After taking the plunge into games in physical format, Sony’s large disc factory is preparing for another future: optical microlenses

On July 1, PlayStation gave the death blow to physical games. Starting in January 2028, there will be no new games in this format for PlayStation consoles, marking the most aggressive initiative against this format that we have seen since Xbox’s moves in 2013 and Nintendo’s Game Key Card with Nintendo Switch 2. Let the physical format die It is an anti-consumer measure whose announcement comes just when Sony itself demonstrated, removing more than 500 films of your digital store, that users we do not own the digital products that we buy We only buy permission from companies to be able to use it for an indefinite period of time that ends when these companies decide that this is how it should be. These days in networks there was a big question: faced with such a drastic measure, Would Sony back down? Well, everything indicates that it is not because in Austria there is the only Sony disc factory, the one from which the majority of games come out in physical format for PlayStation and one in which its employees would already be receiving training to dedicate themselves to other things. And those things are optical microlenses. The great PlayStation game factory is recycled The proof that PlayStation’s decision does not only affect PlayStation’s own games is in the game box. If you look at almost any PS3, PS4, or PS5 game cover, will specify “made in Austria”. This is because in Austria, specifically in Thalgauis located (now the only one after the conversions and closures of American and Japanese plants) main Sony record factory. Sony’s own games come out of it, but also those of the rest of the companies that manufacture for PlayStation. It is estimated that Thalgau produces 600,000 discs every day, half of them for PlayStation, but as things are about to change, employees are already preparing. According to the Austrian media ORF Salzburgthe 300 employees of the plant found out about the decision on the same July 1 in which Sony announced the end of physical games for PlayStation, but contrary to what we might think, there will be no layoffs but a restructuring. They point out that Sony has invested 30 million euros in equipment to convert the factory into an optical microlens factory and employees are already receiving training for this. According to the report, the idea is that Sony will begin mass production of these microlenses next year. Your application? There are several, and in the age of AI, they can be used as equipment to connect racks, but from the department Sony Micro Optics they point out that an application of microoptics can be for the automotive sector. “Micro-optics is the miniaturization of optical systems and elements that serve to focus and direct light in the smallest possible space. For example, a car turn signal that is projected onto the asphalt.” And this is important because, as we say, since last Wednesday there have been voices that suggest that, with a year and a half left until 2028, Sony may rethink things and turn back. The problem with that thinking is that This is not a decision to be made lightly.and this immediate restructuring of their large record factory shows that the Japanese have been thinking about change for some time. No matter how many signature platforms are in place, it seems that the decision is irrevocable. And also a sample of what happens when you have no competition, since Xbox is neither here nor expected in this area of ​​living room consoles after the failure of their last two machines. And more now with the internal situation they have. Image | sony In Xataka | There are more and more physical video games that are paperweights. It is a tremendous problem for video games as art.

Frank Black celebrated the anniversary of an album that sounds better than ever now

Regarding the grooves of his first album, Black changed things a bit in relation to what he had offered a couple of days before at the Fillmore in San Francisco; not in terms of the presence of the chosen songs, but in the order in which he presented them, because instead of performing “Los Angeles” in the first part of the concert, before launching into the entire “Teenager of the Year”, he left the piece for the closing segment. He did so with full knowledge that this is a cut that, for natural reasons, occupies a special place among his local fans, even though the lyrics seem to hint somewhat maliciously that he is referring to “another Los Angeles.” Before playing it, the host of the evening, who keeps his distinctive voice intact, introduced the musicians who accompanied him, almost all of whom came from our city; and at other times, he mentioned some of the experiences he has had in Southern California, implying the appreciation he has for a place where he has spent a lot of time. But he did not talk about the current fires, which could have left any casual viewer stunned, but which makes sense when it comes to an artist little inclined to public sentimental manifestations and even physical movement on stage. It was also appropriate that he ended the concert with “I Heard Ramona Sing”, another song from the debut album that attracted attention from its premiere for its catchy nature, and which once again achieved notoriety seven years later due to its inclusion in the band. soundtrack of “Scott Pilgrim vs. the World”, a film with which it had nothing to do (beyond the fact that the main character was in an ‘indie’ band), but whose female protagonist was precisely named Ramona. Made up mostly of the personnel who recorded “Teenager” – that is, bassist and keyboardist Eric Drew Feldman (who also produced the work), guitarist Lyle Workman and drummer Nick Vincent -, and with the addition of multi-instrumentalist Rob Laufer , Black’s band for the occasion naturally offered a particularly faithful interpretation of the plate; and he did the same with the cuts from the first album that were heard, in which Feldman and Vincent also participated. Aside from one mistake or another, the musicians established an impressive unity that was even more remarkable given that, outside of the two previous dates in the city of San Francisco, they had not really played together in a long, long time. And all they had to do was dedicate themselves to their thing, without fuss of any kind, to give life to an unforgettable night.

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