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Bad Bunny deleted his Instagram after the Super Bowl. Everything is part of a larger project

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On Sunday, February 8, 2026, Bad Bunny starred in an unprecedented milestone in Super Bowl history by becoming the first solo Latin artist to star. the concert-show during the intermissionin a performance almost entirely in Spanish that reached more than 100 million viewers. Just hours later, the Puerto Rican artist deleted all of his content on Instagramleaving their more than 51 million followers in front of a completely empty profile. The avalanche of speculation has been immediate. What was seen? Bad Bunny’s approximately 13-minute concert turned the intermission into a visual love letter to Puerto Rico. The artist started walking through sugar cane fields, crossed a Puerto Rican street fair and incorporated La Casita, the iconic traditional Puerto Rican pink house that has become a distinctive element of his concerts. The fluidity of the camera, the variety of topics included, the surprise appearances of Lady Gaga and Ricky Martin, or guests such as Pedro Pascal or Jessica Alba stood out. The irony of the scenario. The choice of Levi’s Stadium in Santa Clara, California, as the setting for the largest celebration of Latino culture in the history of the Super Bowl takes on an ironic dimension in the context of 2026: California is going through one of the most intense episodes of immigration enforcement in decades. Immigration arrests in San Diego they shot up 1,500% compared to the previous year. For this reason, the political context surrounding the performance was especially tense. In October 2025, when the action was announced, Homeland Security Secretary Kristi Noem declared on a conservative podcast that ICE would be “everywhere” at the Super Bowl and that “only law-abiding Americans who love this country should attend.” The Trump administration had intensified raids in Californian cities while the Puerto Rican artist publicly expressed his fear that “the damn ICE could be outside” his concerts, which is why he canceled several on the US mainland and focused on his residence. Bad Bunny closed his performance with a bright sign that read “The only thing more powerful than hate is love.” Beyond music. ‘‘I should have taken more photos’, the artist’s latest album, has been described as “a cry of resistance” for Puerto Ricans everywhere: it is about preserving a culture in danger of disappearing. It was recorded entirely in Puerto Rico with collaborators exclusively from there. The 13-minute short film that accompanied the release of the album explores themes of loss, displacement and the fading of cultural identity. The project’s mascot is an endangered toad. And songs like ‘What Happened to Hawaii’ address issues like gentrification. This political charge is not new in the artist’s career. In July 2019, interrupted his European tour to return to Puerto Rico and join the massive protests demanding the resignation of Governor Ricardo Rosselló. In 2020, made visible on ‘The Tonight Show’ the murder of Alexa, a Puerto Rican trans woman. The Super Bowl performance was not an isolated event but the continuation of a narrative meticulously constructed across multiple platforms. The visual coherence (La Casita, the flags, the aesthetics) are the constant reminder that each performance is a chapter of the same project: pan-Latin representation in times of adversity. The strategy continues. The emptying of Bad Bunny’s Instagram profile just hours after his performance at the Super Bowl is not a break with his communication strategy, but rather its confirmation. In 2022, before the release of ‘A summer without you’, used the same tactic to generate expectation. That album would become the most successful Spanish album in history. In 2023 repeated the procedure after their world tour, announcing a period of hiatus. The difference in 2026 lies in the political context surrounding the gesture. While previous wipes functioned primarily as a prelude to new musical releases, this one comes on the heels of the most politicized performance of his career, which has included criticism of trump and threats from Secretary Noem. Unlike similar maneuvers that they already did Taylor Swift or Beyoncé, with this Bad Bunny continues with the construction of his transmedia project, whose next step is a world tour that will take the message to Australia, Japan or Spain, among other destinations. Each platform (the album, the stage, social networks) becomes a chapter in a story about Latin identity that transcends the merely commercial. In Xataka | Spotify killed the record and the industry pivoted to concerts. Netflix killed cinema and the industry was left with a “space crisis”

Europe produces more clean electricity than fossil electricity for the first time. The hard part starts now

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For years, the European energy transition advanced without completely displacing fossil fuels. Last year marked that turning point. According to the report European Electricity Review 2026wind and solar generated 30% of EU electricity in 2025, surpassing coal, gas and oil combined for the first time, which fell to 29%. As Dr. Petrovich explains by Emberwe are facing record growth. It is not normal to go from a 20% to 30% quota in just five years, but the numbers are there. The energy map is changing: there are now 14 EU countries where wind and sun generate more than gas or coal. In this scenario, Spain, Greece or Hungary already play in the league of solar powers. Beyond statistics. The milestone does not imply that Europe has left fossil fuels behind or that gas has disappeared from the system, but rather that it changes the hierarchy of the electricity mix. For the first time, variable renewable energies come to occupy the center of the electricity mix, while fossils are relegated to a technical and security support role. According to Emberrenewable energies as a whole contributed 48% of the EU’s electricity in 2025, practically half of the total, a figure that remained stable even in a year marked by adverse weather conditions, with less wind and less rain than usual. Coal, the most polluting fuel in the system, continues its withdrawal. In 2024 it fell to 9.2% of the European electricity mix, a historical minimum compared to the almost 25% it represented a decade ago. Gas, for its part, rose slightly compared to 2024, although it is still 18% below its 2019 maximum, confirming that its role in the system is increasingly residual. This rebalancing has consequences that range beyond the energy mix: Dependence on imported fossil fuels continues to be the main source of price instability and strategic vulnerability in Europe, even outside the climate debate. Five years that changed everything. The sorpasso – as it has begun to be called in the sector – is not the result of a mild winter or a stroke of meteorological luck. It is the consequence of sustained growth, especially in solar energy, during the last decade, accelerated very notably in the last five years. According to the reportsolar generation grew by 20.1%, this being the fourth consecutive year with increases of more than 20%, an unprecedented growth rate in European energy history. In absolute terms, solar reached 369 terawatt hours (TWh), more than double that of 2020, and the annual increase in 2025 alone is equivalent to the electrical production of three French nuclear reactors. A dizzying growth. This expansion responds mainly to the installed capacity. In 2025, 65.1 GW of new solar power was added in the EU, distributed almost equally between large plants and self-consumption on rooftops. All community countries increased their solar production, and in several of them—Hungary, Cyprus, Greece, Spain and the Netherlands—the sun already provides more than 20% of national electricity. As for wind power, although more affected by the weather conditions at the beginning of the year, it remains the second largest electricity source in the EU, with 17% of the total, above gas. The system, therefore, begins to rely structurally on variable renewables, something unthinkable just a decade ago. The reverse of success: when gas continues to set the price. Despite the historic advance of wind and solar, 2025 made it clear that gas continues to have a disproportionate weight in the European electricity system, especially in price formation. According to the think tank, gas-fired electricity generation increased by 8% in the EU, mainly to compensate for the drop in hydroelectric energy caused by the drought, and this greater use of gas raised the electricity sector’s import bill to 32 billion euros, 16% more than the previous year. The impact was especially visible in the electricity markets. Ember detects that price spikes They are concentrated in the hours with the highest gas use, while the hours with abundant solar and wind tend to make electricity cheaper. In 21 European countries, wholesale prices rose in 2025, driven almost exclusively by these fossil time slots. This is where the paradox of the current system: although gas no longer dominates by volume, it continues to set the marginal price of the market at critical moments. In other words, despite the oversupply, the price structure continues to be conditioned by fossil fuel when there is a lack of wind or sun. The new energy frontier. Ember’s report devote an entire chapter to what it considers the next big front of the transition: storage and system flexibility. Without these pieces, he warns, the sorpasso runs the risk of remaining a statistical victory. This was one of the large deficits of the European transition: investing massively in generation without doing so at the same pace in networks and storage. Batteries are now emerging as the piece that connects renewable success with stable prices and security of supply. Last year, the EU exceeded 10 GW of large-scale batteries in operation for the first time, more than double that of 2023. In addition, there is a portfolio of projects that could raise that figure above 40 GW if fully implemented. The first signs are already visible in countries like Italy, where batteries have begun to cover part of the demand during peak gas hours, reducing prices and displacing fossil generation. Physical bottlenecks: European infrastructure. It is not just a question of how much energy is generated, but where it enters and how it circulates within the continent. Europe has reduced its direct dependence of Russian gas, but continues to face physical limitations in terminals, transportation networks and cross-border connections. This substitution of Russian gas has been slowed by the slowness in the construction of critical facilities, such as regasification terminals and high-capacity networks, and by the insufficient interconnection between national electrical systems. This bottleneck explains why countries with abundant renewable production, like Spain, often cannot easily export that surplus, or why the European … Read more

It is now possible to book a hotel stay on the Moon for $250,000. Building it is still the complicated part

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The Moon has returned to the center of the board and, this time, not only as a symbol of the past. The conversation is no longer just about missions and flags, but also what kind of activity could be sustained there if access becomes more frequent. On that horizon a broader idea begins to appear, that of a future lunar economy, with services and infrastructure yet to be invented. And among all these possibilities there is one that is disconcerting from the start: tourism, the promise of changing traditional vacations for a stay away from Earth. Landing the proposal. What has been put on the table is not a ticket or a travel date, but the option of entering into a process to reserve a future place in something that does not yet exist. GRU Space has opened an early access application program to participate in its first lunar missions, a pre-filter that, if passed, allows you to move to the deposit phase and maintain a position in the queue. There are still no assigned rooms or a closed calendar for guests, and the company presents the process as a way to select participants and check their ability to travel, not as a direct purchase of a stay on the Moon. Money rules. Booking is not cheap, nor is it definitive. The first step is a non-refundable $1,000 application fee. If the applicant is selected, GRU Space offers two deposit options, $250,000 or one million dollars, which can be recovered at any time from the first 30 days and which would be applied to the final price if the hotel accepts guests. That price, the company itself warns, has not yet been set and will probably exceed ten million dollars, a useful reminder that here the easy thing is to sign up and the difficult thing is to materialize the trip. A huge ambition with a minimal structure. GRU Space is, for now, a small company with a very big speech. Its founder, Skyler Chanrecently graduated from Berkeley and has explained that for much of 2025 he was practically the only full-time employee, a context that helps understand the early nature of this initiative. The company has secured seed funding, but its current scale does not correspond to that of a consolidated industrial organization. It rather fits a startup trying to turn a long-term vision into an executable plan. The Moon as a destination, not as a simple stop. In GRU Space’s approach there is a recurring idea: space transportation is necessary, but insufficient. The company defends that the bottleneck is in habitability, in having structures where people can stay without continually depending on the ship that took them there. Under this approach, the hotel is not presented only as a tourist whim, but as a use case that would force us to solve problems of daily life outside of Earth. His argument is that such learning, if it comes, would serve as a basis for broader infrastructures. The calendar that the company publishes is carefully staggered and full of conditionals. In 2026, it plans to review applications and profile the first participants, and then, in 2027, assign invitations linked to missions and stays through a selection mechanism and private bidding. The next milestone is in 2029, with the sending of a construction load to the lunar surface as a demonstration of preparation for subsequent phases. In its technical roadmap, the deployment of habitat and systems arrives in 2031 and the “first hotel”, as such, remains for 2032, leaving the tourist premiere for the end of a chain of steps that, on paper, should go well consecutively. From inflatable habitat to lunar construction. The project does not start with a permanent hotel, but with progressive technical demonstrations. GRU Space first proposes validating the deployment of inflatable structures and their behavior on the Moon, a way of testing without carrying the weight of a traditional construction from minute one. If that phase works, the next step would be to manufacture construction materials directly there, using the lunar soil itself as raw material, through geopolymer processes that, at least in their early stages, depend on activators brought from Earth. The idea is to reduce dependence on mass shipments and move towards more solid structures, designed for a more stable occupation. The target audience for GRU Space is not limited to the eccentric traveler with a huge bank account. In his approach, tourism acts as a catalyst for the broader economy, a way of introducing private clients into an environment dominated until now by state programs. The idea is that these first users help pay for infrastructure that can later be used for logistical, scientific or industrial activities. It is a bet to create demand where it does not yet exist, with the risk that the market will not materialize as they hope. The project leaves a clear feeling: the simple part is measuring interest and capturing early commitments, the complex part begins later. Turning an idea into functional infrastructure on the Moon means depending on launchers, technologies still in testing, and impeccable execution for years. In this context, talking about reserves serves to test the market, but it does not clear up the central doubts. The question is no longer whether there are people willing to pay, but whether everything else will arrive on time and as promised. Images | GRU Space In Xataka | We already have an official date for the United States’ return to the Moon: it is imminent and mired in a sea of ​​doubts

a good part of its billion in revenue comes from the only market that still goes to the movies

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If we are ever going to have a negative answer to the question of “Can James Cameron stop killing it at the box office?” It certainly won’t be in the short term. ‘Avatar: Fire and Ash’ has once again swept theaters, and although perhaps a couple of aspects of the triumph need to be pointed out, it is indisputable that we are facing a new success: it has already exceeded one billion dollars. The figures. The third installment of ‘Avatar’ has reached 1,083 million dollars at the global box office after 18 days in theaters. The figure is divided into 306 million dollars in US territory and 777.1 million in international markets, confirming the traditional foreign dominance of the franchise created by James Cameron. The milestone comes slightly later than its predecessors (‘Avatar‘He achieved it in 17 days and’The sense of water‘ in just 14), which makes us wonder if ‘Fire and Ashes’ will manage to replicate the extraordinary long-term performance of its predecessors, which remained in first place at the box office for seven consecutive weekends. Gear change. The rhythm of ‘Fuego y ash’, as we have commented, contrasts with that of its predecessors. The 2009 film ended its run with a historic gross of $2.9 billion, while ‘The Sense of Water’ ended with $2.32 billion. Both films demonstrated exceptional resilience, remaining at number one in the ranking for seven uninterrupted weeks, an increasingly unusual phenomenon in the streaming era. The big question now is whether ‘Fire and Ash’ will manage to join the exclusive club of 2 billion movies. The first indicators suggest a decrease compared to the second installment, which in turn had already experienced a drop of 580 million compared to the original. If this trend is confirmed, ‘Fire and Ash’ would be the first ‘Avatar’ installment to stay below the two billion threshold, which could redefine the commercial expectations of the franchise, which as we already saw It is not enough to be one of the hits of the year to be profitable. The importance of China. As has been usual in the franchise, the success of ‘Fire and Ash’ depends largely on the foreign market: for example, in this installment 71.7% of revenue comes from outside the US: China leads the list with 138 million dollars, followed by France with 81 million, Germany with 64 and South Korea with 44. Only in China, the third ‘Avatar’ got the best premiere of the saga in the countrywith $57 million in its opening weekend. The IMAX format was crucial: generated 23.5 million dollars23% of the total Chinese collection. A success that is more significant considering that the Chinese market has remained practically closed to foreign productions in recent years. By the way, has already been dethroned. Disney sweeps away. One more year, this is not news, but let’s confirm the Disney’s absolute dominance at the box office. This third ‘Avatar’ is also the studio’s third film to surpass $1 billion this year, following the live-action remake of ‘Lilo & Stitch‘ (1,030 million) and ‘Zootopia 2’ (1,420 million, at the moment). That is, more than $6.58 billion at the global box office, a figure that has not been reached since before the pandemic. And without the need for Marvel (with three premieres that did not reach the expected figures nor the collections of other times) nor ‘Star Wars’. No other study has managed to produce a single billion-dollar movie since 2023 but it is worth remembering, of course, that Disney has not been short of failures at the box office: ‘Snow White’, ‘Tron: Ares’ and ‘Elio’ were well below expectations, which poses a paradox. Disney scores the biggest hits and the main failures of the year, making it clear that Disney has the blockbuster formula, but its brand is no longer infallible. Prudent Cameron. Despite the success, James Cameron maintains a cautious stance on the continuity of the saga. Before the premierealready said that “first, we have to make money from this. We each have to prove this absurd business case again.” Cameron recognizes that the industry has changed and that the theater market is going through a moment that makes any forecast possible. As revealedwould call a press conference to reveal the complete plots of ‘Avatar 4’ and ‘5’ if they were not finally made. Another option would be to novelize the scripts, a project for which he maintains a certain enthusiasm. In Xataka | James Cameron has committed to the 48fps format for ‘Avatar 3’. Many viewers find it disturbing

The 48fps format makes ‘Avatar 3’ hyperrealistic. It’s just what turns back part of the public

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The new installment of ‘Avatar‘ is distanced, in technical terms, from practically all the other films with which it shares the billboard: Cameron’s thoroughness when it comes to capturing his vision in images has led him to generate, for example, 45 different versions of the film adapted to the conditions of each possible type of theater. This has also led him to declare that the best format to see this third installment it is at 48fps. But not all cinemas are prepared nor does it necessarily have to be a dish to the taste of all viewers. What are 48 frames per second. James Cameron wants us to see 40% of ‘Avatar: Fire and Ash’ at 48 frames per second, double the film standardconvinced that this system offers the most natural visual experience to capture the world of Pandora. However, all previous attempts to impose HFR (High Frame Rate) have failed, since ‘The Hobbit‘ until ‘Gemini‘ by Ang Lee. The reason: to the untrained eye, the image is too sharptoo similar to home video. The question that remains is: why does Cameron opt for a technology that systematically causes visual rejection in viewers? Why Cameron likes it. James Cameron maintains a personal position on HFR: he refuses to classify it as a cinematographic format, but rather defines it as a creative tool at the service of narrative, comparable to any other technical resource. Approximately 40% of ‘Avatar: Fire and Ash’ has been shot at 48 frames per second, concentrating mainly on the underwater sequences and flight scenes where, according to the filmmaker, the increase in visual clarity enhances the feeling of spatial presence. How it works. Cameron’s technical strategy is articulated through the Variable Frame Rate (VFR), which dynamically switches between 24fps and 48fps according to the expressive needs of each scene. As Cameron explainshe framerate high is counterproductive in moments of dialogue or everyday interaction, where it generates an unwanted hyperrealism that emotionally distances the viewer from the fiction. Therefore, scenes with characters talking or walking remain in the traditional standard. The technical process is completed with TrueCutMotiona technology that allows you to adjust the level of motion blur and image smoothness scene by scene. This granular control is intended to avoid the dreaded “soap opera effect” that worked so poorly in ‘The Hobbit’. Cameron conceives of the HFR fundamentally as a technical improvement for 3Dnot as an autonomous aesthetic revolution. In Spain what is closest to Cameron’s proposal is lto Cinity technologyof Chinese origin, which only screens the Odeon network in five theaters and which combines 4K, 3D and HFR. Why does it look like that? The reason we see 48fps with that extreme smoothing effect is because cinema has operated at 24 frames per second since sound demanded standardization of projection speed a hundred years ago. Each frame captures the image for approximately 1/48 of a second, generating a motion blur that the human brain interprets as natural or rather, as “cinematic.” He HFR duplicates that information: 48 images per second with half speed motion blurwhich equals more sharpness in fast movements. The technical advantages apply above all to 3D projections, as Cameron assures: framerate High resolution prevents the image from blurring when panning, and reduces eye-straining flicker in 3D projections. It also helps maintain clarity in low-light scenes, where traditional 24fps results in blurry images. It’s your fault. What we must keep in mind is that the problem that we associate with 48fps It’s psychological, not technical.. Viewers have been trained for a century to associate 24fps with cinematic narrative and framerates superiors with television broadcasts. When the image is too sharp, the brain immediately detects the artifices of the staging. Digital effects, makeup, sets, everything is camouflaged with 24fps images, because we enter more easily into the lie of cinema. The HFR, however, is too clear, too revealing. Previous failures. The first major commercial commitment to HFR came in December 2012 with ‘The Hobbit’. Peter Jackson filmed his entire Tolkien trilogy at 48fps using RED Epic cameras, but the critical and public reaction was devastating because the image was too sharp, almost like that of a reality show. Technically there were no objections to the result, but at the same time it proposed an aesthetic opposite to what was expected from a fantasy story. The HFR versions were never released in domestic format, which makes them curious pieces of lost media in the digital age. Ang Lee went further with the semi-unknown ‘Billy Lynn’ and with ‘Geminis’, which raised the fps to 120. The first could only be projected in those conditions in six theaters around the world and the second, a few more but not many: fourteen in the United States. Both failed commercially, since the HDR versions were released covertly fearing a failure like ‘The Hobbit’. Once again the hyperstylized and fantastical aesthetic came face to face with the dizzying hyperrealism of 120fps. The exhibitors, in addition, they had to acquire HFR licenses for $500 for equipment that they would almost never use. In Xataka | It is possible that ‘Avatar 3’ will sweep and raise millions of dollars. And it is perfectly possible that you lose money despite it

There was a time when the Lottery Jackpot “took you away from work.” Today it barely takes away a part of the mortgage

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Someone who already has gray hair still remembers that, thirty years ago, May you get the Christmas Fat Man It was practically the key to financial freedom. With the full prize of one tenth (about 30 million pesetas in the 90s) you could buy several houses, pay mortgages and even ensure the well-being of your family with that stroke of luck. Today, with a prize of 400,000 euros (328,000 euros after taxes), that story sounds very different. One of the main conditions is that, in the mid-nineties, the real estate market in Spain I played in another league. Buy an apartment…or several In cities like Madrid, a home of about 90 square meters could be found for less than 14 or 15 million pesetas, according to official statistics. That meant that Fatty Christmas allowed to buy two apartments medium-sized in a big city, or buy one, pay off the mortgage and a good pinch to maintain a good margin of liquidity. In those years, the award was not just help: it was a complete break from financial worries. As was often heard at the doors of lottery administrations while the winners uncorked bottles of champagne, it was a prize that “kept you off work.” Thirty years later, the prize is still striking in terms of numbers, but its real purchasing power has changed. El Gordo has been frozen at 400,000 euros per tenth for more than a decade, while the price of housing has followed an almost constant upward trajectory. In Madrid, the average house price It ranges between 5,500 and 5,758 euros per square meter, which implies that with the 328,000 euros net of the prize, you can barely purchase 60 or 70 square meters at an average price. In practice, this means that Gordo no longer even guarantees a standard floor in many neighborhoods of the capital. Barcelona offers a similar image. With average prices located at 3,084 euros per square meter, the Gordo de Navidad allows buy a modest home or a medium-sized apartment in peripheral areas, but it is far from the purchasing capacity it had in the nineties. The comparison leaves no room for doubt: where before the prize opened the door to buying an apartment in the city and a house on the beachtoday it is barely enough for one, and not necessarily in the best conditions. The contrast is softened slightly if the market is viewed from more affordable cities. In capitals like Zamora or Lugo, where average prices are between 980 and 1,300 euros per square meter, El Gordo continues to allow you to buy spacious homes or even more than a small property. However, even in these more affordable markets, the premium no longer equivalent to that massive asset leap that it represented three decades ago. The difference is not so much in the amount of the prize as in the uneven evolution of prices. This purchasing capacity is also explained by the general price context. He housing cost It was much more aligned with the average income of the population and access to property was not subject to the housing and demand pressure that characterizes the current market. El Gordo, in that scenario, functioned as a real wealth multiplier. A Gordo with more salary, but less power make a salary comparison helps to better understand this change of scale. In the 90s, the average annual salary in Spain was around 2 million pesetas (about 12,000 euros). In that context, the Gordo of 30 million pesetas was equivalent to approximately 15 times the annual salary of a worker medium, which reinforced its perception as an immediate economic transformation: decades of income concentrated in a single stroke of chance. Today, according to the latest data from the National Statistics Institute, the median salary annually in Spain is around 23,300 euros. With this reference, the current Gordo’s 328,000 euros is equivalent to just over 14 times the median annual salary. The proportion, curiously, is not that different from that of the nineties. The big difference appears when that salary multiple faces the price of housing (and all goods in general), which has grown much faster than income. That’s the key to change. Although the premium maintains a similar relationship with salaries, your ability to buy a home has deteriorated drastically. The real estate market has become decoupled from wage growth, and El Gordo, by remaining fixed, has been trapped in the middle of that gap. What was previously enough to buy two apartments today barely covers one, and in many cases forces them to continue getting into debt, although to a lesser extent. The social meaning of Gordo has changed. In the nineties it was synonymous with total economic independence. In 2025, it is still an extraordinary stroke of luck, but its role has shifted, no longer guaranteeing financial freedom, but financial relief. In Xataka | There is something even more difficult than winning the Lottery Jackpot: not making mistakes with the Treasury when collecting it Image | Flickr (srgpicker)

Spain turns in the opposite direction to the rest of Europe. Form part of a geological plan: closing the Mediterranean

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Spain and Portugal are dancing to a different rhythm than the rest of Europe. They are moving clockwise and the consequence is clear: a long-term closure of the Mediterranean that connects the Iberian Peninsula directly to North Africa. The convergence between continents is slow, a few millimeters a year (so we will continue needing the tunnel between Spain and Morocco), but one thing is clear: another Pangea is on the way. And the Iberian Peninsula and Morocco will be a unit. In short. Continental plates move. Some separate, others collide, and that continental drift has caused the emergence the Pangea Ultima theory. In 250 million years, there will only be one continent. There is a long way to go for that, but now, some researchers from the University of the Basque Country have analyzed geodetic data that allows them to affirm that the Iberian Peninsula is rotating clockwise. This east-west rotation is driven by the convergence between the Eurasian and African plates, and the conclusion is clear: both are moving between four and six millimeters closer each year. This information is not new, but the researchers’ discovery is to specify the processes that take place at the diffuse boundary of the two western Mediterranean plates. Thanks, Gibraltar. Although the boundaries of other plates are well defined, this does not occur in the Western Mediterranean. There, the processes are much grayer, and there is something called “Gibraltar Arch” which plays an interesting role in this tectonic dynamic. To the east of the strait, the crust absorbs the deformation caused by the collision between the Eurasian and African plates. This ‘Gibraltar Arc’ acts as a buffer, but it has a consequence: in the west of the strait there is a direct collision between the plates, while in the east it is absorbed by the Gibraltar Arc. This lack of buffering from the southwest is what causes the clockwise rotation. Rotational strain rate field. Positive values ​​correspond to clockwise rotation, while negative values ​​refer to counterclockwise rotation. Active and potentially active faults are marked with solid and dashed gray lines, respectively. Double analysis. The researchers combined two types of accuracy analyzes to obtain these results. On the one hand, those of satellite deformation through GNSS system (Global Navigation Satellite System). Analyzing the data, they measured surface displacements with millimeter precision, relying on both permanent and occasional GPS markers. On the other hand, they also analyzed information from recent earthquakes that allowed them to determine the tectonic “stresses” in the area. They are independent data sets, but by crossing them they were able to draw a series of ‘lines’ that have allowed them to better specify the boundary between the plates. So that? Well, to better understand which sectors are in direct collision between plates and which are still more protected by the Gibraltar Arc. And the neighbors? The problem is that, although they claim that it is a rapid tectonic movement, this is true in geological terms. For us it is invaluable, but it also comes into play that we only have satellite data since 1999 and detailed seismic data since the 1980s. Even so, if with such a short range of data we have reached that conclusion in the annual approach, it is because the phenomenon is not in a hurry, but it does not pause either. And the most interesting thing is that this only affects the Iberian Peninsula. It is not that we are going to separate from France, since we ‘drag’ the rest of the continent thanks to the effect of the Gibraltar Arc, but we are not turning in the same direction as other neighbors. Italy, for example, experiences a counterclockwise rotation that exerts pressure in the alpine zoneand in the anatolian plate (where most of Türkiye is), there is also this counterclockwise rotation. Hello, Morocco. While in Turkey the consequence may be more earthquakes or mountain formations, this current speed of between 4 and 6 millimeters will cause, at some point, the Iberian Peninsula and Morocco to unite. This continental collision would close the Mediterraneanbut there is a lot left for it. How much? About 100 million years. They estimate that for 20 million years we will continue at the same speed, but within about 50 million years, things will gain momentum, accelerating the process and turning the region into one of the most active volcanic and seismic areas on the planet. It’s… foolish to worry. present utility. Now, beyond curiosity, the most immediate implication that the researchers point out is a better identification of active faults or areas in which previously unidentified tectonic structures could exist. Asier Madarieta-Txurruka, one of those responsible for the investigation, explains This information indicates where to look for these structures and boundaries to determine what type of folds and faults there may be. Thus, we can anticipate the type of earthquake that there will be and its magnitude in areas such as the Western Pyrenees or the region of Cádiz and Seville in which we know that there are numerous places with significant deformationbut we do not have well identified the active tectonic structures that cause them. And, although there is still a long way to go before the Alps and a new mountain range are founded across the peninsula and all of North Africa to Arabia, knowing better what we have right under our feet is much more useful. In Xataka | We knew that Africa was going to split in half. What we didn’t know was that it would happen so quickly.

Your employees are going to mobilize to claim part of those benefits

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Black Friday has become one of the most important sales days for global trade, and a unique opportunity for employees to give visibility to your claims pressing with mobilizations on one of the days with the highest sales volume of the year. On November 28, coinciding with the start of Black Friday, unions and representatives of the staff that make up the Inditex group throughout Europe, have called for different coordinated mobilizations in front of emblematic stores of the company in countries such as Germany, Belgium, Luxembourg, Portugal, France, Italy and Spain. These actions aim to take advantage of the moment of maximum commercial visibility to put the distribution of profits and the recovery of an extraordinary bonus linked to the group’s economic results at the center of the debate. Non-strike mobilizations. The unions and representatives of the Inditex European Works Council propose these mobilizations as another step after years of putting on the table the need for economic recognition for the collective efforts of the workforce. In their communications They point out that they have tried to sit down and negotiate with Inditex through other means, such as letters to management and requests at each meeting, but the company has not responded to their demands. As confirmed by Rosa Galán, representative of CCOO at Inditex, it is important to point out that this is not a strike, but rather protest concentrations at the doors of the main stores in the center of large cities to give visibility to their demands that come “after exhausting other avenues” and as one more step in their efforts to sit down to negotiate. They ask for the return of a bonus that disappeared. In Galán’s words, until 2020, Inditex employees throughout Europe received a variable bonus linked to the annual company profitsas a way of recognizing the contribution of the staff to the good financial results of the group. This incentive was closely linked to strong sales campaigns, such as Black Friday for its great impactso that a part of the commercial success also reached directly into the pockets of those who run the stores and support the day-to-day running of the company. However, after the pandemic that bonus was eliminated and has not been implemented again until this year, when has done so by limiting its application to the managers who form your shareholders meeting. A pat is not enough. Despite the good words and recognition that the board of directors dedicates to the group’s global workforce, the Inditex European Works Committee wants this recognition to materialize in the recovery of that bonus linked to profits in a context of good results financial like the current one. “We are asking once again that a company that has enormous profits, which are the result of the work of its staff, distribute those profits fairly,” stated Galan to Reuters. A context of growth. In the last exercises, the textile empire founded by Amancio Ortega has achieved record profits. In fiscal year 2024, closed on January 31, 2025, the brand recorded 5,866 million euros of net profit. This represents a growth of 9% compared to the previous year, thus adding its third consecutive year of historical results. The consolidated data of the first quarter of 2025 mark a continuing trend with an increase in net profit of 0.8%, up to 2,791 million euros. Inditex has not responded to our requests for information, although declared to the EFE news agency that “for the moment” is not going to issue any comment on the union announcement. In Xataka | A few weeks ago Amancio Ortega collected 1,552 million from Inditex: he just invested them in the second largest purchase in its history Image | Unsplash (Praswin Prakashan)

Last October was the second driest in the last 100 years. And Asturias has taken the worst part

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The storm that It is landing from this Thursday In our country we should not be fooled: we are not receiving enough rain for the time of year we are in. And we can say much more: Asturias is bearing the brunt of the droughtbeing somewhat surprising because we all have the image of a green landscape and constant rainfall. The notice. The AEMET national report It was already quite clear when he reviewed October 2025, pointing out that it has been one of the warmest and second driest months so far in the 21st century in Spain as a whole. But if you zoom in on some regions, the truth is that the situation is much more alarming. If we focus on the monthly climatological summary for October 2025 in Asturiasthe AEMET points out that it has been ‘warm and very dry’. And this is something that is confirmed by alarming data: Rainfall decreased, with 37.4 l/m² in October, 71% less than the reference value for the region in the months of October. This also makes it one of the driest since 1961. Hotter than usual: average temperatures of 14.6 °C, being 1.5 °C above the reference between 1991 and 2020, with average maximums of 19.7 °C and minimums of 9.4 °C. Throughout Spain. Beyond Asturias, the AEMET describes a very dry pattern in much of the interior and northern peninsula in October, with areas of extremely dry nature in sectors of the eastern Cantabrian coast, which fits with the marked deficit observed in Asturias and its Cantabrian environment. This contrasts quite a bit with other areas that had episodes of very intense rain, as in the case of western Andalusia, where it is getting used to having less rain. At the national level, the fact that October 2025 is the 16th driest in the series and, at the same time, the sixth warmest, reinforces the signal of warmer Octobers and the high interannual variability of rainfall, with October 2024 as the wettest in the entire historical series as a close counterpoint.​ The reservoirs. If there is not enough rain, we are faced with a drought situation that mainly affects the reservoirs. In the Asturian case, the Alfilorios reservoir is around 30% of its capacityd, which translates into a pre-alert situation for the Cantabrian Hydrographic Confederation, while Tanes remains below 50%which already affects supply planning in the central area of ​​Asturias. Given this situation, the Oviedo City Council has already activated measures anti-drought, such as the closure of ornamental fountains without a closed circuit, continuous jet fountains, the reduction of flushing and the cessation of irrigation of parks. Rains come. Although in Spain we are already seeing the arrival of intense rains with storms such as Claudiathe reality is that recovery from drought will depend on many factors such as the effective accumulation of precipitation and its distribution over time to feed reservoirs and aquifers. Images | Keith Mapeki Bogomil Mihaylov In Xataka | The two most important weather models in the world are discussing whether Santander is going to freeze next week. And the cold is winning

Regenerating tooth enamel is the holy grail of dentistry. And they have achieved it using a part of the sheep

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Cavities are a real nightmare for many because of the pain they cause and also because of the mandatory visit to the dentist, which for some It resembles hell itself. And it is no less a problem, since untreated tooth decay is one of the most common problems in the world, affecting some 2,000 million patients worldwide, such as point the Global Burden of Disease 2019. A serious problem. A cavity requires quick dental treatment, since it is impossible for them to cure on their own or with a simple pill. This is because mature tooth enamel, what we see of the tooth, is a hard tissue, without cells and, therefore, cannot regenerate itself once it is damaged by bacteria. In this way, if not treated, cavities progress, destroys the tooth and takes us straight to the dentist’s chair for a filling. This is where the dentist must remove all damaged enamel and replace it with some kind of putty that hardens to look like enamel, although it really isn’t. The objective. For years, science has been searching for the “holy grail” of dentistry: a method to regenerate enamel biologically. However, getting the enamel compound to grow in an aligned and orderly manner, as biology does, is a nearly impossible thing. The now. A team of researchers from King’s College London has achieved something radically new: using keratin, the protein found in our hair or even in the wool of sheep. With this project, the researchers, instead of betting on a “patch” as now, keratin self-assembles into a fibrous network and forms structures as if it were the perfect scaffold. This is where the magic happens. This keratin scaffold guides the ordered growth of the molecules that make up the tooth. The study discovered that the keratin structure itself is flexible and reorganizes itself during mineralization (changing from β-sheets to α-helices), actively orchestrating the formation of the new mineral layer. It has already been tested. To check If this new material worked, they took human teeth and artificially caused “white spot lesions,” which are the first visible stage of a cavity. With this base, the keratin film was applied and incubated in a mineralization solution, resulting in a comprehensive repair of the tooth with an adequate structure. The future. The most important thing is that this regeneration is not just aesthetic; It is functional. The study measured the mechanical properties of the repaired enamel and the results surpassed one of the current standard treatments: resin infiltration. Both in the hardness and mechanical properties tests, it was seen that the result was really positive when it came to being able to use the tooth as if it were the integral version. In this way, this study establishes a preclinical framework for using a platform based on keratin, a cheap, abundant and biocompatible material. The manufacturing process is simple and does not use solvents. This could represent a “paradigm shift” in the clinical management of early caries. Instead of just having to drill and fill them, the possibility of curing and regenerating them is offered to restore both aesthetics and mechanical properties. Images | Pierre Villedieu Ozkan Guner In Xataka | If you always brush your teeth after eating, science has something to tell you: you’re doing it wrong

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