television

Iceland’s public television did not broadcast on Thursdays. Since then the legend of a Thursday “baby boom” has circulated.

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For approximately twenty years, Iceland decided not to broadcast television on Thursdays. The reasons for this decision were varied, but they triggered a belief: the obligation not to watch television made many young people look for other entertainment. And they did it. And the birth rate skyrocketed. Today we delve into the history behind this decision and decide what is reality and what is urban legend. TV stories. Iceland did not have its own television channel until 1966with the creation of the state radio station RÚV. Until then, the only television available to some Icelanders was the one broadcast by the US military base in Keflavík, since 1955 and with an antenna only for soldiers, an invention soon imitated by Icelanders. When RÚV began broadcasting (after the controversial decision to leave Icelanders unable to receive the signal, which caused a tidal wave of complaints), it did so with a very restricted schedule. Initially, it only broadcast two days a week (and a few hours a day). As its programming expanded, a day without television was established: Thursday. Why wasn’t it broadcast on Thursdays? There were two reasons. The most well-known and romantic reason is that they wanted to promote social and family life. The government wanted Icelanders to dedicate a day to socializespend time with family, read or enjoy the outdoors instead of staying home in front of a screen. People were encouraged to participate in community activities, meet with neighbors and keep traditions alive. There was also some concern about foreign cultural influence (already present with the programming at the Keflavík military base) and it was felt that limiting national television hours could help protect Icelandic identity. A more practical reason. But there was another reason of a budgetary and personnel nature. RÚV, the state broadcaster, operated with a very limited budget and staff. Leave a day without broadcast (and also a whole month in julyuntil 1983) was a practical way to give a day off to its employees, many of whom multitasked to keep the channel running. Since the station had a monopoly, it could afford this luxury without losing audience, since there was no other option to watch on television. A summit ended the custom. The first interruption of the Thursday blackout occurred in October 1986, when RÚV broadcast on an exceptional basis on Thursday to cover the historic Reykjavík summit between Ronald Reagan and Mikhail Gorbachev. The definitive change, of course, came with the appearance of competition: in 1986 a new private channel, Stöð 2, was launched, broadcasting seven days a week. Since October 1, 1987, RÚV also began broadcasting on Thursdays, ending this tradition of almost two decades. The myth of “Thursday babies.” The popular belief that this tradition increased the birth rate is actually a joke or myth that Icelanders who lived during that time tell themselves: by not having the distraction of television, couples spent more time together, which supposedly increased the probability of conceiving. And although it is a correlation that has remained in the popular imagination of Iceland, there is no scientific evidence to show that the birth rate in Iceland increased significantly on Thursdays, or nine months after Thursdays. But it says a lot about how entertainment and family life were conceived not so long ago. Photo of Cassie Mouth in Unsplash In Xataka | The story of the old television that left an entire Welsh town without internet at 7 in the morning

The most watched film in history on television is not a Hollywood success, but a classic from the most carpet-loving Spain

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You will have heard on more than one occasion that every time ‘Pretty Woman’ is broadcast on television, audiences skyrocket. Nowadays it is no longer so true: Telecinco broadcast it a couple of days ago and the result It wasn’t spectacular.. In any case, not even the film by Richard Gere and Julia Roberts has come to live up to what is the greatest milestone in television cinema: the most viewed film in history in Spain has nothing Hollywood about it. Neither cathete nor cathete. On January 14, 1992 (that is, with the private ones already at full capacity, but still unable to stand up to depending on the customs of the Spanish viewer), the broadcast on La 1 of ‘Cateto a port’ had an average audience of 10,078,000 viewers and a stratospheric share 60.5% (for comparison, the final of the last Copa del Rey, the most watched in years, it didn’t reach 50%and the daily program that exceeds 15% is rare). Tremendous landism. ‘Cateto a port’ is a 1970 Spanish comedy starring Alfredo Landa. In it, a simple young man, after multiple attempts to avoid military service in order to take care of his little brother, ends up joining the Navy, having to face multiple difficulties due to his lack of experience. The film uses simple humor for all audiences, contrasting the naive protagonist (the recruit Cañete, whose name will soon become iconic) and the highly regulated environment of the Navy. All seasoned, of course, with its mild military propaganda, showing the modernity and friendliness of the institutions. Why do you like ‘Cateto a port’? His conciliatory tone, so typical of the last years of the Franco dictatorship, guaranteed him notable box office success, and above all, as with other stars of the time such as Paco Martínez Soria, the favor of the public. Its comedy of manners with a very friendly tone makes ‘Cateto a port’ very digestible by audiences of all ages, just what brought ten million people to the television screen. The most aggressive landismo was yet to come, full of plots with Spanish boys chasing Swedish women among images of medium intensity eroticism. It would be inaugurated, precisely, that same 1970 with a film by the same director, ‘You will not desire the neighbor on the fifth floor’. Relative milestone. Of course, we are talking about an absolute record… since there have been measurements, something that started in Spain in 1986. In 1992, audiences had already atomized due to private ones, so it is possible to think that in the seventies and eighties, when the population’s primary entertainment was television, the audiences for other films (or even this one) could have been much larger. Before measuring with audiometers, The audience was measured through the General Media Study (EGM) since 1968, which used interviews to estimate consumption. Other successes. There are only four feature films registered that have exceeded 9 million on average: the humorous western by Clint Eastwood and Shirley McLaine ‘Two Mules and a Woman’, with 9,598,000; the tremendous ‘The Priest’s Son’ by Fernando Esteso, with 9,287,000 spectators; We were talking about ‘Pretty Woman’ and there it is, with 9,223,000 viewers; and finally, ‘Dirty Dancing’ with 9,110,000 viewers. Be careful, because they are all broadcasts from 1992 (with the exception of ‘Pretty Woman’, from 1994), which suggests that, despite the arrival of private broadcasts, there was a general increase in people watching television in the early nineties.

It is a fantasy created by a Russian television

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Russia has just discovered how to add Anything else More epic to LaLiga. The chain Match! TVin the hands of Gazprom Mediahas decided to promote broadcasts of the Spanish tournament among its users in a peculiar way: with A minute and a half video elaborated with the in which each club is assigned a particular avatar. The models and references to each hobby change, but everyone shares something: large doses of epic that sometimes touch the delusional. Emotion ‘Made in Russia’. What happened? That LaLiga has triggered her epic at new levels with the help of an unexpected ally: Russia. Russia and the artificial intelligence To be precise. As part of its promotion of the Spanish competition the Russian sports chain Match! TV (Матч! Т), owned by Gazprom Mediahe has made a video of a minute and a half with which each club shows in an original way. Instead of including players, stadiums, fans or fragments of matches shows avatars associated with each shield. All with their good dose of epic. Sports Alavés. The Athletic Club of Bilbao. Atlético de Madrid. FC Barcelona. The Betis. Pets ‘Made in Russia’? More or less. In the video you can see how each club has its own avatar, built with winks to the symbols of the equipment or their cities. In many cases the promo pulls directly from club pets. In others it makes a reinterpretation at least curious. For example, Athletic represents it as a lion (expected) With the Guggenheim in the background, in the case of Barça a cat appears (a reference to Cat?) Before the sacred family and when it is the turn of Valencia teaches A bat With the shield. More curious are the cases of Villareal CF, Betis or Celta de Vigo. When it’s the first (Villareal) the video does not show us GROGUETthe pet of the Castellón club, but a new interpretation of the ‘yellow submarine’: a kind of sophisticated diver with a submersible behind. In the case of Betis, a man with leaves appears in the head in an exotic rereading of Palmerín. Even more striking is the case of the Galician club. For Celta, promoted an eagle with the chest shield that raises a sword in the middle of a cliff. Maybe a nod to ‘Nocho’a pet presented in the mid -90s, although more than an eagle was a seagull with Viking helmet. For the Osasuna, the Russian chain imposed on the refiers to the enclosures and in the case of RCD Espanyol preferred not to complicate with (expected too) A huge parakeet. Valencia CF. The Villarreal. The Girona. The RCD Mallorca. The Oviedo FC. The Osasuna. The ray. Real Madrid. Are there more cases? Yes. For Real Oviedo the Russian chain has not opted for the pet Clawbut for a muscular warrior with an ax in his hand, the Vallecano ray is represented by a bee (Pica Pica muscular) and Real Madrid is a straight monarch dressed in white, with a crown and a orb-box in the hands. The Royal Society is a version of the official shield, a ball with a crown and a body (apparently) sculpted in the same gym as the rest of avatars; For Getafe CF a wink is launched to Pachón monkey And a ape with glasses that scribbles on a scroll is chosen and in the case of Elche opts for a modern (and very particular) reinterpretation of the Lady of Elche. In the case of Sevilla, the avatar is a barber with a razor and a ball tattooed in La Calva, the Girona An insect (Sisa?) And Mallorca a Resonated On the beach. Real Sociedad Sevilla. The Celta de Vigo. The Getafe. Elche. Espanyol. The Levante. Have you done it alone with Spain? No. LaLiga’s promotional video is hung on The official profile of Match TV on Instagram, where a similar piece can also be seen with Italian teams. If some avatars surprise in Spain, there is something similar with clubs such as Sassuolo. Both pieces also share two other things: the tone and especially their great, huge, dose of epic. Images | Match TV (Instagram) In Xataka | Al-Andalus and “Territory of Kosovo” teams have played an official football match. All thanks to a mess in networks

Video games have fired their number of users, and come from an unsuspected place: television series

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The video game adaptations have long left behind the “impossible” sambenito. Criticism and public successes such as recent television series’The Last of Us‘ either ‘Fallout‘They have proven that the episodic format fits especially well with the long plot developments of the games and with their very wide characters. But there is more: a recent study shows that not only those series are successful because they attract the players. The flow also works in reverse. More spectators. According to A recent study by Ampere Analysisscreen adaptations drive the growth of the number of players by 140% on average. Among these adaptations, the average increase achieved by television series is up to 203%, much higher than films (48%). Among the former we can find such outstanding series as’Arcane‘,’ The Last of Us ‘,’The Witcher‘,’ Fallout ‘,’ Knuckles’, ‘Cyberpunk: Edgerunners‘,’ Conserje Pokémon ‘or’ Halo ‘. Among the movies, ‘A Minecraft movie‘,’Sonic The Hedgehog‘,’Super Mario Bros. the film‘,’Uncharted‘,’ Mortal Kombat ‘or’ Detective Pikachu ‘. To the bunker. For example, the premiere of the “Fallout” series in Prime Video in April 2024 caused a 490% increase in monthly active users (UAM) playing the franchise: 80% of the 14 million active players were new. In contrast, additional content launches for ‘Fallout 76’ previously achieved only 17% increase in UAM. It is a phenomenon that had already been detected since the same premiere of the series, when the 2015 Búnkeres construction and management game ‘Fallout Shelter’ received an unusual impulse Almost a decade after birth, going from giving benefits of about $ 20,000 a day to enter $ 80,000 a day, thus increasing their benefits by 232%. The last ones will be the first. There is a more particular case, because it adapts a narrative game, closed, without online and that had been acclaimed by criticism and public a few years before, calling the attention of non -hardcore public, that is, that the middle fan had more than known. ‘The Last of Us “experienced a 150% rise in its players base: an absolutely spectacular figure if we take into account that the series does not” complement “or expands what is seen in the games, but tells it again. Without a doubt, it is a different phenomenon from that of ‘Fallout’: the excellent invoice of HBO production, much more mainstream That the prime video, it caught the attention of non-players. To compare: the relaunch of “The Last of Us Part II” for PS5 only made the monthly players in 70%. And in cinemas, ‘Minecraft’. This is one of the greatest recent box office successes, and here there has been a clear feedback: the commented Tumults in cinemas They are due to the preteen enthusiasm of the ‘Minecraft’ players, but the current was also in the reverse direction: the premiere in April 2025 produced a growth of 30% of users of the game. Of all of them, 54% of the new players were people who had abandoned the games previously, that is, the film reactivated their interest in the game. Some reasons. They are diverse (although we like to continue putting in the same sack to ‘Arcane’ already ‘Street Fighter’, these are adaptations for generations of completely different spectators), but the Massive television accessibility. This allows those who do not play videogames to know their emblematic stories without having to overcome the “input barrier” that sometimes lifts the technology, already later encouraged to enter them on their own. In any case, it seems that we are living a golden era for this type of series and films: fidelity to the originals achieved with films such as ‘Super Mario Bros.’ or ‘Sonic’ was unthinkable a few years ago. The change in the interests of the public causes these products to cease to be niche, or rather, that they no longer have the need to soften the elements of the original video game to become massive products. Viodeojuegos are already an entertainment mainstream and its adaptations catapult that audience. Header | HBO Max In Xataka | Umbrella to the end of the zombie world: all ‘resident evil’ films worse to better

Tamara was the background of the junk television barrel of the two thousands. Netflix has managed to reinvent it completely

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The nostalgia It has absolutely unsuspected vericuetos. Who gets out of fashion Retro video gamesthe eighty cinema franchiseseven the looks that we thought we would not see anymore It is one thing. But recover an absolutely dependent television fauna from a very specific point of our pop culture (realities absolutely outdatedthe sagas of characters that seemed fiction but were very real, the excessive and openly feast aesthetics of the beginning of the century) is something very different. Superstar. The culmination of this return from that literally indescribable area of the two thousands has worked with the series’Superstar‘, a highly fictional chronicle of those years produced by the Javis, created by Nacho vigalo and issued by Netflix. Tamara and Margarita Sixdedos, Leonardo Dantés, Paco Porras, Tony Genil, Loly Álvarez and Arlequín make up an absolutely locked microcosm in itself and that is equally eccentric in the series. And a concert, tip. In a line curiously parallel to the argument of the series (which, we insist, is far from being a biopic to use), this new wave of interest in tamarism has the most unexpected effect of all: A YURENA MACROCONGERthe artist previously known as Tamara, on March 23, 2026 at the Vistalegre Palace in Madrid. The event will be titled ‘Yurena: the concert that was never’ and its promoter describes it as “A unique event that rewrites the story of an artist to which television turned into a phenomenon and time, in legend. “ Reinvent the past. The main characteristic of the series is that (unlike previous incursions of the Javis in certain areas of the past, such as’Poison‘) At no time is it intended to be a reliable portrait of what happened, but each episode focuses on one of the characters involved to tell that so television that is “its truth.” To the extreme: if one of them said he had Michael Jackson eating macaroni at his house, we see him; If another said that he was kidnapped by a sect that abused him and revealed plans for the underground control of Spanish reality, we see it. And what remains. Because the Spain of that time gives for much more: of the imitators of Chiquito de la Calzada (an indescribable phenomenon already in itself) to the guests of the program of Jesús Quintero, going through the fauna of the film of Jesús Cárdenas or the Guirigais that each night were mounted in the programs of Javier Sardá and Pepe Navarro. A true lack of control, noisy and subversive, which is portrayed and analyzed in ‘superstar’ with a very personal author, Vigalondo, where they are, on an absolutely novel plane, Tamara and David Lynch. Maybe the only honest way of seeing it. The return. Of course, ‘superstar’ has not entered the most watched international top of Netflix, because tamarism is an absolutely Spanish phenomenon, incomprehensible beyond our borders. But it has served to unleash a new wave of tamarist claim: the concert in Vistalegre will be its culmination, although as the artist says, She has never stopped acting. Because tamarism never left, it continued in our subconscious, waiting for the time to come back. Header | Netflix In Xataka | Netflix premiered the first scene generated with AI in an original production, and nobody realized: the moment has arrived

three days full of chollos on television, mobiles and much more

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Mediamarkt has done it shortly before Julio finishes: we have new some Samsung Days. This promo is perfect if we want a brand device, whether a television, a mobile phone, an appliance or much more. The only thing we must take into account, yes, The event will only be available for three daysso we don’t have too much time to think about it. As we say, we have available a good assortment of different offers corresponding to several of the product lines of the South Korean company. To make your homework a little easier, we leave you below A selection of some very interesting offers: Galaxy S25now to a historical minimum, for 690.84 euros. HW-Q600F/ZF sound barwith a very good sound power, for 439 euros. SMART TV NEO QLEDin its 65 -inch version, by 849 euros. Galaxy A56an excellent quality-price option, by 364.04 euros. Smart TV OLED65 inches and with gift sound bar, by 1,699 euros. Galaxy S25 We begin this selection of offers from the Samsung Days with the Galaxy S25a great phone that came out this year and that is the most economical option within the S South Korean firm. It is the most compact of all (it has a 6.2 -inch screen), but it does not lack power thanks to the Snapdragon 8 Elite. In addition, it comes with 12 GB of RAM and a triple camera that works great. If we register in Mimediamarkt (totally free), its price stays in 690.84 euros. * Some price may have changed from the last review HW-Q600F/ZF sound bar If we are looking for something to have better sound at home, this HW-Q600F/ZF sound bar can fit us very well. It has a total of 8 speakers that, combined with the Q-Symphony technology of Samsung Teles, makes us have a sound experience of many carats. In addition, it has a special way for the most gamers. Right now it comes out of 439 euros. Sound bar – Samsung HW -Q600F/ZF, Bluetooth, Wireless, 380 W, Subwoofer and Dolby Atmos Wireless, 3.1.2 channels, black * Some price may have changed from the last review SMART TV NEO QLED As an option to renew TV, we have this samsung neo qled at a very good price right now. This is its 65 -inch version, a diagonal that is perfect for medium and large rooms. Great panel technology and very good gaming options, as well as great connectivity and an operating system (Tizen OS) that is very comfortable to use. We can get her right now for 849 euros. TV NEO QLED 65 ” – SAMSUNG TQ65QN88DBTXXC, UHD 4K MINI LED, NQ4 AI GEN2, SMART TV, DVB -T2 (H.265), Carbon Silver * Some price may have changed from the last review Galaxy A56 If we are looking for a new mobile, but we have a more adjusted budget, the Galaxy A56. Despite being cheaper, it meets good note in every important aspect. 6.7 -inch screen with 120 Hz, triple camera system, 5,000 mAh battery and a three -cameras system that will allow us to take good photos. An excellent quality-price option that, registering in Mimediamarkt, goes out for 364.04 euros. * Some price may have changed from the last review Smart TV OLED We close with another television, in this case one of the OLED line of Samsung. This, which also has 65 inches, is one of the best televisions that we can buy right now and possibly one of the best of 2025. Great image quality, comes with Vision AI and yields very well even at the sound level. Its price is 1,699 eurosalthough we can benefit from a reimbursement of 300 euros thanks to Samsung. And eye: because it comes with a gift sound bar valued at 169 euros. TV OLED 65 ” – Samsung TQ65S85FAEXCC, OLED 4K, NQ4 AI GEN2 PROCESSOR, SMART TV FULL AI, WIFI, BLACK GRAPHITO * Some price may have changed from the last review Some of the links of this article are affiliated and can report a benefit to Xataka. In case of non -availability, offers may vary. Images | Buying, Samsung In Xataka | Best laptops in quality price. Which to buy depending on the use and eight recommended models In Xataka | What is the best portable computer to work in 2025. Tips and recommendations

Ozzy Osbourne was key to lighting something almost more culturally important than metal: television realities

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The death of Ozzy Osbourne is generating multiple manifestations of condolenceand it is not for less: one of the latest genuine stars of classic rock leaves. However, although his passage through Black Sabbath and his solo career are his most relevant milestones within music, it is also worth remembering him for how he helped configure modern television in one of his most popular aspects: the reality shows. The Lord of Darkness. It is impossible to summarize here the relevant role that Ozzy Osbourne has in the history of rock, as it is impossible ‘I’m Ozzy’, edited by Espop). However, and despite the success of classics such as’Crazy Train‘ either ‘War Pigs‘, In 2002 nobody already remembered Ozzy. Until The Osbournes revolutionized the genre of realities forever. Mrs. Osbourne. Sharon Osbourne was Ozzy’s wife since 1982, although he had been as a representative of his solo career since 1979 (his father, a historic industry, had also been Black Sabbath’s manager). Sharon was fundamental in Ozzy’s sound in the 80s, oriented to a more pop metal that opened the doors of the MTV. And it was also the brain of the reality ‘The Osbournes’, conceived as a project in which their children were clips presenters, but ended up evolving to show the daily life of the family. His inspiration was also MTV’s canonical reality ‘The Real World’, but with a difference. Here the protagonists were famous. The never seen. The concept was very novel for the time: show the intimacy of a famous family, of the most trivial details to the most dramatic. The chaos that breathed Ozzy’s life gave him a strange air of likelihood and lost that semi-guy air of ‘The Real World’. Success was immediate: razed in audience (In his day, it was the most watched program in the history of the channel) and became the first program of its kind in win a primetime emmyin the category of best non -fiction series. The fault that MTV will become a video clip channel to one of realitieswith programs such as’ Jersey Shore ‘(a phenomenon that would give rise to’ Gandía Shore ‘),’ Teen Mom ‘, ’16 and pregnant’ or ‘catfish’ coping the channel grill? It is from ‘The Osbournes’. Sitcoms in real life. What makes ‘The Osbournes’ so iconic is possibly that he had all the elements of a classic sitcom (hallucinated but endearing father, cunning mother, rebel children), but with themes and vocabulary that could not be seen in a fiction series (continuous swear Patriarch jumping again and again Sharon’s attempts to have something remotely similar to a script. Something of that spirit was transmitted to the next great success (which still lasts) of the genre, ‘Las Kardashian’ and, in Spain, ‘Alaska and Mario’. Ephemeral success, indelible footprint. The program only lasted four seasons, not for a fall at the audience, but because Success surpassed its protagonists. Ozzy was not prepared for all that attention again (in fact, he fell to the drink), and Jack had to go to therapy. He configured, yes, the image of Ozzy that already accompanied him until his death: a rock star that started snacks of pigeons on stage, but with which you would not mind sitting up for a while in front of TV in slippers to listen to his comments about the “horrible, horrible music” that the kids do today. Header | MTV In Xataka | Japan had a real “Truman show”. And it was starred by a man locked up, naked and forced to survive with coupons

Thirty years later, there is still an unbeatable television format in Spain: desktop soap operas

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The afternoons of Spanish television have always meant a fierce combat between big names, apparently infallible formats and yes, experiments that go wrong. However, there is an immutable constant in recent years, regardless of fashion and trends: the undisputed success of the Spanish romantic series in the afternoon, which drag immune fidelity to the swings of audiences. Are The most seen of the afternoonsnext to ‘Pasapalabra’. The formula of success. The three queens of the afternoons are ‘Wild Valley’ and ‘The Promise’ in the 1 and ‘Dreams of Freedom’ in Antena 3. The first is broadcast around 17.10, the second about 18.00 and finally, dreams of freedom are broadcast at 15.45. All of them have elements in common: an era atmosphere, around the quitas of the rich and powerful, but with occasional eyes to conflicts between classes, in order to show contrasts between the different characters. And all with audiences that do not fall from 10-12% of Sharesometimes conquering 15%. The Belén Esteban debacle cannot with the series. The phenomenon that is taking place with ‘is curious and significantTV family ‘ and its abysmal audiences in the afternoons of the1. Divided the program into two halves of differentiated content (after a few days experimenting with the Mix of presenters and styles), the audience falls into those blocks, but shoots with ‘wild valley’ and, above all, ‘the promise’, which with audiences around 15% of Shareis at your best. Then, when Esteban and his own arrive, he plummeted again, generating a curious parenthesis of low audiences to wrap the two stars of the afternoon of the1: the series. The first queen of the afternoons. TVE was a pioneer, at the end of the eighties, of the success of the first snakes, the Venezuelan serials with ‘Crystal ‘as spearhead that in 1990 it came to give continuity to more moderate but very relevant successes, such as Brazilian ‘Dona Beija’, which broadcast the second chain. Its success is significant: it already pointed to the fetishism of the audiences with the afternoon strip (after the mornings had colonized them Soap Opeas North American as ‘Santa Barbara’ or Mexican serials like ‘The rich also cry’) In fact, TVE was buried in protest letters when he dared to move momentarily to ‘crystal’ at noon. He won a wave and his last episode was followed by 8,630,000 viewers. An overwhelming 85% of Share. Origins of the Spanish soap opera. Trying to ride the wave of unstoppable snake successtelevisions They began to replicate the phenomenon with series like ‘La Truth de Laura’ or ‘Black Moon’, which They began to introduce timidly Spanish cultural elements. The first success in that regard was ‘El Super’, in 1996, with costumbristas and realistic plots, which ended soon derived towards the introduction of historical elements, the authentic key to success (‘Valle Tavaje’ is set in 1763, ‘The promise’ at the beginning of the century and ‘dreams of freedom’, in Spain of 1958). Thus were born bombings such as ‘Loving in revolt times’, ‘bandit’ or ‘The Secret of Puente Viejo’. Why that time. The tabletical strip is the most precious by soap operas, perpetuating those beginnings of the genre in Spain with ‘crystal’, which later strengthened phenomena like those of Turkish soap operas. In the target audience of these series, female and medium ageThey fit the typical Spanish customs for desktop, and that is what has impatible the long -term continuity of the series. It is an audience that appreciates the sumptuousness of natural decorations and historical places that prevails in these productions, as well as the budget investment that gives them a luxurious finish and that, in fact, is what has made TVE pass from three to two series during the time. And now what. ‘Dreams of freedom’ in Antena 3, with audiences around 13%, certifies that the audiences want series, and that the1 lost an important asset when canceling the third of its afternoons, ‘the modern’, cut under a pattern very similar to the other two. Sergio Calderón, director of RTVE, counted in an interview that “the series of series audiences benefited from the expectation of the start of the chapter of ‘the promise”. However, “it was impossible to maintain, at emotional and also budgetary rhythm, three daily series in the afternoons.” Seen what has been seen, maybe they have to reconsider their strategy. Header | Atresmedia In Xataka | Netflix’s best Korean series (because not everything is ‘the squid game’)

a transparent television of 50,000 euros that breaks the rules because it can

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As every year, LG has presented its New range of televisions. We saw the Oled G5 and C5 (The latter we have already analyzed in Xataka) and also some novelties in software, such as an integrated chatbot in Webos and the five -year promise of new versions of the system. But what struck me most was none of that. Near the end of the event, the LG team asked us to look towards the room side. There, covered by a black cloth, waited for his most striking proposal: the LG Signature Oled T. They present it as “the only transparent and wireless OLED in the world.” And yes, it has 77 inches, even if it seems. When they raised the fabric and lit the panel, the scene was, at least, surprising. At that time, the TV began to show a marine scene: Fish, corals, movement … and all floating on the real background of the room. A decorative furniture behind was still completely visible. A TV that is hard for me to call him “TV” And this is where the most personal part comes in: it is hard for me to call it “TV.” Because yes, he reproduces images. But its physical presence and approach are so different that one begins to question whether this object really belongs to the category that gives it name. For me, it is something else. Something that is placed in the middle of the room without covering it, which can live in front of a window without blocking the light. Something that, instead of imposing itself, seems to integrate. And yet it is still a screen. The design accompanies that idea: metallic frame, modular structure, possibility of adding shelves. An object that has both decoration and technology. Now, LG’s proposal is not alone in this world where design and integration with the environment prevails: we also find proposals, such as Samsung the Framealthough these have no transparent screen, but televisions that look like paintings hanging on the wall. An interesting point is that OLED T also includes a retractable black curtain that can be activated with a button. When unfolding, the screen ceases to be transparent and Get in to behave like a more traditional. During the demo I saw how it worked, although not enough time to draw conclusions about the real quality of that visualization. I would not dare to judge it in that aspect. Luis Navarrete Martín, product specialist at Home Entertainment of LG Spain, explained that there are content designed specifically for transparent mode, such as fishbowl or plants. And that when it comes to watching a movie or a game, it is usual to activate the black curtain to take advantage of the screen as a conventional OLED. The most curious thing is that, despite its size, it does not feel so much space. On the contrary. Transparency plays in his favor. And that is where other ways that I could see briefly, such as t-object, show images, videos or illustrations enter Without overshadowing the background; or t-bar, a lower line that launches useful information while everything else remains clear. Let’s put on the table some technical details: wireless video and audio transmission from an external box (the Zero Connect Box), compatibility with G-Sync and FreeSync, refreshment variable to 120 Hz and the α11 processor of LG, which is responsible for managing image and sound. All that is, yes, but what I had left was not a feeling that more than a piece of technology was a work of art. Because what I took was a first impression difficult to define. Fascination, no doubt. But also questions. Where does this fit? Who needs something like that? Does it make sense to pay 50,000 euros for this type device? It will be the time (and the public) who decides whether proposals as they find their place. Of course, it is not a product for all, nor does it intend to be. But beyond its price or exclusivity, which makes clear the OLED T is that technology is exploring new languages. Languages ​​where screens are not hidden, but they don’t send. Images | Xataka | LG In Xataka | Gemini’s conquest began in Android mobiles. Now you will flood your TV, your watch or even your car

of television star to YouTuber entered into misfortune by animal abuse

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For a while, Frank Cuesta, better known on his television journey as Frank de la Jungla, was one of the best known and loved television faces in the early last decade. When their programs stopped being issued, it was installed on the Internet, and from its animal sanctuary in Thailand, a drift that has culminated in a disastrous way began. It has been with audios that reveal a face as an animal abuse that has definitely put a public image that had been awakening doubts for years. Conflictive audios. Earlier this week some audios were leaked in which he referred to animals of the sanctuary aggressively (“we must have delicatas, which people like Suricatas whores.”), Among other animals that he acknowledged having bought for sale. I also talked about poisoning cats (“I’m going to make a mix of cat food with poison to eat the son of a bitch and burst inside. (…) If you have a cat, you keep it at home”) Already dogs (“I will put poison every fucking days until all the fucking dogs die (…) I will load them all”) that entered the sanctuary. The audios have been Filrated by his exsocio chi wildlifewith the purpose of uncovering little ethical behaviors of Cuesta. He also spread images in which the bad state in which animals such as pig or otter were seen, or told stories about the replacement of dead animals with similar ones to maintain the attention of their YouTube followers. The defense. His team has defended the audios talking about a passenger anger in the context of audios for a friend. Frank Cuesta has defended himself in a video in which he cries before the camera and that he has already retired from his networks stating that all he did was put laxative for dogs and cats not to approach the sanctuary. But as They have pointed out several of His criticsit is not only an improper behavior of an owner of an animal sanctuary, but also adds to a long trajectory of controversies and conflicts. The tip of the iceberg. The filtration of these audios is the last episode of the fall in disgrace of Cuesta in recent months, but it has not been the most serious event that has had to happen: it was recently bitten by a spit copperwhich put him on the verge of death. Before that, in 2024 He had suffered the onslaught of a deer that broke two ribs and contact with a poisonous frog. But his most controversial moments are those that imply problems with justice: he has to respond to Three demands of his ex -wife and was arrested by the Possession of protected animals. The Internet reaction. Frank Cuesta has established in recent years an active relationship with various youtubers and Influencersin order to get Collection for your sanctuary. Some of them have reacted to Frank Cuesta Audios: The Grefg has criticized it publicly And he has asked for explanations, while Plex has defended itstating that everything seen in videos is true. Other content creators, such as Rome Gallardo either Hetero white uncle They have also positioned themselves against Cuest Dalas Review. Success on television. The success came to Frank Cuesta after the program ‘Callejeros Travelers’ interviewed it for a delivery set in Thailand. His knowledge about reptiles gave him the opportunity to drive his own space, ‘Frank de la Jungla’. With him he obtained a wave, and continuity with the program ‘La Jungal at home’, shot this time in Spain. He would still make a third series with four, ‘Natural Frank’, before moving on to Discovery Max with ‘Wild Frank’, which he recorded 17 seasons. A presence on YouTube. Although Frank Cuesta has obtained his fame primarily from the almighty television, it has been with the YouTube accounts that he has managed since the late last decade where he has shaped a peculiar Fandom. The first construction of an animal shelter and after a Sanctuary away from Thailand For animals that do not belong to that same environment, it has kept their followers hooked on materials on animals, although it currently costs only the channel dedicated to the Libertad Sanctuary. The accounts of your channel. Frank Cuesta de YouTube channel has 4,150,000 subscribers. Virtually all its content is paid: direct, streamings and private webcams that reflect the day to day in the sanctuary. The controversy, without a doubt, It has fallen well In terms of figures: it is estimated that there could be 60,000 subscribers in the last month and a half, and with more than 12 million views of their videos at that same time, have entered between 3 and 16,000 euros for their videos in the last month. Political positions. Meanwhile, their political positions have been radicalized: He aligned with Vox In 2022, launching inconvenience statements, although later It was distanced from the game behind him Violent behavior of Ortega Smith. This positioning, which has intensified Over the yearsthe opposition of progressive sectors won him, also very critical of his peculiar way to face animal care. An uncertain end. All this (mainstream success, problematic channels on YouTube, radical political positioning, abundance scandals) are the ingredients of a cocktail that seems to have ended up exploding with the publication of the audios. It is significant that many of the creators of content that criticize him, as some of those mentioned above, usually invoice content aligned with conservative positions: they are the same as months ago they defended their content for that same reason. A true polvorín that still smooths: we will continue to talk about Frank de la Jungla. In Xataka | Disinformation circulates more freedom than ever on the Internet. Here are some technical tools to protect you

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