director

Intel pull the towel with the chips for ia. Its general director acknowledges that Nvidia’s advantage is insurmountable

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“I think it is too late for us (to achieve the position of Nvidia in the field of artificial intelligence), Although we have other opportunities in this market (…) twenty or thirty years ago we were leaders. Now the world has changed. We are not among the ten main semiconductor companies. We have to be humble. “These words of Lip-Bu Tan, the Director General of Intel, have been collected by The Oregonian And they are aimed at company employees in a clear attempt to expose what challenges they face. The challenges with Those who are dealing Intel They exceed the other challenges that he has faced during his more than half a century of history. The leadership that has sustained for decades in the manufacturing industry of integrated circuits is in the hands of The Taiwanese company TSMC Since the mid -2000s. In addition, the stagnation during the last years of the PC market and the slowness with which Intel has participated in the AI industry have placed it in a very compromised position. In July 2024, the company that at that time led Pat Gelsinger gave a tremendous batacazo in the stock market. Their actions fell 30% in a few days and stabilized in the value they had in 2011. In addition, Intel lost $ 1.6 billion During the second quarter of 2024 and its year -on -year income fell by 1%. These circumstances triggered a crisis that still persists. Today China is a crucial support for Intel. Dram memories will be tomorrow Shortly after his arrival It was leaked that lip-bu so He planned to launch a new cut of the Intel template in a clear attempt to reduce their operating expenses, among which personnel costs or marketing expenses are counted. The figure that the company shuffled on this occasion amounted to 20% of its workforce, which in practice implied to dispense with approximately 20,000 workers. These people join the more than 15,000 employees of which Intel has dispensed with during the last months of 2024. In addition, since June 18 and throughout the month of July they will be forced to leave their jobs Between 8,000 and 10,900 workers Of the factories that this company has spread throughout the planet. However, presumably the most affected plant will be the largest of all: that of Oregon (USA). It is evident that Intel is going through a very difficult stage, although he still has some solid pillars to hold on. One of them is China. During the fiscal year of 2024, 29% of Intel’s turnover came from China, compared to the 24% of the US This Asian country is the largest market in which Intel is present. During the fiscal year of 2024 29% of its turnover He came from Chinacompared to 24% of the US. And is that of the 53,100 million dollars that This company entered Last year no less than 15,400 million arrived from China. These figures reflect very clearly how important the country led by Xi Jinping for Intel is. And also how sensitive it is to the geopolitical context. An important part of the Intel business is supported by the commercialization of relatively old integrated circuits that come from their mature lithography nodes. They are not at all avant -garde semiconductors, but they are still necessary. At the current tension situation between the US and China for this last country These mature integrated circuits are crucial. Chinese chip designers and manufacturers are capable of supply your own market With the mature chips needed by appliances, telecommunications or cars equipment, among other industries. However, many users, research centers and universities in China continue to use software for X86 and X86-64 processors, so at the moment they cannot do without the CPUs designed to execute it. Intel is currently benefiting from this need, although he is preparing another bet. An a priori accurate bet. And this American company has founded the Japanese investment group SoftBank A company specialized in the design and manufacture of memory chips. His name is Saimemory and he was born expressly to compete from you to you with SK Hynix, Samsung and Micron Technology. Your plan consists in developing A new type of dram memory Stacked high from some patents prepared by Intel and several Japanese research centers, among which is the University of Tokyo. Intel and Softbank have proposed to complete the development of a prototype and evaluate its viability from a technical point of view by 2027. Image | Intel More information | The Oregonian In Xataka | Intel has confirmed that the 20A node will be skipped to reduce expenses. The 18A node will enter production in 2025

The failure of this science fiction film ended the career of a classic director and closed a study in a week

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The arrival of computer animated cinema is not only cemented in great successes such as’Toy Story‘ and The advent of Pixar. They also came into play, at the time, box office failures such as ‘Titan AE’, an ambitious animated science fiction film whose resounding failure ended the race of the great Don Bluth, closed Fox’s animation department forever and meant one of the last nails in the coffin of traditional animation. From actors to drawings. 25 years ago recent Space Opera With real actors. The script had circulated through Hollywood for years without finding financing, until Fox Animation Studios decided to turn it into an animated film in 1997. Don Bluth and Gary Goldman were responsible for the commission, after successes such as ‘In search of the enchanted valley’ or ‘Anastasia’. What was I going. The film combined quite daring concepts of science fiction, especially within the animated cinema of the time, but with a more familiar style: in the year 3028, Drej aliens destroy the earth, forcing humanity to wander through space as refugees. Cale Tucker, separated from his father during evacuation, grows aimlessly until he discovers that he carries the map to find the Titan ship, capable of leading them to a new planet. Cale starts a search pursued by the Drej. Money hole. To start, Fox gave them 55 million dollars, but 30 vanished before startingin preproduction. Fox executives did not want in any case the film to pass 80 million dollars of budget, so they had to make the rest of the film with 50 million (which finally became 60). These budgetary restrictions He prevented them from capturing his initial vision of the film and 300 people from the Fox animation department were stalls on the street. Lower the quality. These mass layoffs forced Bluth and Goldman to take part in the animation to external studies, such as Povde Group, reality studios and Blue Sky. This led to one of the big problems of the film: the own identity fdalta to which they brought the multiple hands and studies involved, the mixture of traditional animation and CGI and the tone of the film, very adult sometimes, very childish on other occasions. The promotion of the film, somewhat erratic, participated in this doubtful tone, and finished certifying the failure. Batacazo at the box office. The film raised only 36.7 million worldwide, and According to an executivelosses 100 million for Fox. The disaster was such that only ten days after the premiere, Fox Animation definitely closed its doors, and the then executive director of Fox, Bill Mechanic, left his position a few weeks later. Goodbye, Don Bluth. Undoubtedly, the great loss for the cinema was the definitive folder to Don Bluth’s career, which as Goldman has not re -directed a film. He tried in the new century, especially, by way of Crowdfundingpretending to stand a movie based on the video game ‘Dragon’s Lair’ that never sets. But above all, ‘Titan AE’ was one of the last failures that condemned the traditional animation: the successes of Pixar and DreamWorks and the progressive collection of the Disney films precipitated a change of paradigm towards the CGI. Time has turned ‘Titan AE’ into a cult film, but in its day it literally supposed the end of an era. In Xataka | The figures suggest that the domain of blockbusters in Hollywood is not over. In fact, it will go worse

The director of ‘Train to Busan’ signs this Korean thriller in Netflix that is among the most sinister of the platform

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There is much talk about ‘adolescence’ in Netflix, but the platform catalog is overflowing with very different options from each other. This same weekend It has been released This stimulating ‘Revelation‘, which guarantees a good time of thriller in the purest Korean style: it is a morbid, intriguing, sinister and turning movie. In it we will meet a pastor of deep faith and believe together in divine revelations, which makes him suspect that a very specific person is responsible for a kidnapping case. To solve the case you will have to collaborate with a detectivewho lives tormented by his past: his dead sister’s ghost, which appears in chilling visions. Those responsible for ‘Revelation’ are not precisely unknown: Yeon Sang-Ho, director and coguionist, gained international fame with ‘Train to Busan’ and his sequelae, and has collaborated with Netflix previously with the fantastic and delusional ‘course to hell’, among others. Much eye for his animation films, especially the extraordinary ‘The Fake’, whose atmosphere in a small tent in which sermons are offered tremendously remembers one of the key spaces of ‘Revelation’. Korean cinema has become one of the most watched out of Asia, especially for the impact of its romantic series. But as the most cinephile sector knows, it all started with films such as ‘Old Boy’ or the foundational ‘Memories of Murder’, with which ‘revelation’ has some point in common. Especially that dark atmosphere of the rural Korea Where we are already used to the fact that, under a layer of apparent normality, the most heinous crimes take place. Header | Netflix In Xataka | Netflix’s best Korean series (because not everything is ‘the squid game’)

This master and explosive mixture of drama, action and thriller, signed by the director of ‘The Raid’, is already in streaming

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Gareth Evans is one of those little prolific creators but to those who should follow the track very, very closely. He drew the attention of the less complexed action cinema fans with the two incredible deliveries of ‘The Raid’, those epic of Thai brutality that revolutionized the martial arts cinema. After an interesting landing in Netflix with the unclassifiable ‘the apostle’, he focused his efforts on billing, ‘Gangs of London‘, a British gangster thriller who does not respond to the viewer. The series will premiere its third season on April 14 in Skyshowtime, so it is time to recover its first two vibrant In Skyshowtime (That at the moment it only has the first year available, although it is assumed that it will not take long to arrive the second) as In Movistar Plus+that does have the two initial seasons. An explosion of absolute violence, portraits without compassion, drama between characters to the limit and a visualization of completely revolutionary action. The series starts with the death of an important London mafia who has governed in the city’s underworld for two decades. His son takes the throne, which triggers a wave of violence, with even international repercussions. In this context, an undercover policeman begins to gain the trust of the organization, while the question of who has killed the king of organized crime floats in the environment. A starting point that we have already enjoyed on many other occasions, but exposed in a more vibrant way than ever: the intensity of the action (sometimes with unusual technical virguerías in a series of average budget such as this), the overwhelming of interpretations and scarce concessions that are made to the topics of the genre They give fruit a first thriller. Now you have the opportunity to discover why everyone speaks wonders of ‘Gangs of London’. In Xataka | The secret to succeed in organized crime is simple: the University, Factory of Successful Mafiosos

The director of ‘Independence Day’ and ‘Tomorrow’ produces this apocalyptic epic that has just come to streaming

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If you are interested in catastrophes cinema, you have undoubtedly heard of Roland Emmerich: ‘Tomorrow’ or ‘2012’ until the most recent and hilarious ‘Moonfall’, his Cite has always been synonymous with the joggy and shameless show, as he demonstrated since his beginnings in classics such as ‘Independence Day’, ‘Universal Soldier’ ​​or ‘Stargate’. Now it comes to us To Filmin A film in which Emmerich assumed the role of a producer, but that maintains his vibrant rhythm and his vision of science fiction as a warning about our future: ‘The Colony‘. The film is directed by Tim Fehlbaum, which was already seen in a similar situation with ‘Hell’, in which a group of survivors had to protect themselves from the solar rays that had ended life on earth. Fehlhaum has also been nominated this year to the Oscar for Best Screenplay for his film about the kidnapping of several Israeli athletes in the 1972 Munich Olympics. On this occasion, climatic disasters have left the land completely uninhabitable, and the population has had to abandon it. However, on other planets, settlers are not able to reproduce, and a woman returns to earth to discover the cause of that infertility. In our desolate planet you will encounter an explorer with which it concludes that it is time for the settlers to return to the earth. But the few remaining land do not agree that it is a good idea. Undoubtedly, the most suggestive (and scary) of the film is the vision of the planet, whose surface, After climate change, it has been flooded by immense masses of water. Survivors take refuge in stranded loaders, in an aesthetic that partly reminds the world described in ‘Waterworld’. Not without some visual pessimistic poetry, ‘The Colony’ raises a bleak future, but in which there is space for hope. In Xataka | ‘Mickey 17’ is the new dystopian science fiction film that leads the box office. The problem is not enough

First it was Broncano. Now, the new TVE director puts the channel’s afternoons up to compete with private

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No one has caught the filtration that TVE will have his own ‘Save me‘, As much as that concept is not entirely exact. The appearances of María Patiño and Belén Esteban in ‘The revolt‘(One of both meetings, two more from Esteban alone) They have been interpreted As consistent confirmations of the presentation of the presenters to public television, as it seems that it will finally be. However, it is more than a signing: behind there are proper names linked to the ‘Save Me’ phenomenon and a medium -term TVE strategy. Rumors of changes. The exclusive televise was givenin information that other media have been confirming: Aitor Albizua, presenter of ‘Figures and Letters’, will lead a daily program for the afternoons in which María Patiño and Belén Esteban will also be. Albizua has achieved unusual data for LA2, such as 5.5 of average monthly fee in February, and this step to La1 (without abandoning the contest that has given him fame) is a jump for the presenter, who will be in charge of a program that will flag one “deep renewal“In the afternoons of the chain. To renew the afternoons. This is how Sergio Calderón, director of RTVE, spoke of the public television plans for that strip, when he decided to cancel the series ‘The Modern’. In ‘RTVE responds‘, The program in which the defender of the audience of RTVE helps to resolve the doubts of the spectators with the directors of the chain, Calderón said that “the curve of audiences of the series benefited from the expectation of the start of the chapter of’ The Promise ‘, our daily leading series of the afternoons, and we saw that its curve depended in excess of the performance of this subsequent offer.” That is, it was a space with possibilities, but “it was impossible to maintain, at emotional and also budgetary rhythm, three daily series in the afternoons.” And there enters a new formula. Who is Sergio Calderón. In December last yearthe new president of RTVE, José Pablo López, appointed Calderón director of TVE (with a certain controversy for the urgency with which it arrived). Calderón worked in Mediaset Spain until March 2024 -was fired by Alessandro Salem, CEO of the group After Vasile-, after 13 years of responsible for thematic channels such as Divinity, Energy and Be Mad. Then he entered as director of content, innovation, marketing and communication of manufacturers Studio (previously the TV factory), a producer known for the creation of ‘Save Me’. He was one of those responsible for the creation of his heir program, ‘nor that we were Shhh’ that has ended up being broadcast and under his own digital channel, Quickie Canal. The popularization of TVE. The signing of Broncano and his Good audience resultsplanting face to that moment untouchable Pablo Motos, confirmed the turn of TVE Towards a more popular televisionprecisely that one that tried to distance Salem’s mediaset with the cancellation of Sálvame. It is in that model where both a hypothetical space with Buenafuente and this program with the rumored Esteban and Patiño (rumors reinforced by statements of both in ‘La Revuelta’, where a “we are available”). What is confirmed is that it will be daily, live, and the Osa Audiovisual Producciones, of the creators of ‘Save Me’ and ‘Nor what we were’ will be managed. For the first time. There were no previous referents of these radical changes in the orientation of TVE, which had always maintained in late cultural competitions such as’ the hunter ‘ – which also leaves the grill with’ Moderna’- and, since September 2024, three series that will now remain in two to give space to the new Magacin. A more radical change than it seems because with this not only face face in the battle of audiences with Broncano, turned and good source, but will also do so in the afternoon Sonsoles Onega and ‘afternoon’. Header | RTVE In Xataka | ‘La Revuelta’ has made the issuance of lotteries at last something interesting. In return, a millionaire fine has been taken

The director of an MCU classic and some modern horror successes signs the best premiere in the history of Apple TV+

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We have spoken on more than one occasion of the Bandazos that has been giving Apple in his purpose of becoming a Major Hollywood. Great failures with high pretensions, such as ‘Napoleon’, ‘Argylle’ or ‘The Moon Killer’ have ended up making the company reduce their claims. Strategy that will be possible redoubled when they check that a much more effective film than all those but less ambitious, such as’The secret abyss‘(terrible Spanish title for’ The Gorge ‘) has beaten Records on the platform. Indeed, this film about a couple of confrontated sides snipers that have the mission of monitoring the two ends of a kilometer pit whose dangerous content is unaware It has been number 1 in 99 of the countries to which the Apple platform reachesand it is not difficult to understand why. The always powerful visual finish of Apple’s films (even those destined to go directly to streaming) It is perfect for a movie with star cast (Miles Teller, Anya Taylor-Joy and Sigourney Weaver), who join a director with their own vision. This is Scott Derrickson, who was associated with Marvel with ‘Doctor Strange’ and that signed some very interesting successful horror films, such as ‘The exorcism of Emily Rose’, ‘Sinister’, ‘Líbolos del Evil’ or ‘Black Phone’. To him is due to the turn of how sinister the film visually gives in its second half, a break that has been discussed by the flying with respect to the most suggestive start of this proposal. Because there, without a doubt, is where the best of this Apple production is: when the two protagonists get to know (dance to the sound of the ramones included) and how intimacy is emerging between them, something that is very well told and that ends up being the most memorable of the set, above the inevitable festival of fireworks of the second half. In any case, a sinister and action epic to which it is worth approaching to corroborate that it is not necessary not to look at the whole of Apple’s proposals. Header | Apple TV+ In Xataka | Back ‘separation’ to Apple TV+. His tortuous production for three years predicts bad times for author series

The director of ‘Rogue One’ signed one of the best science fiction films in recent years, and now comes to Prime Video

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After spending less than a year for Disney+, ‘The Creator‘, the magnificent futuristic dystopia of Gareth Edwards, Reach Prime Video. The Amazon platform can provide a tremendous impulse to this film that, Despite the praise received with its premiere in 2023he punctured at the box office. This relegated to a secondary role both in the awards season, where its excellent technical invoice should have been recognized, as in the public reception. Edwards has a very peculiar vision of the genre, a very unique eye for drama and intimate, which has been reflected in his films even for successful franchises: ‘Godzilla’ and ‘Star Wars: Rogue One’, two productions found A similar balance between the show and the small -scale emotion. In that sense, where ‘The Creator’ finds more similar is in the director’s first movie, the excellent ‘monsters’. In ‘The Creator’, Edwards enters an iconic science fiction issue, artificial intelligences, classic since Asimov wrote their robots stories, but with a fiercely modern perspective: in a war between the human species and artificial intelligences, an exagent of the special forces is recruited to locate and execute the creator, a mysterious architect of the AI ​​that has developed a devastating weapon end to war and mean the victory of the machines. He must prevent it. The film is raised as an empathetic approach to the other, to the IAS that in this case are far from being like Skynet, no matter how much they face humans with virulent violence. The great mystery of ‘The Creator’ is precisely what are the last intentions of that creator, and everything is raised in a devastating war environment, with special effects that, despite its modesty (or precisely thanks to it) They work much better than that of so many Blockbusters. An essential event for lovers of the genre. Header | Disney In Xataka | ‘The Creator’ is the science fiction film of the year. And also a declaration of war to clonic franchises https://www.xataka.com/streaming/pelicula-ciencia-ficcion-importante-2023-esta-disney-sus-sugerentes-predictions-ia

You have a few days to see this magnificent science fiction film by the director of ‘Ex Machina’ that will disappear from Netflix

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They were the early days of Netflix’s mass implantation, when it was still far from being the aesthetic and thematic roller in which it has ended up becoming. The platform premiered in 2018 ‘Annihilation‘, a film that had gone through a nightmare struggles to see the light due to its daring proposal, which made cinemas only in a few countries. Finally, Netflix acquired rights and premiered it as their own world. Now, after being one of the exclusive jewels of its catalog, the platform announces that it will withdraw it on March 11. Behind her is Alex Garland, an essential name for modern science fiction who has signed as a scriptwriter or director as daring and personal as’Ex machina‘,’Men‘, ‘Devs‘,’Civil War‘or the script of’ dredd ‘or ’28 days later’. However, with ‘annihilation’ the project was choked: it was the adaptation of the start of the trilogy of books ‘Southern Reach’ by Jeff Vandermeer, an unclassifiable science fiction work very complicated to translate into a conventional narrative argument. ‘Aniquilación’ starts when the husband of a biologist returns from a secret mission in an area cordoned off by the army, zone X, and of which nothing is known. To find out what has happened, he joins a group of five scientific women to discover which intentions has the alien force that controls it. Others have entered the area before her, but no one has ever returned. Zone X is the great finding of this film that, even needing more footage to explain its final stretch, and simplifying too much the fascinating proposal of the book, Throw a series of suggestive images of the fauna and flora of the place that are among the great recent findings of the genre. Excellently interpreted and with a rambling production design, it should be reviewed before Netflix disappears, because who knows how and when we will enter the X zone again. Header | Netflix In Xataka | Within Alex Garland’s mind, the renovator of modern science fiction thanks to works such as ‘Devs’ or ‘Ex-Machina’

The director of ‘The substance’ debuted 30 years ago with a homemade tribute to Star Wars that you can now see for free

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It is one of the most surprising films of the year: ‘The substance‘(What can you see In Filmin and Movistar Plus+) It is a history of neocárnico horror that satirizes the obsession of society to supervise the body of women. With absolutely star Demi Moore and Margaret Qualley and a display of absolutely demential effects, the film It is also a tribute to many forms and styles of horror cinemafrom the toxic avenger films to ‘Videodome’. That is, its director Coraline Fargeat is a devouring of all kinds of films. In fact, he already demonstrated it three decades ago and with only 17 years. Herself Account to Letterboxd I “did A small Star Wars movie. Using my family’s camcorder, I encouraged my toys in Stop Motion, I dressed my friends from Ewoks and Stormtroopers, and edited it in a VHS video (which was the fashionable device at that time!) “. The rudimentary images and the zero budget are apologized by Fargeat himself: “It was a fond thing, but Everything I liked to make movies was already there… It was the place where I felt free, passionate and alive, and capable of expressing myself fully. It was after making this little movie when I knew I wanted to be a director … today that I am nominated for best director, I can’t help remembering this little movie … Follow your dreams. “ The truth is that the result is absolutely adorable, and the shameless campaign at ease: infrahuman costumes, direct ripeo of plans and complete dialogues of the original film, sectional script twists … and of course, an absolute devotion for the act to create stories, even if they are second -hand. To do this, Fargeat puts the hands of the licensed toys that he had on hand and the soundtrack of John Williams, of course used without permission, as well as the portal of a building, shot as if they were the interiors of an imperial base. And, of course, a final Ewok party that lengthens more than reasonable. Now that Fargeat is a prestigious director and Oscar nominated What would she do if a new installment of ‘Star Wars’ fell into their handsa possibility not as far from reality as a few years ago. Surely we would see much more canteen, much more alien with tentacles and confrontations with infinitely more visceral imperial assault troops. It seems impossible for Disney to put a family franchise as ‘Star Wars’ in the hands of such a radical director, but for that Oscar win, right? Header | Letterboxd In Xataka | ‘Star Wars’: Where and what order to watch all the films of the saga

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