film

If a film created by AI will convince us to go to the cinema

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The AI ​​begins to seize Hollywood. Although there prefer not to say it in voice too high. And who is willing to achieve this is Openai, whose generative model will be used to create an animated film that will be called ‘Critterz’ and will be released in 2026. ‘Critterz’. In OpenAi They have yielded Both his tools and his computer resources to achieve something that had to arrive sooner rather than later: an animation feature created almost entirely with AI. ‘Critterz’ is a film that deals with how some creatures of the forest end up living an adventure when a strange disturbs its village. Premiere in Cannes in 2026. The film is the work of Chad Nelson, creative of OpenAi, who began to outline the characters three years ago while trying to create an animation short with Dall-E. The short, by the way, is available on the Openai channel on YouTube. This expert will work with producers in London (Vertigo Films) and Los Angeles (Native Foreign, specializing in combining AI with traditional production tools) in a film that hopes to be released at the Cannes Festival in May 2026. With everything it is faster … James Richardson, co -founder of Vertigo Films, stood out In The Wall Street Journal As the team is trying to complete the film in nine months, when normally a production of this type usually takes three years. … and cheap. In addition, the ‘Critterz’ budget is 30 million dollars, much less than animation films usually cost. Production teams, yes, plan to hire human bending for the voices of the characters, and also want to hire artists to draw the sketches that then use with OpenAi tools such as GPT-5 and their models of generative image generative. How long and money do Pixar cost? Pixar employees themselves They explained How one of his films takes about four years to complete. The first two focus on specifying both the story and the characters, and the other two to cheer and render the film. The budget of the setback ‘ was Of 175 million dollars, and subsequent productions have also been around 200 million dollars. A delicate project. Although companies such as Disney or Netflix have been experiencing with the use of AI in different phases of production, the film industry walks on swampy terrain. This technology and their threat to the workers caused the strike that He had the entire segment in check and in which they were victorious. How to avoid problems. The script has been written by the scriptwriters of ‘Paddington in Peru‘, and the selection of the voices of the characters is already being carried out. The project is funded by the Matrix of Vertigo, Federation Studios, which has already devised a way to avoid possible problems with industry workers. Thus, a compensation model has been developed that allows the nearly 30 people who are working in ‘Critterz’ to have a participation in the benefits. A risky bet. Although for years the possibility that anyone can make a film – animated or not – with AI tools, this production aims to be the clear demonstration of that option has been profiled. To succeed, however, you will need to convince the audience of two things. The first, which is good enough to pay for her in theaters. The second, more importantly, that human beings accept that machines make films. In Xataka | The greatest fear was that AI took our work. The reality is that they are replacing those who are learning to work

Call of Duty announces a film, with which he will make a leap to the void, going beyond the children’s audience of other adaptations

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It was clear: after the successes of ‘A Minecraft movie‘ either ‘Super Mario Bros.: The movie‘We were going to see new video game adaptations. AND ‘Call of Duty‘It was one of the undisputed franchises to receive a version on the big screen. Although his announcement also involves a distancing from other projects: a more adult series, with more serious themes, and that opens new ways for what could be the next great Hollywood reef. Paramount points. The renewed Paramount, now under Skydance’s wings, is the one that will be responsible for producing this adaptation of the Activision saga, which will appear in the movie’s credits as an advisor to everything that comes out on the screen. It is a turn that is not surprising coming from the producer: one of her last great hits in cinema was’Top Gun: Maverick‘, so it has all the meaning that wants to continue exploiting the war aesthetics with a franchise settled in the past. It is not the first time that Paramount tries, however: in 2018 he already tried to put an adaptation of ‘Call of Duty’ standing with the director of ‘Sicario 2’, Stefano Sollina, on board. A lifelong fan. On this adaptation, David Ellison, CEO of Paramount, said in statements that Deadline collects “As a fan of ‘Call of Duty’ of a lifetime, this is a dream come true. From the first allied campaigns in the original ‘Call of Duty’, going through ‘Modern Warfare’ and ‘Black Ops’, I have spent countless hours playing this franchise.” And makes the inevitable comparison: “We are addressing this film with the same discipline and the same unwavering commitment to excellence that guided our work in ‘Top Gun: Maverick’, making sure that it meets the exceptionally high standards that this franchise and its fans deserve.” Good new times. Today the times in which adapting a video game were almost synonymous with guaranteed failure (at least artistic) seem. The huge software sales promoted adaptations, but gave rise to fiascos such as ‘Super Mario Bros.’ or ‘Street Fighter’ (today claimed as cult films, and both with new versions that – at least in the case of Mario – have cleaned the image of the franchises). Recall that for a while, the one who was considered a nefarious director, Uwe Boll, insisted on adapting a video game after another. Not everything is terrible. Despite the bad reputation of adaptations, we have had good films from the beginning: the first ‘Mortal Kombat’ is a great version and The ‘Resident Evil’ sagawith its ups and downs, it is full of humor, imagination and springs (and The despised 2021 adaptation It was great). ‘Silent Hill’ is remembered for its powerful macabra imagery and Lara Croft’s versions … well, they have not aged at all well but they are esteemed adventure films, and the 2018 version was very defensible. But none of that prepared us for the dump at the box office that would hit films such as those mentioned, to which successes such as ‘Sonic The Hedgehog’, ‘Uncharted’ or Pokémon movies, which we forget about them and although there is an anime through them are added, video games are part of their DNA. Adult cinema. All of them, however, have something in common: they are films oriented to children or, at most, to the family member. ‘Call of Duty’ is, therefore, a risk to which the sequelae of ‘Sonic’ are alien, for example. Paradoxically, franchise players are young and even There is an important group that is between 11 and 20. Paramount, however, may not want to escape the possibility of attracting spectators in a broader range of ages, with a more serious and violent film. If you get even more the arch of the spectators, you can have a real triumph on your hands. Header | Activision In Xataka | An urbanization was deserted in Valencia after the real estate bubble. Some geniuses have made it ‘Call of Duty’

The most cool film producer of the moment faces a dilemma: either Milmillonaria or reject the AI

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A24, the producer who has turned the artistic horror (which for a time has been called detailed ‘high terror‘) and the experimental drama in box office phenomena is found in a Existential crossroads. Or accept the millions of risk capital companies or stay faithful to the principles that have made it a rarity within Hollywood: A producer with ethical and aesthetic principles. Humble origins. Daniel Katz, David Fenkel and John Hodges founded A24 in 2012 with just 20 million dollars. Twelve years later, they were Hollywood envy: they had a brand valued at 3.5 billion dollarsthat transcended production work to become almost a cultural movement. While Hollywood embarked on an exploitation of repetitive franchises, they opted for authors such as Ari Aster, the Sadfie or Barry Jenkins brothers, who gave them their first successes: ‘Hereditary’ and ‘Midsommar’, ‘Uncut Gems’ or ‘Moonlight’. The total turnaround. His first films made A24 prestige and money win, but the real bombing came with ‘All at once everywhere‘, an existential tragicomedy with time trips of 2022, with a modest budget of 15 million dollars and that raised 140 worldwide, and He took seven Oscarsmany of them of the main ones. A24 was in the spotlight, with a cult of the brand that was not born in a marketing agency, but completely organic. In Xataka A face washing for the academy: how A24 has made Aura cinema "Indi triumphs in the Oscars But with success (we talk about an ambitious multimedia plan that has led A24 to organize immersive experiences OA Relauncar classic exhibition rooms), the problems also arrived: those 3.5 billion value demand constant growth, international expansion, and of course, processes optimization. Money calls money (already problems). A24 did not want to become a Lionsgate, acquired by Warner. Or worse: a blumhouse, an indie terror icon that since it was acquired by Universal was immersed in The same dynamics of Majors of billing a franchise after another. It is inevitable: no matter how much production conglomerates guarantee creative independence to their studies, decisions go to the committees, obsessed with process optimization. And that is where capital funds enter and, hand in hand, the threat of AI. Enter Thrive Capital. Specifically, who appeared was Joshua Kushner with his Thrive Capital Fundoffering offering 75 million dollars without the creative limitations that the money from corporations usually brings. There would be no pressures to make franchises or any other obligation, and his history corroborated it: Thrive had financed Instagram before purchase of Facebook, for example. The small print, yes, is unnegotiable: Thrive Capital is One of the largest investors in OpenAIhundreds of millions have been left in chatgpt. And in that sense, Thrive does not hide their letters: they are an openly pro-one background and believe that this technology will transform the content of the coming years. And although Thrive at the moment does not press to A24, it seems clear that he will do so in the future if the producer resists incorporating the AI ​​into her processes. {“Videid”: “X86AO51”, “Autoplay”: True, “Title”: “‘Everything Everywhere All At Once’, Trailer”, “Tag”: “Eventhing Everywhere All at Once”, “Duration”: “162”} The controversy of ‘everything at once everywhere’. The arrival of tools that use artificial intelligence to Hollywood is absolutely unstoppable. And in fact, a pair of background within A24 raised flirting with AI who found themselves with some rejection of a sector of their audience. On the one hand, ‘everything at once everywhere’ He used Runway AI To create special effects: the use was minimal, but it caught the attention for the usually “artisanal” character of A24 cinema. The controversy was accentuated when it was learned that some ‘Civil War’ posters had been designed with AI. An essential dilemma. Before A24 several routes are now opened, which will undoubtedly determine something even more important than their income: Your identity. You can try to normalize the use of AI and gradually incorporate it into your processes as already do Majors that delegate issues as part of marketing, advances and others to AI. Or they can become the last resistance to AI if their investors allow it: they would align with some of the most prestigious directors of their team, such as Robert Eggers or Ari Aster, whose long and traditional documentation processes and creation of films such as ‘La Witch’ or ‘The Lighthouse’ become essential identity elements for A24. He Growth between unexpected and uncontrolled A24 She has turned the producer into a balancer between the indie, the traditional, and the hug to the latest Hollywood production trends. Perhaps the story you have left to live at A24 is the last bastion of a way of understanding cinema that is increasingly part of the past. In Xataka | An AI has created the script of a film that precisely speaks of creativity in the cinema. A room refuses to release it (Function () {Window._js_modules = Window._js_modules || {}; var headelement = document.getelegsbytagname (‘head’) (0); if (_js_modules.instagram) {var instagramscript = Document.Createlement (‘script’); }}) (); – The news The most cool film producer of the moment faces a dilemma: either Milmillonaria or reject the AI It was originally posted in Xataka by John Tones .

The failure of this science fiction film ended the career of a classic director and closed a study in a week

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The arrival of computer animated cinema is not only cemented in great successes such as’Toy Story‘ and The advent of Pixar. They also came into play, at the time, box office failures such as ‘Titan AE’, an ambitious animated science fiction film whose resounding failure ended the race of the great Don Bluth, closed Fox’s animation department forever and meant one of the last nails in the coffin of traditional animation. From actors to drawings. 25 years ago recent Space Opera With real actors. The script had circulated through Hollywood for years without finding financing, until Fox Animation Studios decided to turn it into an animated film in 1997. Don Bluth and Gary Goldman were responsible for the commission, after successes such as ‘In search of the enchanted valley’ or ‘Anastasia’. What was I going. The film combined quite daring concepts of science fiction, especially within the animated cinema of the time, but with a more familiar style: in the year 3028, Drej aliens destroy the earth, forcing humanity to wander through space as refugees. Cale Tucker, separated from his father during evacuation, grows aimlessly until he discovers that he carries the map to find the Titan ship, capable of leading them to a new planet. Cale starts a search pursued by the Drej. Money hole. To start, Fox gave them 55 million dollars, but 30 vanished before startingin preproduction. Fox executives did not want in any case the film to pass 80 million dollars of budget, so they had to make the rest of the film with 50 million (which finally became 60). These budgetary restrictions He prevented them from capturing his initial vision of the film and 300 people from the Fox animation department were stalls on the street. Lower the quality. These mass layoffs forced Bluth and Goldman to take part in the animation to external studies, such as Povde Group, reality studios and Blue Sky. This led to one of the big problems of the film: the own identity fdalta to which they brought the multiple hands and studies involved, the mixture of traditional animation and CGI and the tone of the film, very adult sometimes, very childish on other occasions. The promotion of the film, somewhat erratic, participated in this doubtful tone, and finished certifying the failure. Batacazo at the box office. The film raised only 36.7 million worldwide, and According to an executivelosses 100 million for Fox. The disaster was such that only ten days after the premiere, Fox Animation definitely closed its doors, and the then executive director of Fox, Bill Mechanic, left his position a few weeks later. Goodbye, Don Bluth. Undoubtedly, the great loss for the cinema was the definitive folder to Don Bluth’s career, which as Goldman has not re -directed a film. He tried in the new century, especially, by way of Crowdfundingpretending to stand a movie based on the video game ‘Dragon’s Lair’ that never sets. But above all, ‘Titan AE’ was one of the last failures that condemned the traditional animation: the successes of Pixar and DreamWorks and the progressive collection of the Disney films precipitated a change of paradigm towards the CGI. Time has turned ‘Titan AE’ into a cult film, but in its day it literally supposed the end of an era. In Xataka | The figures suggest that the domain of blockbusters in Hollywood is not over. In fact, it will go worse

The best apps and services to discover which series or film, and help you discover new titles

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We bring you a small collection of services to find new series and movies to seebecause sometimes apps suggestions are quite far from being effective. Therefore, there are other external and third -party alternatives that you can use for this. We will have everything from pages and apps that serve to vote or keep the content of the content you see and have sections of recommendations, to other services that have been specially designed to recommend what to see depending on what you like. And as we always say in Xataka Basics, these are our suggestions, but maybe you know others. Therefore, we invite you to miss any service on the list, tell us in the comments section so that all readers can benefit from the knowledge of our xatakers. Chatgpt, Gemini and the like Conventional artificial intelligence chats are the first to can help you with recommendationsboth in their payment and free versions. All you have to tell you is that you want to find free series and movies, and make recommendations. Here, it is also important give examples of titles that you likeeither generic or better that they are related to the type of series or film you want to find. Thus, they can take these tastes into account to recommend. You can also tell you the genres that you like the most. Justwatch Justwatch is a fairly popular service because you can configure what streaming services you have, and then when looking for series and movies it tells you which one is available. But it also has A system of recommendations and discoveries where to find something to see. In this section you will see recommendations based on the virality of the moment, on the searches that users do. It also has a section of novelties and another for searches many filters which includes rotating or IMDB, genres, languages, countries of origin or premiere years. So you can find the best of the best. IMDB This is one of the main series rating portals worldwide, and hundreds of thousands of users use it to put notes to series and movies. Precisely because of that, it is a place to go to know which are the best and worse ones you can see. In addition to lists with the best series and films in history according to the note of the spectators, it also has A section called What to seewhere you can meet several lists of suggestions. These can be for streaming services, at the favor of others, and even the most popular of the moment. Rotten Tomatoes It has positioned itself as the great successor of IMDB, and stands out because in its notes those of critical experts of film and the rest of the people differ, sometimes having great differences. The web also has its list of news and more viewed series or filmsas well as a page with several articles with recommendations. Taste.io This is a page in which you can calculate your cinematographic taste, and then use this calculation to Make custom recommendations. For that, the web will show you a series of films, and you will have to value them. When various values, a taste profile will be created and will show you the recommendations, also based on other data such as the streaming platforms you have. The premise of this service is that the people who will make best recommendations are those that have your same personal tastes. Therefore, once your taste profile is created, compared to other users With similar tastes to make the recommendations. Tasdive This is a fairly simple service, in which you simply write a series or movie that you like, and then I recommend similar things. In addition, in each of the product sheets you will see how many users like or do not like, as well as reviews. In addition to films and series, this service It also serves other types of entertainmentsuch as music, books, games, and even places and brands. It is not the most complete, but it is easy to use. Likewise pix Since at first we have mentioned artificial intelligence systems, there are specialized pages such as likewise that have also created your own AI to make recommendations of content You just have to enter your website and ask what type of series or movie you want to see. Viewing tracking pages There are many apps to follow and control the series and movies you seewhere you are marking and valuing each chapter or film. Among them you have Time Time, Trakt, Letterboxd either Justwatch among many others. These are services that you can use both on its websites and in mobile applications. These services offer several ways to discover content. On the one hand, You can look what your mutuals are seeing and other people you see that they have tastes related to you. In addition, apps They usually have suggestions sections where you will also find recommendations based on your tastes. Reddit Reddit is the greatest metacomunity in the world, A Community of Communities. On this website, you have many subbredits dedicated to films and series where you can find recommendations of all kinds. There are even omunities such as R/TelevisionSuggestions made exactly for this. It is worth taking a look. Use specialized pages And finally, you can also turn to The analysis and recommendations of specialized pagessuch as our partners of ESPINOF either Sensacine. From this page is where I get many suggestions from new series and films, and as it is also recommended that can also help you. In Xataka Basics | 14 apps and services to discover new music in Spotify, Apple Music and other streaming services

Internet has been trying to locate Granada places that come out in a prohibited film starring a Nazi

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“A film full of humanity without any trend.” With that overprinting phrase on the screen it starts ‘Solange du Lebst’. A “neither right -wing” manual “that, however, hides a Nazi propaganda film that did not come to be seen in Spain but, surprisingly, in Germans after World War II, where he unleashed a considerable scandal. Today is completely missing. ‘Solange du Lebst’ (in Spanish it could be translated by ‘While you live’) is the closest thing to a cursed film mixture and, at the same time, purely, propaganda. We are facing una movie comparable to which both sides of the war rolled In large quantities, each favoring yours. Those of the allied side are better known, since Hollywood He launched all his machinery so that even non -war movies such as the Westerns or the suspense cinema would insufferate the ideology that the allies were interested in propagating. On the Nazi side the Fiction and propaganda films They are less popular, however much documentaries such as ‘The triumph of the will’ have gone down in the history of cinema for the power of the propaganda imagery of Goebbels, which produced 1200 films, Many of them prohibited for decades. But films like ‘El Arrow Quex’, ‘I wait for you’, ‘President Krüger’ or ‘Kolberg’ were not as well known as their American counterparts due to their low film quality. In Spain, in fact, the laughible ‘race’, the milestone of Franco’s fiction code, than any of these. That is why it is not strange that it has not been heard about ‘Solange du Lebst’, that did not premiere in Spain and was barely seen in Germany. The producer, Eva Films (we are not going to get Nazi connotations in every detail, but well, there is the name of the producer, which she shares with that of Hitler’s couple) premiered it thanks to subterfuges as the aforementioned initial message. However, the daring to reach German screens After the Nazi defeatwhen the nation faced global ignonymy and a feeling of guilt, the country ranked, it resulted in a considerable box office failure that ruined the producer. The film disappeared from the rooms and never broadcast on television. Occasionally it has reappeared in very limited circuits, such as when it was published inadvertently in a collection of DVDs in Spain, ‘jewels of the history of cinema’. FTW Condor Legion In ‘Solange du Lebst’, a heroic and handsome pilot of the Condor Legion, the Air Force that Hitler sent to Spain to help Franco in the Civil warshe crashes into the fictional Andalusian town of Torralbán. There he will live a caste and sincere relationship with his caregiver while he remains injured and hidden in a cave, facing the fearsome international brigades who want to invade Spain and the wild Republicans who patrol the area. The film (which you can see complete, yes, in German, in the video on these lines), despite appearances, it is not a series B shot under co -production. There is a considerable media slack where, in addition, several names that would later be known internationally. The director and screenwriter Harald Reinl has an extensive filmography that arrives until 1982 and where there are from war dramas to family comedies, through ufological documentaries or literary adaptations of the classic mystery writer Edgar Wallace. The leading actress, Marianne Koch, would reach some international fame with Westerns as ‘for a handful of dollars’. The scarce scope of the film has not even given margin as to become a cult film, but its atmosphere in Spain has raised the curiosity of experts … and the locals. As The ideal newspaper accounttwo scholars carry Three years trying to unravel the mysteries of ‘Solange du Lebst’: They are Julio Grosso, professor of audiovisual communication at the University of Granada and Ralf Junkerjürgen, researcher at the University of Ratisbona. Together they decided to try which areas belonged to the locations of the film. To do this, they have been publishing in social networks photograms of the lost film and thanks to the collaboration of Internet users have located areas of Granada such as Los Arenales del Trevenque where the pilot, the old clinical hospital in San Cecilio, the Armilla Air Base, the Tablate bridge, the old road of Güéjar Sierra and El Castillo de Lácha. Purely Spanish areas that, however, did not prevent the film from being released in Spain. Why that unusual destiny? Although his argument left no doubt about his political orientation, neither this nor its atmosphere helped the film to be released in Spain. A possible reason, despite the fact that the Franco dictatorship was completely settled, is that In 1955 the regime was not interested in digging up old ghosts. The pacts of Madrid between Spain and the United States They had just signed in 1953and he was ending the international isolation to which he had submitted to the country. The last thing that interested Franco was his little Nazi propaganda. No matter how well photographed that Granada was. In Xataka | In anemic times for the box office, Spanish cinema has a hope on the horizon: the new ‘torrent’

The highest grossing science fiction film without being a saga

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It makes sense that the name of Christopher Nolan comes up when we talk about one of the few films that approach the one billion collection and that are not part of a saga, because in this case Nolan himself is the franchise. We approach his films looking for the author’s brand he guarantees, and that is another way to franchise his works. In any case, this’Origin‘(What can you see in Netflix, Movistar Plus+ and Max) It is a box office milestone. It is not, yes, the highest grossing film in history that does not belong to a franchise, because that honor must be attributed before her to ‘Titanic’, ‘Barbie‘(which should be discussed whether part of a franchise or not),’ Bohemian Rhapsody ‘U’Oppenheimer‘, of Nolan himself. But ‘origin’ is The only one of them that can be considered to belong to the science fiction genre in its purest form. In it we will meet an expert in “steal”, during sleep, secrets of the subconscious of others. Because of this occupation he has had to give up a normal life: but he has a plan for this to change. Through a process known as “inception”, it will implement an idea in someone’s subconscious instead of subtracting it. The plan is complicated when within its labyrinthine plan someone appears who is able to predict all its movements. ‘Origin’ is one of Nolan’s most notorious films, among other things because it is not part of a previous work, as with the much more popular trilogy of the dark gentleman. Your way of visualizing dreams, Although not entirely original, it has been very influential And it is practically impossible to portray in the cinema the dream world without paying the thematic and visual (and sound, very important in the film) that Nolan settled. A classic moden that is worth reviewing … and not only for its extraordinary box office. Header | Warner In Xataka | Christopher Nolan explained to us the end of ‘origin’ with a purpose: prepare for the ‘Oppenheimer’

Russia’s last attack on Ukraine seems taken from a film

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Yesterday a meeting in Saudi Arabia was held in which Ukraine and the United States reached A high fire agreement 30 days. Washington reactive help and you can use the reserve of minerals. Now the pressure revolves to Moscow, where Putin will have to say something to the proposal. Meanwhile, the war continues. Ukraine launched its greatest drone attack on Moscow. For their part, the Russians carried out the most surprising mission so far in war. Unpublished mission. The story took place March 8. Around 100 Russian soldiers of the Private Military Company Veterans PMC, the Special Unit Akhmat and the 30th Motorized Rocileros Regiment, carried out an unprecedented operation in the Kursk region, infiltrating the territory controlled by Ukraine through A disused gas pipeline. The incursion was aimed at the city of Sudzha, a key strategic point taken by the Ukrainian forces. 16 kilometers. The soldiers, equipped with breathing systems due to the lack of air, spent four days crawling along a conduit of approximately 16 kilometers long and only 1.5 meters wide. In fact, in the last hours they have become viral lAs disseminated images In Russian military social networks showing the infiltrates within the space. The action that took many of the Russian soldiers was so surprising. It has even been reported that some of them died from suffocation before reaching their destination. The attack. Apparently, the gas pipeline is probably part of the URENGOY-POMARY-UZHOROD SYSTEMthe same that was historically Gas transport key Russian to Europe, but that was out of operation at the end of 2024. This route allowed Russians to avoid detection by Ukrainian surveillance drones and surprise the defending forces near Sudzha. Although the attack was not entirely unexpected for the Ukrainians, the Russian forces managed to emerge and take positions near Sudzha, where the fighting has intensified. For its part, the General Staff of Ukraine He published images of the confrontation between their troops and the Russian assailants. Division in the narrative. Exist contradictory reports On the outcome of the incursion: while Pro-Kremlin media insisted that the Russian troops advanced in Sudzha from multiple fronts and had captured several nearby villages, including CHERKASSKOYE PORECHNOYE and KOSITSA, the pro-war analyists in Russia expressed harsh criticism to the operation. Precarious. War experts Vladimir Romanov and Anastasia Kashevarova described the incursion as poorly planned, pointing out the lack of basic supplies and the absence of ventilation in the gas pipeline, which would have caused the death of some soldiers by intoxication with methane. On the other hand, the Russian military Yegor Guzenko argued that the filtration of images of the incursion before the end of the mission alerted Ukraine and frustrated the possibility of tactical success. Meanwhile, Ukraine also confirmed the incursion In a statement describing it as a “sabotage and assault operation.” According to the Ukrainian General Staff, Russian troops They were detected on timewhich allowed kyiv’s forces to respond with artillery attacks and missiles before the infiltrates could consolidate their position. The importance of the enclave. It was known that Russia has been increasing your offensive In the Kursk region, advancing from southern Southzha. Its objective seems to be cut the key road that connects Sumy, Yunakivka and Sudzha, A vital artery for supply of the Ukrainian troops in Kursk. Sudzha, a key city in the gas traffic corridor, was captured by Ukraine In August 2024 In a surprise incursion that represented the greatest Ukrainian offensive in Russian territory since World War II. During this operation, kyiv managed to occupy 1,000 square kilometers and take hundreds of Russian prisoners, all with the aim of using the territory as a negotiation currency in future peace conversations and force Russia to divert troops from eastern Ukraine. What happens? That months later, the Ukrainian forces in Kursk face a strong counteroffensive of more than 50,000 Russian troopsincluding the North Korean soldiers deployed next to the Kremlin units. Open Maps of the battlefield suggest that tens of thousands of Ukrainian soldiers are at risk of being surrounded, since Russia has intensified its attacks To recover the region. Ukraine has a problem. The truth is that the pressure on the Ukrainian forces in Kursk is increasing. Russian troops have been continuously attacking the entire front line in The so -called “Health Zone”which has hindered the Ukrainian defense. Dmitry Medvedev, former president of Russia, recently said that the Ukrainian forces in Kursk are “almost surrounded” and that their expulsion from the territory is imminent. The challenge of maintaining this position is of great draft. With the front reducing and constant attacks on the flanks, the viability of the Ukrainian operation in Kursk is questioned. To this is added the impact of the temporary cessation of the United States military support (now It seems that restored), which has limited Ukraine access to intelligence and satellite data, crucial for defense. Strategy or negotiation. It is the big doubt. More and more Ukrainian analysts suggest that Kursk’s replication It could be inevitable to avoid a total siege and preserve resources for other fronts. However, maintaining a presence in Russian territory has an important strategic and political value For kyiv, especially within the framework of the negotiations that have taken place with the United States in Arabia. Possibly, kyiv presented a peace proposal that included the cessation of drones and missile attacks, as well as the suspension of military operations in the Black Sea. Be that as it may, one thing seems clear: the Peliculero Russian attack through the pipeline is a sample of the high value that Moscow gives to the recovery of Sudzha and its surroundings. As losses increase and the situation becomes more unsustainable, the great unknown is how much more time can resist in this region before being forced to rethink its strategy. If the “American” helps they will have won time. Image | SERGEY KOLYASNIKOV In Xataka | In the middle of the Cold War, France designed a nuclear rearme plan for Europe. Now sound strongly In Xataka … Read more

‘Mickey 17’ is the new dystopian science fiction film that leads the box office. The problem is not enough

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There are times in which to crown the box office with a number 1 means nothing: ‘Mickey 17’, the new Bong Joon Ho movie, director of ‘Parasites‘ and ‘Snowpiercer‘, has been number 1 on American lists. Even so, the high cost of this ecologist dystopia of satirical dyes make it a questionable investment for Warner and, above all, the finding that in Hollywood they still do not curdle the ambitious projects that are not sequelae or reboots. The figures. ‘Mickey 17’ He has pocketed Only in the United States 19.1 million dollars, which are added 25.4 in 66 international territories. Not bad for a real -extravagant movie and that has dethroned films such as Marvel’s last captain America (also with good collection, but with a trajectory that has had to turn on Some other red light in Disney). However, its cost of 118 million, to which to add about 80 in marketing and distribution, leaves the approximately 300 million that it should raise so that Warner does not consider it a failure. A quick comparison. If the question is whether these amounts are expected, we can compare them with those of your immediate rival at the box office: ‘Captain America: Brave New World’ collected 88 million at the box office In its first weekend, and although it started from a budget much higher than the one to aim (200 million), to exceed 50 million in the United States would have been closer to a satisfactory figure for Warner. Doubtful direction. To this initial collection, which The first analyzes estimate as insufficient Before the challenge of reaching the 300 million commented, it is added that the film has not aroused a unanimous opinion between criticism and public: Its mere 78%-72% In ‘Rotten Tomatoes’ it is not especially high (especially considering that its director has signed films that have previously dazzled to public and critical). Among the obstacles of the film to improve its collection in successive weeks is the extravagant argument (Pattinson gives life to a worker who in the future is cloned again and again every time he dies in the course of the dangerous mission of helping to colonize an icy world), and also his tone of farce, acid and very little commercial, which is detected in all the films of the Korean director, but that is ever unleashed here. Warner: decisive year. Without successes guaranteed as new sequelae of its star franchises (‘Dune‘ and ‘Godzilla‘) In perspective, Warner has a year full of very expensive productions but are not a guaranteed success. For example, ‘Alto Knights’, Robert De Niro’s return to a certain “prestigious” cinema; ‘Sinners’, one blaxoploitation vampire of the director of ‘Black Panther’; ‘A Minecraft movie’, whose first advances have a chilling appearance; and the start of James Gunn DC Universewhich looks very good, but that does not have the best precedents. Only sequelae. The prick of ‘Mickey 17’ is one more symptom of the latest trends of a Hollywood that seems to have turned its back on the original high -budget products: by sujuesto that there is always space for a ‘Anoraor any other bombing indie. But The 2024 figures made it clear: sequels and REBOOTS They mark the step at the box office: no Top 10 movie was completely original. The success of ‘Barbie’ (which is not that it was an absolutely isolated product of a franchise) and ‘Oppenheimer’ the previous year It was little more than a mirage. Without franchise there is no return. There is an extra detail that should underline so that it does not go unnoticed: the budget of 120 million dollars is high, but it is triggered to levels that rival the Marvel herself if we add the very high expenses in marketing. This means that on many occasions, the films bet in a lost depth, knowing that only with a box office can not be recovered, but trusting that it is achieved with derived products: books, video games, attractions in parks, spin-offs … and above all, that money serves as something already invested as part of the future marketing of sequelae. A fish that bite the tail and is condemning the original blockbusters such as ‘Mickey 17’. Header | Warner In Xataka | Warner has a problem with the new Harry Potter series: JK Rowling’s opinions

You have a few days to see this magnificent science fiction film by the director of ‘Ex Machina’ that will disappear from Netflix

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They were the early days of Netflix’s mass implantation, when it was still far from being the aesthetic and thematic roller in which it has ended up becoming. The platform premiered in 2018 ‘Annihilation‘, a film that had gone through a nightmare struggles to see the light due to its daring proposal, which made cinemas only in a few countries. Finally, Netflix acquired rights and premiered it as their own world. Now, after being one of the exclusive jewels of its catalog, the platform announces that it will withdraw it on March 11. Behind her is Alex Garland, an essential name for modern science fiction who has signed as a scriptwriter or director as daring and personal as’Ex machina‘,’Men‘, ‘Devs‘,’Civil War‘or the script of’ dredd ‘or ’28 days later’. However, with ‘annihilation’ the project was choked: it was the adaptation of the start of the trilogy of books ‘Southern Reach’ by Jeff Vandermeer, an unclassifiable science fiction work very complicated to translate into a conventional narrative argument. ‘Aniquilación’ starts when the husband of a biologist returns from a secret mission in an area cordoned off by the army, zone X, and of which nothing is known. To find out what has happened, he joins a group of five scientific women to discover which intentions has the alien force that controls it. Others have entered the area before her, but no one has ever returned. Zone X is the great finding of this film that, even needing more footage to explain its final stretch, and simplifying too much the fascinating proposal of the book, Throw a series of suggestive images of the fauna and flora of the place that are among the great recent findings of the genre. Excellently interpreted and with a rambling production design, it should be reviewed before Netflix disappears, because who knows how and when we will enter the X zone again. Header | Netflix In Xataka | Within Alex Garland’s mind, the renovator of modern science fiction thanks to works such as ‘Devs’ or ‘Ex-Machina’

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