Trailer

The trailer for the ‘Harry Potter’ series innovates zero things with respect to the film. Just what millennials want

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HBO has just released the first trailer for its television adaptation of ‘harry potter‘, and the most widespread reaction is neither enthusiasm nor rejection: it is that of a certain déjà vu uncomfortable. The series premieres on Christmas 2026 and already raises the question that has been floating for two years without an answer: what does this contribute that the film saga that started in 2001 and that marked the generation does not have? millennial? The trailer. The first season of this series based on the saga of children’s wizards by JK Rowling, titled ‘Harry Potter and the Philosopher’s Stone’ (that is, everything indicates that it will focus on the first volume), will premiere on Christmas 2026 with eight episodes. Earlier than expected, since the calendar pointed to early 2027. The trailer presents the new leading trio: Dominic McLaughlin as Harry, Arabella Stanton as Hermione and Alastair Stout as Ron, along with a gallery of strong secondary actors: John Lithgow as Dumbledore, Paapa Essiedu as Snape, Janet McTeer as McGonagall and Nick Frost as Hagrid. Everything the same. “I don’t know how to explain it, but this looks like the live-action version of a live-action movie,” he wrote. a Reddit user a few hours after the trailer was published, and there are those who consider that phrase a perfect summary of the most widespread reaction. Another noted: “I feel like I woke up in an alternate reality where the series looks and sounds the same, but the characters have other faces.” The same suits, the same reference planes, the same spaces, but different faces. They had already warned. It can’t be said that we didn’t know. In August, Chris Columbus (director of the first two films and largely responsible for the aesthetic representation of the books on screen) declared that, upon seeing photos from Hagrid’s filming, the character was wearing “the exact same costume we designed. Part of me thought, what’s the point of this? I thought everything was going to be different, but it’s more of the same.” The trailer gave shape to their fears with absolute precision. The amusement park variable. There is an economic variable that is rarely mentioned, but that is decisive. Since Universal opened the first Wizarding World of Harry Potter in Orlando in 2010, the parks’ annual attendance has doubled and revenue grew by 109% between 2010 and 2015until reaching 3,340 million dollars. Today the ecosystem extends to Japan, Hollywood, Beijing and, in the coming years, an ambitious resort in Bedford, United Kingdom. All that framework (castles, costumes, interactive elements, stores) visually replicate the movies, not the books. TO JK Rowling It is also good for you to maintain that consistency. The second largest source of income for the author It is her participation in the profits of the theme parks, which makes her an interested party in ensuring that the aesthetics of the franchise remain stable. Rowling, who is also listed as an executive producer on the series, stated that worked closely with the scriptwriters in adaptation. Everything under control. Not all bad. There have also been positive reactions: some fans they perceive details of the books that the movies left out: these encyclopedic fans have been waiting for decades for a version that does literal justice to Rowling’s original, and as Columbus recognizedbeing able to adapt each book in ten hours allows us to include many aspects that were left out in the movies. The trailer, of course, has to focus on what is recognizable, on what the millennials They expect to see, and hence the mirror effect has been sought. The series, when it premieres, will have to find the balance between surprise and predictability. In Xataka | A Harry Potter fan fiction was so successful that it changed the names of its protagonists. And thanks to this he earned 3 million dollars

no trailer or review pass

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Santiago Segura premieres the sixth part of his most popular saga, ‘Torrente President‘ without official trailer and without prior screening for specialized critics. A decision that is not improvisation but tactical: the director trusts in the popular pull of his most profitable franchise and avoids a press with which he has been in a cold war for decades. There is no trailer. That Santiago Segura is one of the smartest producers in the Spanish industry is something that no one is aware of. There is not only the success of Torrente’s five previous films, or his intelligent and very profitable turn towards family comedy with his ‘Father there is only one‘. It is also the way of selling an image that changes according to the audience of each film: increasingly frequent appearances on television, taking advantage of the opportunity to promote their films to a minimum… or the opposite, refusing to use the most common dissemination tools, such as the trailer or the press. With the lack of a trailer (and the only minimal promotional help from a stool song), Segura here has tried to find a kind of voluntary Streisand Effect: to talk about the film by suppressing all information about it. Not generating promotional material is the promotional material itself, and the proof is in this article, which says that there is nothing to talk about. The issue of the press pass already has other connotations. There is no press pass. Critics’ opinions about new releases no longer have the depth they had decades ago. The massification of tools for disseminating opinions such as social networks or rating aggregators such as Rotten Tomatoes have replaced the weight of professional criticismbut the ties between industry and the press remain active, often for publicity reasons. Traditionallythe absence of prior projection suggests a lack of confidence in the product, which is a message that no studio wants to convey. This is not the case of Santiago Segura, who knows that his films are rejected by critics and sweep the box office. The beginning of this confrontation can be traced back to 1998, when journalist Nuria Vidal published a negative review of ‘Torrente’ in ‘Fotogramas’, as the journalist recounted in your blog. Apparently, Segura personally called the editorial office to demand explanations, but with the box office he forgot the rudeness: his classification as a “commercial filmmaker” is something that would end up being proud. The box office success seems sufficient legitimization, and the fact that there is a preview prior to the premiere (“for the fans”) before the press sees it is almost a declaration of intent. The Spanish superfranchise. In March 1998, Santiago Segura hit Spanish theaters with the first ‘Torrente’, which despite accusations of bad taste, grossed 10.9 million euros and was the most watched Spanish film of the season. A return on investment of more than 540%, not counting home video or television. And from there, everything went further: ‘Torrente 2’ tripled the budget and doubled the collection. At the box office it was only surpassed by ‘The Others’, in English and with international financing. Budgets grew and collections fell, but it never stopped being profitable. After the fifth installment, in 2014, Segura put Torrente fallow. He aggregate balance of the five deliveries exceeds 80 million euros and 16 million tickets sold in Spain alone. Adjusted for inflation, the figures amount to 115 million euros and 18 million viewers. There is no other comparable case in modern Spanish cinema of an author franchise with such public support without awards, without going through festivals and without relevant international distribution. In Xataka | The most watched film in history on television is not a Hollywood success, but a classic from the most carpet-loving Spain

Cameron’s ‘Titanic’ was going to be a flop. Until a trailer that broke several Hollywood rules changed the narrative

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In a few weeks the posthumous memoirs of Jon Landau, producer of ‘Titanic‘ and ‘Avatar‘, and frequent collaborator of James Cameron. Media as Variety have been able to access its content, and they tell of a masterful marketing maneuver: how a film that seemed doomed to failure, ‘Titanic’, was saved thanks to an intelligent trailer. It was sinking. Before the release of ‘Titanic’ In 1997, there was a certain pessimism in Hollywood and in the press about the film’s chances of success. With a then-record budget of $200 million, constant delays during filming, and negative rumors about the development of the production, many experts and media assumed that the film would be a financial disaster. Landau says that he was famous an article from ‘Time’ magazine in which the possible future of the film was compared to the real fate of the ship with the onomatopoeia “Glub, Glub, Glub…” Too much noise. But as he says in his memoirs, titled ‘The Bigger Picture’, Landau knew that “perception becomes reality”, even though expectations were not good: the jump from 100 to 200 million dollars brought to mind another major failure (and with a very marked aquatic component as well): ‘Waterworld’ by Kevin Costner. Paramount’s marketing team proposed a conventional trailer. Landau described it as a “John Woo-style trailer”, meaning “quick cuts and booming music, gunshots and screams. It made the movie look like an action movie that just happened to take place on the Titanic.” Cameron and Landau knew this wasn’t their movie. Four minutes or so. The decision they made was seemingly counterintuitive: an exceptionally long trailer, four minutes and two seconds. Before, they had to fight for a long time with Paramount executives, who initially wanted a shorter trailer oriented solely towards action. Landay and Cameron argued that a longer trailer was necessary to convey the magnitude and complex narrative of Titanic. They presented it at the ShoWest event in Las Vegas, a key convention for theater owners. Kurt likes it. The trailer had an immediate and favorable effect among attendees, decisive for the good distribution of the film. It also had a positive impact on stars like Kurt Russell, who helped spread the word that they were watching a great film. The actor, sitting at the Paramount table, stood up and shouted, “I’d pay ten dollars just to see that trailer again.” Since then, even the initially skeptical press began to reconsider the film, marking a turning point in public perception and hopes for commercial success. Change in narrative. The trailer not only showed what no one had seen and how the film worked (the memories, the romance, the action, the gigantic scale), but it also redefined the conversation from rumors of failure to raising the possibility of it being a success. The film was released in December 1997, became the highest-grossing film of all time and won 11 Oscars. Another victory for Cameron, although with this one he didn’t have it with him all the time. In Xataka | The “ghost” category of the Oscars: it exists but it is so demanding that there have never been films that compete for it

Kojima’s ‘Od’ trailer not only reveals the most scary video game in years. It also brings back to its competitors

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As an elephant in a potter has broken into the conversation the trailer of the new video game of Hideo Kojima. Visually overwhelming, it also promises a considerable ration. And yet, that is not the most striking of the trailer, but also functions as a conglomerate of messages between lines directly directed for competitors and former partners. This kojima never gives stitch. What is seen. Some unknown knocks on a door (the ‘Knock’ of the full title of the game: ‘OD: Knock’) and slide inside a house a card in which the fires are requested “(or the candles). Then, in the first person, inside a seemingly empty house, some trembling female hands light with matches the candles of an altar with some sinister candles (a baby head that melts expelling a liquid that looks like blood, while a large number of worms leave a jar close to the altar). Behind the person who is before the altar, someone or something insistently calls for the door of the room. The hands belong to a terrified Sophia Lillis, who feels behind her a threatening presence, who ends up opening the door, entering the room and surrounding her with giant hands. Impressive realism. Animations are, as always happens with Kojima’s kinematics, spectacular. To the point that in a first viewing, until our hands do not appear it is not clear that we are in a digital environment. All thanks to the Metahuman technology that uses Unreal Engine 5. A demonstration of technical muscle that, however, retroaches us a decade ago in time. Vietnam flashbacks. Specifically, from ‘The PT‘, an enigmatic Kojima game for Konami that was born as a new’ Silent Hill ‘and that remained in a mere technical demo, today impossible to find by legal roads, and that many consider that it is one of the most scary video games of all time. In this new ‘OD: Knock’ there are obvious winks to that ‘The PT’ from the same title with acronym, the temporary reference to a decade ago, some of the setting (the house as a framework for fear, without open spaces) and even the participation of a filmmaker in the project (there Guillermo del Toro, here Jordan Pele). It could be said that the output of ‘OD’ now, when ten years are turned out that Kojima left pears with Konami, is a perverse anniversary celebration. Especially now that the Japanese company … takes out the new ‘Silent Hill F’ this week. It seems almost a late revenge, with Kojima monopolizing some of the attention that Konami’s game was going to have this week. For you, screaming. But there is more. This game will be exclusive to Xbox, at least temporarily and there some sneer is detected with the farewell of the video, “For All Players and Screamers”. Winking to the popular PlayStation slogan “for the players” (“For you, players” in Spanish translation)? Of course, if it becomes an absolute exclusive Xbox, it will be a good Microsoft zambombazo, although seeing its recent policy of Turn everything into multiplatformit does not seem likely. But there is the recoven. Ten years of Kojima Productions. The producer of Kohima is celebrating in style her tenth anniversary with a ristra of advertisements and news in the event ‘Beyond the Strand’. It has been seen live hereand in addition to the shocking trailer of OD, we have seen Details about the A24 adaptation of ‘Death Stranding’the animated film ‘Death Stranding Mosquito‘, from which we have seen a teaser, the new stealth game’ Physint ‘, and the announcement of a collaboration with Niantic Spatial also linked to Death Stranding. In Xataka | Kojima locks himself again in his bubble with ‘Death Stranding 2’. The result is a work as strange as necessary

People are completely obsessed with the ‘GTA VI’ trailer. And you are looking for clues and theories in every detail

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It is inevitable: when a New Trailer of a long -awaited cultural artifact as’GTA VI‘, immediately the second to second analysis of each of their plans in search of clues, details, Easter eggs. Internet in full becomes a field of culture for amateur detectives, in search of clues that sometimes set in facts and sometimes not. And that search is part of the game. Some examples. For example, there are some of the most notorious examples of what has been found in this new trailer of ‘GTA VI’, beyond general deductions such as the Importance of love story Among the protagonists or the colorful graphic impulse that has received this delivery. There was Rumors That this delivery will give considerable space to manage in the gym, and an image of a weightlifter on the beach seems to confirm it. It was already an important mechanic in ‘San Andreas’. Finally we have different images of the same characters, and a wide variety of haircuts, stature, facial features, body structure … in a similar way, we see the same house increasingly improved and decorated. It seems that the customization of the appearance will be the order of the day, and it is something that fans are talking about For months. Fight Clubs! That seems to be deduced from a fleeting plane of Lucia fighting in a ring surrounded by public that jelly after a fence. One of the most juicy and commented winksfrom what it implies at the “GTA Multiverse” level, it is a very direct to ‘Vice City’: an advertisement of a weapon store, presented by someone who could be Phil Cassidy. The curious thing is that Cassidy is part of a temporal line (the one known as 3D GTA) apart from ´RSTA (the HD line). Are the multiversos, with the possibility that we see characters from ‘VC’, like Tommy Vercetti? Is it a simple wink? Is this of Phil so even the same character? AND A tipfrom the trailer, but of the launch date. He May 26, 2026 It is the 92 anniversary of the funeral of Bonnie and Clydethe gangsters couple in which Jason and Lucía are obviously inspired. The city of vice. Those examples mentioned above are only the tip of the iceberg: some of the rumors and theories directly extracted from the trailer and their surroundings. But there is much more: getting carried away by the underworld of the Fan theories gives a good measure of the passion that unleashes a game, which in the case of GTA VI is excessive. Normal, taking into account that the franchise has sold 440 million copies. And as it deepens that Meme’s own icebergtheories are going crazy. The theory that the trailer weapons seller is Phil Cassidy derives from another much crazier: ‘Vice City’ and ‘GTA III’ are films that see the most realistic game characters such as ‘GTA VI’. The relationship between Jason and Lucia, of course, branches in many theories, which cover all probabilities: since there will be more playable characters than Jason is a policeman. Reddit is an authentic hotbed of theories about the particular (here There is an example, here another, and too here either here). Crazy dates. Where the Delirio Fan really unleashes is in the theories to guess launch dates and upcoming trailers. We already have a definitive date (esoterically linked to Bonnie and Clyde), but until it was announced, attempts have been occurred to predict all kinds. Numerology and hidden patterns are always very juicy (they set, for example, from previous games releases that They pointed to the last Thursday of January). They are not the only secret codes that are traced: there are direct references to previous games of Rockstar as ‘Max Payne 3’. A Mixture of conspiracy and numerology That, first of all, it denotes a spectacular ingenuity. A unique phenomenon. With ‘GTA VI’ a series of circumstances meet, beyond the spectacular sales we mentioned, which shape a phenomenon that is transcended a simple long -awaited game, and that configures this devotion, which sets in the continuous search for Easter tracks and eggs. For example, there is the long time space that passes between the launch of the games: when ‘GTA VI’ will go 13 years of the launch of ‘GTA V’. And Rockstar It has not been lavished with other games: Only ‘Red Dead Redemption 2’ in 2018. Cultivation broth. All that time has served for ‘GTA’ to become a phenomenon of cult, transgenerational in terms of video games and sufficient than the previous titles of the franchise acquire the category of mythical. It is a phenomenon that very few games can boast and that has an extra incentive: ‘GTA’ is not linked to any concrete console or system, so fanaticism for the franchise is oriented to games itself, not marks or console wars. The secret is in the fomo. The phenomenon of Fear of Missing Outor fear of being left out, it is essential to understand the way that companies like Rockstar have to manage these crises: for a year we will have the feeling of needing news about ‘GTA VI’ to placate the desire. And therefore, these trailers full of Easter Eggs That they promise very attractive news and game modes (they don’t really promise anything, but make the public imagine those promises) are not, at all, a patch to appease the crisis. Rather the opposite: they are an essential tool for fever for ‘GTA VI’ not to decline. Header | Rockstar In Xataka | If the question is “what is the most seeing people on Twitch today”, the answer is the usual: GTA V

In his second trailer, ‘Gta VI’ aims to exploit one of the great ideas so far absent in the franchise: love

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Although it sounds strange at this point, the Second trailer of ‘GTA VI‘points to something unexpected: Rockstar has matured. Or at least, he intends to continue with his purpose of making games more adults than those who gave him fame, an intention that started with ‘Red Dead Redemption 2‘. For the first time in the franchise, we see unthinkable maturity notes a few years ago. Hello to love. The plot core of ‘GTA VI’ will undoubtedly be the love story between Lucia and Jason, something unusual in a franchise full of promiscuity, prostitution, unsatisfactory marriages and lonely antiheroes and without time for love. This is what Rockstar tells us in the official synopsis: “Jason and Lucia always knew that the letters were against them, but when a blow that seemed easy to go wrong, they are trapped on the darkest side of the most sunny place in America, in the midst of a criminal conspiracy that extends throughout the state of Leonida, and forced to depend more than ever of each other if they want to go out alive.” Goodbye to the cartoon. If something puts on the table the new trailer of ‘GTA VI’ is A graphic realism never seen in the serieseven though we could be talking only about kinematics. And that realism has to bring hand in hand A change in the arguments that develop. Let us remember what the characters of ‘GTA III’, ‘Vice City’ or ‘Liberty City’ were: excessive, big heads, of schematic movements, almost cartoons. That has ended, and emotionally, the characters have to live up to it, in the same way, as we pointed out in their day, The demands of female representation have changed. A clear inspiration. Before we know more details about the argument (there are already rumors that Jason It could be an undercover policeman), the clearest reference of GTA VI are Bonnie Parker and Clyde Barrowthe couple of robbers of banks who lived a bloody romance in the Chicago of the thirties. In this trailer we see Jason and wore a bank together, the first picking up the second when it comes out of jail, and sharing some beers, a sunset and some passionate scenes that perspire a certain unusual tenderness in the ‘GTA’ games. But a shadow looms on them. The thing may not end well: Rockstar games, especially the recent ones, usually deal with betrayal, one way or another. In ‘GTA v‘, where we were driving alternately to the three protagonists, in the end we were asked to choose between betraying our classmates or accepting a last mission with them. In ‘Red Dead Redemption’, betrayal when the protagonist seemed to have reached peace was inevitable. And in this ‘GTA VI’, if we alternately control the protagonists in the ‘GTA V’ style, the player could have to resort to a similar decision: loyalty to his partner or fulfill a mission. The model is ‘Red Dead Redemption 2’. It is the most sophisticated and deep game at the level of characters that has set rockstar to date. He left behind the grotesque composition of the protagonists of ‘GTA V’ and opted for emotion: in ‘RDR2’ we see Arthur Morgan learn with the player valuable lessons about betrayal, responsibility and – while he faces his own death, and as it is inevitable taking into account the title of the game – redemption. If Rockstar looks for a reference for maturity and adult characters, his own masterpiece is his model. A logical trajectory. From ‘Red Dead Redemption’, published fifteen years ago, the detour to more mature and adult arguments is indisputable. He was followed by the police key ‘La Noire’, the turn of ‘Max Payne’ in its third part towards personal hells and the second installment of ‘Red Dead Redemption’. Only ‘GTA V’ and, obviously, the verbenero ‘GTA online‘, to which you have to feed apart, they have left that line. But even recognizing that the fifth installment of the franchise is a look at more frivolous and caricaturescos times, posed unprecedented issues and approaches in the criminal saga. For now, noise and fury. For now, all this are conjectures, such as The brilliant idea that all we are seeing is the start of the game and Jason dies in the early hours of history. We cannot deduce from the second trailer what are going to be the key points of the argument, but the official information makes it clear that the relationship between Lucía and Jason (include or not deaths, betrayal or something else) will be openly romantic. And what is clear from the tone and visual style of the trailer is the potential of the game of giving an unprecedented impulse to the depth of the stories that are told in video games. And Rockstar is not known for letting this type of opportunities pass. Header | Rockstar In Xataka | The delay of ‘GTA VI’ goes far beyond a mere change in the calendar. It is an earthquake for industry

The second trailer of ‘GTA VI’ looks crazy, and is a sample of how good it feels to go against the industry

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The wait until May 26, 2026 will be made long. In a strange ad, Rockstar confirmed a few days ago that the release date of ‘GTA VI‘It was delayed from an indefinite moment of this 2025 At the end of May next year. It is something that It has several readingsbut one of them was that they would soon launch a new trailer that, finally, would set the final launch date and, announcing the delay in advance, would cushion the blow. This has been. The company has just launched the Second Trailer of ‘Grand Theft Aut VI’ And … he is overwhelming. If the first launched in 2013 already allowed us to theorize whether it was something moving in real time or was a pre-control scene, this second trailer points to tour the same path. And the reason is that there are scenes of ‘GTA VI’ that are a real madness. ‘GTA VI’ will squeeze a decaffeinated generation First of all, I have to clarify that we can only judge the visual quality of the game with the means that we have available so far. To perform deeper analysis, we will have to waitat least, at the moment we have GamePlay scenes itself, but I think we can start making illusions with what Rockstar is cooking. For three reasons, in addition. The first is that, as I said, the first game of the game has already allowed experts to discuss its nature. Digital Foundry is a British media specialized in the visual and technical analysis of video games and They debated Long and lay on whether the trailer was in real time (that is, the engine of the game and scenes extracted from it) or a scene rendered beforehand. Some visual errors as Jaggies -S. Sierra- allowed the pixel counting, and the washed image of the edges points to the use of some type of tool such as FSR or DLSS. The second reason is that Rockstar is not Ubisoft and it is not a company that has accustomed us to CGI videos before the launch of the game itself or to Visual Downgrades. The third reason to believe that the game will end up seeing as in these trailers is that we have ‘Red Dead Redemption 2‘As an example. The 2018 title, without having received a patch for the current generation, continues to be better than many games of this generation, and that was designed to function in 2013 consoles. Come on, what There are hopes in ‘GTA VI’ at the visual level. And, as we say, we have reasons (and not only for these precedents). Trailer screenshot The new video begins very, very high, with some characters modeling that seem spectacular, very realistic animations both bodily and facial, without falling into the exaggeration of features, and all this bathed for what, I think, is the element that makes the trailer look as well as it looks. Because the textured seems very good to me, but the lighting that bathes each scene is to not believe it. Among all the moments, the one who has left me speechless is one at the beginning, when we see Jason returning in his car, at night, and observes a police detention. Trailer screenshot The flashes, The position of light spotlights And elements such as that good textured, the most realistic color palette than in the previous installment of the saga and gestures make me create that scene completely. But it is not the only one: Trailer screenshot Trailer screenshot Trailer screenshot I am somewhat tired of the term “photorealism” we have been abusing from the launch of the first ‘Modern Warfare’, but it really is the only term that occurs to me to describe what I am seeing. Then there are the characters, with a certain caricaturized and stereotyped touch, but the physicists of elements and hairstyles, Reflexes on surfaces (The interior of the car is amazing) or the vegetation play to make the scenes … surprising. Perfect? No, of course, and we see distant elements such as the sand or water that have visual artifacts, as well as some textures such as Lucia’s hair at some time that seem flat, but the general level is so, so high that, for the first time from ‘Alan Wake 2‘ and ‘Warhammer Space Marine II‘, I feel that this generation of consoles is worth something. And with more merit if possible in the Rockstar title, since it is an open world, with the complexity that this implies. Rockstar promotional image Rockstar promotional image Rockstar promotional image It may be making many illusions, but it comforts me that people in Rockstar think that the game is going to see like this. Not current workers, something impossible in one of the most hermetic studies in the environment, but veterans of the company. One is Ryan Fuechliffe, member of Rockstar from 2009 to 2021 and who commented that ‘GTA VI’ will offer a “revolutionary” realism. Mike York, who worked as an animator in the company, also commented That the game will probably go to 30 frames per second because Rockstar was focusing on visual quality. But, although I seemed to me … wild, you have to have your feet on the floor. Obbe Vermeij, former technical director of ‘GTA 3’ to ‘GTA IV’ He pointed out That, although the first trailer was “incredible”, the technical jump may not be as large as the one seen in ‘GTA V’ and that could disappoint some players. As I have already said, you have to wait to see Gameplay because, obviously, these two videos that Rockstar has revealed play a lot with the rules of the visual language of cinema. Chamber tremors, paneos and angles that are typical of the kinematics of well -positioned virtual games and cameras and we will have to wait to watch the first video with gameplay. However, I return to my argument of ‘Red Dead Redemption 2’: Seven years later, the adventure of the … Read more

The first trailer of ‘The fantastic 4: first steps’ reveals the most important ingredient for Marvel’s future: its villain

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Surrounded by considerable paraphernalia (a countdown of more than an hour, the appearance of the four protagonists, a scenario that imitated the launch of a rocket), Marvel has launched the first trailer of ‘The Fantastic 4 first steps‘, advance of what we can expect from the anticipated arrival of the first family to the MCU And it’s not for less: Marvel He knows that he plays a lot with this new production, more than with any other film planned by 2025, such as the closest ‘Captain America: a new world’ or ‘Thunderbolts’. After stumbling in 2024 as ‘The Marvels’ and a parenthesis as notorious as the one that has been 2025 and only ‘Deadpool and Wolverine’ in theaters, ‘the fantastic 4 first steps’ is Marvel’s opportunity to recover the pulse of the pulse of the cinema mainstream which controlled with a iron pulse during the early phases of the MCU. On July 25 we will have to wait to see this movie, which The truth is that it is unusually faithful to the original comicsespecially thanks to the retrofuturist atmosphere in an alternative reality: the costumes, the fantasticar, herbie, the Baxter building … everything is both modern and classic, and the effect is very intriguing. Pedro Pascal, Vanessa Kirby, Joseph Quinn and Ebon Moss-Bachrach are perfect in papers traced to the originals. There are many elements that do not appear in the trailer and that are about to be revealed: from Reed Richards using their powers to the rumored silver wake. What is seen, although only on his back, is to Galactus, the most colossal enemy of the fantastic four, and one of the nemesis par excellence of the Marvel universe. The presentation in this return to the classic Marvel is not accidental: frustrated plans with Kang … Is Disney presenting the villain that will vertebrate the next movies of the house, as Thanos did? Are the company decidedly cosmic? We will have to keep waiting to know. Header | Disney In Xataka | The loose box office of ‘Venom 3’ forces Hollywood to reconsider superheroes: they are no longer a golden egg chicken

Trailer of the Chespirito Bioserie premieres

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“Without wanting”the series that shows several passages in the life of Roberto Gómez Bolaños “Chespirito” will premiere this year on the platform of streaming Maxand the first has already been announced trailer. Roberto Gómez Fernández confirms that he reconciled with Florinda Meza In the advance, a man appears going to the dressing rooms of the program actors “The Chavo del 8”. Thus, it can be seen for a few seconds to “La Chilindrina” (Paola Montes de Oca), “Professor Jirafales” (Arturo Barba), “Doña Florinda” (Bárbara López), “Doña Clotilde” (Andrea Noli), “No no (Eugenio Bartilotti) and finally “El Chavo” (Pablo Cruz). Chespirito’s bioserie “unintentionally wanting” has the protagonist The series “Without wanting” It was directed by David Ruíz and has the authorization of Roberto Gómez Fernándezson of “Chespirito”. He commented last year that the project was carefully prepared: “It is going well, it is a very long process. I am not used to such long things. There I can not give much detail, but soon it will be there. ” Pablo Cruz (who became famous thanks to his role in the bioserie of Luis Miguel) published a video in Instagram in which he said excitedly by the series, although he did not reveal the release date: “I interpret Roberto Gómez Bolañosiconic Mexican comedian … I will tell you where we “spoiled”. Continue reading: (Tagstotranslate) Chespirito

New and electrifying trailer for ‘Mickey 17’ with Robert Pattinson

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The wait for Mickey 17 It has been worth it. After a consecutive series of delays, finally the new movie Bong Joon-ho (Parasites) with Robert Pattinson is about to hit the movies. With a release date of March 7, the film — which promises to become one of the best science fiction films of the year — has just released a new trailer. A progress that also demonstrates that the South Korean director is willing to explore the pessimistic and claustrophobic atmosphere that his story promises. Based on the novel by Ashton Edwards, the plot follows Mickey Barnes (Robert Pattinson of Batmanin multiple paper), a colonizer of the future. The character is part of what is considered beings expendable. In other words, clones created for the sole purpose of being sacrificed. So he is sent to die repeatedly on the frozen planet that Earth hopes to explore. Only, in the midst of the grotesque routine of living and dying, the mechanism is disrupted and Mickey He ends up in the middle of an absurd situation along with another of his doubles. With a similar plot, the South Korean director seems to have opted for the possibility of dystopia combined with a very dark sense of humor. The new trailer shows Mickey dying in hilarious and imaginative ways as he must face the possibility of surviving in the company of his clones. The latest look has made it clear that, in all likelihood, the tone of the film will become darker as it progresses. Which makes the upcoming production a strange combination of tones and points of view. In addition to Robert Pattinson, Mickey 17 It also stars the nominees for oscar Mark Ruffalo and Toni Collette. accompanies them Steven Yeun in a supporting role. A road full of obstacles for ‘Mickey 17’ Over the past two years, the future of the production directed by Bong Joon-ho, was in question. Since the end of its recordings in January 2023, the film changed its release dates in four chances. All due to the tension between the director and Warner Bros. about the final cut of the story. But, in the end, the filmmaker has had the last word in the creative direction of the film, which put an end to the wait. Another reason for the delay in the release was because the studio hoped that Robert Pattinson would have a free schedule to properly promote the film. Quite a point in favor of the trust that the executives give to the actor and, especially, to his relationship with the fans. The truth is that with the delay of the second part of Batmanit is clear that the interpreter you can give your full attention to the science fiction project.

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