“Some people expend tremendous energy just being normal.”

If modern philosophy had its pantheon of rockstars, Albert Camus It would probably be one of the most popular. And not only because he is one of the key figures of the absurdism and existentialism, the latter label he rejected throughout his life. As if that were not enough, Camus was a prominent political activist, a brilliant novelist, and one of the youngest writers to win the Nobel Prize in Literature. He picked it up when he was 44 years old, just three years before he died prematurely in a traffic accident in Villeblevin, France. We also remember Camus for something else: his deep reflections on the human condition, something that connects with the quote with which we opened this post. Pill Philosophy. We have discussed it many times: The Internet is full of philosophical quotes of dubious attribution and authorship that is impossible to verify, if not outright false. This is sometimes a problem because the quotes clash with the way of thinking of the philosopher to whom they are assigned, as happens with the most famous phrase (and false) by Marcus Aurelius. Other times the quotes are simply paraphrases that try to make complex ideas digestible. Hidden in a notebook. The phrase that concerns us today is not neither one thing nor the other. It is not by Camus, although the Internet is full of pages that point to him as its author. However, it did come out of his own handwriting and is included among his works. How do you explain that? Simple. In addition to writing his own reflections, Camus was fond of recording other people’s comments that, for one reason or another, he found interesting. one of those quotesnoted in one of his notebooks between 1942 and 1945, is the one that concerns us today: “No one realizes that some people expend tremendous energy simply to be normal.” The comment is attributed to “BB”, the actress’s initials Blanche Balainwho was probably heard during a meeting in Saint-Étienne. Isn’t it your work then? No. And yes. Perhaps Camus is not its author in the strict sense, but (ironies of life) that phrase has ended up becoming one of the most popular of the Nobel Prize in Literature. And it is understandable. In addition to being suggestive, the phrase connects with the way Camus looked at the world and the human condition. It is difficult to know why he decided to write down Alain’s comment in his notebook, but what is clear is that he was the one who popularized it. Not only that. Over time, the actress’s words have become a door through which to access Camus’ philosophical legacy. “Just be normal”. The phrase in question leaves behind a suggestive, almost challenging idea: there are people investing energy in something seemingly as simple and simple as “being normal.” But… What is ‘being normal’? Does it require an effort? If something is ‘normal’, shouldn’t it come naturally to us by definition? Balain-Camus’s reflection dynamites that idea and introduces another, much more suggestive one: the ‘normal’ can actually be an artifice, a mask that we put on to avoid going against the current and whose use, furthermore, is exhausting. “The most important thing”. Camus is not the first to point out the clash between social pressure and authenticity, an idea that already had expressed centuries before the philosopher Michel Montaigne in ‘About loneliness’: “The most important thing in the world is knowing how to be yourself.” What Camus does stand out for is his radical nonconformity and his defense of the rebellion as a form of dignity. Hence many people interpreter Camus’ annotation as a wake-up call, a way to remind us of the price often paid by those who deviate from ‘normality’ or do not meet society’s expectations. The (no) meaning of life. Camus’s phrase has a deeper reading level that connects directly with his ideas about the human condition. Like other authors who embraced philosophy of the absurdCamus believed that our existence is meaningless and does not respond to any higher purpose. That does not mean that it has no value or that we should abandon ourselves to death. On the contrary, the French writer believed that the meaninglessness of existence forces us to pursue a lofty goal: be the ones who give it our own meaning and do so while being fully aware of its futility. Remembering Sisyphus. The clearest example (used by Camus) is left by classical mythology with the character of Sisyphus, the king of Ephyra condemned to push a huge rock up a mountain day after day only to see that, just before reaching the top, the stone always rolled down the mountain. That of Sisyphus is an absurd purpose, just as is the determination of men to search for meaning in a universe that lacks purpose. Still, Sisyphus presses on, carving out his own courage. Just like we do, facing day to day. “The very struggle to reach the heights is enough to fill a man’s heart. You have to imagine Sisyphus happy,” Camus concludes. Image | Wikipedia In Xataka | “A place of joy with pain”: the phrase that summarizes the Aztec philosophy to be happier in this life

The tremendous hole that the Olympic Games have left to Paris

When they ended The Olympics of Paris last year there was something that did not end: the National Debateextensible to many other games in other planet enclaves, about its true legacy. For critics with the event, the Supreme Audit Institution of France has just given them all the world’s gasoline, one in the form of a devastating economic report. The real weight of the games. As we said, the Courtes Cours has reviewed Uploaded the public cost of the Olympic and Paralympic Games of Paris 2024, encrypting the contribution of the State and the territorial collectivities In 6,650 million eurosthat is, about 700 million more than expected in June. In its report presented to Parliament, the Rue Cambon institution details that the updated figures include both the expenditure on the organization, that amounted to 3,020 million (With a very high weight of security), such as infrastructure destined, which reached 3,630 million, first incorporating the disbursements of local authorities and works to guarantee the use of SENA, estimated at 331 million. In spite of certain cost overrun surplus of 75.7 millionwhich avoided resorting to the state guarantee. Comparison with other editions. The Cour holds that Paris games were almost Twice less Regarding costs for public coffers that, for example, those of London 2012, although it alerts on the security chapter, whose infrapreting was remarkable: compared to the 200 million calculated in the candidacy dose, the real expense amounted to 1,440 million. This deviation, far superior to that provided for in the 2024 Finance Law, constitutes the main reason for concern indicated by the magistrates. “Modest” impact. He Report Introduce This time an evaluation of the public income associated with the event, which total 293.6 million euros coming from fiscal collection, the special transportation of transport and advertising sales of France Télévisions. However, these figures must be corrected by Fiscal exemptions (57 million, as in the case of Omega sponsor) and for the so -called “eviction” effect on sectors such as tourism. Cour concludes that the impact on the economy was limited: just 0.07 % of GDP In 2024, compared to 0.25 % estimated by INSE for the third quarter of that year. Beyond the short term, it insists that it is premature to assess the effects in the medium and long term. Debate and criticism. Le Monde told that the Methodology of the Cour has generated friction with the Olympic responsible. The Cojop reproaches that The report It has included expenses that do not consider directly linked to games, such as subway prolongations, burial of electric lines or cost overruns of the renewal of the Grand Palais, as well as the construction of schools. Also questions that they were not taken into account The amortization nor the proportionality in the use of shared infrastructure. According to Tony Estuet, president of the Organizing Committee, the real public cost did not exceed 2.5 billionso he denounces problems of rigor and a systematic bias against the project. The debate about the legacy. One of the central points of the controversy is the tangible inheritance of Paris 2024. While the Government defends that investment in transport, housing and the Decontamination of SENA They represent lasting improvements, social groups denounce phenomena of gentrification, eviction and a “social makeup” that benefits the international image of France more than its most vulnerable citizens. The Cour too He raised doubts on the true capacity of these investments to transform urban life in the Parisian region. A historical ballast. The debate on Paris 2024 is inserted in a long tradition of games that end up being financial watchmaking bombs For host cities. From Montreal 1976, which took three decades to pay A monumental debtuntil Athens 2004, often cited as one of the factors that They worsened the crisis Greek financial, Olympic venues have experienced chronic cost overruns. The reason? The committees They usually inflate calculations Return of investment in the candidacy phase, presenting optimistic projections that rarely materialize. The case of London 2012 showed that even when the games are presented as “reasonable”, the budget weight It ends up duplicating The initial forecasts. The COI crisis. Plus: The International Olympic Committee has been going through a Crisis of legitimacy and headquarters. Less and fewer cities are willing to assume the associated financial and political risks: Los Angeles 2028 was awarded without competition After the withdrawal of other candidacies, and the last winter edition in Beijing 2022 had to be held In artificial facilities In full desert, an example of the anomalies facing the organization. Cortina-Milán 2026 too It has been questioned by APPROVESlogistics improvisations and political tensions between regions and central government. In this context, Paris 2024 reflects both the symbolic greatness and the structural fragility of an increasingly difficult Olympic model to sustain. Success with doubts. If you want, immediately, Paris 2024 has been considered an organizational and sports triumph, projecting that image of France as a country capable of hosting a global first -order event. In fact, both Cour and Cojop They have seen In Paris’s experience, a model to consider the Olympic Games of Winter of 2030 In the French Alps, to which They will be allocated Six of your seven recommendations. However, the debate about its true financial and social legacy is far from closing. French experience feedsIn addition, an argument that crosses borders about the future of games: if they will continue to be an aspiration for cities or simply a risk that most will prefer to avoid. Image | Public domain, WHOISJOHNGALT In Xataka | The Paris Games should be those of the Olympic Break Dance premiere. They ended up being the “kangaroo dance” In Xataka | Winning a gold in countries like South Korea is better than the lottery. There are athletes who don’t have to think about money anymore

There are more and more physical videogames that are pisapapeles. It is a tremendous problem for the video game as art

Video games have been traveling the same path as music and cinema for a few years: change towards digital. The releases are now digital and Streaming video game platforms They have been a great jump in the industry. Some -xbox- are so clear that much of their strategy revolves around this technology. If you want the physical format, it is also there, but with an important small print: the album you buy may be empty. AND ‘Doom The Dark Ages‘It has been the last example of this new reality. The controversy of ‘Doom’. The games each time they occupy more and more space. That is why the current physical format, the Blu-ray, has long opted for the double and triple layer of 66 and 100 GB respectively. A lot of information enters an album with that capacity, but the problem is that the recent release of ‘Doom The Dark Ages’ shows that, on the album, barely There are 85 MB in PS5about 320 mb in Xbox Series x. It is a motorcycle of dust in an ocean. What does this imply? Well, when we introduce the album in a PS5 or an Xbox Series X, the data that is installed are not on the disc: it is the files of those 85 MB that give the order to the machine to download the data of the servers of the corresponding companies. That is to say: The new ‘doom’ album is a launcherbut it’s nothing new. The ‘tweet’ of the controversy Ubisoft has taken the taste. Before the last Bethesda game, the controversy in this regard came with each Ubisoft launch. The French company has had some of the largest games in the industry in recent years (such as’Avatar: Frontiers of Pandora‘,’Star Wars Outlaws‘ and ‘Assassin’s Creed Shadows‘) And, although not everyone has gone well, they do share something: you need the Internet to install them. Physical format, but not much. It is no longer that you need the Internet to play (‘Gran Turismo 7‘, among others, they require constant connection to Sony servers or we will not be able to play most of the content), but the game must be downloaded even if you bought it in physical format, relegating the box to something that simply occupies space on the shelf. But there are more examples of other companies, such as’Indiana Jones and the big circle‘ either ‘Stalker2‘. Others like ‘GTA Trilogy‘They can be played with disk content, but they are so broken that without patch it is not worth it. And cases like ‘Star Wars Jedi Survivor‘ either ‘Hogwarts Legacy‘They bring the beginning of the game on the album and the rest under download. The alternative? Two albums, as does’Final Fantasy VII Rebirth‘, but that also increases costs for companies. Activism. All this has caused a reaction in users. It is not about being against the digital format, but about the albums that come practically empty because nobody knows what will happen when the servers close. It is a new situation in the industry and we have already seen cases (Ubisoft closing servers of ‘The Crew’ and making it impossible to play something you have paid in physical or digital format) of inaccessible games when the company closes the tap. That is why initiatives such as Stop Killing Games To be the authorities who promulgate laws that prevent our remote games from deactivating, but there are also initiatives by users that allow us to know which games are complete on the disc and, if they need download, to what extent it is mandatory. This is the case of the web Does it play? in which users report the status of physical versions in video games. And the big question. As we say, the most recent mess has formed around the launch of ‘Doom The Dark Ages’, and the question is what will happen to my physical video games in the future. Title Xbox 360 It guarantees me, whenever I have a console, to be able to play it now or within 20 years, but nothing assures me that in 20 years the active Microsoft servers are keeping my copy of ‘doom’. And we focus on the case of almost empty Blu-ray, but we could put the Game Key Card of Nintendo Switch 2 In the bag, since they work in the same way. Green outbreaks. On the one hand, platforms such as Good Old Games They allow us to buy a digital game, but when we get with it, we have an installer to be able to install it offline as many times as we want without depending on servers. Even when they remove games for licenses, recently The case of ‘Warcraft 1 + 2‘, If you had already bought them, they are yours forever. On the other hand, when we have attended Nintendo DS servers closures, Wii or Xbox 360, companies have warned in advance so we can make the necessary purchases Before video games disappear forever, being able to download them in the storage of the system or hard drive to play them in the future. Because Ubisoft or Steam have made it clear that Digital games do not belong to usbut physicists should be ours and, if the servers close in the future, we will have to see what happens with all those albums that only have a launcher inside. Because, in the end, this goes beyond being able to play my physical game within 20 years: it is that it is a practice that Play against the preservation of the video game as art, one that can make many They disappear forever. Main image | Xataka In Xataka | The consoles are still the stars of the video game. Real money is on mobile and microtransactions

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