history

Da Vinci was not only one of the most brilliant thinkers and inventors in history. It was also very good

by

He Da Vinci painter. The sculptor The engineer. The Tuscan wise man who devised flying machines at the end of the 15th century. The one with mirror writing and the muse with a disturbing smile. That of the enigma that does not go away five centuries after his death. With a long beard, sober look and clear forehead, Leonardo di Ser Piero da Vinci is by far one of the most magnetic characters in history. Hundreds of myths and theories have been founded on his genius, rivers of ink have flowed and bestsellers have even been written and movies made in the most genuine Hollywood style. The last helping of conspiracies was served a few years ago, when the Salvator Mundi canvas was sold. for the astronomical amount of 450 million dollars News followed that again questioned the authorship of the painting. However, before being a consummate artist, a curious man with a voracious appetite and even a modern scientist (some maintain that he was the first, anticipating Galileo), Da Vinci was simply a Sir from Tuscany. With his quirks and flaws, overshadowed by the fascination that the character arouses. A muscular, flirtatious Vinciano with a peculiar sense of humor, who hated meat and who liked to be a fan of things. This is the least known Da Vinci. Da Vinci, Renaissance gymbro The author of The Mona Lisa He was a good-looking guy, with a handsome face and athletic body. And to prevent the passage of centuries from erasing that image, there is plenty of evidence that reminds us that the Tuscan was a true beauty. “He was by nature courteous, cultivated and generous, and his face was extraordinarily beautiful,” wrote the humanist Paolo Giovio. Perhaps to curl the curl and elevate him almost to the category of Adonis, his biographer Vasari (who never met the Tuscan) describes him as a “tall, extraordinary beauty and infinite grace” gallant. There is no doubt that he liked to dress well and take care of his appearance. He used to dress up in pink tunics that reached his knees, fur cloaks and rings. Also carefully comb your hair, curly and long. In one of his notebooks he wrote advice on how to become a real dandy. Do you want them to turn around? square at your pace? Well (recommends the Tuscan) “drink fresh rose water and moisten your hands with them.” Da Vinci, liking himself, around 1478. In any case, it was best not to criticize his appearance. Although there are many testimonies of his pacifist spirit, the chronicles tell us of a Da Vinci endowed with a force exceptional. “With his right hand he could twist a horseshoe or the iron ring of a knocker as if they were made of lead,” explained Vasari, who once again seems inclined to exaggerate a bit of Leonardo’s qualities. The Tuscan’s fixation on elegance went far beyond his appearance. Da Vinci was a clean and conscientious man who liked to surround himself with rigorous order. “If you want to know how a person’s spirit inhabits his body,” reads one of his notebooks, “look at how he treats his dwelling; if it is disordered, in the same way the spirit will maintain the body in a confusing way.” The Full Pantomime of its time Leonardo is remembered as a thoughtful, severe, taciturn and reserved man. Although those were undoubtedly fundamental aspects of his character (this is how he showed himself in his very famous self-portrait from Turinin which she presents herself with a melancholic expression), was far from the only one. Throughout his life he dedicated great efforts to making people laugh. in the book Leonardo, the flight of the mindCharles Nicholl points out the irony that his most famous painting is The Mona Lisa (the jubilant one, in Spanish). There is no doubt that the Tuscan liked jokes. The satirical and sophisticated word games, but also the crudest ones. In his notebooks we find funny notes written down relatively frequently. One of them (which invites us to think of a Leonardo holding his stomach with great laughter and tears in his eyes) says: “They asked a painter why he painted such beautiful images, even though they were of dead things, while his children were so ugly. To which he replied that he made his paintings during the day and his children at night.” “Paparl, paparl, take me to the circus.” (Self-portrait of Da Vinci himself in his younger years) His sense of humor also appeared in his artistic work. Their cartoons They are very well known. Also the decorations and gadgets that he designed for the celebrations of the Sforza family or at the court of France, which in a way made him “the king of the party.” Vasari once again collects another anecdote that, this time, gives us a glimpse of Da Vinci’s humor. On one occasion a gardener gave him a large lizard that he had hunted. Leonardo decided to stick some wings he made with scales on its back. Every time the suffering reptile walked, those membranes trembled to the terror of the public. “He made it eyes, horns and a beard and then domesticated it,” says Vasari, “he used to keep it in a box and whenever he took it out for his friends to see, they ran away scared.” Da Vinci, pop star and veggie Yes, musician. Engineer, painter, anatomist, sculptor, architect… And musician! The Tuscan’s fingers not only showed his virtuosity with the brush. There are multiple references that there was nothing wrong with the lyre of braccioan instrument with which he liked to let inspiration take him from time to time. And just like Jimmy Page (Led Zeppelin) has its iconic two-neck GibsonLeonardo also showed off his peculiar instrument when he performed: an elegant silver lyre in the shape of a horse’s head, built by himself. Although Leonardo’s musical side is often overlooked, there are clues that indicate he played an important role. For example, it … Read more

We have searched for dark matter with the most sensitive detector in history and we have found nothing. And that is a success

by

The search for dark matter It becomes more and more like a game of hide-and-seek where, as we improve our vision, the target appears to become more invisible. The last thing we tried to do to find it was drill 1,500 meters deep underground, although in the end we had a very bad result, although it did allow us to find things that we were not looking for. The dark matter. It is without a doubt one of the great mysteries of physics. While many researchers suggest that this matter surrounds us and is the main component of the universe, others believe that we were wrong and it doesn’t exist. Although little by little evidence is emerging that it is true that it exists so that our own theories fit. This whole mess is mainly focused on the fact that we do not have the ability to detect this matter. We know it’s there, but we don’t ‘see’ it. Something that generates a great confrontation within the world of physicistsand that is why these types of experiments try to shed light on this matter that allows us understand much better the composition of what surrounds us. New tools. Science has exploited the LUX-ZEPLIN (LZ) experimenta very sophisticated tool built by humanity to hunt down these ghost particles. To understand it, it is nothing more than a sensor that had to be buried 1,500 meters deep, in the facilities of the Sanford Underground Research Facility (SURF), in South Dakota. The reason? Use the rock as a shield to block the cosmic radiation that bombards the surface. The concept. The magnitude of this experiment has undoubtedly been quite considerable, since at its core 10 tons of ultrapure liquid xenon have been housed. The theory here is that if a dark matter particle passes through the Earth, it should occasionally collide with a xenon atom that produces a tiny flash of light. In total, the LZ has analyzed data collected for 471 daysbetween March 2023 and April 2025. A period of time that makes this the most exhaustive search that has been done so far. The sound of silence. The main result is that no direct interaction with the particles has been detected. However, this null result is practically worth gold in the field of physics. And by not finding anything, scientists have been able to rule out a huge range of possibilities about what dark matter is and what it is not. In short, we have been able to establish tighter margins to detect dark matter, now having the strictest limit in the world on the cross sections of dark matter particles for a very specific mass. And it is that being of such a small masswhich is why it offers so many problems when it comes to detecting them. The surprise. The most fascinating thing about these results is not what was missing, but what appeared. Although the detector did not see dark matter, it did validate its extreme sensitivity by recording something incredibly difficult to capture: solar neutrinos. This marks a bittersweet milestone: the experiment has officially entered what physicists call the ‘neutrino fog‘. This means that we have reached a point of such extreme sensitivity that neutrinos (that go through everything without flinching) begin to generate background noise that could be confused with dark matter. And the truth is that we are facing a big problem, since technology will have to find a way to distinguish dark matter from neutrinos. The future. The experiment does not stop here. Although these results cover until April 2025, the official plan is to continue taking data until 2028, with the aim of accumulate more than 1,000 days of observations. And many experts continue to point to the same thing: 85% of the mass of the universe It’s dark matterand although it escapes us, we are getting closer to knowing what the universe is made of. Images | Karo K. In Xataka | The strangest event that humanity has witnessed occurred in 2019 under a mountain in Italy

an underwater drone has made history

by

Ukraine, that lwar laboratory of the present and future, was a pioneer in the use of drones and in the creation of an unprecedented industry around the use of these quadcopters as elements front key. This is how we saw mother drones sending drones to annihilate other drones. In Ukraine too, another unprecedented milestone has just taken place. With drones, but this time under the sea. A before and after. Ukraine claims to have carried out the first combat attack successful in history with an underwater drone against a warship, specifically a Russian submarine of the Improved Kilo class docked in the port of Novorossiysk, one of the current main refuges of the Russian Black Sea Fleet. According to the Ukrainian Security Servicethe attack was carried out with a known unmanned underwater vehicle as Sub Sea Babycapable of sailing underwater to a densely protected port and hitting a specific target without being detected, something that, if confirmed, would represent a qualitative leap in modern naval warfare. The images. He broadcast video by kyiv shows an explosion next to the submarine while it remains moored, which would indicate that the drone managed to penetrate the port’s defenses and reach one of the most valuable platforms of the Russian arsenal, valued at about 400 million dollars and equipped with launchers of Kalibr cruise missiles used recurrently against Ukrainian cities. Blow to the heart of Russian flora. The attacked submarine belongs to one of the most silent and difficult to detect of the Russian Navy when operating submerged and in battery mode, and is part of a small group of six units assigned to the Black Sea Fleet before the war. Sources close to the Russian military they point because the impact would have occurred near the stern, damaging rudders and propeller, critical components that, even without piercing the hull, could leave the submarine out of service for long periods. If the damage is as serious as kyiv claims, Russia would stay with only four Kilo submarines operational in the area, significantly reducing their ability to launch missile attacks from the sea and reinforcing the Ukrainian strategy of hitting launch platforms rather than intercepting individual projectiles. The forced withdrawal. This attack cannot be understood without the context of the Ukrainian naval campaign started in 2023based almost entirely on unmanned systems. The massive use of surface drones loaded with explosives allowed Ukraine to damage or neutralize approximately a third of the Russian Fleet of the Black Sea and forced Moscow to withdraw many of its ships from occupied Sevastopol to Novorossiysk, in Russian territory, until now considered a relatively safe haven. Submarines like Rostov-on-Don they had already been attacked in port on previous occasions, but the use of an underwater drone dramatically expands the range of threats, by making it possible to avoid networks, floating barriers and defenses specifically designed to stop surface attacks. The logic of asymmetric war. For kyiv, the commitment to naval drones, both surface and underwater, responds to a logic of cost and survival. While a Russian submarine costs hundreds of millions of dollars and years to build, a Ukrainian naval drone can be manufactured for between 250,000 and 300,000 dollars. This asymmetry allows Ukraine to compensate for its numerical and technological inferiority compared to Russia, forcing the Kremlin to invest huge resources defensive and live in a constant cycle of adaptation. Each new Ukrainian tactic generates Russian countermeasures, which in turn are neutralized by new developments in periods ranging from weeks to a few months, permanently altering the rules of naval combat in the Black Sea. A sign of what is to come. The operational use of underwater drones as offensive weapons opens a completely new scenario, not only for this conflict, but for global naval warfare. The United States, China and other powers have years developing UUV for reconnaissance missions, mine laying or long range attacksbut Ukraine could have been the first country in demonstrating its real effectiveness in combat. If Novorossiysk is no longer a safe sanctuary and submarines can be attacked even in port, the Russian defensive posture will have to change again, extending even more resources and protection. At the same time, the attack reinforces the idea that the war in Ukraine has become in a laboratory where theoretical concepts are tested on a large scale, anticipating a future in which ports, naval bases and large ships will no longer be able to rely on the depth of the sea as their last line of defense. Image | SBU SCREENCAP In Xataka | Now we know the price North Korea pays Russia for its nuclear submarine: the most dangerous job of the war in Ukraine In Xataka | The drone war in Ukraine is complete nonsense: the manuals that were useful two weeks ago are a death trap today

is to have become one of the biggest attention grabbers in history

by

Even though the accounts at OpenAI are not so healthy as Sam Altman would likeit’s really not being a problem for continue raising money from your investors. The rain of millions being spent on ChatGPT It draws attention for the way in which they seek to obtain a return: through the attention of users. And it makes more sense than it may seem at first. 7,000 million visits per month. A recent analysis by Similarweb about generative AI has put very interesting figures on the table that are very useful for us to measure the pulse of the internet of our days. In September 2025, AI services added 7 billion visits per monthwhich represents a growth of 76% compared to the previous year and crowns AIs as one of the main rivals of social networks in terms of traffic. ChatGPT remains the undisputed leader: in the aforementioned month it reached 5.9 billion visits, very close to Instagram, with 6.5 billion. The first positions are for Google (with 82.6 billion), YouTube (28.7 billion) and Facebook (11.4 billion). All for our attention. In the age of the Internet, there is something more valuable than money itself: capture users’ attention. It is the reason why social networks are so attractive for companies of any size, becoming more of a commercial showcase that is a place where we can tell our lives. Also, this is the same reason why chatbots are still around, even though they lose money every time someone uses them. Meanwhile, big technology They are resorting to debt. They don’t want to be left out of the AI ​​bubble and the reason is now clearer than ever. The “backbone” of the internet. Not only has ChatGPT managed to become the fastest-rising platform in modern digital history, placing itself on the podium of the five most important websites in the world. The truly important thing about this is that they have managed to capture the most valuable thing: the user’s attention. The next step: fill the ‘chatbots’ with ads. Faced with this paradigm, OpenAI is considering something that was already an open secret: dress up ChatGPT with ads. A possibility that would serve to monetize the tool, especially to obtain financial returns from users of the free plans, but which raises many doubts in the field of privacy and the neutrality of the answers offered. Benefits for when? While, technology companies continue to increase investmenteven if the benefits do not come directly. The bonus, in this case, comes in the form of meteoric growth and several billion views that show that there is a reason to be optimistic about AI. Images | Generated with Gemini In Xataka | Someone has taken a look at the dotcom bubble and compared their data to AI. And it’s not optimistic In Xataka | OpenAI needs to raise an absurd amount of money to continue losing money

Netflix buys Warner Bros, stays with HBO and completes one of the most important movements in the history of streaming

by

Warner Bros. knew what it was saying when it commented that it wanted to have a buyer before the end of 2025. After a few weeks in which it seemed that Paramount was going to take the lead, it was finally Netflix, which has acquired the oldest film production company, although we will have to wait: for now, Warner has to conclude its global networks division (which includes CNN and Discovery) in a new company. 82.7 billion dollars. Netflix has closed the largest acquisition in its history and one of the most significant operations in the entertainment industry: the purchase of the centenary Warner Bros studio, along with the streaming platform HBO Maxin a deal valued at $82.7 billion in terms of total enterprise value. Warner Bros. Discovery shareholders will receive compensation of $27.75 for each title they own, structured as a payment of $23.25 in cash plus $4,501 in Netflix shares. Organic growth is over. The transaction represents a radical shift in corporate strategy for Netflix, which for two decades had shunned large acquisitions in favor of organic growth. Just two months ago, co-CEO Greg Peters had criticized media megamergers. The agreement concludes an intense bidding war of three rounds in which Netflix beat competitors such as Paramount-Skydance (which sought to buy all of WBD) and Comcast (interested only in the streaming and studio assets). Netflix’s final proposal includes a breakup penalty clause of $5 billion in case regulators block the operation. Just yesterday, Paramount-Skydance accused to the process having been “rigged” with a “predetermined outcome” that favored a single bidder. Netflix’s victory is partially attributed to the close professional relationship between David Zaslav and Ted Sarandos. It still remains. The final closure will not occur until Warner Bros. Discovery completes the separation of its traditional networks division (which includes CNN, TNT Sports, Discovery Channel, TBS and the European broadcast television channels, in addition to the Discovery+ service and Bleacher Report) into a new independent company called Discovery Global. This process is scheduled to end in the third quarter of 2026, at which point Netflix will be able to take effective control of the acquired assets, according to the official calendar broadcast by Netflix itself. What does Netflix have now? With this operation, Netflix will incorporate into its corporate structure the production companies Warner Bros. Motion Picture Group and Warner Bros. Television, DC Studios (responsible for the superhero franchises that rival Marvel and that have just experienced a welcome resurrection), the entire HBO programming including emblematic series such as ‘Game of Thrones’ or the future reinvention of ‘Harry Potter’, and a historical library that includes approximately 12,500 feature films and 2,400 series. All of this, of course, in addition to universally famous franchises and IPs like those mentioned, FriendsThe Lord of the Rings or the entire Looney Tunes catalog, among other things Hanna-Barbera. The deal also gives Netflix physical production infrastructure, including Warner’s legendary Burbank studios in California. In Xataka | Using Netflix in 2018 was much better than now: we have normalized degrading experiences

Warner is in the most delicate moment in its history, but HBO continues to impress with its plans for 2026

by

HBO Max has taken a group of media to London, including Xataka, so they can learn about first-hand and in the mouth of Casey Bloys, CEO of the platform, its plans for 2026. Of course, the inevitable question was in the air: how can we make plans for 2026 if in the coming weeks, before the end of 2025, we could know that Warner has new owners. Paramount or Netflix They are some of the first swords to bid for the veteran giant, branched into dozens of entertainment and information channels. However, Bloys has been clear: he knows nothing about it (of course, we have asked him directly if he could say anything about it) and it is not his job to manage these types of operations either. What’s more: “they are decisions that do not affect our budgets. (…) The only thing we can control, the only thing we can do, the best we can do, is to continue making plans like this one for 2026. Furthermore, in this business we work about two years in advance. So, right now, we are preparing for 2027 and 2028.” That is, it is too early to know what impact a purchase would have on programming. And Bloys does not speak into a vacuum: tonight in London we have seen about twenty productions that will premiere in 2026, and the truth is that There are titles that aim to boast a quality absolutely beyond any doubtand with the variety of styles and textures that the platform usually boasts: from the superheroic and violent procedural of ‘Lanterns’ to the late and sordid return of ‘Euphoria’, through new proposals as stimulating as the fourth season of ‘Industry’ or the promising ‘DTF St. Louis’. The first thing Bloys has done has been to set the record straight regarding the return of the platform’s traditional name, allowing this year for HBO to appear alongside Max again: “We have brought HBO back back knowing that HBO Max clearly signals that we are the destination for extraordinary voices, different perspectives and narratives for mature audiences. For more than 50 years, this is what HBO has always been and continues to be.” Bloys has boasted million-dollar milestones, but also prestige: ‘Task’ has added 12.6 million viewers per episode globally and ‘It: Welcome to Derry’, 15.4. This summer, ‘Chespirito’ was the most viewed Latin American product in the history of the platform. In the last decade alone, HBO Max has won eight Emmys for Best Drama, four for comedy, seven for limited series and 13 for documentary, and last year it added more nominations than ever before in the life of HBO Max. The platform, in short, has grown by 20 million users in the last year. With all these figures ahead, it is normal for Warner to boast of being a purchase with an attractive catalog for other platforms, but it does not seem to be stepping on the brakes at the moment. Bloys has detailed some of the upcoming releases and the truth is that some of them have a great track. Let’s look at some of the most notable ones. old acquaintances We have had no news about the new season of ‘The House of the Dragon’but yes of a new spin-off of ‘Game of Thrones’: of ‘The Knight of the Seven Kingdoms We have seen a new advance and the truth is that it looks better and better. We will talk about her in more detail in the coming days, since we have had the opportunity to speak with her showrunnerbut from its progress we are left with its curious mixture of humor and the dirty and violent aesthetics of George RR Martin’s creation. There is death and darkness but also gags worthy of a sitcom and parodies that sometimes seem like a medieval ‘Top Secret’. The return of ‘Euphoria’ is also highly anticipated. Its creator Sam Levinson made an appearance in the room, joking with Bloys about how they couldn’t take the characters back to high school after so long, “even though there are other series with thirty-year-old high school students,” in an undisguised jab at ‘Stranger Things’. Bloys has defined ‘Euphoria’ as the current television series with the most powerful cast of stars, and the truth is that since its creation, Zendaya, Sidney Sweeney, Jacob Elordi and Colman Domingo have become leading performers. Levinson states that “it is very nice to see how they win awards, the careers they develop over time.” Lanterns They are not the only ones: the return of ‘Industria’ with a fourth season has also been discussed, we have seen a frenetic trailer for the second season of ‘The Pitt’, which is arriving right now and which promises, at least, the same tension and a good pan of viscera. And beware, ‘Stuart Fails to Save the Universe’, a spin-off of ‘The Big Bang Theory’ starring, in an environment of multidimensional chaos, the owner of the comic book store from the original series. As Bloys says, “a show that Sheldon and Leonard would watch.” Although the most peculiar and most anticipated return has been the third season of ‘The Comeback’, twenty years after the first season and ten after the second, and where Lisa Kudrow (the unforgettable Phoebe from ‘Friends’) and the original creator Michael Patrick King (producer of ‘Sex and the City’) return. In this new satire of the world of series that comes at a sweet time for audiovisual satires after the triumph of ‘The Studio’, the fallen star played by Kudrow will face the threat of AI… but without science fiction elements. Casey Bloys New passions The truth is that What has caught our attention the most and best have been the new series. For example, ‘DTF St. Louis’ is a limited series about a love triangle between three adults (Jason Bateman, David Harbor and Linda Cardellini) that begins as a clumsy way of managing a midlife crisis and ends with one of them dead. Or it’s … Read more

Porsche is approaching a turning point in its history with the electric 718. And they are very clear on who to look at: Hyundai

by

In September 2019, Porsche finally presented the Taycanits first fully electric car. Well, we should better say something like “the first electric car of the modern era of Porsche“Be that as it may, the truth is that the car was a meteorite in the sports car industry. With the Porsche Taycan, the Germans had a statement of intent on their hands. With him they showed that their pulse was not going to tremble with that launch an electric car on the market no matter how much tradition and history it had behind it. Furthermore, they showed that they were one step ahead of the competition. With that electric car they could achieve scandalous figures… and dizzying sensations. Although we could expect modest sales, the truth is that the car achieved the embrace of the public and a very high volume of purchases. The cruising pace encouraged the company to think that yes, they had a market to exploit. Together with the strategy of a business group that is governed by European emissions regulations, it seemed clear that the majority of Porsche cars They would end up being electric sooner or later. The question is whether the Porsche Taycan distorted the strategy to be followed. The great success of a flagship model, exotic and far ahead of the rest of the market, did not have to anticipate a generalized embrace of this technology in all the company’s cars. The electric Porsche Macan, that once offered a V6 in one of the brand’s entry cars, it seems a good example of how not all Porsche customers are the same. Because a good part of the customers who opted for the Macan wanted to get closer to the sensations typical of Porsche at the price their pocketbook allows. These sensations have to do, in part, with that V6 heart that we mentioned before. And it is even more pronounced among those looking for a Porsche 718. While the Porsche Macan can be understood as a gateway to the brand, the Porsche 718 is understood as a gateway to “the Porsche experience”. Their customers don’t just want a Porsche, they want to enjoy the sensations that a central engine provides and the sound of a boxer engine. The latter is something that cannot be matched with an electric car, but the brand is convinced that it can simulate or equal the rest of the incentives that the Porsche 718 currently offers. And to achieve this they have looked to Hyundai. Hyundai as a reference Unlike most brands, which have limited themselves to jumping into electric cars by offering more and more powerful versions, Hyundai has done in-depth work with its cars to offer a truly passionate electric car. Or, at least, they have made an attempt to achieve it, which is much more than most brands. This strategy is part of the Hyundai Ioniq 5N. The first “electric N” was already born with a clear sporting vocation. Not only because of the jet of its 650 HP of poweralso for the sound of its soundtrack and a careful simulation of gear changes. The result has been so good that Porsche itself recognizes that the sports car has inspired them in the development of its next electric Porsche 718. a car that should simulate the sensations of a central engine placing the batteries behind the driver and thus shift the weight balance of the car to resemble what it now feels like with a mid-engine combustion engine. But the German company needs to put other incentives on the table. To questions from the Australian media DriveFrank Moser, responsible for the 718 and 911 ranges, has made clear the influence of the South Korean model. “We have learned a lot (talking about the Hyundai Ioniq 5 N). I have driven it several times. They have done it very, very well.” In his statements, Moser assures that the car was “developer”. He says that in one of these tests he notified Andreas Preuninger, responsible for the most radical area of ​​his sports cars, that he would come to pick him up at the controls of the South Korean car. Preuninger’s response was not encouraging, “leave me alone, I don’t want to see any of that.” However, he says that when he pressed the button that unleashes all the power and sportiness of the Ioniq 5 N, his partner was clearly surprised. One of the aspects that most surprised the Germans was the simulation of the sound and the gear change. Hyundai has done a great campaign highlighting the latter since it incorporates a mode that turns the vehicle into a sequential shift car. The idea is that despite being electric, the car does not always have the same thrust, taking away part of the torque that is available in the rev range in which it would supposedly be working. Toyota seems to be working on something similar and Honda incorporates the same mode into the new Prelude. In the absence of testing these innovations, what is certain is that Hyundai’s simulated gear change has received good reviews. In Top Gear They defined it as “quite funny.” “My more cynical disposition wanted to laugh at the Ioniq 5 N and its disguised gearbox. I wanted to say it was stupid and sad, and a waste of time. But in all honesty, I enjoyed it. Me impressed. It’s there if you want it. If you don’t, choose one of the quiet driving modes,” Ollie Kew noted in his article. Photo | Hyundai and Porsche In Xataka | China has turned the electric car market into a crazy race. And Porsche pays for it with billion-dollar losses

Liberalization brought us the lowest prices in the history of high speed. Everything indicates that it is about to end

by

A high-speed runner that is becoming more expensive and others that seem to have hit the ground. The arrival of competition to Renfe promised to reduce the price of train tickets. In fact, it reduced them. But the big question is knowing when they will rise again. Or, if necessary, how far they will end up going up. spring. It is the data that it collects the latest report published by the CNMC. It analyzes the price and occupancy of high-speed trains in our country. Specifically, the data refers to the months of April, May and June, which are the last recorded by Competition. It is an interesting study as it covers dates in which rail traffic increases, with passengers opting for this type of transport for their Easter holidays and first summer trips. The impact of both events is clear because despite offering 0.6% fewer seats, the number of travelers has increased by 4.4% compared to 2024. What do the data tell us? That we travel faster and faster. Because the previous data breaks down the high-speed markets open to competition and reflects that in the second quarter of 2025, a total of 11.8 million passengers boarded the high-speed long-distance train, 16.1% more than in the previous quarter and 15.2% more than in the same quarter last year. The data also tells us that clearly Spain moves at two speeds. One is represented by Madrid-Barcelona, ​​which increases its prices and remains the main corridor in the country. The other is the Andalusian or Valencian high speed, whose prices are already beginning to remain stable. The cheapest. The brokers who reduce their prices are, as we said, the Andalusians and Valencians. Traveling from Madrid to Seville was, on average, 8.6% cheaper than the previous year, boosted by the arrival of Ouigo as Iryo reduced its prices by 2%, AVE by 3.8% and AVLO raised prices by 3.4%. The average price of the trip was 49.47 euros. Below is the Madrid-Málaga corridor, which maintains a price about two euros cheaper but which barely changes its prices compared to the previous year (-1.2%). Again it is Ouigo who presses down. For their part, Madrid-Valencia and Madrid-Alicante have also significantly reduced their price compared to the previous year. In the first the decrease is estimated at 8.3% and in the second 8.7%. The (almost) cheapest. Although prices are lower In these corridors than in the same period of 2024, the truth is that the average ticket price has been lower. In all the previous cases, the average ticket price was lower in various months last year. In the graphs, in addition, a certain stagnation and slowdown in the fall is observed. It must be taken into account that, except for Madrid-Málaga, Renfe has considerably lowered the ticket price on its AVE. In the Sevillian corridor it has fallen by 3.8%, in the Valencian corridor by 10.6% and in the Alicante corridor by 11.6%. These falls, despite being partially offset by the increases in AVLO where the AVE falls, have a great impact on the average price of the ticket since a percentage drop in the AVE is more money than the same reduction in Ouigo, Iryo or AVLO, which are lower cost for the customer. That is, we have cheaper general prices, yes. But above all because Renfe seems to be pressuring customers to “jump” to the AVE, with an increase in the prices of AVLO and an evident drop in the price of its most expensive option. The most expensive. The corridor that has experienced the most increase in cost has been Madrid-Barcelona. Since competition entered, traveling between both cities has never been so expensive. At the beginning of 2024, the average price hit the bottom, standing at around 40 euros. On the same dates in 2025, that same bill was already looking at 50 euros. Between April and June, the average price reached 63.14 euros. All companies have made their tickets more expensive and no small feat. The cheapest average price was that of Ouigo, with 50.11 euros and despite this it became 18.7% more expensive. The second, that of AVLO (offer that no longer existswhich will continue to increase prices) with 51.95 euros and an increase of 14.5%. Between the two Renfe options is Iryo, with 56.01% and an increase of 22.5%. The AVE closes at the top with an average price of 73.91 euros and an increase of 13.1%. Have we hit the ground? It is the big question that arises now for the client. Although year-on-year prices have fallen, the truth is that we continue to see a slight increase in the overall price for the year or, at the very least, stagnation where the three companies operate at full capacity. Only the entry of Ouigo in Andalusia seems to have moved the market a little. But Iryo and Ouigo have been sending more or less clear messages that they are beginning to move away from the price war. Everything indicates that this was not sustainable to maintain these companies and both the italian as the french they seem to take new directions (with changes in address) now that its landing seems consolidated. “We will follow them”. Renfe, for its part, has been clearer. The company defends that the situation is not profitable for the companies and that sooner or later their competitors are going to raise prices. And the company does not seem to want to compete with them on price. Its president has already announced that if its rivals raise prices “we will follow them”anticipating a growth in the cost for the user that has already been seen in Madrid-Barcelona. Photo | Xataka In Xataka | Ouigo and Renfe have found a new way to make life impossible: torpedo repairs

has just invested them in the second largest purchase in its history

by

Pontegadea was born as an investment instrument for Amancio Ortega to channel the billionaire dividends that the millionaire obtained for your Inditex shares. These successful investments have turned Pontegadea into the second empire billionaire fashion mogul (and now also from brick). In this dynamic, Ortega has just received the second distribution of Inditex dividends in 2025, for a total amount of 1,552 million euros. This payment has served to cover the second largest purchase in the history of Pontegadea: “The Post” in Vancouver (Canada). Again, homemade from Amazon. Amancio Ortega’s last big purchase has been an enclave in the center of Vancouver. According to published Bloomberg, it is a complete block of offices in which the city’s old post office is joined with two imposing glass and steel buildings of 22 and 19 floors respectively. The name of the complex arises precisely from this historical origin of the Canada Post post office: The Post. The complex is made up of two office towers occupied by Amazon. In this way, once again, Amancio Ortega becomes Jeff Bezos’ landlord by purchasing another office building from which the ecommerce giant operates. In addition to Amazon, Ortega will be the homemade from other multinationals such as Starbucks, Oakberry or Loblaws City Market. 680 million dollars. The purchase of The Post is one of the greater investments of Pontegadea in its history, only surpassed by the purchase of the Royal Bank Plaza office complex (in Toronto), in which the Ortega real estate investor was left about 800 million euros in 2022. According to advanced Green Street Newsthe purchase of The Post has been closed for 1.1 billion Canadian dollars, which in exchange is equivalent to about 680 million euros. Its previous owner had remodeled the property into about 102,193 square meters of offices and about 17,200 square meters of commercial space. 2,000 million invested in one year. So far this year, Pontegadea and its subsidiaries They have completed 13 purchase operations and investmentwith just over a month left until the end of the year. According what was published by The Newspaperin the 13 operations that Pontegadea has closed in 2025, the real estate company has invested a total of 2,119 million euros. This amount makes 2025 the third year with the highest investment in the company’s history, only behind 2022 (with an investment of 2,783 million euros) and 2019, with 2,320 million euros. There are plenty of dividends. Amancio Ortega, as majority shareholder, controls 1,848 million Inditex shares or, which is the same, 59.294% of the company, through his companies Pontegadea Inversiones and Partler 2006. For this participation, Ortega has received around 3,104 million euros in two payments in 2025. The last of them, of around 1,552 million euros, was received just before this latest purchase became official. That means that although 2025 could be considered one of the busiest years Pontegadea investorwould still have a surplus of 985 million in its cash. He still has a month left and Black Friday in between. In Xataka | How much money Amancio Ortega has: how the fortune of the richest man in Spain is distributed Image | The Post, GTRES

The bloodiest scene in the history of cinema left its protagonist in shock. 50 years later we know it was real

by

Stephen King told that, for him, his Carrie It was like a pig taken to the slaughterhouse, and the blood of the animal reinforced the metaphor anticipating the massacre that would follow. Hence when the novel became a film, the most recognizable scene was the most visceral, organic and unpleasant of all. A gore moment that became celluloid history. The blood that changed terror. The Legend of Carrie (the movie) is born at the moment when a thick mixture of corn syrup and red food coloring falls on actress Sissy Spacek, a moment that has transcended horror cinema itself to become a cultural icon. The construction of the scene (the coronation interrupted by the explosion of humiliation and fury) concentrates the essence of a film that turned the artificial into something emotionally real. He Karo syrupheir to decades of cinematic experimentation with fake blood, here acquired an unexpected meaning by becoming the visual and psychological trigger for Carrie White’s transformation. Anniversary. Now that 50 years have passed since the original film, Spacek has remembered that that substance “warm as a blanket” in the first seconds soon became an exhausting, sticky and repetitive experience, forcing her even to sleep with the bloody suit so as not to have to reproduce the makeup application. But precisely that physical surrender, with its almost immobile and tragic presence under the weight of the thick liquid, is what granted to the plane that kind of mythical quality: the border between artifice and emotion is erased, leaving only the fixed gaze of a broken teenager who feels, for the first time, that the whole world is laughing at her. The infernal filming of a scene. The Independent said It’s been a few years since the prom sequence required almost surgical precision. Although the rest of the scene required more than thirty takes, the exact moment of the blood spill could only be filmed once or twice due to the impossibility of cleaning and recomposing the set. Spacek even accepted that it was her own husband who operated the cube mechanism to ensure that the fall was perfect, knowing that her interpretation would depend on how she received that hit of red viscosity. The fake blood was a physical enemy but also a dramatic element on which the story completely depended: its texture, shine, the way it adhered to the actress’s body and soaked her dress, everything contributed to giving the impression that something irreversible had happened. In fact, many of the scenes we saw ended up being very real: a stage that ended up accidentally burning, a team evacuated while the director I asked to keep rolling and injuries such as the perforation of an actress’ eardrum during the attack of the launched hose telekinetically by Carrie. What should have been millimeter choreography became an almost ritual experience, in which fire, destruction and general chaos seemed to respond to the internal logic of the film itself. The unexpected myth. Despite initial doubts, the rejection of critics who considered it a sensationalist spectacle and the fact that even the name of Stephen King appeared poorly written In the first previews, Carrie ended up transforming into a phenomenon. Its mix of operatic stylization, black humor, adolescent cruelty and symbolic violence connected with a much wider audience than expected, inaugurating a type of youth horror cinema that is still alive several generations later. For King, a small-town teacher who had thrown away the first pages to the garbage can before being rescued by his wife, the film marked the beginning of a hyperbolic race. For director Brian De Palma, it was the definitive consolidation of his baroque style, obsessed with the gaze, visual manipulation and expressive excess. A unique role. Of course, for Sissy Spacek, work meant an Oscar nomination and lasting recognition for a performance that combined absolute vulnerability and unleashed rage. On a personal note, I would say that none of the later remakesreinterpretations and adaptations managed to capture that mixture of innocence, evil and contained tragedy that the original became its hallmark. The validity of a story. The truth is that with the passing of the decades, Carrie has not lost strength. Quite the contrary, its contemporary reading resonates in a world where school violence, public humiliation and the feeling of youth isolation are part of the collective imagination. the movie speaks of the ritualized cruelty of adolescence, of vulnerability to changes in the body and of a universal feeling of maladjustment that Spacek described a few days ago on CNN like that “wounded teenager that we all have inside.” The combination of emotional realism and the tone of a dark story, almost biblical in some passages, turns the story into more than just an exercise in terror. The presence of a fanatic mother, the brutality of her classmates, and Carrie’s own inability to understand what is happening to her allow the story to oscillate between melodrama, religious parable, and Greek tragedy. The visual references, the use of color and the stylization of the final climax consolidate an imaginary that continues to define how psychological horror is filmed. in adolescence. The weight of artifice. Five decades later, Spacek’s memory of filming it’s contradictory: the physical hardness of the process, the exhaustion of wearing hardened layers of corn syrup, the extreme discomfort of the long days and, at the same time, the privilege of having worked on a project where each member of the team was dedicated to something that they did not know would transcend. That mix of technical suffering and unfiltered creativity explains why the blood scene has become an immutable symbol of horror cinema. What began as a practical necessity (creating cheap, realistic, and manageable gore) ended up leaving an indelible mark on how emotional violence is portrayed on screen. Perhaps for this reason, Carrie remains a most accurate study in fragility, repressed rage and the devastating power of humiliation, but also as a demonstration that even a sticky, artificial substance can, in … Read more

Log In

Forgot password?

Forgot password?

Enter your account data and we will send you a link to reset your password.

Your password reset link appears to be invalid or expired.

Log in

Privacy Policy

Add to Collection

No Collections

Here you'll find all collections you've created before.