art

There are more and more physical videogames that are pisapapeles. It is a tremendous problem for the video game as art

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Video games have been traveling the same path as music and cinema for a few years: change towards digital. The releases are now digital and Streaming video game platforms They have been a great jump in the industry. Some -xbox- are so clear that much of their strategy revolves around this technology. If you want the physical format, it is also there, but with an important small print: the album you buy may be empty. AND ‘Doom The Dark Ages‘It has been the last example of this new reality. The controversy of ‘Doom’. The games each time they occupy more and more space. That is why the current physical format, the Blu-ray, has long opted for the double and triple layer of 66 and 100 GB respectively. A lot of information enters an album with that capacity, but the problem is that the recent release of ‘Doom The Dark Ages’ shows that, on the album, barely There are 85 MB in PS5about 320 mb in Xbox Series x. It is a motorcycle of dust in an ocean. What does this imply? Well, when we introduce the album in a PS5 or an Xbox Series X, the data that is installed are not on the disc: it is the files of those 85 MB that give the order to the machine to download the data of the servers of the corresponding companies. That is to say: The new ‘doom’ album is a launcherbut it’s nothing new. The ‘tweet’ of the controversy Ubisoft has taken the taste. Before the last Bethesda game, the controversy in this regard came with each Ubisoft launch. The French company has had some of the largest games in the industry in recent years (such as’Avatar: Frontiers of Pandora‘,’Star Wars Outlaws‘ and ‘Assassin’s Creed Shadows‘) And, although not everyone has gone well, they do share something: you need the Internet to install them. Physical format, but not much. It is no longer that you need the Internet to play (‘Gran Turismo 7‘, among others, they require constant connection to Sony servers or we will not be able to play most of the content), but the game must be downloaded even if you bought it in physical format, relegating the box to something that simply occupies space on the shelf. But there are more examples of other companies, such as’Indiana Jones and the big circle‘ either ‘Stalker2‘. Others like ‘GTA Trilogy‘They can be played with disk content, but they are so broken that without patch it is not worth it. And cases like ‘Star Wars Jedi Survivor‘ either ‘Hogwarts Legacy‘They bring the beginning of the game on the album and the rest under download. The alternative? Two albums, as does’Final Fantasy VII Rebirth‘, but that also increases costs for companies. Activism. All this has caused a reaction in users. It is not about being against the digital format, but about the albums that come practically empty because nobody knows what will happen when the servers close. It is a new situation in the industry and we have already seen cases (Ubisoft closing servers of ‘The Crew’ and making it impossible to play something you have paid in physical or digital format) of inaccessible games when the company closes the tap. That is why initiatives such as Stop Killing Games To be the authorities who promulgate laws that prevent our remote games from deactivating, but there are also initiatives by users that allow us to know which games are complete on the disc and, if they need download, to what extent it is mandatory. This is the case of the web Does it play? in which users report the status of physical versions in video games. And the big question. As we say, the most recent mess has formed around the launch of ‘Doom The Dark Ages’, and the question is what will happen to my physical video games in the future. Title Xbox 360 It guarantees me, whenever I have a console, to be able to play it now or within 20 years, but nothing assures me that in 20 years the active Microsoft servers are keeping my copy of ‘doom’. And we focus on the case of almost empty Blu-ray, but we could put the Game Key Card of Nintendo Switch 2 In the bag, since they work in the same way. Green outbreaks. On the one hand, platforms such as Good Old Games They allow us to buy a digital game, but when we get with it, we have an installer to be able to install it offline as many times as we want without depending on servers. Even when they remove games for licenses, recently The case of ‘Warcraft 1 + 2‘, If you had already bought them, they are yours forever. On the other hand, when we have attended Nintendo DS servers closures, Wii or Xbox 360, companies have warned in advance so we can make the necessary purchases Before video games disappear forever, being able to download them in the storage of the system or hard drive to play them in the future. Because Ubisoft or Steam have made it clear that Digital games do not belong to usbut physicists should be ours and, if the servers close in the future, we will have to see what happens with all those albums that only have a launcher inside. Because, in the end, this goes beyond being able to play my physical game within 20 years: it is that it is a practice that Play against the preservation of the video game as art, one that can make many They disappear forever. Main image | Xataka In Xataka | The consoles are still the stars of the video game. Real money is on mobile and microtransactions

The Chinese brands promised them very happy plagiarizing the design of the Vespa. They ran into a problem: it’s “art”

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There are many copies of motorcycles. And even more with the Arrival of Chinese motorcycles to the market. In fact, there are European manufacturers allowing the Chinese to copy their design to continue earning money: It is a long history. But there is a manufacturer whose design is specially protected: we talk about Vespa. A motorcycle with copyright. Every vehicle manufactured and registered in the EU enjoys 25 years of protection for its design. If you want to go further, you have to register it as creative and artistic work. This is the case of Vespawho enjoys 70 years of author protection since the death of his creator, Corradino d’A Ascanio. This happened in 1981, so the VESPA design is protected until 2051. It is recognized as a work of art, and in case of plagiarism it can be fought before justice, as explained in Motorpasion. It is just what happened, with a bad start. In 2014, Vespa denounced before European justice a Plagiarism committed by Zhejianga Chinese manufacturer who claimed as his the design of a clonic scooter to spring 125. Four years later, in 2019, the General Court of the European Union determined that the intellectual property rights of Piaggio (brand after Vespa) had not been violated on this scooter, and dismissed the appeal. “Since the relevant public that can buy lifts has a high level of attention, it will consider that the style, lines and appearance that characterize the vespa lx sterine are different, from the visual point of view, of those of the Zhejiang lift. Due to the different impressions that the two struts produce, there is no risk of confusion by the relevant public.” According to The initial resolutionthe Intellectual Property Office of the European Union (EUIPO) failed in favor of a Chinese manufacturer who was clearly copying the design of the original VESPA. A subjective interpretation. The Vespa case is governed by European Copyright Lawwhich protects the designs during the aforementioned 25 years, and for the protection of intellectual property of up to 70 years for the creation of original work. One of the main problems of this law is that, in the case of vehicles, there is no absolute framework that supports the possible plagiarism. Everything falls to the Court’s own interpretation, which will determine or not whether there has been an infraction or not of the law. The pillars in which the Industrial Property Code They are the novelty, the creative character and artistic value, elements with an very high subjective load. But he who follows her, gets her. Vespa did not give up the evidence that a Chinese brand were plagiarizing its design. Piaggio resorted to the Court’s decision and, four years later, he got the authority determine that Vespa’s pattern is “unmistakable and cannot be replicated”revoking your previous decision. Image: Motorpasion It is not Vespa’s first legal battle. Already in 2020, in full legal battle against Zhejiang, Grupo Piaggio denounced one of the brands that presumed in the eicma of Milan of their new scooters. One among which was A practically identical model to spring 125. The bikes ended up being removed from the stands of the manufacturers, and not to say that their sale in Europe is completely prohibited. So far, anyone who has dared to copy Vespa, has ended his scooter outside the market. Not the only work of art. Piaggio is the only manufacturer that registered Vespa as the work of art, but in the automobile world there have been some cases. The Porsche 911 is one of themdefending its iconic form in multiple judgments. Other iconic models, such as Ferrari 250 Gtothey were also considered as a work of art after legally facing Ares Desingcompany that wanted to market a model replica. Despite the protection granted by the vehicle as a work of art, this is not a common practice in the automobile world, even in the luxury vehicle. Replicas are still alive. Although legally the Vespa cannot be copied, its design continues to “inspire” numerous brands. Among them, the Spanish Velca. Beyond the similarity in the name, the manufacturer is expanding in Spain with scooters that inevitably remember Vespa. It is not its own design, it comes from China, and is shared with many other brands. Another separate issue is that Piaggio did not want to face the numerous replicas that continue to exist in the market. Who wants a Land Rover … having a Land Wind. Reasonable similarities. Beyond engaging in judgments whose resolution nobody ensures (of not having claimed, Vespa would continue with their clones more alive than ever at the beginning), manufacturers can do little about copies. In the world of the car, Chinese copies are the order of the day, and In most cases nothing happens. In the most rocambolesque cases, such as MV Augusta (one of the most exclusive luxury manufacturers of motorcycles), have come to ally with Chinese giants like QJ Motors to create replicas of the original models. Reason? Al become Chinese manufacturers, let them sell a cheaper substitute and collect benefits. Image | Vespa In Xataka | We have visited the Shenzhen falsification market: China is at another level when it comes to copying other products

Spain made the subsidies covered to Ryanair an art. Now another country follows its path: Morocco

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Ryanair will stop offering 800,000 places This summer of 2025 in Spain. It was an announcement that fell like a bomb in the middle of the dispute that government and airline have open in relation to the rates that Aena charges the companies that operate in their airports. According to Ryanair, Las Aena rates They are abusive and from the company that manages Spanish airports they defend themselves ensuring that they are essential to guarantee, among other services, the security or cleaning of the facilities. The problem is that Aena had these frozen rates from 2021 and thus had to remain until 2026. However, last year they rose and although The CNMC frozen the rate againnow companies pay 4.9% more than before. In the middle of the dispute, Ryanair was also fined by the State for breaching, in his opinion, the regulations of the hand luggage. Together with other low-cost companies such as Vueling, Norweigan, Easyjet or Volotea, the Irish company was punished but it was also the one that took the worst part: a sanction of 107.78 million euros. This cluster of circumstances led the company to press where it hurts the most in Spanish air mobility: Provinces airports. Ryanair announced that he partially abandoned the airports of Vigo, Santiago, Zaragoza, Asturias and Santander. But, above all, he announced that he was completely left by Jerez and Valladolid. The movement has not been there because In its February statementRyanair already announced that he considered taking action in the same direction if the context did not change. A threat that has recently reiterated. However, then Eddie Wilson, his CEO, already pointed out that “Aena’s decision not to encourage airlines to use the missed capacity of their regional airports has forced Ryanair to relocate aircraft and capacity in more competitive European markets, such as Italy, Sweden, Croatia, Hungary and Morocco, where governments encourage actively growth. “ Now we check the consequences. Empty seats “Ryanair’s airplanes They will attend where there is business opportunity, whether by direct market or by public subsidy. “This is how Víctor P. currás summarizes in The Faro de Vigo The situation with which they have been found in the Galician city with the 61% reduction of the activity of the Irish company in its city. When Wilson pointed out that they would fly to countries “where governments incentive” did not lie. Ryanair has closed a line between Vigo and Barcelona that maintained an average occupation of 90% in favor of a New route to Morocco where just 9% of the seats are busy. These flights are those corresponding to the route that Ryanair has opened with origin in Madrid or Lanzarote and destination Daklha, a Moroccan city in the Sahara that is trying to promote itself as an active tourism. It is another measure within a project you want Transform the city into an economic complex reference in the area. The intention is to turn the city into a showcase for the world during the 2030 World Cup (What Morocco shares with Spain). This is the reason why Ryanair flies with such a low occupation to the Moroccan city. Fatim-Zahra Ammor, Minister of Tourism of Morocco, announced the arrival of the company A few months ago. Behind, obviously, a juicy subsidy in the form of an advertising contract for Ryanair. They collect in the Galician environment that the occupation rate has been poor. The best data has arrived from Madrid with just over 50% occupation. However, the reserved places have been deflating on the Route of Lanzarote to the point of not even reaching 10% of the total offer. This way of acting is nothing less new. In fact, in eldiario.es They explained well that the subsidies camouflaged as advertising contracts to keep the routes in provincial airports alive are a constant for years. By suppuerto, Ryanair has benefited in this way to act. Three examples. The Cantabria government delivered 18 million euros in public promotion to Ryanair. Vigo maintained a route with London in exchange for a disbursement of 625,000 euros in the form of an advertising contract. With the suppression of this connection, Vigo wants sanction the airline with more than 17,000 euros for breaking the contract unilaterally. In 2019, Ryanair maintained routes in Spain by value of 239 million euros of public moneyaccording to ELECONOMIST. Ryanair now applies in Morocco the same formula he has applied in Spain. The company has used Spanish airports in the provinces to press and, aware that New aircraft will not reach them In the short term, these advertising contracts are especially juicy when reorganizing their routes. Photo | Nastya Dulhiier In Xataka | Ryanair does not “fine” if you lose your flight: simply relieved you in the following for a cost of 100 euros

A user bought a state -of -the -art connected dishwasher. There began his nightmare

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“I will not connect my dishwasher to your stupid cloud.” That has been The declaration of intentions From Jeff Geerling, a well -known YouTuber, after buying a new household appliance. It is something that we are living for years: the condemnation of the products that force us to spy on everything they do because if they do not work as they should theoretically. Premieving dishwasher. This week Geerling explained in his blog and also In a video on YouTube How he bought a new dishwasher from the Bosch brand. Specifically, one of the 500 series, because I had seen it recommended in Consumer Reports, a well -known organization of consumers and users in the US. After the installation the surprise came: I could not turn it on and put it to work without more. Wi-Fi and Mandatory Online Account. When trying to start it and start a clarified cycle, Geerling realized that he could not activate that option. After reading the manual he knew why. I needed to do two things first. The first, connect your dishwasher to your domestic wi-fi network. The second, create an account in the Bosch Home Connect service, which would allow you to access the option of clarified and some additional options, such as ecological or medium load mode. I could not even use the basic options via Bluetooth for example: it had to connect it to the Wi-Fi network and create the account yes or yes. If you want screen, it’s time to pay more. The dishwasher that bought this youtuber is a model that costs around $ 1,000. In spite of this – or precisely because of that – it did not have physical buttons, and the controls are tactile and are at the dishwasher door when opening it. There is also no screen that allows you to know how much time it remains for the washing cycle to end, for example. The upper series, the Bosch 800, do have that screen, but there is to pay $ 400. Why do I need a dishwasher app? As Geerling indicated, a local application with some type of direct wireless connection – but without connection to the outside or the rest of the local network devices – could make sense, but this did not have it. That you have to control virtually all the options and information of your washing machine mandatory through an app and a Wi-Fi connection was absurd according to your opinion. “I don’t need internet in my dishwasher,” he said. Few and bad options. This YouTuber is a technology expert and is accustomed to finding solutions to these types of problems. He talked about how maybe I could not use those advanced options, but if you spend $ 1,000 in a dishwasher it seems like not strange not to be able to use them. He also thought of using a VLAN network for IoT devices (a separate and isolated network). Nor hack it compensates too much. There is even an even more technical option, because someone has made reverse engineering of the Bosch protocol and has created a HCPY protocol To control these dishwashers without the manufacturer being able to do anything. However, that would force him to devote several more hours to putting everything in motion and all he wanted was to be able to use his dishwasher in a simple way. And he could return the appliance, but he had also invested time and effort to install it at home. A dishwasher should not connect to the Internet. For Geerling Bosch’s strategy is an absolute mistake. Among other things because if you depend on an application and a cloud service to use your dishwasher, Bosch will have to manage and maintain that service, which means two things: either they are selling the data of your use of the appliance, or will end up closing the service or migrating it to be a subscription service, something that has passed in similar scenarios. And a potential security hole. But it is also that a dishwasher is part of your domestic network opens another potential attack vector. If someone manages to find vulnerability in Bosch dishwasher, they will have access to the rest of your local area network. That It has also happened. Not onebut several times. Not everything needs to be connected. Geerling’s conclusion – with which we agree – is that IoT appliances and products should be designed with a maximum: first that they work at home, and then, if perhaps, they work in the cloud as something optional. This dishwasher is an example of a trend that can make sense in some areas, but not of course in this concrete. Image | Jeff Geerling In Xataka | We are running out of “dumb” appliances. The latest LG is a microwave with screen and speakers

The art of knowing

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It may seem obvious, but doing so is very unusual and usually has an unexpectedly positive response. Jobs learned it With 12 years, Altman cost a few more years. There are those who will never learn The art of knowing. HP? I need your help With only 12 years, Steve Jobs had nothing better to do with his free time than to build his own frequency counter. However, in 1967, the necessary components to build this device were not in any store and only had access to them the large technology companies. Far from throwing the towel due to the lack of pieces, the preteen Jobs had the audacity to call the office Bill Hewlett, Hewlett-Packard co-founder (HP), and directly ask for the components. As Steve Jobs himself remembered In an interview 1994, Bill Hewlett responded to his surprised call. “I said ‘Hello, my name is Steve Jobs, I am 12 years old, I study at the institute, I am doing a frequency meter and I am missing some pieces, and I wondered if you had plenty of spare parts that I could use,’ he laughed, he gave me the pieces and offered me a summer job mounting frequencimeters in the HP mounting chain. I was in paradise,” Jobs confessed in the video. This early experience not only provided Jobs experience and technical knowledge, he also confirmed that ask for things what do you need can take you to get them. “I never found anyone who didn’t want to help me if I asked for it,” Jobs recalled. Sam Altman’s secret: ask for what he needs Another example of success is Sam Altman, which after many years in the trench of the startups, began to create OpenAi. In his Interview for Bill Gates Podcast Unconfuse meAltman shared one of his most tips important to achieve success: “Ask for whatever you want.” Altman already shared this Council in his popular Decalogue for success “How to Be Successful” he published in 2019 in his personal blog. According to the founding millionaire of Openai, “you will not normally get it, often the rejection will be painful. But when this works, it does so surprisingly well,” he said. As Altman himself explained, the secret of this method is that it implies overcoming the fear of expressing your desires openly and directly for fear of rejection or seem insistent, thus self -limiting the success options. Why work for help Although it may seem simple, the disposition of Jobs and Altman to ask for help has psychological roots in which the belief of that oneself have to solve all your problems. A study From the University of Columbia, he studied this psychological block to ask for help, and the researchers concluded that people tend to underestimate the probability (50%) that others access their direct requests for help. Is what is known as Substimation bias. According to this study, help applicants tended to focus more on the instrumental costs of aid, that is, the effort that implies helping, without taking into account The social cost of refusing -the discomfort of saying “no” -, of the person who receives the petition. Social psychologist Heidi Grant Halvorsson, in her book ‘Reinforcements: How to get people to help you ‘He explains that a application for clear, specific help and does not put the other person in an awkward position is more likely to be successful. Wayne Baker research, a professor at the University of Michigan, suggests that between 75% and 90% of the aid provided in the work environment begins with a simple request and people who ask for help at work are seen as more competent, no less, as many believe. These people improve their skills and knowledge with what they learned from their classmates. “Most people are willing to even help strangers if they ask for it. The problem is that most people do not ask for what Professor Baker said in An interview for the podcast of Harvard Business Review. Amanda Palmer, author of ‘The art of asking‘, argued in his Ted Talk That we all have the right to ask for what we need. According to the singer and writer, denying someone that right can have negative consequences in their well -being and in their interpersonal relationships. Already be face to facethrough a phone call like Steve Jobs made to Bill Hewlett, an email or a crowdfunding campaign, the key is in overcome fear of rejection and dare to ask What you need. In Xataka | In 2005, Steve Jobs revealed in Stanford the keys to his success. Two decades later, Sam Altman has traced his speech Image | AppleFlickr (Techcrunch), Unspash (Rémi Walle)

The number of young Chinese enrolled in the art schools in Japan has shot. It’s a springboard to stay

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For some time to this part Japan has been living A arrivals boom from abroad. We do not talk only about tourists, since a percentage of the people who arrives do it with the bags to stay. In fact, a nation stands out in these statistics. The Chinese are traveling in mass to not return due to economic opportunities and socio -political challenges themselves. That is why, many young people are aiming at the university to study art. Art as a way for residence. Chinese migration to Japan is reaching unprecedented levels. It We have recently: With the flexibility of Visa requirementsthe migratory flow from China has expanded beyond the wealthy elite, also covering to the middle class. Moreover, it is estimated that by 2026 the number of Chinese citizens residing in Japan It will exceed one million. This increase is transforming not only the demographic structure, but also the culture, lifestyle and educational systems in Many Japanese cities. And within this phenomenon, a group has gained particular relevance: Chinese art studentswho see in Japanese universities an opportunity to establish themselves permanently in the country. The case of Li Yalin. Nikkei told him The weekend with an example. Li Yalin, a 28 -year -old girl, reflects the trend. After obtaining his degree in China, he moved to Japan in 2019 to study Japanese at a language school in Tokyo. However, the pandemic forced her to return to her country. Determined to return, he approved the entrance exam at the University of Arts of Kyoto remotely and today resides in Japan, specializing in Videogame characters design. Raised in a middle class family in Guangzhou, Li grew immersed in Japanese culture, especially through video games like Pokémon. Now he has achieved work in a video game company in Tokyo, where this spring will begin to work. With just a few years in the country, he is already evaluating his way to The permanent residence. A growing phenomenon. The number of Chinese students in the main art universities in Japan It has increased exponentially. He Nikkei study revealed That there are currently 245 Chinese students at the University of Arts of Tokyo, 462 at the University of Art of Musashino, 448 at the University of Art of Tama, 692 at the University of Arts of Kyoto and 823 at the University of Kyoto Seika. In total, Chinese students represent 70% of international students In these universities, which reflects a clear migratory pattern that links education with long -term residence. The 2017 inflection point. He counted the medium in his analysis that the phenomenon It took strength in 2017when the Japanese government relaxed the requirements To obtain permanent residence. The measure was especially beneficial for international students, allowing them to request residence in just one to three years, instead of the five required above. Not just that. Politics is part of the “Cool Japan” initiativewhich seeks to boost the Japanese cultural industry, such as anime, design and video games. As a result, facilities have been implemented in obtaining work visas for foreigners in these sectors, which has made careers animation, design and video games into quick accesses to permanent residence. How they get the residence. Apparently, Japan evaluates residence applicants through A point system which takes into account the academic level, work experience, annual income, age or mastery of the Japanese language. Those who reach 70 points are classified as “highly qualified professionals”, while those who exceed 80 points can request permanent residence In just one year. Ren Junying, 30, is Another successful example. Originally from Hebei, he completed a doctorate at the University of Arts in Tokyo and now works as a jewelry designer in the Japanese capital. Despite having less than a year in the labor market, it has reached 90 points in the evaluation system, which will allow you to obtain residence shortly. Chinese migration and labor structure. Japan has a unique massive hiring system of recent graduates, which facilitates international students to find employment more efficiently than in other developed countries such as the United States or Europe. As a result, the number of Chinese with permanent residence in Japan has grown 40% since 2017, reaching 330,000 in June 2024. Not just that. Permanent residence too benefits spouseswho can obtain unrestricted work visas. In recent years, the number of people under this category has increased significantly, even more strengthening the Chinese community in Japan. Universities such as “Migrant” springboard. Nikkei explained Cases such as the Coach Academy, a preparatory school for Chinese students in Shinjuku, Tokyo, has seen an increase in the registration of young people seeking to enter Japanese art universities. Yang Kailin, 25, arrived in Japan in April 2023 to prepare for a postgraduate degree at an University University. “My goal is to work for a Japanese toy company and, if possible, obtain permanent residence,” I assured the environment. The school introduced an art course in 2015 with just 10 Chinese students. Today, the figure has exceeded 200. Plus: a new phenomenon has emerged. Chinese parents are the ones who drive their children’s migration to Japan. In this regard, an employee of a preparatory academy pointed to the environment that he saw “more enthusiasm to study art in Japan by parents, rather than the students themselves.” The reason? If a student obtains the permanent residence in Japan as a highly qualified professional, Your parents can also benefit of a possible migration. Chinese migration expands. It We counted recently. Japan’s appeal as a migration destination is not limited to art universities. In a context where the Chinese economy shows signs of stagnation and increasing unemployment, many young people seek Alternatives abroad. In fact, the growth of the Chinese community in Japan is transforming the social structure of the country, where the combination of flexible immigration policies, labor access and a high standard of living have turned the Nation into an attractive destination for those who seek stability outside China. Image | Toshihiro Gamo In Xataka | The Chinese … Read more

Art of Vengeance ‘has convinced me that the new Ninja fashion is the best recent resurrection in the industry

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We are not going to fool ourselves: I have a weakness for the ‘Shinobi’ saga. The first installment came to obsess me in the times of the recreational, and its relatively quiet rhythm and its clear and easy mechanics to dominate them became one of the few arcades that I managed to end in its day, not without a considerable investment of time and money . Since then, ‘Shinobi’ has been one of my untouchable absolute video games of the eighties. The best thing was yet to come. And that we still had to see the best incarnations of ‘Shinobi’. After taste practically all the domestic ports of the recreational (special kudos for the crazy version of Master System), I had the opportunity to immerse myself in the magnificent ‘Shinobi’ for Mega Drive: ‘Shinobi II’ and ‘Shadow Dancer’. Absolute 2D wonders that multiplied the possibilities of the original recreational. Ninja avalanche. I was never too interested in the lazy 3D adventures of the ‘Shinobi’ franchise in PlayStation 2 or portable, but his spirit I think they picked up and amplified the ‘Ninja Gaiden’ in 3D, especially the first two, under the direction of Tomonobu Itagaki: Brutal and ruthless, of the most difficult and satisfactory games in history. Laugh from the ‘souls’. I have always been excited about the original trilogy of NES, a kind of accelerated and insane version of the ‘Shinobi’ themselves, and even the original arcade ‘Shadow Warriors’, but in my diet ninja the thing has always worked like this: in 2D,’ Shinobi ‘; In 3D, ‘Ninja Gaiden’. And between them, Cannon’s films. The return of the Ninja. The point is that, riding the nostalgic fever that ravages the entertainment industry, both franchises have allowed themselves to return with new versions and sequelae that we can enjoy in the coming months. On the one hand, we have a new sequel to the main saga of Ninja Gaiden, A fourth installment (Perhaps the project that interests the least, despite the fact that the participation of Plantinum Games always attracts attention); ‘Ninja Gaiden: Ragebound‘, on the other hand, it is a 2D and pixelated reformulation at the hands of the’ Blasphemous’ team, and which seems to guarantee a deep and demanding game; And finally, ‘Ninja Gaiden II Black‘, a total and already available remake of the original 360 game and demonstrates why we continue to contemplate it as a masterpiece. The art of revenge. But it is that ‘Shinobi’ also returns with ‘SHINOBI: Art of Vengeance‘, And as’ Ragebound ‘, with a team of bells expert in retro mechanics behind: Lizardcube, responsible for the superb and recent’Streets of Rage 4‘. It will arrive in August and in addition to a mechanic that pays tribute to the 16 -bit originals, we have an absolutely magnificent graphic finish, which honors not only the first games, but also the anime and the European comic. Ninjas for a resurrection. Here you are not going to see us launch alive to the eternal cyclical returns of the industry and their retail constant of success franchises. But ‘Shinobi’ and ‘Ninja Gaiden’ seem to me differently: a taste is seen in these new versions that goes beyond the exploitation of nostalgic corpses. In addition, neither of the two franchises has abandoned certain principles (demanding, violent and visually very polished games), which gives them at least the benefit of the doubt: until now, after all, they have not disappointed us. Header | SEGA In Xataka | You do not need Windows to play ‘doom’: someone has managed to work on the bios of a PC

It is full of art and in a town in the Sierra with less than one hundred inhabitants

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Art creates curious travel companions. The Sierra del Rincónin the Community of Madrid, leave a fantastic example. There, in the middle of La Puebla Valley, there is a town of just A hundred neighborsstone houses and narrow alleyways, which has won the nickname “The Madrid Osaka”. And in a more than justified way. Its surroundings does not resemble that of the bustling port metropolis of Japan, but Valle de la Puebla It is twin With her and has become one of her ambassadors in Europe. And all for art. The Madrid Osaka? That’s how it is. If you are looking for In Google either In networks You will find a handful of publications headed with those two words, “OSAKA MADRILEÑO”. Who does not know what is behind will probably imagine a neighborhood of the Spanish capital full of cherry trees, neons, Japanese architecture, skyscrapers and a large community of Japanese. A kind of ‘Little Japan’ in full Iberian Peninsula. Reality has nothing to do with that. The nickname of ‘Osaka Madrid’ has earned it (already pulse) a small village of the Sierra del Rincón located about one hundred kilometers from the Puerta del Sol de Madrid. His name: Puebla de la Sierra. And although in these cases that kind of nicknames are usually forced, in this the title fits wonderfully. With 93 neighbors, but international. That the ‘title’ has fallen precisely in Puebla de la Sierra is striking for several reasons that are summarized in a simple way: the small Madrid villa and the bustling Japanese metropolis cannot be more different. Puebla de la Sierra has 93 neighbors. In Osaka live more than 2.7 million of people, fact that we shoot if we take into account their metropolitan area. Its population densities per square kilometer have absolutely nothing to do (in Puebla it is from only 1.44) and while the Madrid town is in the middle of the Sierra, hundreds of kilometers from the closest coast, Osaka is A port city endowed with one of the most important terminals in Japan, epicenter of an intense flow of merchant ships. The architecture of both enclaves, the environment and their leisure offer and gastronomy are also quite different. And despite that … In spite of all the above Puebla de la Sierra presume of being twin with Osaka and hosting a Japanese museum “Pioneer in Spain”with a large collection of contemporary Japanese paint. In addition the village maintains a link With Reijinsha, an artistic entity based in Osaka created more than 30 years ago and has between Its objectives “Serve as a bridge between society and art.” As if that were not enough, the Puebla Museum includes an interesting collection of contemporary Spanish painters and the twentieth century, including pieces of stream, Tàpies, Feito, Picasso, Barceló or Antonio López. From the Commonwealth Sierra del Rincón Remember In addition they have preparatory drawings and sketches Alejo Veragreat representative of naturalism, romanticism and historical painting. Why’s that? For art. Puebla del Valle may not have many neighbors, but has managed to carve a name in the artistic circuits thanks to a large extent to one of its star initiatives: the ‘Valley of Dreams’an outdoor museum formed by dozens and dozens of sculptures. The pieces are distributed over a kilometer and a half and include contributions from Federico Erguía, Lucía Loren, Karfer, Antonio Garza and Joaquín Manzano, among others. The itinerary was created in 2005at the initiative of the artist Federico Erguíaand over time it has been thickening its outdoor collection until it overcome the long hundred pieces. That, among other things, leads to his City Council to show off Another title: be “the town with more works of art per inhabitant”. Whether or not, the undeniable thing is that the “Valley of Dreams” has aroused interest far beyond the municipality thanks to iconic sculptures, such as ‘Minotauro’, by Jorge Egea, or ‘Meira’s giant chair’piece of more than five meters from Xulio Lago and Roberto Brañas. A name and a bridge. In the cultural explosion of the town there is a code name, the Eguíapoet, sculptor, painter, illustrator and promoter of exhibitions that has exhibited his work (individually or in collective samples) in other parts of Spain, Europe, America and Asia, including Japan. The artist also has its roots in Puebla. There he promoted the “Valley of Dreams” in a town that ended up endowing in addition to a Japanese museum hand in hand also of eguía. In their rooms they are exhibited dozens of works donated by the Japanese artistic entity, although the town hall of the town ensures on its website that the collection will soon expand. Who wants to want more art and culture can also enjoy the works of Spanish artists from the twentieth and twenty -first centuries or even, leaving the museum, of the museum, People’s heritagewhich includes buildings between the XVI and XVII with an important historical interest. Among those who come to enjoy the area also include Japanese groups. And all by the work of art. Images | Tuscasasrralos (Flickr) 1 and 2, Nomadic Julien (UNSPLASH) and Puebla de la Sierra City Council In Xataka | 90 years ago a plan to convert a town in Zaragoza into capital was launched. Its objective: the New Spanish Delhi

The White House disdains Spanish, others elevate it to promote Latin American art

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LOS ANGELES — The use of Spanish is considered an act of rebellion and resistance in the United States. Now, more than ever, the language of Juan Rulfo, Gabriel García Márquez and Julio Cortázar will be a dissonant element, a language that the spouses Ivonne Guzman and Jorge Espinosa They have decided to elevate their venture that promotes art through books and records. On his first day as president, a few hours after his inauguration, Donald Trump closed the website and social networks in Spanish from the White House. However, these entrepreneurs use their digital platform, called The thinking junkto celebrate the literature and music produced in Spanish, betting on a reunion—in some—and discovery—in others—of the delight caused by art in this fertile language. “In general it is about dignifying, showing the joy and beauty of this language,” commented Ivonne. On the digital platform, Los trastos depensa, these entrepreneurs offer alternative music and literature in the United States. (Soudi Jiménez / Los Angeles Times en Español) This Ecuadorian couple launched on April 23, 2023, within the framework of the Book Dayits platform that now has a presence on Facebook and instagram. In part, this digital initiative responds to their personal tastes, but along the way they have realized that there are more Latin people with the same preferences in literature and music. The idea of ​​creating this website arose during the times of the pandemic, as a result of that unsatisfied need that they have been dealing with since they both settled in the United States. Jorge arrived with residency in 2011, while Ivonne did so in 2018 when she assumed her position as Consul General of Ecuador in Los Angeles. “We didn’t find a lot of things that are easily accessible in other countries,” said Jorge. If they wanted to acquire a book by the Argentine writer Ariana Harwicz, the Ecuadorian Mónica Ojeda, or the Spanish Irene Vallejo, they had to buy it on a trip they took to Quito, the Ecuadorian capital; or ask for any friendship that could bring them from their homeland. The same thing happened to them if they wanted to buy an Argentine rock album, or a Brazilian or Chilean artist. “There weren’t any, it was impossible to get them, it was like they didn’t exist,” he added. In their own words, they do not consider themselves experts; However, academic training and experience gives them knowledge and authority to speak about what they are doing. Ecuadorian journalist Ivonne Guzmán shows some of the books that were put on sale at the LéaLA book fair, held in September 2024 in Los Angeles. (Soudi Jiménez / Los Angeles Times en Español) For the last 31 years, Ivonne has practiced cultural journalism in her native country. She has been a reporter, editor and columnist at the newspaper The Commerce. He also has a master’s degree in research in history and is author of the book Social painting. Three women in the art world of the 1930samong other professional achievements. On the other hand, Jorge is a musician and has a bachelor’s degree in fine arts with an emphasis in painting and printmaking, as well as a master’s degree in education and is currently pursuing another master’s degree in sound art. To launch this venture, in 2022 they did a market study, they visited record stores and bookstores in Southern California, they talked to different people, they asked them where they got their books and music. By receiving a grant they applied for, they enabled the platform that sells new and used books, as well as compact discs and vinyl records. “This is a bit of facing what is there and seeing what works; We got records from Mercedes Sosa, Julio Jaramillo and Astor Piazzolla, as well as Aterciopelados from Colombia and Caifanes from Mexico. We emphasize artists from Ecuador, taking into account those who are outside the city of Quito,” Jorge explained. Among the books they have for sale on their portal are those by Ecuadorian María Fernanda Ampuero and Daniela Alcívar Bellolio, Argentine Leila Guerriero and Colombian Pilar Quintana, among other authors. (Soudi Jiménez / Los Angeles Times en Español) In literature, the bet is to have books like those written by the Ecuadorian María Fernanda Ampuero and Daniela Alcívar Bellolio, the Argentine Leila Guerriero and the Colombian Pilar Quintana, to name a few examples. They are also interested in offering copies of graphic novels, essays, novels and short stories by prestigious authors. Along these same lines, the public can suggest a book or an album; If the person is patient, these entrepreneurs can get it and send it to any city in the United States. At this time, delivery takes time because only the two of them select and renew their catalog. They themselves take the orders to the postal service. “The nice thing is that we are bringing more indie, newer, smaller publishers; We have things that you can’t get easily and that Amazon doesn’t have either, that’s the difference,” Ivonne highlighted. These publishers are Ecuadorian, Spanish, Colombian and Argentine, which publish many of these books by unknown authors in the United States, but with wide recognition in Spain and Latin America. Jorge Espinosa shows a book about the Argentine musician Fito Páez. (Soudi Jiménez / Los Angeles Times en Español) Despite the position recently adopted by the White House, Spanish is moving forward at a steady pace. Currently more than 600 million people speak this language in the world. In the United States, 67.6% of the 63.7 million Latinos use Spanish at home, that is, more than 43 million people, according to the 2024 report from the Cervantes Institute. This interest in this language was noticeable at the last LéaLA book fair in Spanish, held in September 2024. These entrepreneurs sold almost half of their catalog, there they found many learners of Spanish and people who are competent or who are native speakers who seek alternative literature and music. For this reason … Read more

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