planet in that regard. However, scientists from the European Space Agency (ESA) have detected a change that occurred much more quickly. So much so that humans of the same generation have been conscious. From Viking to Mars Express. The High Resolution Stereoscopic Camera (HRSC) The Mars Express has taken some images that have caught the attention of the ESA scientists in charge of analyzing them. In them you can see a large area covered in ashes. These ashes already appeared in other photos taken by NASA’s Viking orbiters in 1976. However, there were much fewer of them then. It is surprising how much they have proliferated in just 50 years. volcanic origin. The origin of these ashes is quite clear. The volcanic material is known to be rich in ‘mafic’ minerals, which form at high temperatures. Olivine and pyroxene are two good examples. These minerals have a dark appearance, very similar to the ashes that appear in the photos. Therefore, it must have a volcanic origin. In addition, Mars is characterized by having great volcanic activity and by hosting the largest volcano in the Solar System: Olympic Mons. All clues lead to the volcanic origin. The wind spread or uncovered them. What is not so clear is how so many ashes have appeared in such a short time. ESA researchers believe it must be because of the wind. It may be that the Martian winds moved them, spreading them over a wider space, or that they uncovered them. Perhaps they were already there, but the wind moved the ocher dust characteristic of the surface of Mars that would be covering them. Comparison of Viking (left) and Mars Express (right) images A crater among the ashes. Something curious about the photo is that in it you can see many signs of the changes that the Martian surface has experienced over time. On the one hand, we see the aforementioned ashes. And, on the other, the 15 kilometer wide crater that appears in the photo between them. This is surrounded by a striking ring of apparently lighter material, known as an ‘ejector blanket’. It is a structure that is formed from the material thrown by the impact that formed the crater itself. In the photo you can also see some wavy lines inside the crater that mark where the icy material known to be under Mars has been spreading. Changes and more changes. This photograph, which in turn is located in an impact basin called Utopia Planitia, is the living image of how the Martian surface has been modified by impacts, volcanoes and ice that tries to escape between the cracks. Now, at least, we know that not all of these changes are as slow as we thought. Some occur in the blink of a spatial eye. Images | THAT In Xataka | In 2011, a collector bought a meteorite in Morocco. It has turned out to be direct evidence of thermal water on Mars

TSMC and SK Hynix are suffocating Samsung. To defend itself, it is already preparing a brutal weapon: 1 nm chips

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Samsung Electronics has two major competitors in the semiconductor industry: TSMC and SK Hynix. The Taiwanese company TSMC leads the market for manufacturing integrated circuits for third parties with a share close to 70%, according to the consulting firm. TrendForce. Samsung is the second largest chip producer for third parties, although with a market share of 7.2% It is positioned very far from the leader of this industry. And the Chinese company SMIC (Semiconductor Manufacturing International Corp) is hot on his heels in third position with a share of 5.32%. Samsung’s other big business is memory chips. In this market it competes with the American company Micron Technology, but its biggest rival is the also South Korean company SK Hynix. In recent years, Samsung has led the DRAM memory integrated circuit manufacturing market with an approximate 40% share, while SK Hynix defended a very worthy 29%. Behind both was Micron Technology, with 26% approximately. However, during the first quarter of 2025 a very important setback occurred. SK Hynix controls none other than 70% of the market of HBM memory ICs (High Bandwidth Memory), so its leadership in this sector is overwhelming. If we look at the DRAM memory chips the figures are much more even, although SK Hynix also leads. TSMC and SK Hynix. SK Hynix and TSMC. These two competitors are two big headaches for Samsung, but the latter company seems unwilling to throw in the towel. Samsung plans to have its 1nm photolithography ready in 2030 In February 2025 the Taiwan Economic Daily published a report in which he assured that TSMC plans to develop a cutting-edge semiconductor plant that will be expressly designed to produce 1nm chips. It will be housed in the Taiwanese town of Tainan, and will be called ‘Fab 25’. It will work with 12-inch wafers, have six production lines and will begin large-scale manufacturing in 2030. It may seem like there is still a lot of time, but that is not the case. In fact, according to the newspaper Korea Economic DailySamsung is making efforts to step on the heels of TSMC. And, incidentally, surpass SK Hynix. Samsung’s future 1nm production lines will benefit from the refinements that the company is going to introduce to its 2nm nodes And Samsung engineers have already been working on their 1 nm photolithography for many months with the aim of concluding the research and development phase in 2030 to be able to start mass manufacturing in 2031. There is a lot at stakebut the development of this technology is by no means a piece of cake. In fact, this company is currently trying to optimize the performance of its 2nm nodes because its Exynos 2600 processor in smartphones Galaxy S26 and S26+ suffers when we compare its performance and energy efficiency with those of comparable chips manufactured by TSMC in its 3nm nodes. Be that as it may, Samsung’s future 1nm semiconductor production lines will benefit from the refinements that this company is going to introduce in its 2nm nodes. And, above all, they will take advantage of Fork Sheet technology with which its engineers seek to leave behind the limitations of Gate-All-Around technology (GAA). Fork Sheet It will allow them, roughly speaking, to dramatically optimize the space on 1nm chips by adding a non-conductive element between the transistors with one purpose: to eliminate empty spaces and pack a higher density of transistors on the same surface. It sounds really good. We will tell you more as soon as we have detailed information about this innovation. Image | Generated by Xataka with Gemini More information | Korea Economic Daily In Xataka | We already know what the chips that will arrive until 2039 will be like. The machine that will allow them to be manufactured is close

Stanley Kubrick’s brutal trick to film one of the most terrifying scenes in ‘A Clockwork Orange’: making it real

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In the 70s, the world of cinema experienced a period in which some directors pursued realism in ways that are unthinkable today: scenes were filmed without doubles, with extreme practical effects and with days that dozens could be repeated (or even more than a hundred) times until the desired result is achieved. That obsession with authenticity left unrepeatable moments… and also stories that are difficult to believe today. Real pain. At that time in history, the sector was going through a period of radical experimentation where some directors were willing to take its actors to the limit in order to capture something authentic on the screen. In that context, one of the most disturbing scenes of modern cinema, a sequence that not only sought to make the viewer uncomfortable, but ended up transferring that suffering directly to the body of the leading actor. Thus, what should be a representation of control and violence ended up becoming a extreme physical experience that would forever mark the person who played it. Along the way, he would extend the legend of a director: Stanley Kubrick. When perfectionism is risk. Stanley Kubrick was already known for his obsession with detail, but in this case he crossed an extremely dangerous line. As? Instead of simulating the most famous scene of Clockwork Orangedecided to make it as real as possible: the devices that kept Alex’s character’s eyes open They were not propsand the medical procedure wasn’t a cinematic illusion either. In other words, the search for absolute authenticity led to a situation in which actor Malcolm McDowell’s security was compromised. in the background compared to the final image, reflecting a way of directing where the result justified practically any means. The impossible scene: hours of open eyes. Yes, McDowell was literally tied to a chair with his eyelids forced to remain open while he watched violent images during long days of filming, exactly as happened to the character he played. a real doctorin charge of keeping his eyes hydrated, had to constantly apply drops to avoid irreversible damage. However, the situation became complicated when that same doctor received instructions to act on the scenedividing his attention between his medical function and his improvised role. The result was a disastrous environment where control was diluted just when it was needed most. An avoidable injury. The failure was as simple as it was disturbing: while the instruments kept the actor’s eyes open, the eyelids began to slide out of their position. directly scrape the cornea. Plus: under anesthesia, the actor could not feel the damage at that moment, which made the situation even more dangerous. When the effect wore off, the pain was immediate and extremeto the point of requiring urgent treatment with morphine. The most shocking thing was not the injury itself, that too, but its character completely avoidable: it was enough that the doctor had been focused on his role or that the scene had been filmed with simulated effects. The price of perfection. Far from stopping, filming continued. The director, dissatisfied with some plans, demanded to repeat the sceneforcing the actor to once again face an experience that he already knew was painful. That decision turned an accident into a conscious process of sufferingone where the anticipation of pain was as harsh as the physical damage itself. In short, if the scene that the viewer perceives was uncomfortable, it was because, to a large extent, he was not alone in front of a sublime performance (which also, of course), he was in front of a real reaction in an extreme situation. Kubrick and his actors. The truth is that the episode was not an exception, but part of a pattern. Kubrick’s method was based on countless occasions in repeating takes until the actor’s emotional defenses are broken and more authentic reactions are obtained, as also happened in another case famous with actress Shelley Duvall in The Shining. His way of working has been celebrated for the results, but also questioned for the human cost which it implied. In this case, the line between demanding management and unnecessary risk became especially blurred. The final paradox. For years, McDowell himself came to resent the film for what it had cost him, physically and emotionally. Over time, however, ended up accepting that had been part of an unrepeatable work. The great irony here is that one of the most iconic scenes in modern cinema owes part of its force to a suffering that should never have happened. If you will, it is also an uncomfortable reminder that, sometimes, behind cinematic perfection there is not only talent, but also errorsrisks and decisions that today would be difficult to justify. Image | Warner In Xataka | The wildest race on the Olympic tracks in Cortina was in 1981. A man launched himself dodging bullets and assassins on a motorcycle In Xataka | One of the best comedies in history turned this simple scene into the most expensive. 9/11 and a highway were to blame

We had a perfect plan to decarbonize the electrical grid. The brutal consumption of data centers has dynamited it

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The daily headlines multi-million dollar investments announced in new language models and cutting-edge chips. Venture capital investors have pumped more than half a billion dollars into AI startups over the last five years. But, as a revealing analysis warns of TechCrunchthe smart money has begun to change sides: today, the best investment in Artificial Intelligence is no longer software. The reality on the ground has become extremely arid. Putting up walls and stacking servers in a giant data center has become the easy part of the equation. The real wall the tech sector is crashing into is finding the electrons needed to power it. According to a report by the analysis firm Sightline Climateup to 50% of data center projects announced for 2026 could face delays. Of the 190 gigawatts (GW) of capacity the company tracks globally, just 5 GW are under actual construction today. The bottleneck is no longer the microchips. It is access to the electrical network. The tyranny of 24/7. Consumption has run amok at a pace that 20th century infrastructure cannot process. A Goldman Sachs analysis projects that AI will shoot energy consumption of data centers by 175% by 2030. The figures all point in the same direction: the Open Energy Outlook predicts that electricity demand combined data centers and crypto mining will grow by 350% this decade. As a result, the pristine image of the technological cloud is evaporating. Google’s emissions have increased by 48% in the last five years, and Microsoft’s by 31% since 2020. The reason? What is known in the industry as the “tyranny of 24/7”. The algorithms do not sleep and require a continuous and steady power supply; They cannot be turned off simply because the wind stops blowing or the sun sets. Given the lack of mass storage systems globally, the fuel that is covering this urgent gap is not green. It is natural gas, which has returned from retirement as the great structural support of the sector. A global collapse with two faces. The pressure has already broken the market balances. In the PJM region—which supplies 13 eastern US states and has the highest density of data centers in the world—capacity prices went from $30 to $270 in a single auction at the end of last year. As John Ketchum, CEO of NextEra Energy, noted, we are facing a “golden era of energy demand”, but with an insurmountable physical limit: “the new electrons cannot reach the network quickly enough.” This electrical asphyxiation is redrawing the global map, and Europe is the best example. Historically, the European market was dominated by the “FLAP-D” markets (Frankfurt, London, Amsterdam, Paris and Dublin). But the network of these cities is no longer going strong. According to data from Greenpeacedata centers accounted for almost 80% of electricity consumption in Dublin, forcing Ireland to impose a moratorium. The market share of these traditional capitals will fall sharply by 2035causing a mass exodus to the Nordic countries (with unburdened networks and cold climates) and to southern Europe, such as Spain, Greece and Italy, in search of green megawatts. The hardware and network problem. When we scratch beneath the surface of this collapse, we discover that the physical problem splits into two large gaps. First, the machine to generate the energy is missing. Since intermittent renewables are not enough, companies turn to gas. However, gas turbines have become a rare commodity. Three years ago, Siemens Energy executives considered this market “dead”; Today, the factories are so overwhelmed that the delivery times for these turbines can extend up to seven years. Second, the “plumbing” is missing. Once the electricity is generated, the task of taming it within the building falls to the transformers. It is an iron and copper block technology that has barely changed in 140 years. As explained TechCrunchAs servers demand more power, traditional electrical equipment will take up twice as much space as the servers themselves. It is mathematically unsustainable. ‘Smart Money’ changes sides. Against this backdrop, venture capital is pivoting. Big tech companies (Amazon, Google, Oracle) are starting to behave like energy giants, devising alternatives to minimize their dependence on an outdated public grid through hybrid or generation approaches. on site. The solutions are divided into several fronts: The nuclear resurgence: Google has signed a pioneering agreement with Kairos Power to develop seven small modular reactors (SMR) by 2030, and Amazon tried (although regulators temporarily blocked it) connecting a data center directly to the Susquehanna nuclear power plant. Super batteries: Google is collaborating in Minnesota with the company Xcel Energy and the startup Form Energy to install batteries capable of discharging energy for 100 hours, thus stabilizing the peaks of renewables. Hardware innovation: Dozens of startups (such as Amperesand or DG Matrix) backed by investment funds are developing silicon-based “solid state” transformers, seeking to finally retire old iron and copper to save vital space in facilities. Regulatory surgery: In southern Europe, organizations such as the CNMC in Spain are applying “flexible access permits”, forcing centers to accept cuts in emergencies so as not to collapse the entire country. The paradox: AI as savior of the electrical system. However, the story has a fascinating twist. The same technology that today threatens to burn the cables of half the world could be the one that ends up saving the electrical system. According to the consultant’s estimates Deloittethe application of artificial intelligence to optimize industrial systems and electrical networks will save more than 3,700 TWh globally by 2030. That is, AI will save almost four times the energy consumed by all the data centers on the planet combined. A report of Ember over Southeast Asia (ASEAN) support thiscalculating that integrating AI into the management of its networks will save more than 67 billion dollars and avoid the emission of almost 400 million tons of CO2. But to get to that future of efficiency, you first have to turn on the machines today. And what is at stake is the world economic map. Hosting these centers is … Read more

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