Bad Bunny sings against gentrification and touristification. His tour has increased the price of hotels in Madrid by 29%

Bad Bunny has been on tour for a year and a half with an album that criticizes mass tourism and the displacement of Puerto Rico’s residents. Meanwhile, his time in Madrid has increased the average price of hotel rooms by 28.9% and its most emblematic setting (La Casita, a replica of a popular Puerto Rican home) has become a VIP area for celebrities. We are well aware of the contradictions of capitalism, but in this case, coming from where they come from, they have exceptional relevance. What happened to you. One of the most relevant songs from Bad Bunny’s latest album, ‘I should have thrown more photos’ is ‘LO QUE LE PASÓ A HAWAii’, a song that, has been analyzed in great detail because it denounces gentrification and the privatization of natural resources in Puerto Rico. To do this, he draws a parallel with the touristification process that has turned Hawaii into a destination for the rich and expelled its original communities. It is a problem that resonates in Mexico, Cuba and Spanish regions affected by mass tourism. The album was accompanied by a short film commentator filmed in a traditional home in Humacao, on the east coast of Puerto Rico, owned by Román Carrasco Delgado, an 84-year-old man. The house (with its wide porch and traditional kitchen) became the visual axis of the project: La Casita. Now, a portable version of it tours stadiums around the world, although its significance has partially changed. USA no. There was also a lot of talk about how on his world tour, Bad Bunny chose not to tour North America. He staged a residency of 30 concerts between July and September 2025 at the José Miguel Agrelot Coliseum in San Juan, Puerto Rico. And the first nine shows were reserved exclusively for residents there. The effect was absolutely unusual: the NGO Discover Puerto Rico calculated a tourist injection of about 200 million dollars in accommodation, transportation and restaurants; others spoke of 733 million including the impact on the international perception of the island. What came then was the inevitable express gentrification: short-term rentals grew 118% in August compared to the previous year. The mayor of San Juan himself recognized months later, at FITURthat visitor spending on the island had increased by 700 million dollars compared to 2024. That is, the album denounces mass tourism and the concerts, in turn, generated mass tourism in the low season. More than half of foreign visitors declared that the concert was the main reason for his trip to the country. Come on, the pattern of event tourism that saturates infrastructure and makes rent more expensive. Welcome Mr. Bunny. The ‘DeBÍ TIRAR MORE FOToS World Tour’ tour has been in Spain since May 30, 2026 and will extend until June 15, with ten concerts at the Riyadh Air Metropolitano. The impact on tourism is being noticed: In Madrid alone, hotel occupancy in the region reached 47% on average in the period between May 29 and June 14 and the average price per room has risen by 28.9%. The Association of Music Promoters estimates a total economic impact of between 185 and 220 million euros, and some 600,000 spectators will pass through the stadium, around 40% from outside the Community of Madrid. The Spanish Casita. The secondary stage once again occupied the center of the debate, due to its repertoire of visitors in Madrid and Barcelona, ​​which has included Esther Expósito, Ana de Armas, Marta Ortega, Álvaro Carreras, Lamine Yamal, Los Javis and Chiara Ferragni, inter alia. Aside from the famous guests, Bad Bunny’s team also selects fans from the general public to go on stage, and this selection process has generated criticism on social networks, since is systematically chosen to young women who respond to a very predictable standard of beauty. Bad Bunny has explained He doesn’t like the concept of the VIP area, so he decided to make a replica of the little house from the short film, with its kitchen and sofa. The intention, in his words, was to “democratize privilege through symbolism.” Many fans see in practice a social showcase which contradicts the message of the album. The original Casita. Let’s go back to Román Carrasco Delgado: he built his home in Humacao in the sixties with the help of his father and brother, both carpenters, block by block. It has three bedrooms, two bathrooms and a porch. In November 2024, a member of Bad Bunny’s team asked him for permission to use the farm as a location for the short film. Collection two checks: one for 2,400 dollars and another for 2,800. In September 2025, Carrasco filed a lawsuit against Bad Bunny and his partners before the Court of First Instance of Puerto Rico for six million dollars: five for unjust enrichment and unauthorized commercial exploitation of the image of his property, and an additional million for emotional damages and loss of privacy, given that since the release of the short film his house has not stopped receiving visitors and onlookers. His house was copied without properly compensating him, and although Carrasco assures that he does not wish Bad Bunny any harm and only wants to receive what is his, the Casita is, once again, the best symbol of the contradictions in the artist’s project.

If the question is who can turn Amancio Ortega into his personal tailor, we already have an answer: Bad Bunny

The launch of the joint capsule between the Galician giant Inditex and the Puerto Rican artist marks an unprecedented milestone in the industry. This long-awaited collection of 150 pieces, baptized as “BENITO ANTONIO”has landed this May 21 just in time to become the official uniform of his imminent I SHOULD TAKE MORE PHOTOS Tour for Spain. If the videos of “Get Ready With Me” (GRWM) flooded the networks looking for the perfect look for Rosalía’s concerts, with Bad Bunny the phenomenon will be very different. Given its 12 dates in Spain and 600,000 tickets sold, the stylistic dilemma has already been resolved in one fell swoop. As explained esquire, this capsule is not the typical merchandising on tour, but a democratization of the artist’s closet. There is no longer a need to invent or imitate your style: now your followers can directly wear your same aesthetic universe and street sensibility. Behind the alliance. Far from being a simple commercial move, choosing a security firm fast fashion to dress a global superstar hides a deep social message. Bad Bunny launches a declaration of rebellion against the inaccessible standards of the industry: good taste and style go beyond spending thousands of dollars on luxury brands. This phenomenon has been baptized by experts as a true “change of power.” As Professor Andrew Groves points out from the University of Westminster, wearing a Zara suit to events the size of the Super Bowl or the MET Gala conveys authority, but “that authority comes from Bad Bunny’s cultural standing, not a luxury house’s seal of approval.” The message beyond. Beyond fashion, the message is sociological and political. Choosing Zara (a Spanish brand with global reach) for the Super Bowl halftime or the MET Gala, an event historically dominated by Anglo-Saxon culture, was a declaration of intent. Bad Bunny uses his influence to tell the world that the Latin and working class identity no longer needs to ask permission or dress in Parisian haute couture to sit at the table of the most powerful. With this on the table, Inditex has not limited itself to hiring the face of a celebrity for a seasonal campaign. The final result shows that it was the artist himself who has adapted all of Zara’s machinery to his universe, his instinct and his identity. Strengthening the Galician firm as its head. The construction of this alliance has been a careful chess game designed over the last few months, evidencing Marta Ortega’s firm intention to strengthen her brand in the US market under the concept of fast couture or “affordable luxury”: The first advertisement in Super Bowl LX: In February, Benito performed before more than 100 million viewers wearing a tailored outfit (bespoke) cream color designed by the Spanish firm. Zara preferred intangible prestige to mass sales, refusing to commercialize the design, although it did have a close gesture by giving away exact replicas of the garment to the workers at its headquarters in Arteixo. The transformation at the Met Gala 2026: The next coup de effect It happened at the so-called fashion Oscars. The Puerto Rican braved the red carpet with a black double-breasted tuxedo custom made by Zara. The suit, sober and elegant, gave all the attention to a hyperrealistic makeup with prosthetics created by Mike Marino, which added “53 years” to the artist to adapt to the theme of the event about the aging body and discuss the social fear of mortality. He teaser by Marta Ortega: To confirm the rumors of the collection in an organic way, the president of Inditex herself wore it at the Longines Global Champions Tour in Madrid a new green cap with the embroidery “Benito Antonio”, advancing the news before the official statement. The soul of Puerto Rico spun into 150 garments. Developed side by side with its creative director Janthony Oliveras, the collection completely escapes tropical caricature. The specialized newspapers agree in praising the authenticity of the proposal, highlighting a design and aesthetics that, as it points esquiremoves between relaxed tailoring, artisanal textures, a great weight of color and basic garments oversizeideal for withstanding the heat of the imminent concerts. Added to this careful preparation is a rich graphic imagery created together with the prestigious M/M Paris studio. The visual identity of the clothing takes direct references from urban infrastructure, electric poles and everyday elements of the streets of San Juan, a decision that should not be interpreted as an exoticization of the Caribbean, but as a demonstration of a deep sense of belonging. Finally, as a definitive detail of loyalty to its roots, L’Officiel remember that Zara decided completely redesign its Plaza Las Américas store in San Juan, Puerto Rico, turning it into an immersive space to debut this capsule exclusively with its compatriots before making the final leap to the rest of the world. A commercial and identity milestone. With this collection, Zara and Bad Bunny have not only signed the most astute agreement of the year, but they have changed the rules of musical fashion. When thousands of fans fill the Metropolitan Stadium dressed in ‘Benito Antonio’ ​​basics, it will be demonstrated that the luxury of our era is not exclusivity, but the ability to make an entire stadium dress with your own identity. Image | Zara Xataka | Zara dressed Bad Bunny at the Super Bowl. That says much more about Zara’s plans than about Bad Bunny

Zara dressed Bad Bunny at the Super Bowl. That says much more about Zara’s plans than about Bad Bunny

On the grass of Levi’s Stadium, at halftime of the Super Bowl, the Puerto Rican artist made history Bad Bunny. At an event where ads cost $16 million a minute, he didn’t appear dressed in Gucci or Dior or Versace. Benito Antonio Martínez Ocasio “materialized” with a total look creamy white, almost angelic. A monochrome suit designed to float rather than step on, visually blending with the lime lines of the field. The big surprise was not only aesthetic but also corporate: behind that sobriety was Zarathe flagship brand of Inditex. It was a movement of contrasts. Just a week before, the singer had swept the Grammys with a spectacular design Schiaparelli haute couture. Going from the most exclusive Parisian craftsmanship to retail Arteixo’s overall performance in just seven days is not an accident, but rather a declaration of intent in the most expensive setting on the planet. The architecture of an “anti-luxury” look What we saw on stage was not off-the-shelf clothing, but a designer piece bespoke (custom made). The initial outfit consisted of pleated pants, a shirt, a tie, and a key piece: a padded sports-inspired t-shirt (linebacker) that evoked the protections of American football. All in a sober and calculated, stylized cream tone by his regular collaboratorsStorm Pablo and Marvin Douglas Linares. The design evolved in real time. Midway through the performance, Bad Bunny transformed his silhouette by adding a double-breasted double-breasted blazer in the same hue, elevating the sporty tone to classic sartorial elegance. However, so that no one forgets that sobriety is an aesthetic choice and not an economic necessity, the Puerto Rican maintained a single nod to status superstar on your wrist: an Audemars Piguet Royal Oak watch. A piece of yellow gold 18 carat with a malachite dial that served as a silent reminder: the suit may be democratic, but Bad Bunny’s time is money. Zara’s choice stood out even more due to the contrast with her companions on stage. While he wore the mark of high street par excellence, Lady Gaga appeared with a design from the Luar brand and a brooch representing the flor de maga (the national flower of Puerto Rico), maintaining the dialogue between fashion and cultural identity. This movement represents an alliance where both parties gain cultural capital, but from opposite directions: Zara seeks to rise towards luxury and Bad Bunny seeks to “come down to earth” towards authenticity. According to experts consulted in Guardianlike Professor Andrew Groves of the University of Westminster, seeing a Zara suit on a Super Bowl stage is a statement about the “power shift” (power-shifting). The suit projects authoritybut that authority comes from Bad Bunny’s cultural position, not the seal of a luxury house. It’s a way of saying that style doesn’t lie in price, but in narrative. Furthermore, there was an undeniable language connection. Being the first artist to perform at halftime entirely in Spanish, challenging the Anglo-Saxon hegemony of the event, the choice of a global brand of Hispanic origin came full circle. As they pointed out from the Vigo Lighthouse“Zara is Spanish, as is its music”, the shared language functioning here as a tool for mass projection in the American market, beyond the complex historical legacies. Fast Couture and the commercial counterpoint For Zara, this is the culmination of a strategic shift. The brand issued a statement highlighting that “artistic vision” was prioritized and clarifying a crucial point: this outfit will not be made available for sale. By renouncing the immediate mass sale of the product, Zara positions itself as a creator of culture and visual narrative, moving away from the image of a seller of quick copies. They have preferred the prestige of having been there to the immediate cash benefit. However, the commercial machinery did not stop completely. Here lies the genius of the strategy: while Zara capitalized on the immaterial prestigethe tangible business was at the feet. The sneakers that completed the set were not from Inditex, but rather the BadBo 1.0his most personal collaboration with Adidas. Unlike the unaffordable tailored suit, these did go on sale just 24 hours after the show for about 160 euros. The artist achieved the perfect balance: narrative exclusivity for clothing, mass consumption for footwear. Benito’s clothing functioned as a canvas for encrypted messages that the internet attempted to decode in real time. On the one hand, the padded T-shirt read the artist’s maternal surname, “OCASIO”, along with the number 64. Speculation soared: Was it the year of birth of his mother, Lysaurie? A reference to the victims of Hurricane Maria? A nod to a Billboard music record? Finally, the most intimate answer was given Complex Magazine: The number was a tribute to his late uncle, who wore that number during his time as an American football player. Bad Bunny turned a sports shirt into a family love letter. On the other hand, white as a political response. The color cream/white It wasn’t accidental either. Colorimetry experts They point out that this tone conveys transparency, purity and leadership (“I have nothing to hide”). This visual message gains strength after his speech at the Grammys, where he protested against ICE (Immigration Service) stating: “We are not savages, we are humans.” Wearing angelic white in front of millions of spectators visually counteracts the narrative of danger associated with Latino immigration in certain political discourses. Marta Ortega’s plans To understand why Zara invests resources in dressing a superstar without then selling the clothes, you have to look your recent business strategy. Inditex, under the presidency of Marta Ortega, is trying to distance Zara from the stigma of fast fashion to bring it closer to fast couture or “affordable luxury.” A clear example is the recent reopening of its store in Barcelona, ​​designed by the Belgian architect Vincent Van Duysen with an aesthetic of boutique deluxe. Zara no longer wants to compete only on price with Shein or Primark; wants to compete in image and experience with luxury brands, maintaining affordable prices. Dressing Bad … Read more

Bad Bunny deleted his Instagram after the Super Bowl. Everything is part of a larger project

On Sunday, February 8, 2026, Bad Bunny starred in an unprecedented milestone in Super Bowl history by becoming the first solo Latin artist to star. the concert-show during the intermissionin a performance almost entirely in Spanish that reached more than 100 million viewers. Just hours later, the Puerto Rican artist deleted all of his content on Instagramleaving their more than 51 million followers in front of a completely empty profile. The avalanche of speculation has been immediate. What was seen? Bad Bunny’s approximately 13-minute concert turned the intermission into a visual love letter to Puerto Rico. The artist started walking through sugar cane fields, crossed a Puerto Rican street fair and incorporated La Casita, the iconic traditional Puerto Rican pink house that has become a distinctive element of his concerts. The fluidity of the camera, the variety of topics included, the surprise appearances of Lady Gaga and Ricky Martin, or guests such as Pedro Pascal or Jessica Alba stood out. The irony of the scenario. The choice of Levi’s Stadium in Santa Clara, California, as the setting for the largest celebration of Latino culture in the history of the Super Bowl takes on an ironic dimension in the context of 2026: California is going through one of the most intense episodes of immigration enforcement in decades. Immigration arrests in San Diego they shot up 1,500% compared to the previous year. For this reason, the political context surrounding the performance was especially tense. In October 2025, when the action was announced, Homeland Security Secretary Kristi Noem declared on a conservative podcast that ICE would be “everywhere” at the Super Bowl and that “only law-abiding Americans who love this country should attend.” The Trump administration had intensified raids in Californian cities while the Puerto Rican artist publicly expressed his fear that “the damn ICE could be outside” his concerts, which is why he canceled several on the US mainland and focused on his residence. Bad Bunny closed his performance with a bright sign that read “The only thing more powerful than hate is love.” Beyond music. ‘‘I should have taken more photos’, the artist’s latest album, has been described as “a cry of resistance” for Puerto Ricans everywhere: it is about preserving a culture in danger of disappearing. It was recorded entirely in Puerto Rico with collaborators exclusively from there. The 13-minute short film that accompanied the release of the album explores themes of loss, displacement and the fading of cultural identity. The project’s mascot is an endangered toad. And songs like ‘What Happened to Hawaii’ address issues like gentrification. This political charge is not new in the artist’s career. In July 2019, interrupted his European tour to return to Puerto Rico and join the massive protests demanding the resignation of Governor Ricardo Rosselló. In 2020, made visible on ‘The Tonight Show’ the murder of Alexa, a Puerto Rican trans woman. The Super Bowl performance was not an isolated event but the continuation of a narrative meticulously constructed across multiple platforms. The visual coherence (La Casita, the flags, the aesthetics) are the constant reminder that each performance is a chapter of the same project: pan-Latin representation in times of adversity. The strategy continues. The emptying of Bad Bunny’s Instagram profile just hours after his performance at the Super Bowl is not a break with his communication strategy, but rather its confirmation. In 2022, before the release of ‘A summer without you’, used the same tactic to generate expectation. That album would become the most successful Spanish album in history. In 2023 repeated the procedure after their world tour, announcing a period of hiatus. The difference in 2026 lies in the political context surrounding the gesture. While previous wipes functioned primarily as a prelude to new musical releases, this one comes on the heels of the most politicized performance of his career, which has included criticism of trump and threats from Secretary Noem. Unlike similar maneuvers that they already did Taylor Swift or Beyoncé, with this Bad Bunny continues with the construction of his transmedia project, whose next step is a world tour that will take the message to Australia, Japan or Spain, among other destinations. Each platform (the album, the stage, social networks) becomes a chapter in a story about Latin identity that transcends the merely commercial. In Xataka | Spotify killed the record and the industry pivoted to concerts. Netflix killed cinema and the industry was left with a “space crisis”

Bad Bunny has decided not to take his tour to the United States. And so it has generated 196 million dollars for Puerto Rico

Bad Bunny is, in all likelihood, The most important Latin artist in the world. And among its most striking characteristics is not only not having renounced its roots, but to show them: we all know that it is Portarriqueño because its music presumes its origin incessantly. And that is what has made him one of the most notable financial assets in his country, despite his international draft. An example. One of his greatest recent successes, ‘Newyol‘, it’s a Dembow that sample a song of Andy Montañez and the great combo of Puerto Ricoimportant Portive interpreters of salsa. His video clip shows scenes of the daily life of the Puerto Rican diaspora in New York and shows the statue of freedom with a country’s flag. The lyrics speak of the portorriqueña identity and its traditions. It is just another example in a discography full of winks, but very notable since THE MEME IN SOCIAL NETWORKS He ran like gunpowder, precisely, among Porician immigrants in the United States. 30 days in Puerto Rico. Aware of his power of convocation (in Spain we have also suffered it with the Deluste Fraticide fighting to get tickets For his concerts), Bad Bunny began a 30 -day residence in San Juan, capital of Puerto Rico, which will end on the 14th day before renauding his world tour of Japan and Europe. He does so to compensate that he has not entered the continental United States (many see it as a sign of protest for anti-immigration policies in the country, the artist does not comment and has described his passage through the country as “unnecessary”). Consequence: It has carapacted the tourism and cultural life of the archipelago. 200,000 visitors. They are those that are estimated that this concert will attract Puerto Rico, and at a time when he needs it: when the fertile summer season has just finished. In a The Wall Street Journal article On the subject, a series of fans of the artist talk about how concerts to travel to Puerto Rico far beyond the mere night of the event. Someone will spend six days on the island; Another is going to spend seven thousand dollars on the trip; And relevant personalities such as Alexandria Ocasio-Cortez, LeBron James, Kylian Mbappé Peélope Cruz, Javier Bardem and Jon Hamm have been seen by concerts, with what he has of media echo and advertising for the island. Money for the people. The Non -Lucrative Association Discover Puerto Rico encrypted in 196 million dollars that this flow of visitors will generate in the island’s economy, which is a considerable impulse and that Bad Bunny is perfectly conscious. First -line artists know that their performances move a very important amount of money not only around concerts themselves, but to everything that implies the experience of attending it (consumption, restaurants, hotels). What artists move. Last year, for example, There was talk of the Swiftnomicsthe economy generated by Taylor Swift in its concerts and that in 2024 came to the United States figures. Specifically, around 10,000 million dollars. Bad Bunny has decided that comparable amounts emphasize in his country of origin, which, he says what he says, gives a very special meaning to his decision to dodge the land of the United States for the second consecutive year. In Xataka | Will Smith’s last concert has resulted in enormous public success. Public made with ia

Buying a Bad Bunny ticket is easier than reserving a Madrid-Vigo. So Galicia already plans to denounce Renfe

You enter the application and everything is busy. There is no option to opt for another time slot. Touch wait, put the alarm and try tomorrow again. We do not talk about the nth battle to reserve a class in a gym too saturated, we talk about what Galician users who intend to reserve a Renfe train and check with stupor how You can’t do it two months in view. Or, in the worst case, how they can never do it. The entrance of the dynamic prices He has caused many travelers to be in the position of not knowing what will happen with a trip. With numerous discomforts when booking tickets. With the confirmation that each trip is a battle to free from the phone. Especially when we talk about complicated dates such as summer or Christmas holidays. And that’s why Galicia’s Xunta threatens to denounce Renfe. Some tickets impossible to buy This happens because there is “a monopoly position.” This is how Diego Calvo has defined, Ministry of Presidency, Xustiza and Deportes de Galicia the situation in which they are living with Renfe. A situation that is born, in his words, for an “abuse of domain” that “prevents Galicians from planning trips.” This situation derives from the fight involved in seats since the dynamic prices that is, those who fluctuate depending on the availability and demand. Faced with the fear that prices are triggered, users try to reserve the train squares as soon as possible and these are exhausted in a very short time Two months seen. The company itself warns of this On its website But the problem is especially serious when dates indicated as festivities, holidays or Christmas. First because high demand triggers prices and because, second, days or hours apart you can make you buy the same ticket at a much higher price. That, if you can buy it. As the temporal limit is blocked two months after Buy tickets for a Bad Bunny concert. What they denounce from the Xunta is that its citizens are being harmed because while other parts of Spain can be chosen between Iryo, Ouigo or Renfe, the latter only circulates. This is not only a problem for prices, it is also a problem for which it looks like an insufficient number of places offered. Therefore, they have commissioned the Galician commission to compete with a report in which it is analyzed if Renfe is using an “abusive behavior” by preventing long -term tickets and emphasizing, in words collected by ABCthat from Renfe they have not “justified the reasons for these conditions.” The argument of the Xunta is that Renfe is contravening the Law of Defense of the 2007 Competition by preventing long -term bills from reserving because “it lacks an objective economic justification.” In The voice of Galicia The problem has echoed a long time, pointing out that users feel irritated and mistreated. Photo | Marcelo In Xataka | The center of Madrid is the last battle of Renfe and Ouigo: he wants to leave from Atocha and only Renfe has the approval

Yonaguni’s Japanese island was known for its beauty and Bad Bunny. Now it is a military strength because of Taiwan

It is possible that until recently the vast majority of the population did not know what it was Yonaguni. In 2021, the picturesque Japanese island appeared in the “map” of millions of people when the artist Bad Bunny dedicated him A song (Singing it in Spanish and Japanese, in addition). However, the enclave, very much, will possibly be more famous over the months. Is found in the center of a war Between the United States and China, and has in front of Taiwan. Paradise in the conflict. Yonaguni, the westernmost island in Japan, is usually remembered as an idyllic corner of Crystalline waters and almost empty routes between cane fields. However, its strategic location only 110 km from the Taiwanese coast has placed it in the center of the growing tension between China and Taiwantransforming his image of tourist paradise into an expanding military enclave. The Japanese government has announced the Base extension From the self -defense forces (SDF), as well as works to extend the airport, build a port for large boats and create underground evacuation shelters. These developments have left their only 1,500 inhabitants trapped between the growing militarization and the latent threat of a regional conflict. A military bastion. As AP explained In a recent report, while some residents and local authorities such as Fumie Kano dreamed of promoting commercial links with Taiwan through direct sea routes, but the plan was set aside In favor of militarizationwhich offered government subsidies and security promises. Since 2016, the island houses a unit of 160 members coastal surveillanceequipped with radars, to which electronic war units and potential deployments of long -range missiles. Today, the military and their families already They represent 20% of the populationa constantly increased figure that begins to reconfigure the economy and social structure of the island. Division before the threat. The possibility of a Taiwan Yūjian emergency caused by a Chinese Invasion of Taiwan, worries residents, who fear that the island will become a military objective or refugee receiver. Not everyone, of course. The Guardian told A few weeks ago cases such as that of the Shoko Komine restaurant, where they do not believe that the conflict is imminent, although they are afraid of its immediate impact on tourism, the main economic engine of the island. The militarization, in the opinion of its owner, has displaced the efforts to promote Yonaguni As a tourist destination. Even those who voted in favor of the base in 2015, when it was approved by little margin, seem to express their concern today at the possible missile installation, which would make the island blank in case of hostilities. Yonaguni Geopolitics in the Pacific. The reorientation of the Japanese defense policy, which for decades focused on the Soviet threat in the north, has displaced its focus to the south and the growing pressure of China. We tell it A few weeks ago, Yonaguni is part of the Nansei Islands chain, whose strategic importance It has been redoubled In a context in which the United States It demands from Japan a more active role in your own defense. Under that framework, the American ambassador to Japan, Rahm Emanuel, recently visited the island in a symbolic sample of American support. In addition, other nearby islands, such as Miyako and Ishigaki, already house missile units (and comes A broader package), increasing the Pressure on Okinawa Prefecturewhich welcomes most American troops in Japan. Defense or provocation. The people are divided. For example, the mayor of Yonaguni, Kenichi Itakazu, support military expansionconsidering it essential to protect the island and access part of the record of 43 billion yen (276,000 million dollars) in defense expense planned for 2028. He argues that, given the experience with Hong Kong, Xi Jinping’s peaceful promises cannot be trusted. However, critical voices such as councilor Chiyoki Tasato warn that the deployment of troops and missiles does not deter, but that attracts danger. Tasato considers inevitable that Japan will be involved if a war in the Taiwan Strait due to the United States Security Treaty, which imposes bilateral military responsibilities. The 2015 law Approved under the mandate of Shinzō Abe authorizes Japan to exercise collective self -defense in case an ally is attacked, which reinforces that vision. An island in transformation. Yonaguni, like many remote regions of Japan, faces a complicated depopulation process. Of the 12,000 inhabitants he had in 1947, today There are hardly 1,500 civiliansmostly older people. A figure that contrasts with 160 SDF troops and its 90 relatives, whose presence begins to transform the social structure. According to calculations of the Tetsu Inomata residentby 2026 the military “base population” will exceed 40% of the total number of inhabitants. Although soldiers have tried to integrate, for example, participating in schools, shops and cultural activities, many islanders feel that a military enclave is being configured that could eventually displace the civilian population. Historical and strategic memory. Some inhabitants, such as local politician Mizuho Chidacome in the Evacuation drills that we have counted before an undercover preparation for an armed conflict. Others, like Tasato, advocate Strengthen the links economic and cultural with Taiwan, a country with which Yonaguni shared business relations at the time of the Ryukyu kingdom. Despite the geographical proximity, there are currently no direct routes between the two regions, although maritime crosses are foreseen soon. This vision contrasts with the perception that the island has been alibuated by external interests, particularly those of Washington, with Tokyo’s complicity. The weight of the story. The past also plays an important role in the perception of the premises. The memories of the Okinawa battlewhere about 200,000 people died during World War II, still resonate among residents. Many fear that, as then, the islands of southern Japan are sacrificed In the name of national security. Today Central Okinawa house more than half Of the 50,000 American soldiers deployed in Japan, and the new bases in Yonaguni and neighboring islands such as Miyako and Ishigaki expand that geostrategic burden on a historically marginalized region … Read more

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