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Turin’s shroud, also known as ‘Santa Slack’, is one of the most important relics of Christianity. This 4.4 x 1.1 -meter linen fabric has been a historic controversy focus among those who defend that it was the blanket that was placed on the body of Christ at the time of their burial and those who believe that it is a subsequent fabric. Now a new study has been published to add more firewood to the fire by stating that the Holy Sheet is false. And what he has achieved is to unite both defenders and critics of the authenticity of the fabric. Short. Cicero Moraes is a Brazilian researcher specialized in three -dimensional reconstruction. I already warned in 2024, but in the recent study published in the magazine Archaeometry He has presented the conclusions that lead him to consider the holy sheet as a false relic. Using Open Source software and three -dimensional models, Moraes approached the formation of the image of the sheet performing digital simulations. He analyzed how a fabric behaves when covering different three -dimensional forms, observing the patterns of the sheet and concluding that they adapt much better to a solid model and without too much depth, such as a bas -relief, than to something more “soft” and in depth, such as human anatomy. This, for him, would already rule out that it was the sheet that covered the body of Jesus Christ, arguing that, in that case, the distortion of the image and the folds would be much more evident if a human body had covered. Here you can see the video of the simulation of Moraes: So? The researcher holdsbased on those 3D models such as those used in cinema and video games for Simulate objects of objectsthat the image of the shroud could only have been created if it had been placed on a bas -relief of a human figure, such as a stone or wood size. If a human body had covered, the image of the shroud would not be so perfect and should be more distorted due to the greater depth of the body, especially on the sides. Come on, that the royal sheet shows a “photocopy” of a sculpture or bas -relief, not a human body. Having covered a body, I would have presented the documented effect “Agamemnon mask“ Moraes’ study shows what the silhouette of Jesus Christ really would be if the sheet had been on a body, on the left, in the face of the perfect representation of the body that shows the shroud, to the right Previous studies. Moraes’ is just One of the many analysis which have been done to verify the authenticity of the relic. The most famous, perhaps, is the test carried out in 1988 by Laboratories of Oxford, Arizona and Zurich in which the Carbon-14 and determined that the fabric had occurred at some point between 1260 and 1390 AD Apart from the studies, to dismant Godofredo de Chany He exposed it for the first time in a French town. And there are also no writings of the Christian tradition that mention the sheet. Of course, on the other hand, defenders of their authenticity argue that The most solid testthat of 1988, It could have been contaminated with materials after the time of Christ, and that the sheet would be about 2,000 years old. Another recent study He pointed out that the spots of the shroud corresponded to the blood that could occur with torture and crucifixion, but there are also those to indicate opposite. The shroud Criticism. The problem of the new study is what you can be imagining: it is an extremely powerful statement based on a theoretical analysis with strictly digital data such as those of a 3D simulation. And criticisms have not taken to arrive. The International Center for Syndonology of Turin (who are responsible for the study of the sheet), directlypoints out that Moraes’ work does not provide direct evidence on the historical piece and, although the 3D modeling It is valuable from the perspective of visualization of the tissue on the body, does not take into account variables such as the elasticity of the fabric, among other factors. And that it is a visual representation of a theory with a century behind it without adding much more. Other experts have commented that, although the study is interesting, the simulations, by themselves, They cannot replace direct analysis of the object. Convulsive context. The First statements De Moraes in 2024 on his study arrived at a complicated moment, since the Santa Neck was going to be an important piece in the 2025 jubilee acts. Not showing the real element, but a series of Very precise digital representations. And what does the Vatican? Interestingly, they have not spoken. But not with this 3D study, but historically. The official position is to promote the interdisciplinary study of the piece, without issuing a conclusive judgment. And this is something that is valued in the scientific community, since it maintains the living and open debate, allowing new study approaches in future research. Therefore … Is the holy sheet false? Moraes defends that its origin is that of a medieval art work, but its research through simulations cannot be definitive. Therefore, it follows the debate on whether it is the original sacred relic or if it is a medieval creation and, like Matteo Borrini, one of the researchers who maintains that it is a medieval artifact, commented A few years ago, “our faith is not based on the shroud, but on the gospels”, so it would give the same if the shroud is original or something much later, since the faith is above it. In Xataka | Boadilla del Monte is not famous for many things. So now he wants to lift a statue of 37 meters