Album

Rosalía’s new album has been leaked two days before its release. Actually, it suits you very well.

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One of the most careful and meticulously planned promotions in recent times has received a bucket of cold water: the new album by Rosalia‘Lux’, which was scheduled to be released this Friday, November 7, has been leaked on social networks. The question, more than “How did it happen?” It’s more like “How could it have happened at this point?” First notice. A first notice of the leak came with the sudden appearance on Spotify of the second preview song from the album, ‘Reliquia’yesterday Tuesday. It only lasted on the platform streaming a few minutes and was removed almost immediately. What was initially understood as a marketing maneuver was soon identified by the artist’s record label, Columbia Records, as an error on the part of the company’s parent company in the United States. Apparently, ‘Reliquia’ was planned to be a preview prior to the release of ‘Lux’, but not yesterday, Monday. What does ‘Relic’ tell us? The quickest listeners also had the opportunity to look at the song’s credits: no less than seven co-writers, including, in addition to Rosalía herself, the American Ryan Tedder. He is a member of the OneRepublic collective, and has gained some fame as a successful songwriter for stars of many different styles, such as Adele, Beyoncé, Taylor Swift, Ed Sheeran and Beyoncé. Of course, there are already theories that speak of a premeditated leakand which can be read as a message in tune with the spirituality planned in ‘Lux’. Another leak. After ‘Reliquia’, the entire album has been seen on social networks and platforms such as Telegram in files titled ‘Lux Leak’, which has clashed with a millimeter promotional campaign that Columbia Records was preparing. Among other planned actions, there is an appearance next Monday in Broncano’s ‘La Revuelta’ or a private presentation party this Thursday, to which will be added a performance at the LOS40 Music Awards Santander 2025 gala this Friday, the day of the album’s release. The record company has not made an official statement. She’s not the only one. Rosalía is, of course, not the only one who has recently suffered leaks. In 2024 and 2025, someone had access to almost all of Drake’s new album, leaking seven songs and various unreleased materials. In 2024, 100 GB of unreleased content was leaked. In October, Taylor Swift’s ‘The Life of a Showgirl’ It was leaked hours before its official launchwhich even extended to physical copies that some fans received ahead of time. Previously, Swift had suffered leaks of demos and unreleased songs. The almighty K-pop combo BTS too suffered them in 2025although here we do have the culprit: a producer from his record company, who leaked demos of an upcoming album, forcing his label to modify the strategies for this future album. How good it is for you. Although officially, and beyond fan theories, the leak was an accident, the truth is Rosalía She is not going to be harmed by this situation.quite the opposite. The fact that it happened only two days before the worldwide launch not only does not hurt in material terms, but it means that we already spend several days talking about the subject before it arrives. The conjecture is not crazy: it is suspected that Madonna herself, who Today he praised Rosalía’s workhe did (supposedly) with ‘Rebel Heart’, Korn with ‘Untouchables’, and Beyoncé with ‘4’ and ‘Renaissance’. The line between the leak and the mystery teaser is very fine. What will come on Friday. Just a couple of days should not greatly affect next Friday’s launch. ‘Lux’ is Rosalía’s fourth studio album and contains 18 songs in its physical edition. It was recorded in collaboration with the London Symphony Orchestra and promises to be an ambitious work where classical music and experimental pop collide, and where themes linked to feminine mysticism and a certain desire for transcendence will be played. The lyrics are in 13 different languages, including Catalan, Spanish, Arabic, English, French, German, Hebrew and Japanese. In Xataka | Rosalía’s revolution with her score is not an isolated case: pop artists have turned suspense into the best marketing

Rosalía paralyzed the center of Madrid yesterday by surprise because she is no longer promoting an album: she is selling a great event

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Beyond her music, which in these cases always takes a backseat, it is clear that when we talk about Rosalía’s ability to sell her stuff, we are dealing with an artist who is one step ahead of her compatriots. In fact, in a certain sense Rosalía plays in a league of teasers, previews and management of expectations that places her closer to Taylor Swift either bts that together with Van Gogh’s Ear. What happened. Rosalia paralyzed the center of Madrid last night with a presentation as brief as it was chaotic of their new album ‘Lux’, turned into an unexpected act of performance urban: at 8:45 p.m., Rosalía began a live on TikTok in which he announced that something would happen at 10:00 p.m. in the Plaza de Callao. Thousands of fans turned out within minutes, drawn by the promise of a performance. The artist, who was personally driving a white car through Madrid while it was being recorded live, briefly appeared running along Gran Vía before taking refuge in the Capitol Hotel.​ Make yourself Lux. Shortly after, all the screens in Callao and the theaters in the area faded to black to finally show the cover of ‘Lux’: Rosalía dressed in white, with a kind of straitjacket and veil, golden lips and a blue background with the title of the album in the center, and with visual reminiscences (the posture of a certain serenity, the headdress, the title of the album) that clearly recall a nun. The album will be officially released on November 7, it is the artist’s fourth studio after ‘Motomami’ and comes preceded by some visual clues in recent days, such as the artist’s presence in Times Square or the enigmatic presentation a few days ago of a score. Not Kings, but a queen. The launch of Rosalía’s new album, Lux, began with a great promotional action in Times Squarein New York, on October 19, 2025, where his image and the title of the album occupied the iconic light screens of the place.​ There the images that we ended up seeing in Callao were shown for the first time in the chaotic (but very studied) presentation yesterday. About the sheet music. More enigmatic was the publication in your newsletter of some scores apparently titled ‘Berghain’ (which suggested a musical turn towards string arrangements, apparently opposed to the electronic spirit of the Berlin club with the same name as the scores). Thousands of fans began to interpret the score with different instruments and upload their versions to TikTok and X, turning the enigma into a collective experience of musical creation. This phenomenon is reminiscent of the way in which, before the release of ‘Desphá’Rosalía already showed for the first time her ability to play with expectations and not follow the hitherto immovable rules of marketing, all based on leaks and direct and apparently improvised communication with fans. New narratives. Rosalía is a good example of a new way of promoting albums, which have ceased to be isolated musical works and have become a constant call for attention. Taylor Swift is the ultimate example: months before the launch of her ‘The Life of a Showgirl’ we have had promotion on social networks, a wedding announcement and a successful documentary. Rosalía already is giving interviews in which he talks about a personal turn in recent years that will be reflected, of course, in the new album. The personal and the professional blur, with clues that the album could have religious content, anticipating an intimate and profound transformation. And very profitable. In Xataka | Rosalía released a statement to avoid the controversy about Gaza. There are those who think that it has not been clear enough

This album has been reproduced millions of times in Spotify but has not generated absolutely no benefit

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‘Crisis (The Worthless Album)’ by Valentin Hansen It is not, of course, a normal album. Because Hansen is not a normal musician. It is rather A performative artist that he plotted this conceptual album with a single objective: not generating benefit, not leaving a trace on Spotify, demonstrating how absurd streaming They are getting used to us. 30 songs. In 2021, the artist based in Berlin Valentin Hansen launched this ‘crisis (The Worthless Album)’ which consisted of 30 tracks, all of them of 29 seconds. Why this duration? He stayed for a second to monetize them, generate Royalties or to be registered in the metrics of the platform, according to the rules of use of the platform. But here comes the amazing: he used a smartphones hacked to reproduce the album countless times. And demonstrate that it would not even generate benefits. A design issue. As They count on contemporary100‘Crisis (The Worthless Album)’ won zero euros in total, but “not by accident, but for a matter of pure design.” Its purpose was to generate exactly that benefit. It’s about a criticism of the economy of streamingwhere an artist earns $ 0.004 per reproduction, but algorithms favor mainstreamto what is already established purely economic interests, which falls into a very complicated mousetrap to make profitable. “I want to show how broken the system is,” Hansen said about his experiment. Real songs. Hansen is a real musician. It makes a self -conscious and hyperproduced indie (in fact, ‘crisis’ has eight real songs, only that the tracks are interrupted every 29 seconds, as has been said, thus starting each song in three or four pieces impossible to make profitable) and, in fact, ‘crisis’ arose as a reaction to its most popular song, ‘Killing a Friend’, after 1,7 million reproductions, only got 2,000 euros. Hence the criticism of the Spotify payment system: said in an interview than the initiative Bandcamp Fridayin which the platform gives all its income to artists, is the most reasonable way to make money with music in streaming. Other experiments in Spotify. It is not the first attempt to play with Spotify’s legal possibilities and vericuetos: Royalties). All completely silent. The band encouraged their followers to reproduce the album in continuous repetition while they slept, generating royalties. The goal? Finance with that money a tour of free concerts. And it worked: in seven weeks and after about 5.5 million views, ‘Sleepify’ generated $ 20,000. Of course, Spotify did not like this sympathetic hairmade and eliminated the album of its platform, adducing violations of its content policies and commenting that, as an effect of the media impact of ‘Sleepify’, they had received a large number of silent albums. Spotify ended up modifying its legal section, prohibiting issues in full in silence. Spotify mandates. For what Hansen’s experiment serves is to talk about the absolute dominance of Spotify in the industry and how unfair it is, therefore, that he has so much power and can decide how artists are rewarded and in what terms. And how that benefits the platformbut not to musicians. Therefore, it is important that in the face of the propaganda that Spotify is democratizing and verticalizing musicdiscordant voices such as Hansen still dare to denounce an unfair situation with artists. In Xataka | We already know what the key to something that seemed impossible, to earn money in Spotify was: being an AI

The British who lost 700 million in Bitcoins when he threw his album has just achieved what anyone saw coming: his own series

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In the world there is only one hard drive that nobody has been able to find, but many remember. Contains between 7,500 and 8,000 bitcoins and, According to its owneris buried under tons of garbage in a Newport landfill, Wales. James Howells It has been trying to recover it for more than a decade because its digital assets exceed 700 million euros. He has not succeeded. However, its story is now more valuable than ever: an American producer has bought exclusive rights to turn it into docuserie, podcast and, if everything goes as planned, also into content for social networks. Howells is a computer engineer. He lives in Wales and has been obsessed for years with the idea of ​​recovering that device, which ensures that he keeps the private keys of a digital fortune generated in 2009, when the price of cryptocurrency had not yet risen. At that time, Bitcoin was a newborn experiment. It used to undermine from domestic computers and its value was so low that no one imagined what it would be. Howells was one of the first to get on that wave, and also one of the first to lose everything without having sold anything. A landfill, a digital fortune and an obsession without end to view As told the Guradian years agomore than a decade ago, while cleaning at home, confused hard drives. He threw the wrong. Shortly after, seeing how the price of Bitcoin raised, he realized what he had done. “Do you know when you throw something in the trash and you think ‘it’s a bad idea’? It really happened to me,” he told the newspaper. Since then he is convinced that the device ended up in the Docksway Municipal Villagemanaged by the Newport City Council. And since then, he has also tried to recover it by all possible means. Over the years he has presented different proposals to find the album. In 2022 came to raise an operation of 10.7 million euros To execute with a team of data recovery specialists, environmental engineers and specific machinery. Its plan included the use of artificial intelligence, a robotic arm to sift waste and even Boston Dynamic robot dogss. He also offered part of the money with the authorities and the citizens of Newport. But nothing worked. Authorities have always refused. They allege that environmental risks are too high, that the operation does not guarantee results and that the public cost, in case of failure, would be unassumable. In January 2025the British Superior Court rejected the claim of Howells, claiming that There was no “realistic possibilities” successful Shortly after, the resource was also dismissed. Howells represented himself in the view, using AI tools to prepare his case. It was not enough. Now plan Bring the case to the European Court of Human Rights. And meanwhile, consider another option: Buy the landfill. The City Council has announced that it will close during the 2025–2026 year and plans to convert part of the land in a solar park. For Howells, that decision disassembled one of the key arguments used against him in court: to suspend the activity of the landfill to dig would cause damage to the neighbors. If the closure is already underway, he maintains, there should be no more obstacles. He says he talked to investors and ensures that he has support to acquire the installation “as it is.” This whole route is the one that has captured the attention of Lebula producer based in Los Angeles specialized in multiplatform stories. As we point out above, he has acquired the exclusive rights of Howells’s history to develop what they have entitled ‘The Buried Bitcoin: The Real-Life Treasure Hunt of James Howells‘, a project that will combine different formats and channels. The objective is not only to tell the past, but also to follow in real time the next steps of the protagonist. The initiative includes “a premium format docuserie”, a narrative Póstcast and a short content strategy for social platforms. Lebul defines the project as “a live treasure search” that mixes technology, judicial drama and personal ambition with a very current backdrop: the promise of cryptocurrencies. As explained by the company, CGI effects and high -level narrative resources will be used to recreate the key moments of history and show the technical plan proposed by Howells. “This is not just content,” said Reese Van Allen, president of Unscripted Entertainment in Lebul. “It is a real -acting technological thriller With almost one billion dollars at stake, and Lebul is proud to bring it to the world. “The company affirms that the project has already aroused the interest of streaming platforms, global sponsors and relevant figures of the crypto ecosystem. At the moment, however, we do not know what service we could see, if it becomes a reality. “After seeing the documentary, people will understand that it is not crazy” Filming is scheduled for the summer of 2025, with an estimated premiere between October and November. The producer has also confirmed that the story will include the purchase attempt of the landfill, the last judicial failures and the current state of the conflict with the City Council. For Howells, this project represents a unique opportunity: “It is the first time that I will be able to clearly teach what we want to do in the landfill. After seeing the documentary, people will understand that it is not crazy,” told the BBC. The case has caught the attention of dozens of producers over the years. According to Howells himself, He received more than 200 proposalsincluding some winners of the Bafta and the Emmy. Until now he always said it was not the time. The legal battles were open, and the story still had no shape. Lebul’s announcement marks a change. For the first time, its history becomes a media project with calendar, budget and ambitions digital distribution. Is the hard drive really there? Is it still intact after more than a decade underground? Will you keep private … Read more

The Pitillo returns and looks like heroin hooked during the second album of the Strokes

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In the early 2000s, the New York Lower East Side was a hotbed of Indies Bands, where the voices loaded with apathy and the guitars scratching each note were merged with the smoke of half -consuming cigarettes. Under the neon lights, leather sucks and tight pants paraded as an unofficial uniform, marking the pulse of a scene that seemed to burn fast. Two decades later, that image is still alive, but has changed the stage. It is no longer a dark club in the Big Apple, but has moved to the Timelines of Tiktok, where the Z generation has adopted the Indie Sleazeself -proclaiming Hedi Boys. But is it only nostalgia or are we witnessing the resurgence of the pitillos? Does everything come back? The current trend is a shameless return to aesthetic codes that marked the beginning of the 21st century. But this time, it is not the musical underground that drives fashion, but social networks. Specifically, the Tiktoker Emma Winder, who manages the account I am Saint Laurentit has been one of the main catalysts of the resurgence of Hedi Boys. In a video that already accumulates more than 200,000 visualizations, Winder He has interviewed to several boys who seem out of a 2004 Dior Homme parade: leather jackets, dark glasses and pitillo jeans. Far from being a simple aesthetic choice, these guys present the look as a lifestyle that mixes arrogance, irony and a touch of nihilism. Instead of celebrating physical excess, Like the popular Chic proteinthe Hedi Boys They embrace extreme thinness, evoking a dark nostalgia that flirts with the Heroin Chic of the 90s. @emmaxwinder Hedi Boy Uk Invasion Hediboy Hedislimane ♬ Original Sound – I Am Saint Laurent The origins. To understand the rebirth of Hedi Boysyou have to go back to 2001, when Hedi Slimane assumed the creative direction of Dior Homme. Slimane had previously rejected a position in Jil Sander, but in Dior he found the perfect scenario to impose his aesthetics: very tight costumes, thin ties and a male silhouette so thin that it seemed tailored to the members of a rock band. There is nothing accidental. Slimane was an consummated photographer and an independent music lover. Photographed To The Libertines, Franz Ferdinand, The Strokes and The Kills, capturing that mixture of decay, Androginia and sordid glamor that defined the bands of the moment. At the same time, his parades in Dior Homme became the place where musicians, artists and aspiring models converged that sought to replicate that look that today seduces generation Z. The gap. This new trend is diametrically opposed to another that is also prevailing in the networks: Chic protein. On the one hand, the followers of the Chic protein They exhibit muscular bodies, hyperproteic diets and gym routines as strict as the lines of their jaws. At the other extreme, the Hedi Boys They reject that search for physical perfection and embrace a look that refers to the decadent rockers of the 2000s. Instead of muscular bodies, they prefer thin silhouettes, evoking the aura of Julian Casablancas or Pete Dohert in full self -destructive spiral. Beyond aesthetics. The gap between both styles is more than a simple choice of costumes: it is a cultural shock between those who see the body as a project to improve and those who use it as a canvas to express apathy, decay and nostalgia. However, this type of trends, as well as The Skinnytokpromote ideals that may have A negative effect On self -esteem, increasing anxiety and promoting eating disorders. But this new phenomenon is really a new counterculture or just an empty aesthetic filtered by the Tiktok algorithm? We may be in the presence of a superficial revival that feeds on postmodern cynicism, or also a resistance to extreme fitness culture. In any case, the debate is still open. Image | Thomas Hawk Xataka | We are in 2025 and millions of men worldwide continue to deny one thing: shorts

Ariadne Artiles opens an album from her childhood to celebrate her birthday… and she was already pointing out ways as a model

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Ariadne Artiles is celebrating and has taken advantage this special day to share your most personal album of memories. “Walking through some of the best moments of my childhood, today I celebrate the 43rd birthday of the older girl that I am and I hope to continue being for the rest of my life,” she wrote on her social networks. “I grew up believing that I could solve all the world’s problems and, although maturity gives you a harsh blow of reality, I am glad to see that I’m still that girl who believes that nothing is impossiblethat everything can be achieved if one desires it intensely,” he confesses. © ariadneartiles © ariadneartiles The author of mother life He has sent a message full of meaning to all his followers encouraging them to create “the life you want and don’t let anyone tell you otherwise.” “And, above all, may we never stop being the children we were. Don’t let anything or anyone steal our hope,” writes the model in a post that has received countless beautiful messages. “Thank you for the congratulations and so many expressions of affection and to all of you who accompany me along the way, family, friends “Thank you, because you make me very happy”, concludes this text that has been accompanied by some of his favorite photos. © ariadneartiles © ariadneartiles Their first ‘posed’ When you see all these images, it is clear that Ariadne pointed out ways from a very young age. This is how she posed in front of the camera, exuding self-confidence and self-confidence both in a bikini and with the most striking outfits, like this pink outfit with white polka dot and ruffle pants. Who was going to tell this young girl that it would end? fulfilling your dream and becoming an important model who would work in numerous national and international campaigns. © ariadneartiles © ariadneartiles Unforgettable moments with his parents and sister It’s endearing how, looking back, Ariadne remembers some of the moments when she was happiest. And in many of them were, of course, their parents and his little sister, Aida. On many occasions, the top Canary Islander has dedicated precious words to her parents, ensuring that she is the daughter of “a wonderful father“and that he was lucky “to enjoy him in every way and to have him constantly present in my life.” © ariadneartiles About her mother, Ariadne always has words of admiration every time she congratulates her on her birthday. “Since this day there has been no one who has not felt you close, sometimes too close, but that’s how we mothers are… Thank you for so much. I have always chosen you as a travel companion. I could literally go with anyone, but you will always be my best plan. With you time flies,” he once wrote. © ariadneartiles Ariadne adores her sister, whom she affectionately refers to as “my first baby“. “Nothing made me more excited than having a little sister to take care of, pamper and protect. Today I see my daughter Ari with her sisters and it is the perfect reflection of all those years that we lived together, hand in hand, so many memories, so much to tell… Aidita, as we call her at home, was my glass baby, with porcelain skin and a doll’s face, but more trash and brute than any. “It took me half my life to understand that I was not their mother, but I found out and I had no choice but to take a step back because neither brothers nor children can be protected for life, you have to let them fly,” he reflected. © ariadneartiles Your family, your engine The model has had a very happy birthday both personally and professionally. Although she is a tireless worker, she has always been clear that her family is her top priority. For more than 14 years he has maintained a consolidated relationship with the businessman José María García Fraile, son of the legendary journalist José María Garcíawhich always tries to stay in the background away from the spotlight. © Getty Images Together they have formed a dream family with their three princesses: Ariwho came into the world on December 31, 2017, and the twins Mary and Julietwho were born on April 16, 2021. Last year, Ariadne talked about how she managed to live between Gran Canaria and Madrid and confessed that the most difficult thing about being a mother is making peace, although she recognized that she is truly privileged. “I have worked hard to achieve it and I am lucky that they have a great father. “I have given myself the gift of being able to have them with me as much as I want and not taking them to daycare or school out of necessity,” he said. © ariadneartiles Precisely in mother life She is open-hearted and honest about her daily life with her three daughters, acknowledging that “Being a mother is a roller coaster, but it is worth it again and again“. Her girls are her greatest joy and they always surprise her with their occurrences. © ariadneartiles The model has instilled in them her healthy lifestyle habits and his great passions since very little. She makes the most of every minute she spends with her daughters and it is common to see her doing some of your favorite family plans: painting, reading, doing yoga, cooking, playing on the beach…

Frank Black celebrated the anniversary of an album that sounds better than ever now

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Regarding the grooves of his first album, Black changed things a bit in relation to what he had offered a couple of days before at the Fillmore in San Francisco; not in terms of the presence of the chosen songs, but in the order in which he presented them, because instead of performing “Los Angeles” in the first part of the concert, before launching into the entire “Teenager of the Year”, he left the piece for the closing segment. He did so with full knowledge that this is a cut that, for natural reasons, occupies a special place among his local fans, even though the lyrics seem to hint somewhat maliciously that he is referring to “another Los Angeles.” Before playing it, the host of the evening, who keeps his distinctive voice intact, introduced the musicians who accompanied him, almost all of whom came from our city; and at other times, he mentioned some of the experiences he has had in Southern California, implying the appreciation he has for a place where he has spent a lot of time. But he did not talk about the current fires, which could have left any casual viewer stunned, but which makes sense when it comes to an artist little inclined to public sentimental manifestations and even physical movement on stage. It was also appropriate that he ended the concert with “I Heard Ramona Sing”, another song from the debut album that attracted attention from its premiere for its catchy nature, and which once again achieved notoriety seven years later due to its inclusion in the band. soundtrack of “Scott Pilgrim vs. the World”, a film with which it had nothing to do (beyond the fact that the main character was in an ‘indie’ band), but whose female protagonist was precisely named Ramona. Made up mostly of the personnel who recorded “Teenager” – that is, bassist and keyboardist Eric Drew Feldman (who also produced the work), guitarist Lyle Workman and drummer Nick Vincent -, and with the addition of multi-instrumentalist Rob Laufer , Black’s band for the occasion naturally offered a particularly faithful interpretation of the plate; and he did the same with the cuts from the first album that were heard, in which Feldman and Vincent also participated. Aside from one mistake or another, the musicians established an impressive unity that was even more remarkable given that, outside of the two previous dates in the city of San Francisco, they had not really played together in a long, long time. And all they had to do was dedicate themselves to their thing, without fuss of any kind, to give life to an unforgettable night.

Nessa Barrett Wrote New Album ‘AFTERCARE’ To ‘Heal’

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EXCLUSIVE Source: Nasty Gal Nessa Barrett’s sophomore studio album, ‘AFTERCARE,’ was released on November 15. Dec. 6 2024, Published 2:49 pm ET Nessa Barrett feels refreshed and renewed after releasing her latest record, AFTERCARE. The brunette beauty opens up about the meaning behind her sophomore studio album, which dropped on November 15, during an exclusive chat with OK! while promoting the launch of her capsule collection with Nasty Gal. Article continues below advertisement Source: Nasty Gal Nessa Barrett dropped her first album, ‘young forever,’ in October 2022. Article continues below advertisement “AFTERCARE explores the complex emotions that surround s–, love and its aftermath,” Barrett explains. “I really wanted to write an album from a creative place, and explore concepts and a world that was new to me.” The TikTok star continues: “S– has always been taboo/uncomfortable for me, and so I wrote this album to heal that in myself and become an empowered, more confident version of myself, and I hope it does the same for the listener.” Article continues below advertisement Barrett’s candid honesty with her fans and having the opportunity to connect with them through her music is extremely important to the 22-year-old — who has been an advocate for mental health awareness during her time as a social media star. “Mental health is something that everyone should prioritize, and so I’ve always wanted to be open and share my experiences to let others know they aren’t alone. I make music to be the safe space and voice for others that I felt I didn’t have when I was struggling,” she declares. Article continues below advertisement Source: Nasty Gal The 22-year-old became famous as a breakout star on TikTok before emerging as a top artist. Article continues below advertisement Barrett’s latest music release was also a major inspiration behind her collaboration with Nasty Gal. “I love that Nasty Gal was also founded on the principle of female empowerment, something that is very important to me and was also the core message of my new album, AFTERCARE. This truly felt like the perfect collaboration for that reason,” she says of the fashion house. MORE ON: Nessa Barrett Want OK! every day? Sign up here! Article continues below advertisement Plus, leaning into her personal style —which she says is inspired by Pamela Anderson — helps Barrett transform into an unstoppable artist when performing. “I’ve always seen fashion as an extension of my worldespecially on tour. It’s a huge part of what helps me feel comfortable and expressive on stage every night,” the “dying on the inside” singer notes. “I love that fashion is truly just an expression of creativity and how you feel. It has always been a creative outlet for me, and I love how every person develops their own sense of it to communicate how they feel to the world.” Article continues below advertisement Source: Nasty Gal Nessa Barrett’s exclusive capsule collection with Nasty Gal launched in November. Article continues below advertisement When asked why she specifically wanted to partner with Nasty Gal for an exclusive capsule collection, Barrett admits she’s a fan of their affordable prices and sizing for all. “Creativity and exploring fashion should be accessible to everyone! I really appreciate brands like Nasty Gal for making fashion more accessible and fun across all price points — everyone deserves to feel hot and confident in what they wear!” she exclaims. Article continues below advertisement Source: Nasty Gal Nessa Barrett says she wrote her latest album to become a ‘more confident version’ of herself. As for a peek inside Barrett’s closet, the “die first” hitmaker likes to have a bit of everything — including the hottest trending styles and timeless staples she can’t live without. “Trends are usually informed by previous fashion history/older eras, so I like to develop my personal taste and style more than anything so that even with trends changing, I have a consistent style that expresses who I am and how I feel,” she explains.

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