soap

That Oracle speaks out on the soap opera between NVIDIA and OpenAI is a bad sign. That it will not have benefits until 2029, too

by

Oracle counted in a tweet that the agreement between NVIDIA and OpenAI has “zero impact” on your financial relationships with the company that owns ChatGPT. This is more complicated than it seems, because the AI ​​business could end up collapsing if a large company like NVIDIA or Oracle shows even a hint of doubt towards OpenAI. The latest statements by Jensen Huang, CEO of NVIDIA, have made the market nervous, although Oracle’s path is not very encouraging either. Why is it relevant? Oracle just announced that will raise between 45,000 and 50,000 million of dollars this year through debt and equity issuance to build cloud infrastructure for its large AI clients. Among them, OpenAI stands out with a contract of 300,000 million of dollars for five years that starts in 2028. The problem is that OpenAI is not profitable right now, and Oracle needs OpenAI to raise capital so that it can pay it. It is a circular financing circuit where everyone depends on everyone Keep signing checks. The numbers don’t add up yet. The contract with OpenAI involves about $60 billion annually starting in 2028. To fulfill it, Oracle must buy approximately 400,000 chips NVIDIA’s GB200, with an estimated cost of $40 billion just for its flagship data center in Abilene, Texas. Meanwhile, OpenAI’s total revenue in 2025 was around $13 billion, according to Bloomberg. Oracle is betting its bottom line that a company that currently burns more cash than it generates can pay bills equal to five times its current annual revenue. The alarm signals. In January, investors accused Oracle of hiding the need for more debt to finance its AI infrastructure, according to Reuters. Oracle’s debt-to-equity ratio is at 6x, and credit default swaps reached levels not seen since the 2008 financial crisis in December, according to point Bloomberg. In addition to all this obstacle, Oracle’s action has fallen 50% from its September peak, when it announced precisely the agreement with OpenAIerasing some $460 billion in market capitalization. ANDnegative n until 2029. Developing data centers for AI has pushed Oracle’s free cash flow into negative territory, where it is expected to remain until 2030, according to data compiled by Bloomberg. Jefferies esteem that the company will need to raise more funds in 2027 and subsequent years, since cash flow will not return to positive until 2029. Oracle plans to raise 50 billion: half through equity, with convertible preferred securities and a share sale program of up to 20 billion, and the other half through a single bond issue in early 2026. Between the lines. What really worries the market is the structure of mutual dependence. NVIDIA funds OpenAI. OpenAI pays Oracle. Oracle buys chips from NVIDIA. Everyone’s income growth depends on everyone else continuing to write checks. When Jensen Huang, CEO of NVIDIA, declared to journalists that the 100 billion agreement with OpenAI “was never a commitment” and that they would invest “step by step”, Oracle had to come out with that tweet to calm the waters. And that tweet is precisely the type of communication that worries investors. Cover image | IEEE Awards, Hartmann Studios, Wikimedia Commons In Xataka | The CEO of Airbnb is clear that there are companies with too many meetings: his trick is to follow Jony Ive’s philosophy

There is a new chapter in the Nexperia soap opera, one in which China wins the game

by

There are new developments in the chip war between the Netherlands and China, which has the company Nexperia at the center. After a tense escalation and the blockade that threatened to paralyze factoriesthe situation has improved after the meeting between Trump and Xi Jinpingbut there is something else. Almost at the same time, Nexperia China made a decision that changes everything: they will take care of the manufacturing of all the chips without depending on Holland, which would mean the definitive divorce from what was their headquarters. A divided company. Since last October 13 The Dutch government decided to take control of the companyNexperia split in two and was caught between two pieces of legislation. On the one hand, the headquarters in Holland controlled by the Dutch government and on the other its subsidiary in China, which The Chinese government banned the export of components. What followed was an increasingly tense exchange: the Chinese subsidiary broke ranks with the parent company and began to act independently and then from Holland They stopped supplying wafers for their chips as “a direct consequence of the recent failure by local management to comply with contractually agreed payment terms.” The automobile sector was shaking in the face of supply cuts and warned that factories could be paralyzed. Nexperia China. In a statement published by Beijing Dailydescribe the accusation as completely false and affirm that, not only have they not breached the contract, but that the Dutch parent company owes them 1,000 million yuan (about 122 million euros). They continue: “The unilateral suspension of supply by Nexperia completely ignores the interests of customers, seriously violates contractual agreements and the principles of business cooperation, seriously damages customer trust and constitutes an extremely irresponsible act.” Full China. Nexperia China will continue to operate independently and they assure that they have enough stock to supply their international customers “until the end of the year and beyond.” Furthermore, before the controversy Nexperia was already responsible for 70% of production; What Europe supplied them was mainly the wafers or wafers. Nexperia China says in its statement that they are “accelerating verification of new wafer capacity,” the key component to its full independence. The meeting. In it statement issued by the White House Following the meeting between Trump and Xi Jinping, it is said that “China will take appropriate measures to ensure the resumption of trade from Nexperia’s facilities in China, allowing production of critical legacy chips to reach the rest of the world.” That is to say, the blockade is coming to an end, the curious thing is that at no time does it mention anything about Holland or Europe. Nexperia Netherlands. The Dutch headquarters welcomed the agreement between the presidents of both nations, but did not comment on the Chinese subsidiary’s intention to accelerate its industrial independence. If Nexperia China finally completes its total spin-off, the European subsidiary could end up being a kind of ghost company empty. Images | Nexperia In Xataka | In its race to make advanced chips, China has tried to copy ASML. It’s going wrong

they needed to be a perpetual soap opera

by

In Spain we like a good story of rise, fall and recovery, but all very passionate and Mediterranean: backstabbing, toxic abysses and a discography that marked a generation. Van Gogh’s Ear once again has Amaia Montero in frontleaving Leire (and some other unexpected martyrs) along the way. We review this roller coaster of successes and failures, detailing all the lore of this story that now opens a new chapter. First successes. Amaia Montero was the original vocalist of La Oreja de Van Gogh from its beginnings in 1996 until 2007. During that period, the group achieved massive success with best-selling albums (Copperpot’s Journey, 2003, sold two and a half million albums in Spain and Latin America, where the group had a significant presence) and awards as important as a Latin Grammy and several Ondas Awards. Amaia’s characteristic voice marked a before and after in Spanish pop with songs prior to the steamroller of Latin sounds that was about to reach our music: ‘El 28’, ‘Cuéntame alhear’, ‘Cuídate’. ‘The beach’, ‘Pop’, ‘You can count on me’, ‘January 20’, ‘Roses’, ‘Rag doll’, ‘Sweet madness’… Amaia comes out. On November 19, 2007, Amaia Montero announced her departure from the band to pursue a solo career, a decision motivated by her desire to grow personally and professionally. That was the official version. Apparently, there were no conflicts or fights, but simply the desire to explore new musical horizons. La Oreja de Van Gogh continued with a new vocalist, Leire Martínez, while the relationship between Amaia and her former colleagues deteriorated: there were statements that reflected a cordial relationship but with some unresolved difficulties. Amaia free. Amaia Montero He started his solo career very soon.in 2008 (perhaps that was what disturbed the calm in the band?) with a self-titled album that reached number one in sales, and with a single, ‘ Quiero ser ‘, of considerable impact. But at this stage Amaia experienced complicated moments, with criticism of her appearance and concert recordings where he did not show his best physical condition. In 2020 he moved away from public life to “cure himself” and in 2022 he entered a clinic for a strong stress and anxiety. In 2023 things did not seem to improve: she was admitted to the ICU of a Madrid hospital for a cut on her hand. Now she seems to have recovered from these setbacks ahead of her new stage at LODVG. Leire lives, the fight continues. Van Gogh’s Ear has operated for sixteen years with Leire as the front, which is said to be early. His albums with the band, no less than five, performed well in sales (although without going overboard: in the best cases, around 500,000 copies, although we already talked about the era of streaming) and continued filling large venues. The group evolved, thanks to the quality of its singer, towards a more intimate and less strident pop, but they stopped appearing on the front line, as was the case with Amaia. Leire’s departure from the band, officially on October 14, 2024was peaceful although it was not lacking in bitterness: Leire has always stated that her former colleagues did not discuss her departure with her. And he sold his memorabilia on Wallapop, in a promotion with very bad grapes. Rumors begin. Above Amaia’s health problems and her lyrical drifts, the soap opera begins here thanks to the connotations of the replacement, not as oxygenated as the group wants to make it out. To begin with, the replacement was on the table before Leire left, which would undoubtedly strain the relationship between the new singer and her colleagues. Different signs were multiplying the rumors, such as Amaia’s appearance at a Karol G. concert to perform ‘Rosas’, certifying de facto that she was ready to front her old band again. Amaists against Leirists. The announcement of Amaia’s return occurred on October 14, 2025, just one year after Leire left the band. Classy. And on social networks, the group’s bio has changed to “Only together makes sense”, a phrase with more substance than it seems: the group used it when They decided to continue without Amaia). The deletion of Leire’s farewell from social networks and the replacement by a blank post has unleashed a war of comments between fans of both vocalists, something unexpected for a band with a style as pop and melodic as that of La Oreja de Van Gogh. Such dedicated fans would love Insane Clown Posse. Fans on fire. “I was never a fan of Van Gogh’s Ear, but I was always a fan of Leire Martinez”, “Van Gogh’s Ear is not coming back, Judas’s Kiss is coming back”, “The Queen of Pop is finally back!” or “Getting back with your ex is the worst thing you can do” are some of the niceties that are being read to accompany the first post of the second era with Amaia at the helm. A stark war which we will continue talking about in the coming weeks, without a doubt: to begin with, Pablo Benegas, one of the founders of the group, has decided to abandon training without giving further explanations. This return is going to bring a queue and more than one soaked face. In Xataka | The 51 musical gems to listen to if you don’t want to miss the best of the 21st century

Science explains why coriander knows you soap (and the fault belongs to your genes)

by

For many it is a touch of indispensable citrus freshness in tacos, guacamoles and curris. For others, it is a culinary abomination that It ruins any dish with a disgusting soap flavormetal or even insects. The coriander is undoubtedly one of the most polarizing herbs in the world, an ingredient that does not admit average terms and has generated much frustration. It is not a matter of taste. For years, science has investigated this phenomenon and the answer is clear: if the coriander knows you soap, it is not being a fussy: The fault, in large part, has your DNA. The “soap gene” exposed. The key piece of this genetic puzzle found it An association study at a genomic scale (GWAS) published in the magazine Flavour. Researchers analyzed the DNA of almost 30,000 people and found a direct connection between the perception of coriander soap and a specific genetic variant. The main suspect is a unique nucleotide polymorphism (SNP) known as RS72921001. This small change in the genetic code is found on chromosome 11, just in the middle of a group of olfactory receptor genes. And one of them, called OR6A2, is the perfect candidate to explain the mystery. Because? The OR6A2 gene encodes a receiver in our nose that is especially sensitive to aldehydeschemical compounds that are key components in the aroma of coriander. Interestingly, these same aldehydes are also a byproduct of the soap manufacturing process and are secreted by certain insects as a defense mechanism. In essence, people with this genetic variant have a kind of “antenna” superpotent for the aldehydes of the coriander. While a person without this variant perceives a fresh and herbal aroma, someone with the variable of the O6A2 gene receives an overwhelming sign that his brain interprets with the taste of soap. A more complex genetic cocktail. Although the O6A2 gene is the protagonist, the story does not end there. Another study conducted with twins by the Monell Chemical Sensa Center, and published in Chemical Sensaadd more nuances to the equation. This investigation not only confirmed that coriander aversion has a strong hereditary component – stating the inheritability of taste for coriander in 52% – but also identified other genes involved. Specifically, there have been three genes that have identified in this genetic combo. The first one is TRPA1 which is known for detecting spicy substances, the second is GNAT3 which is crucial for the transduction of signs of taste in the language. The last is the TAS2R50 That is a receptor of bitter taste. This suggests that, for some people, the rejection of coriander is not only due to a soap smell, but to a complete sensory experience that may include bitter notes and a sense of unpleasant itching or flavor. The geography of flavor. Genetics is closely linked to offspring, and coriander aversion is no exception. Statistics demonstrate a fascinating global division, as revealed by a study by the University of Toronto. The prevalence of coriander aversion change dramatically between different ethnocultural groupsaccording to these proportions: Oriental Asians: 21% Caucasics: 17% Afro -descendants: 14% South Asians: 7% Hispanics: 4% Middle East: 3% These percentages make a lot of sense. These data are not casual. Populations with less aversion are those in whose kitchensh It has been a pillar for centuries, such as Mexican, India, Thai or the Middle East. This raises an interesting evolutionary question: was the kitchen of these regions adapted to a population that genetically enjoyed coriander, or constant exposure for generations helped overcome an initial aversion? The answer is probably a mixture of both. How to learn to love coriander. While your DNA predisposes you to hate the coriander, it is not necessarily a judgment of life. Inheritability, although significant, is not 100%, which means that environmental factors and exposure play an important role. Experts suggest that it is possible to “train” the brain to accept, and even enjoy the coriander. Some of the tricks they give is to crust the coriander in the form of pesto or sauce so that the soapy aldehydes are diluted. But you can also bet on introducing it little by little and mixing it with other powerful flavors so that the palate can get used to it. Images | Lindsay Moe In Xataka | We have finally discovered the sixth flavor. The only problem is that if you are not a fly you will not be able to enjoy it

Thirty years later, there is still an unbeatable television format in Spain: desktop soap operas

by

The afternoons of Spanish television have always meant a fierce combat between big names, apparently infallible formats and yes, experiments that go wrong. However, there is an immutable constant in recent years, regardless of fashion and trends: the undisputed success of the Spanish romantic series in the afternoon, which drag immune fidelity to the swings of audiences. Are The most seen of the afternoonsnext to ‘Pasapalabra’. The formula of success. The three queens of the afternoons are ‘Wild Valley’ and ‘The Promise’ in the 1 and ‘Dreams of Freedom’ in Antena 3. The first is broadcast around 17.10, the second about 18.00 and finally, dreams of freedom are broadcast at 15.45. All of them have elements in common: an era atmosphere, around the quitas of the rich and powerful, but with occasional eyes to conflicts between classes, in order to show contrasts between the different characters. And all with audiences that do not fall from 10-12% of Sharesometimes conquering 15%. The Belén Esteban debacle cannot with the series. The phenomenon that is taking place with ‘is curious and significantTV family ‘ and its abysmal audiences in the afternoons of the1. Divided the program into two halves of differentiated content (after a few days experimenting with the Mix of presenters and styles), the audience falls into those blocks, but shoots with ‘wild valley’ and, above all, ‘the promise’, which with audiences around 15% of Shareis at your best. Then, when Esteban and his own arrive, he plummeted again, generating a curious parenthesis of low audiences to wrap the two stars of the afternoon of the1: the series. The first queen of the afternoons. TVE was a pioneer, at the end of the eighties, of the success of the first snakes, the Venezuelan serials with ‘Crystal ‘as spearhead that in 1990 it came to give continuity to more moderate but very relevant successes, such as Brazilian ‘Dona Beija’, which broadcast the second chain. Its success is significant: it already pointed to the fetishism of the audiences with the afternoon strip (after the mornings had colonized them Soap Opeas North American as ‘Santa Barbara’ or Mexican serials like ‘The rich also cry’) In fact, TVE was buried in protest letters when he dared to move momentarily to ‘crystal’ at noon. He won a wave and his last episode was followed by 8,630,000 viewers. An overwhelming 85% of Share. Origins of the Spanish soap opera. Trying to ride the wave of unstoppable snake successtelevisions They began to replicate the phenomenon with series like ‘La Truth de Laura’ or ‘Black Moon’, which They began to introduce timidly Spanish cultural elements. The first success in that regard was ‘El Super’, in 1996, with costumbristas and realistic plots, which ended soon derived towards the introduction of historical elements, the authentic key to success (‘Valle Tavaje’ is set in 1763, ‘The promise’ at the beginning of the century and ‘dreams of freedom’, in Spain of 1958). Thus were born bombings such as ‘Loving in revolt times’, ‘bandit’ or ‘The Secret of Puente Viejo’. Why that time. The tabletical strip is the most precious by soap operas, perpetuating those beginnings of the genre in Spain with ‘crystal’, which later strengthened phenomena like those of Turkish soap operas. In the target audience of these series, female and medium ageThey fit the typical Spanish customs for desktop, and that is what has impatible the long -term continuity of the series. It is an audience that appreciates the sumptuousness of natural decorations and historical places that prevails in these productions, as well as the budget investment that gives them a luxurious finish and that, in fact, is what has made TVE pass from three to two series during the time. And now what. ‘Dreams of freedom’ in Antena 3, with audiences around 13%, certifies that the audiences want series, and that the1 lost an important asset when canceling the third of its afternoons, ‘the modern’, cut under a pattern very similar to the other two. Sergio Calderón, director of RTVE, counted in an interview that “the series of series audiences benefited from the expectation of the start of the chapter of ‘the promise”. However, “it was impossible to maintain, at emotional and also budgetary rhythm, three daily series in the afternoons.” Seen what has been seen, maybe they have to reconsider their strategy. Header | Atresmedia In Xataka | Netflix’s best Korean series (because not everything is ‘the squid game’)

The strange effect that soap operas have had in Brazil’s demography

by

It is evident, by pure common sense, that the most widespread pieces of popular culture can impact tremendously on the behavior of large masses of recipients. Songs of pop artists, ultrataquilla films or literary best-sellers can create fashions, modify customs, generate trends. And among those strong molders of public behavior, few are as strong as television. And within television, contests, news, Talk Shows, realities And yes, soap operas. Telenovelas change people. A couple of studies, ‘Soap Opeas and Fertility: Evidence from Brazil‘(‘ Culebrones and fertility: tests from Brazil ‘) and’Television and Divorce: Evidence from Brazilian novels‘(Television and divorce: Tests from Brazilian soap operas’) analyze the impact of snakes on different aspects of the personal life of their spectators. Specifically, these programs have made fertility rates fall (more than 60% from the seventies) and multiply divorces (five times more from the eighties) in recent decades. The fault is from TV. And in the meantime, the number of families owned by television devices have multiplied: by ten, specifically, currently reaching 80% of the country’s homes. Of course, the figures of all this are not necessarily linked directly, but as the studies explain, “the authorities of these countries often have difficulty educating the population in social social and public health matters, due to The high illiteracy rates and the limited circulation of newspapers and Internet access. ” That is, the influence of television on a population with high illiteracy indices is unquestionable. The role of Globe Rede. Both studies emphasize the importation of the growth of Globe linethe most important media group in the country and the fourth largest commercial network in the world. In the nineties, 98%grew, reaching 17.9 million homes when in the mid -sixties, it still did not exist. It is to this expansion to which these complete studies allude, using demographic data related to the increasingly widespread television signal and the unstoppable growth of snakes as a favorite genre in Brazil. How the study was done. The fact that the expansion of Globe is so well documented over the years allows us to contrast with demographic data to put in relation, for example, birth rates with television expansion. It was thus detected that fertility and birth figures were lower in Brazil areas covered by Rede Globo. In fact, these studies calculate the specific percentage: the probability that women in areas covered by the television signal would become pregnant decreased a 0’6. Similarly, and this data is defining, there are no differences in fertility rates in different areas of the country before the arrival of television. The descents of fertility rates were accentuated in years after the issuance of series where social mobility of women was represented. What is seen on television. The soap operas (who see from sixty to eighty million Brazilians regularly) put the viewers in contact with a very specific family model: small, white, well economically positioned, urban (the plots are usually developed in large cities such as river of Janeiro and São Paulo) and consumerist. According to Alberto Chong, economist and co -author of both studies, “the constant exhibition to smaller and less recharged families that television shows may have created a preference for having less children.” That is, the novels present a more desirable family model, and that models the behavior of women, in the image and likeness of what they see in the “novels”, as the snakes are called there. Other data. The studies have analyzed 115 snakes (such as ‘Vale Tudo’ or ‘Dancing Days’) issued between 1965 and 1999 during maximum audience. Studies have counted that in series, 62% of female characters have no children, and 21%, only one, which undoubtedly also supports the theories of these studies. And as an anecdote, there is influence, of course, in the choice of names of children: the probability that the 20 most popular names in an area that received the globe signal included one or more characters names from a series of that year was 33%. In Xataka | The softer of image of your TV is your worst enemy: maybe you should calibrate your TV

Pepe Gámez is Sebastián Cruz in “The boss”, the new soap opera that Telemundo will premiere in February

by

Pepe Gámez It is part of the cast of the new Telemundo soap opera. “The boss” is a production starring Iván Arana and Fabiola Guajardo. In this story, Gámez gives life to Sebastián Cruza character complicated by his forms and his surroundings that complicated the actor’s life a bit when finding the best way to interpret it. We talked about these problemsabout the passion he finds in his work and about the constant gratitude he lives for the love he has received from the public in recent years, as well as we remember his time THE HOUSE OF THE FAMOUS, THIRD SEASONon the eve of the start of the All-Stars edition. Yon González and Samantha Siqueiros will star “Velvet”, the Telemundo version Pepe told us that when approaching Sebastian sought how to portray his imperfections well as well as the qualities of the same. He explained that physically, his character lives with a peculiarity that led him to try the fullest not to forget it in the day to day of the recordings. The Mexican actor admits that with Sebastián he found himself at a point of restlessness because there were times when he felt he did not know how to approach what was expected of the character, until he joined his work with the work of the director and on a day -to -day basis They were building something that left him full and aware of having given his best in each scene. And with such a conversation with Pepe Gamez, you realize how much the actor values ​​and respects his work. That being an actor for him has nothing to do with the pleasure of the reflectors, only, it is known that the consequence of success is the public attention that he appreciates. Pepe is 43 years old, he was born in Tamaulipas, Mexico and has worked on more than 17 television projects. In 2023, criticism applauded Gámez’s work in the soap opera “Set of lies”, his character became the most unexpected person in history and this moved the public in various ways, because his role in “Chuy” Marín generated love, fear and anxiety in viewers. So also happened with his character from Juan López in “Mariposa de Barrio”where he connected with the Hispanic public in generous ways. But it was his passage through the house of the famous 3 that led him to connect in unsuspected ways with the public, because there the fans did not fall in love with a character, but of the real human being, of which it does exist and not a fiction . About this he says he is “very grateful for the amount of love and support I have received from people.” Do not miss the premiere of “The Chief” on Telemundo on February 18 in her prime-time. Keep reading more of soap operas here:· Billboard chooses “Marimar”, from Thalia, as the best soap opera theme· The actor and singer Eduardo Xol dies at 58, after being stabbed· Juan Ferrara announces his retirement from the theater (Tagstotranslate) Telemundo (T) Telenovelas

Log In

Forgot password?

Forgot password?

Enter your account data and we will send you a link to reset your password.

Your password reset link appears to be invalid or expired.

Log in

Privacy Policy

Add to Collection

No Collections

Here you'll find all collections you've created before.