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Disney+ has discovered that Generation Z does not want to watch its two-hour movies. So he’s going to give them vertical microdramas

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Disney+ has decided to join the battle for the viewer’s thumb. The company announced this week at CES that will incorporate vertical videos to its platform during 2026, a commitment to the format that dominates TikTok and Instagram. The news marks a strategic shift for a giant traditionally associated with the traditional (and horizontal) cinematographic experience. What does it consist of? If Disney previously sold large screens in dark rooms, now it is not exactly seeking to replace them, but rather to create a new habit: that opening Disney+ is a gesture as automatic as doing so with any social network. Netflix measures its impact in monthly viewing hours, but Disney wants what YouTube and TikTok already have: compulsive daily views. In an industry where engagement Everyday life has become the battlefield, Mickey and Spider-Man will learn to do choreography in vertical format. What will it include? Now, as explained by Erin Teagueexecutive vice president of product management, the plan aims for a feed personalized with algorithms that will mix news and entertainment. The raw material will be varied: from original productions designed for vertical format to recycled material from social networks and scenes from series or movies reformatted for mobile screens. Teague acknowledges that what they intend is to turn Disney+ into “a must-visit destination every day.” It is no longer enough to be the service where you can watch the latest season of something, but to be the one that you open without thinking, several times a day, just like you do with other apps that don’t even charge a subscription. where does it come from. The strategy does not come from nowhere. Disney had already tested the waters with the so-called “Verts” in the renewed ESPN application, launched in August 2025. Those vertical sports clips (highlights, quick analyzes, statements) functioned as a laboratory before escalating the bet to the rest of the Disney+ ecosystem. Rita Ferro, global head of advertising at Disney, commented in the presentation that ESPN had captured 33% of all live sports audiences during 2025 in the United States, leaving its closest competitor at 20%. The evolution of the vertical format. The vertical format has been redefining how we consume audiovisual content for years. Teague herself, before signing for Disney, worked for years on YouTube and witnessed from the inside how Google initially underestimated TikTok’s push. The answer (YouTube Shorts) was a long time coming, but when it did it changed many preconceptions: most of these short videos they end up consuming themselves on televisionsnot on mobile phones. The vertical conquered the living room, and that’s where Disney+ wants to be. Aside from this, Netflix tried publishing vertical anime videos in 2021, but never took the proposal beyond limited experiments. No competitor has yet found the formula, and Disney wants to be the first to get it right. Who has already done it. None other than Procter & Gamble, the multinational consumer products companyreinvent the soap opera and launch this January ‘The Golden Pear Affair‘, a “micro soap opera” of 50 episodes designed specifically for consumption on social networks, since its distribution will start on platforms such as Instagram and TikTok before migrating to its own mobile application. This is not advertising disguised as content: it is content designed from scratch to sell products: if the product placement classic interrupted the narrative, here the narrative is born to serve the product. Meanwhile, the fever of microdramas that conquered Asia a few years agoreaches other continents with production companies like TelevisaUnivision making compressed soap operas. The Spanish-speaking network has been exploring the “microdramas”ultra-brief versions of the soap opera format. and disney you know this works: Apps like ReelShort and Crazy Maple Studio have been dominating niche markets with sixty-second vertical dramas for years. Its model (free hook episodes, payment to unlock more chapters) has shown that addictive narrative works even atomized. These Asian platforms generate tens of millions annually with content that Hollywood would have considered impossible to make profitable a few years ago. Advertising implications. The vertical format is not just an aesthetic or generational issue. It is, above all, a new advertising space: Disney announced a metric that merges Disney’s own data with information from external providers, saying that the format was a very attractive space for advertisers. And it also introduced an artificial intelligence-powered video generation tool that allows advertisers to convert existing materials into renewed ads. It is no longer necessary to produce spots from scratch; just feed the machine with assets priors and brand guidelines. So now Disney’s recent deal with OpenAI does. acquires a renewed meaning. Transformation or concession. Teague openly acknowledged that “Gen Z and Gen Alpha aren’t necessarily thinking about sitting through two-and-a-half-hour long content on their phones.” Disney does not want to attract new generations to its classic catalog, but rather to speak in the same language as these young people who have always been its potential audience. For millions of users, cinema is no longer the basic unit of entertainment, and Disney has decided that, rather than compete with Netflix, it has to do so with WhatsApp, Instagram and TikTok. In Xataka | “I cried 152 times in 2025”: Generation Z lists their emotional crises and turns them into infographics

13 premiere movies and series to watch in January 2026 on Netflix, Prime Video, HBO Max and streaming

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New year, new recommendations. We come with an impressive avalanche of recommendations for you to start the year audiovisually. All platforms, all genres and all tastes. Don’t let 2026 catch you at a different pace, here are our proposals of all kinds for the month of January. him and her Promising six-episode psychological thriller starring Tessa Thompson (who also serves as executive producer) and Jon Bernthal, which follows a former news anchor who returns to her hometown to cover a crime. A detective suspects her involvement, pursuing her until he places her at the center of his own investigation. The twist: they were married, and they both knew the victim. A story full of twists and surprises that has a most attractive cast. On Netflix from January 8 Agatha Christie: The Seven Spheres He whodunit is, without a doubt, in fashion: the success of ‘Daggers in the Back’ or ‘Only Murders in the Building’ corroborate this, so Netflix has decided to resort to the sourdough of all this: three episodes based on one of Agatha Christie’s least adapted works. In a luxurious rural mansion, a high society party turns into tragedy when a practical joke against a known sleepyhead who is given eight alarm clocks set for 6:30 in the morning triggers a murder. In the cast, Mia McKenna Bruce, Helena Bonham Carter and Martin Freeman. Behind the scenes, Chris Chibnall, creator of ‘Broadchurch’, produces and writes. It includes scenarios filmed in Ronda, with the Real Maestranza bullring, the Puente Nuevo and the Palace of the Moro King. On Netflix from January 15 The loot Police thriller directed and written by Joe Carnahan (‘White Hell’, ‘The A-Team’), which reunites Matt Damon and Ben Affleck as protagonists and represents the first collaboration between Netflix and Artists Equity, the production company founded by the two actors. Inspired by true events, it follows a group of Miami agents who during a raid discover $20 million hidden in an abandoned safe house. The discovery unleashes a spiral of mistrust, ambition and moral dilemmas. Carnahan talks about the film as an homage to classic seventies crime thrillers like ‘Serpico’. Firm candidate to be one of Netflix’s first hits by early 2026. On Netflix from January 16 The Bridgertons – S4 New season of the hit series romantic, this time based on the third novel by Julia Quinn, which focuses on Benedict Bridgerton, the second and bohemian son of the family, and who has resisted marital conventions while his brothers have found marital happiness. It will premiere divided into two parts: Part 1 arrives on January 29 with four episodes and Part 2 on February 26 with the remaining four. The season promises a visual tone inspired by fairy tales, with an emphasis on the masked ball as a dream setting, and combining romance, secret identities, class tensions and the classic visual elegance of ‘The Bridgertons’. On Netflix from January 29 Beauty Science fiction and body horror at the hands of Ryan Murphy, with two FBI agents sent to Paris to investigate the mysterious and grotesque deaths of international supermodels in the world of haute couture. His research reveals the existence of a sexually transmitted virus that gives physical perfection to ordinary people, but with lethal consequences. The trail leads directly to a tech billionaire who has secretly designed a miracle drug. A reflection on the cult of the physical, in a film where performers like Isabella Rossellini stand out in a role that dialogues with her witch from ‘Death suits you so well’. On Disney+ from January 21 wonder man A bit of cover (and with a format binge watchingas already proven with ‘Echo’) the new Marvel series arrives at the end of January. With a meta point and some humor, it tells the story of Hollywood actor Simon Williams, who is trying to get his career off the ground. After a chance meeting with another actor, Trevor Slattery (Ben Kingsley, the fake Mandarin from ‘Iron Man 3’), Simon discovers that a remake of ‘Wonder Man’, a classic superhero film, is being prepared. The two actors, at opposite ends of their careers, will try to get a role. Developed by Destin Daniel Cretton, director of ‘Shang-Chi’, it is the first live-action project of Phase 6 in 2026. On Disney+ from January 27 The Death of Bunny Munro Six-episode British miniseries based on the novel of the same name by Nick Cave published in 2009. Matt Smith plays a sex-addicted beauty product salesman who, after the suicide of his wife, embarks on a chaotic road trip through the south of England with his nine-year-old son while a serial killer disguised as a demon stalks the area. A dark comedy about toxic masculinity and grief where Smith’s performance and his commitment to a repulsive character stand out. On Showtime starting January 30 The Demolition Brothers Action comedy directed by Ángel Manuel Soto (‘Blue Beetle’) that brings together two Hollywood action heavyweights: Jason Momoa and Dave Bautista. The film features two estranged half-brothers, an impulsive police officer and a disciplined Marine, forced to reunite after the mysterious death of their father in Hawaii. What begins as a family reunion quickly turns into a dangerous investigation. Explosive action, characteristic humor of its heroes and setting in the exotic streets of Hawaii. On Prime Video from January 28 crazy old woman Psychological horror that marks the directorial debut of Argentine screenwriter Martín Mauregui. Produced by JA Bayona, it stars Carmen Maura in one of the darkest and most disturbing roles of her career, and in it we will meet a boy who receives a message from an ex-girlfriend asking him to temporarily take care of her mother, who has senile dementia. What seems like a simple act of compassion quickly transforms into a claustrophobic nightmare that addresses, according to Bayona, how violence is transmitted from one generation to another. On Prime Video from January 14 The Pitt – T2 Nine months after the end of its acclaimed first season, … Read more

Tivify, what it is and how to watch all the TV in Spain for free and without registration

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Let’s explain to you what it is and how to use Tivifythe platform with which you can see dozens of DTT channelsonline television or on smart devices. It is a free service with ads, but it also has paid subscriptions. Let’s start by explaining what Tivify is, so you can understand the type of service it offers. Then we will tell you how to install it and how to use it, as well as review how much it costs and your two paid subscriptionsto finish by telling you how to see it on your mobile. What is Tivify Tivify is a platform to watch television channels onlinewith a concept quite similar to Pluto TV. Serves for watch DTT channels livebut it also has another series of different channels, both some thematic and others sports, and also a series of regional and international channels. Tivify has a free version with more than 250 free-to-air channelsin addition to the function of restarting a program to see it from the beginning. However, It also has other paid versions that add both additional channels and more functions. The main feature of Tivify is that in its free version It has very few ads, good lower quality in the image. In fact, it has fewer ads than some paid services and other free alternatives. As to the payment functions offered by Tivifyyou will have the option to control the programs or access broadcasts from the last seven days. You can also record a certain number of hours and have the recording available for 30 days, reorder the dials, cast them via Chromecast and be able to view them on more than one device at a time. Lastly, you should know that You don’t need to register to use Tivify in its free mode. You just open it and start using it. However, to subscribe to the payment options you will need to have an account. How to install Tivify You can watch Tivify from virtually any device, from any Android phone, tablet or TV to iPhone, iPad, Amazon Fire TV, Chromecast and TVs with Android TV, Samsung and LG. Come on, you can install it on almost all devices. You can install Tivify on your mobile phones and tablets from Google Play on Android, and from the App Store for iOS. On your smart TVs and Amazon Fire TV, look for the app in its official app storeand for any desktop computer you can access it from any browser with the web tivify.tv. How to use Tivify Using Tivify is very easy from any device. When you enter, you will directly access a channel, and below what you are watching you will have the channel guideas well as thematic tabs to be able to select them. Thus, while you are watching something you can browse the rest of the available content. you also have a section of U7D Serieswhat does it mean Last 7 Days. Here you can see the episodes of series that have been broadcast this week. So, you will know that you will have a week to see them before they disappear. When you are watching a channel, in the controls you will have a button to start a recording. Depending on the payment plan you have, you can record 150 or 350 hours, and they will be available for 30 days in the recordings section. The channels where this option is available will also depend on your plan. How much does Tivify cost? There are three Tivify plans, one free and two paid. We are going to tell you now what the main differences between them are, including a table so you understand it. tivify free tivify plus tivify premium Open channels More than 250 More than 250 More than 250 Mediaset + Atresmedia Channels No Yeah Yeah Premium Channels No No Yeah Program restart Yeah Yeah Yeah Program control No Yeah Yeah Access to Last 7 days No Yeah Yeah Recordings No Limited150 hours available 30 days On more channels350 hours available 30 days Dial sorting and playback on Chromecast No Yeah Yeah Linked devices 3 5 5 Simultaneous display 1 1 2 price 0 euros 2.99 euros/month 29.99 euros/year 7.99 euros/month As you can see, Tivify Premium is the first subscription, and it is quite cheap, although it will not include premium channels or the possibility of watching the content on two devices at the same time, the latter being an essential thing for sharing an account. There are also limitations when it comes to recording, although the time it offers is plenty. The difference is that if you want to access Premium channels such as AXN, Odisea, AMC, Canal Historia and several more, then you have no choice but to pay for the most expensive subscription, which does not have an annual plan. It’s always eight euros a month. How to watch Tivify on mobile As we have told you, stop seeing Tivify on your mobile you have to download its official applicationavailable on your mobile phones and tablets from Google Play on Android, and from the App Store for iOS. When you open the application, the same thing will happen as on the web. At the top a playback will automatically start, with a button to open it in full screen and the option to send to Chromecast. Then, below you can access other featured channels and programs, and there will be a side menu with the rest of the options. In Xataka Basics | The best streaming platforms 2025 | Comparison of Disney+, Netflix, HBO Max, Prime Video, Movistar Plus+, Filmin, Apple TV, SkyShowtime and Rakuten TV: catalog, functions and prices

has become a “series to watch in the background”

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The expected ending of ‘Stranger Things’ has unleashed a wave of criticism unusual among his followers. The fifth season, which Netflix launched on November 27, is being pointed out for presenting excessively basic and explanatory dialogues, among other problems derived from an excessive simplification of the series. Not understanding what this is about drop in the quality of the seriesfans have searched for possible explanations and believe they have found it: the “casual viewing” philosophy. What do people complain about? Social networks have been filled with fragments that illustrate a certain decline in writing from the series: scenes where the characters constantly verbalize What they are doing or feeling has generated ridicule and parodies. It has been said of the series slow down the pace “to offer hyper-detailed explanations of what is happening and what will happen next,” robbing viewers of the ability to construct the narrative for themselves. Added to this is a certain drop in the technical level and special effects, which has been seen in sequences such as the one at the beginning of the season, in which Will Byers moves in a completely digital environment and that produces an uncanny valley effect that many believed had already been overcome. Result: on Rotten Tomatoes, this season has barely scratched 84%the lowest score in the history of the franchise. What could have happened. Some fans have traced the possible causes to an extensive report by N+1 Magazine January 2025. Several scriptwriters who had worked for the platform revealed that Netflix executives regularly request that “the characters describe out loud what they are doing, thus allowing viewers who watch the series in the background to follow the plot without problems.” This practice responds to a category that Netflix calls casual viewing or casual viewing. It’s not just a ‘Stranger Things’ thing. There are studies They already talk about Netflix taking into account that we watch many of its series on our mobile screens. And several European producers already they received in 2022 Similar requests: programs that are understandable without having to look at the screen. For practical purposes, dialogues are more descriptive about what the characters are doing and easier to follow without the support of images. Series as popular as ‘Emily in Paris’ have already been described as ‘ambient television’ for having these characteristics. Beyond a specific problem. The demotion of ‘Stranger Things’ goes beyond a simple creative stumble: it represents a fundamental change in how streaming platforms streaming they conceive audiovisual production. The problem now lies in determining whether Netflix is ​​only adapting certain content to allow this viewing in the background, or if this aesthetic is here to stay… and spread. ‘Stranger Things’, symbol of things. But perhaps not what its creators would like. ‘Stranger Things’ closes its career not as the promised cultural event, but as an involuntary emblem of an industry that has decided to optimize content for viewers who, paradoxically, barely look at the screen. A decade later, the iconic Netflix series culminates in the form of a product designed to be watched without paying attention to it. In Xataka | All the unanswered questions left by Netflix’s purchase of Warner: a huge mess

All the Golden Globe nominations and where to watch them streaming

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The nominations for the 83rd edition of the Golden Globes confirm the prestige and impact of Paul Thomas Anderson, whose ‘One Battle After Another’ sweeps away nine nominations, leading this edition. The other surprise of the year, closer, are the two nominations for the Spanish film ‘Sirat’ (Foreign Language Film and Soundtrack), thus opening a door to the Oscars. This edition stands out for its notable internationalization: three of the six nominees for best drama are not filmed in English, and the Norwegian ‘Sentimental Value’ has eight nominations. On the other hand, on television, ‘The White Lotus’ dominates with six nominations. As for distributors and production companies, Netflix equals Warner in the number of nominations in film and leads the nominations in television. These are all the nominations and where to see them. Television Best supporting actor Best supporting actress Best Actress in a Comedy or Musical Best Actor in a Comedy or Musical Best Actor in a Miniseries, Anthology or Television Movie Best Actress in a Miniseries, Anthology or Television Movie Best drama actress Best Drama Actor Best drama series Best comedy series Best Limited Series, Anthology or Television Movie Best Monologue Performance Bill Maher (Bill Maher: Anyone else notice?). In HBO Max Brett Goldstein (Brett Goldstein: The Second Best Night of Your Life). In Movistar Plus+ and HBO Max Kevin Hart (Kevin Hart: Acting My Age). In Netflix Kumail Nanjiani (Kumail Nanjiani: Night Thoughts) Ricky Gervais (Ricky Gervais: Mortality) Sarah Silverman (Sarah Silverman: Postmortem). In Netflix best podcast Armchair Expert With Dax Shepard (Wondery) Call Her Daddy (Siriusxm) Good Hang With Amy Poehler (Spotify) The Mel Robbins Podcast (Siriusxm) Smartless (Siriusxm) Up First (Npr (National Public Radio) Cinema Best supporting actor Best supporting actress Best actress in drama Best actor in drama Best Actress in a Comedy or Musical Rose Byrne, If I could, I’d kick you Cynthia Erivo, Wicked: Part II Kate Hudson, Song Sung Blue: Song for Two Chase Infiniti, One battle after another Amanda Seyfried, The Testament Of Ann Lee Emma Stone, Bugonia Best actor in a comedy or musical Timothée Chalamet, Marty Supreme George Clooney, Jay Kelly. In Netflix Leonardo Dicaprio, One battle after another Ethan Hawke Blue Moon Lee Byung-Hun, No Other Choice Jesse Plemons Bugonia Best soundtrack best song best script Paul Thomas Anderson, One Battle After Another Ronald Bronstein and Josh Safdie, Marty Supreme Ryan Coogler, The Sinners. In HBO Max Maggie O’Farrell and Chloé Zhao, Hamnet Jafar Panahi, A Simple Accident Joachim Trier and Eskil Vogt, Sentimental value best director Paul Thomas Anderson, One Battle After Another Ryan Coogler, The Sinners. In HBO Max Guillermo Del Toro, Frankenstein. In Netflix Jafar Panahi, a simple accident Joachim Trier, Sentimental value Chloé Zhao, Hamnet Best foreign language film A simple accident (France) No Other Choice (South Korea) Secret Agent (Brazil) Sentimental value (Norway) Sound of Falling (Germany) Hind’s voice (Tunisia) Sirāt (Spain). In Movistar Plus+ Best animated film Best Film – Drama Frankenstein. In Netflix Hamnet a simple accident secret agent sentimental value The sinners. In HBO Max Best Motion Picture – Comedy or Musical Blue Moon Bugonia Marty Supreme No other choice New Wave One battle after another Best Cinematic and Box Office Achievement In Xataka | This new Netflix movie is so brutal that it has achieved an unusual milestone: sweeping the K-pop music charts…

so you can watch our channel for free with technology and science content

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We are very happy to announce that Xataka TV is now available on all Samsung televisions with Samsung TV Plus. This is our FAST channel with a selection of our technology and science audiovisual content. After debuting in the entertainment services of Xiaomi, TCL, Plex and Tivify, it now arrives at Samsung, which will make it easier for more people to access our most successful formats for free. YouTube channel. How to watch Xataka TV on your Samsung TV? You don’t need to register or subscribe to anything. If you have a Samsung TV, you just have to go to Samsung TV Plusthe free platform to watch movies, series, sports and more from Samsung, and search within the Entertainment channels. There you will see our logo in green, although you can also access directly by going to channel 4205. Your remote probably has direct access to Samsung TV Plus, so it’s even easier. Once you click on Xataka TV, you will automatically begin to see the selection of content that we have prepared for you, including the best of our recent gala of the Xataka NordVPN Awards 2025. Samsung TV Plus is also available on Galaxy smartphones and tablets with Android 11 or higher. Keep in mind that you will need an Internet connection to watch Samsung TV Plus and Xataka TV. What if I don’t have a Samsung TV? At Webedia and Xataka we are committed to bringing our content to more platforms than traditional ones, and connected television is one of them. For this reason, our Xataka TV channel is also now available on: Xiaomi TV+ TCL TV Plus Plex Tivify (dial 97) What can you see on Xataka TV? As a leading technology medium in Spanish and with more than 20 years of experience, we take care of our productions so that you have a good time with us and, above all, help you as best as possible with: Test and comparisons of tech products Tricks and tips to squeeze our products Reports Purchase recommendations Curiosities about science and technology We are waiting for you on Xataka TV! In Xataka | Samsung TV Plus: what it is, how it works and what channels it offers Tivify: what it is and how to use it to watch your channels for free and without registration

a two-minute microdrama to watch on your mobile

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Atresplayer has announced the premiere of the first Spanish vertical series. It is called ‘A Bride for Christmas’, it has 60 episodes of between 1 and 3 minutes, it is filmed to be viewed vertically on mobile phones and will be released on Flooxer. Starring Marina Baeza and influencer Carla Flila, the series tells a Christmas love triangle designed to be consumed like long tiktoks. Why is it important. It is not just another series: it is Spain’s entry into the global phenomenon of microdramasa format that makes millions in China, India and Latin America. Productions that condense drama, twists and cliffhangers in 90-second capsules, designed for brains accustomed to the frenetic pace of TikTok. Atresplayer has opted to adapt these fragmented consumption habits to Spanish audiovisual fiction. The backgroundeither. This format He was born in China with the name duanjus and then it conquered markets like Brazil, where platforms like Kwai or ReelShort generate a lot of money in micropayments and subscriptions. In Latin America there are already local production companies, such as SDO Entertainment in Argentina with Bon Vivantor We Latam with its platform Vyco. They all share the same premise: ultra-brief episodes, intense emotions, cliffhangers constants and a monetization model similar to that of video games. Yes, but. The reactions in Spain have been mixed: Some see it as a necessary innovation to attract young audiences and adapt to the times. Others criticize it as a surrender to attention deficit, as if the vertical format were synonymous with superficiality. The truth is that microdrama, conceptually, does not invent anything: serialized narratives, nineteenth-century soap operas or Latin American soap operas always played with suspense and concentrated emotion. Only the support and duration have changed. Main winner? Platforms that understand first that attention is the scarce resource. Atresplayer is ahead of the rest of the Spanish audiovisual sector with this commitment. If it works, it will have opened a new front of content adapted to mobile phones. If it fails, at least it will have tried something different in a market saturated with traditional formats. It doesn’t seem like it was exactly an expensive production. Go deeper. The underlying debate is not whether two or three minute episodes are too short, it is whether we are capable of telling impactful stories at any length. And if we are willing to accept that the vertical screen not just any frikada but the dominant format for millions of people who see the world through their mobile phones. In Xataka | The new fever in China is mobile series with one-minute episodes. And they prepare their landing outside Asia Featured image | Atresmedia

How to watch YouTube without ads and in the background without paying for YouTube Premium or installing fake apps

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Let’s tell you How can you watch YouTube without ads on your mobile or computerand even with the option to watch the videos in the background. These are features available to paying users on YouTube Premiumbut we are going to tell you how to do it without paying. We are going to do this using third-party apps, but without resorting to fake applications or those that are a modified YouTube and that expose you to privacy dangers. Nor are they the apps to listen to music on YouTube as if it were Spotify. Some browsers will help you with this There are three key functions that YouTube Premium offers you, which is to watch videos without ads, listen to their audio in the background, or even use the mode Qicture-in-Picture with which to watch videos in a floating window while you are using another application. This is something you can do with other paid apps. The trick is use some specific browsers instead of Chrome or Safari. They are perfectly normal, safe and legal browsers, so you don’t need to go around installing modified versions of YouTube that are going to become a problem for your privacy. There are three very popular browsers that you can use for this, which are Brave, Firefox and Vivaldithe latter with the extra of being a European alternative. You can find these browsers both in the official application store of your mobile phone, and you can also download them to your computer. Brave is the best option for mobileas it allows you to use PiP mode to have the video play in an overlay window while you do other things. Vivaldi, on the other hand, only removes the ads, which is no small feat either. Just remember, you have to use YouTube from the browsernot from the app, entering m.youtube.com. For background playback With Brave, you’ll need to turn it on in the app’s settings. For this you will have to enter the configuration, and in the section Multimedia. Here activate background playback. For the computer any of the three options are goodsince they will allow you to watch YouTube without ads. This is due to the internal blockers they have. In Xataka Basics | How to use Gemini to summarize YouTube videos or ask questions about their content on Android

13 premiere movies and series to watch in December 2025 on Netflix, Prime Video, HBO Max and streaming

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Good! Christmas right there and unless you work as Santa’s elf, everything indicates that you will be able to dig out the blanket from the attic where you have it and organize some good sessions with the stove, slippers and streaming. As these parties usually come loaded on the platforms, here are some ideas so that you don’t miss out on any news. Percy Jackson and the Olympians Among the many franchises that Disney found with the purchase of Fox was Percy Jackson, which had already given rise to two films at the beginning of the last decade that sought, like so many of the time, to find a new Harry Potter. Although they did reasonably well at the box office, their departure from Rick Riordan’s original novels earned them quite a bit of antipathy, which seemed to be moderated with a more faithful Disney+ series. Now comes the second season, where a teenager with a destiny bigger than he imagines travels across the United States fighting monsters and gods to return his lightning bolt to Zeus. On Disney+ from December 10 Mad Men – Complete Series There are series that never go out of style, and ‘Mad Men’ is, indisputably, one of them. After a time away from our screens (unless you subscribed to Lionsgate+), now you have the opportunity to binge the almost one hundred episodes of this satirical epic that perfectly portrays New York in the sixties. Donald Draper, executive of a major advertising firm, is the protagonist of this series that helps us understand each and every one of the vices of the society we live in now, sixty-odd years later. On Disney+ from December 14 The last outburst Is one of the best films in the history of Spanish cinema. Many say that it is the best: a mix of experimental cinema, vampire film and desperate and addictive love letter to cinema. Converted into a cult film, ‘Arrebato’ is the core of this unclassifiable (like its object of study) mix of documentary and fiction that investigates the strange black hole that the film represents for all those who see it and worked on it. ‘The Last Rapture’ follows the clues that would explain the disappearance of Iván Zulueta and his film, accompanied by Jaime Chávarri and the original actors of the classic, Eusebio Poncela, Cecilia Roth and Marta Fernández-Muro. On Movistar Plus+ from December 3 relay Among Movistar’s more or less unreleased releases, this thriller that seems to seek inspiration from the conspiracy thrillers of the seventies especially draws our attention. But updated, of course: now the target is anonymity in the internet age. Directed by the always reliable David Mackenzie, whom we remember from ‘Comanchería’, it stars Lily James, Riz Ahmed and Sam Worthington, and we will follow a scientist who has been fired after warning about the side effects of the project she was working on. But she has evidence that the company is hiding information and believes she is being persecuted. On Movistar Plus+ from December 26 good boy A simple and direct horror gem, practically silent, that in just 72 minutes tells a story told from the perspective of Indy, a dog who, together with his owner, faces supernatural phenomena in an isolated house. Continuously at the height of the dog, giving us a unique immersion in the story, the film avoids the typical anthropomorphic vision of the animal in a minimal budget experiment that plays with atmosphere and sound to create a feeling of constant threat. It took years to film, since the dog is the director’s real pet and is not trained to act. On Filmin since December 19 Zodiac Killer Project Only a killer like Zodiac could spark a documentary true crime like this one, where the important thing is, obviously, not the investigation and the identity of the criminal, but rather a deep reflection on the codes and topics of the genre. We will walk through the typical true crime scenarios, but stripped of all spectacularity, accompanied by a deep reflection on a completely saturated style and taking as a starting point, precisely, an abandoned documentary about the Zodiac Killer. On Filmin since December 26 F1: The Movie The movie that has turned around finances from Apple’s audiovisual division after a series of failures is this fast-paced sports film focused on Formula 1. We will learn the story of the most promising driver of the 90s until an accident is about to put an end to him. Thirty years later, he has become a kind of driver for hire who receives a proposal from a former teammate, owner of a Formula 1 team on the brink of closure. An authentic visual spectacle thanks to the realistic immersion in the races through first-person shots and effects without CGI tricks. On Apple TV from December 12 Fallout T2 One of the most popular science fiction series returns funny and praised in recent timesand also a production that has lifted the curse of video game adaptations, demonstrating that no project is sufficiently ambitious when it is done with knowledge of the facts. We also leave the first season at a very interesting point: Lucy searching for her father after being betrayed and the Ghoul searching for his family, who may have survived the Holocaust. And their steps take them to a mythical location. None other than New Vegas, legendary setting for the franchise. On Prime Video from December 17 Palm Springs Although it has been roaming around on all types of platforms for some time now, this cult comedy is always a delight that can be reviewed again and again thanks to how it reinvents the concept of a time loop with a contemporary tone and melancholic atmosphere. Andy Samberg and Cristin Milioti have perfect chemistry and together they go a step further than what we have already seen in classics like ‘Trapped in Time’. Here, Samberg is locked in a loop that repeats the same day over and … Read more

In 1982 Seiko created a watch for making calls and watching television. His only problem was arriving too early

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History is full of devices that were ahead of their time. I am not referring to literary or cinematographic machines like the tablet by Kubrick or the multiple predictions from Verne, but to other devices that were put on sale decades ago and now we realize that they are very similar to some of the latest gadgets on the market. One of these inventions was Seiko TV Watch. In its day this rarity was considered and recognized as the smallest television in the worldand even made appearances in some movies, but today no one can miss its striking resemblance to current smart watches, and in a way we could say that we are facing a distant relative. The history of this device began in 1972, but the first step was not taken by Seiko but by another North American company called Hamilton. They were the creators of Press P1the first digital wrist watch in history. The Japanese they acquired to Americans, and they embarked on their own path into the digital age by launching their first watch of this type in 1973. At that time it was said that society was moving towards a revolution in visual information, and to join it with its new range of watches the japanese company started to work on the research and development of liquid crystal panels (LCD) with active matrix that were capable of reproducing moving images. Over the following years, these efforts helped their watches become increasingly smaller and thinner, with higher component density and more energy efficient. They were also implementing new functions such as stopwatches and calculators. After three years of development and hundreds of millions of yen invested, the summer of 1982 Seiko advertisement in Tokyo a new watch. It was about TV Watchthe first to finally allow us to watch television on our wrist. This was Seiko’s TV Watch A watch that you can watch television on. Today this concept seems simple, but back then being able to carry it out was a little more complicated. The TV Watch was made up of three different elements that had to be connected together for it to work. The result was a science fiction product, yes, but a little uncomfortable to wear. On the one hand we had the clock, but we had to connect it to a radio and television receiver the size of a walkman. We also needed headphones, and these also had to be connected to the signal receiver. And how could you carry so much cable with you in a fairly comfortable way? Well, very simple, pay attention to this drawing that appeared in your manual. As you can see, the trick was to put the receiver cable under the sleeve to connect it to the watch. But in case we didn’t want to complicate our lives, the TV Watch also had a function to listen only to the audio of television broadcasts. The watch itself had dimensions of 40 x 49 x 10 millimeters and a weight of 80 grams, and all its magic was concentrated in its innovative 1.2-inch white and blue LCD screen with a resolution of 32k pixels and 10 shades of gray. I also had a second smallest screen in which we could see the time, set the alarm and use the stopwatch as with any other digital watch. During the presentation of the device, its creators had to give certain explanations about how they had achieved such ingenuity. They said their new panels controlled the molecular arrangement of liquid crystal within an electric field, and that this made it possible to create miniature images with very low power consumption. Especially when compared to the cathode ray tubes of conventional televisions. The receiver measured 74.5 x 125 x 19 millimeters and weighed 140 grams. This made it too big to carry in a back pocket, but perfect for the inside jacket pocket. Its battery consisted of two AA batteries that gave it a range of five hours, and it tuned both FM radio and television on VHF & UHF channels. What could have been and was not The TV Watch arrived on the Japanese market in December 1982 with a single DXA001 model that cost 108,000 yen, although a second, cheaper DXA002 model was later released. The difference between the two was that the second included a hearing aid instead of headphones, and its price dropped to 98,000 yen. In exchange, these two models today would be worth around 600 and 500 euros respectively. The presentation of the device managed to generate a lot of interest, and the watch made front pages of newspapers and headlines on television. It was considered an innovative product for allowing us access a large amount of information in real timeand it attracted so much attention that a year later it also ended up reaching the US market. Errr, okay? During its launch in Japan, Seiko managed to sell 2,200 units, and the president of the company’s North American subsidiary said that the reception from the American media had been so good that he believed he could sell all the ones they manufactured. This optimism translated into the production of between 15,000 and 20,000 units ready for export. But not everyone saw the TV Watch as an invention destined to revolutionize the market. In fact, it is known that at Sony they came to say that their laboratories had the capacity to develop a similar product, but that They didn’t think there was a big enough market. for this type of devices. In the end it turns out that they were right, and the watch did not end up becoming a successful product. In the TV Watch curriculum we find several dates indicated. In 1982 he won the Nikkei Award for Superior Quality Products and Services, and a year later he made an appearance in Octopussythe new James Bond movie. The watch culminated its career in 1984 by entering the Guinness Book of Records as … Read more

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