The problem with microrobots is that they don’t have a “brain.” The solution has been to use Einstein’s relativity to guide them

Making robots the size of a piece of human hair is already a reality, but it faces a big problem: they are too small to bring a “brain” on board. And it is logical, since on a microscopic scale there is no space to insert a microchip, batteries or navigation systems, so in a few words we can talk about “dumb robots” that only react to basic stimuli. But here the Einstein’s relativity has given a small solution. The solution. One of the functions of these small robots is precisely in be able to navigate the bloodstream to react to different stimuli. But the big question here is how they can navigate a bloodstream without colliding with each other. Something that was on the mind of a team of researchers from the University of Pennsylvania what have you seen that the key is not in making robots smarter, but in manipulating the “spacetime” through which they move. To understand this thread, you have to think about how gravity works according to the theory of general relativity. Here Einstein taught us that planets do not revolve around the sun because an invisible force pulls them, but because the mass of the Sun curves the fabric of spacetime, as with the Earth, which follows the easiest path through that curved space. To biology. Here the researchers wanted to apply this same mathematical principle to microrobotics, introducing the concept of “artificial spacetimes”. And since microscopic robots move in response to light, the scientists designed light fields projected onto a Petri dish that mimic the curvature of spacetime. In this way, the variations in light they faced acted like “artificial gravity.” In this way, the robot does not need to know where it is or where it is going. It simply turns on and moves forward, since it is the light pattern that “pushes” it to curve its path to avoid obstacles or find the exit from a maze, exactly like a ray of light curves when passing near a massive object in the cosmos. It seems like magic. In the experiment proposed by the researchers, different two-dimensional light labyrinths are projected. In this virtual scenario, they created dark areas that mathematically act as “black holes”, since when the microrobot approaches these areas, the equations that govern your response to light They are formally identical to those of the path of light falling through an extreme gravitational field. In this way, when the microrobot approaches these areas, the equations that govern its response to light are formally identical to those of the path of light falling through an extreme gravitational field. From here, using mapping, scientists managed to get these robots to ‘patrol’ specific areas, avoid obstacles and group together at an exact point. And the most interesting thing is that all this happens without a single processing chip on board the robot, since the “calculation” falls entirely on the geometry of the projected environment. A future doctor. The implications of this advance will now allow microrobots to be freed from the need to have a computer system inside them, which means they can be manufactured cheaply and even made even smaller. From here opens the door to very important medical applicationssince millions of these “reactive robots” can be injected into the human body. The objective here is to use external fields such as magnetic fields that act as a curved spacetime that allows them to move through our circulatory system to release a drug, clean arteries or perform biopsies at the cellular level. Images | Ruben Sukatendel In Xataka | Robots have a problem that no one has solved in decades: they get lost. A Spanish engineer believes she has found the key

the look that became a voice and guide

In 2019 we published a 37 minute documentary about Dulce, a girl with motor paralysis who learned to communicate using only his eyes and a system of eye-tracking by Irisbond. When she started with him, she was six years old. The learning process had just begun. The eighteen months of recording culminated with a moment that summed up the entire effort: in front of her classmates, using her communicator, Dulce announced “my mother has a baby.” Pure manifestation of desires, willingness to share. Perhaps the first time he not only named the world but shaped it. Six years later, we have spoken again with Raúl, his father. Today Dulce is thirteen years old, her brother Max is already ten, and Dante, that baby who was beginning to appear in Raquel, is already five years old. The communicator is still your voice, but what has changed is what you say with it and what you use it for. From spectator to teacher When we met her, Dulce was learning to use the device with the patience of first Celia and then Mariano, her educators. He burst virtual balloons on the screen, related pictograms with concepts, constructed basic phrases. The process was methodical and exhausting: each session required prior calibration, sustained concentration, and the diffuse promise that that, one day, would give him communicative independencesomething very remote then. Dulce introducing herself at one of her talks. Image provided. Now Dulce is on the other side. Not only does she now master the system, but she has become a trainer for other communicator users through Gema Canales Foundation. “She is as a teacher, teaching other children to use communicators because she is very good at it and has a lot of patience,” explains Raúl. “He’s taught three or four kids how to use the system already.” It is not a specific activity. According to her father, it is something she would like to continue in the future, when she is an adult. The communicator is no longer just his or her tool of expression, but also what he or she trains others in.. The transformation is complete: from student struggling to articulate simple ideas to mentor capable of transmitting technique and patience to others. Teenage conversations The most notable thing is not the technological leaps—which there have been, although moderate—but the communicative leaps. In 2018, Dulce was pronouncing single words, constructing short sentences and expressing basic desires. Six years later he has more complex conversations. “She has normal conversations of a 13-year-old teenager,” says Raúl. Image provided. The most notable change came with mobile phones. Dulce already has her own, not as the main communication device – for that she continues to use the Irisbond system connected to a tablet – but as a gateway to digital socialization typical of their age. The mobile allows you to access WhatsApp and have conversations with friends, a teenage rite of passage. Although he accesses through WhatsApp Web for fluidity and convenience, he also likes to use his cell phone with the mobility that his left hand allows. This communicative autonomy has also changed its social dynamics. Raúl remembers moments when Dulce, in new environments with strangers, starts conversations using her communicator. The other kids quickly naturalize the system: “Oh, okay, I talk and she answers me like this.” There is no discomfort, just a slight adaptation to the pace of the conversation, which is slower than natural speech but fluid to maintain complete dialogues. The voice that doesn’t want to change Technologically, the system has not evolved a lot in these six years. The most important improvements occurred in the years before the documentary, when the eye-tracking It went from crude to functional. Since then, progress has been incremental. The response speed has improved slightly, the software is somewhat more predictive, but nothing transformative. The most interesting thing is that Dulce has resisted changing the voice of the communicator. The system has been updated with more voices, even from children, not just adults, as some parents had been demanding. Image provided. When the tool added the first children’s voices, Raúl went “with all his enthusiasm” to configure it on Dulce’s tablet, but he found something unexpected: her refusal. She preferred to keep the one she has been using for years, with an adult ring. “She’s already gotten used to that being her sound. It’s like your voice changes overnight, you feel strange, you don’t recognize yourself in it.” His father speculates something obvious but easy to forget: when you’ve spent most of your life hearing yourself speak in one way, changing your voice is not an improvement, it’s losing your sound identity. The limit is still physical Dulce finished primary education with excellent grades, with the only curricular adaptation in Physical Education. Now he is in 1st year of ESO and limitations are beginning to appear, not due to cognitive ability but due to motor demand. Mathematics, which in Primary was numbers, now introduces algebra. “There it could get more complicated for her,” admits Raúl. The solution involves an assistant who transcribes what Dulce indicates with her communicator, a necessary support not because she does not understand the subject but because writing equations with her eyes is infinitely slower than by hand. It is a technical limitation, not an intellectual one, but it sets the pace of your academic progress. The impact of the documentary The 2019 report did not change Dulce’s life or that of her family. There was no media transformation or avalanche of attention. But Raúl remembers a very specific effect: when they had meetings with the Madrid Department of Education or made requests for academic support resources, someone would mention “ah, yes, you are Dulce’s family, the one from the documentary.” “I already had a face, eyes, expressiveness, a story,” he explains. “It wasn’t just a name in a dossier.” In the bureaucratic negotiation for resources and support, this minimal humanization of the file worked in their favor. It wasn’t … Read more

tips, transport and a complete guide of the best activities

Literally, around the corner, this week, the Comic-with Malaga Give the starting gun for its first edition. While the last guests confirm presence and we know the last practical details (the latest: Photo and signature prices), We have immersed ourselves in the wide agenda of the event, and we highlight a few essential quotes. Here is everything you can’t miss in The 2025 edition. How to get there The Comic-Con will be held at the FYCMA, the Palace of Fairs and Congresses of Malaga. This enclosure is located next to the Cortijo de Torres Fairgrounds, on José Ortega y Gasset Avenue, with easy access from the Circunvalación round and the Mediterranean highway (A-7). Public transport Plane: The airport is 8 km. From there you can take taxi or public transport. Train: The bird station is 15 minutes away from the place. BUS: The EMT offers several bus lines that stop near the FYCMA: Line 4 (Pase del Parque – Cortijo Alto) Line 19 (Main Alameda-Santa Rosalía-Maqueda) Line 20 (Jardín Ciudad – Los Prados) Line 22 (Teatinos – Cortijo Alto) In addition, the Metro El Perchel station is 10 minutes on foot. The best of the agenda You can consult the location and time of each act On the event website. Thursday, September 25 Walter White “Cooking Games”: Two authors of Spanish Spanish video games, Gonzo Suárez (Commandos Saga) and Isabel stems (Warhammer 40,000: Warpforge) analyze their own works, and tell us how they have managed to become success. Between heroes and villains: International stars such as Luke Evans (the hobbit, the alienist), Aaron Paul (Breaking Bad, Westworld) and Pedro Alonso (the paper house, Berlin) talk about how to give life to morally complex characters. Ian Livingstone: From the workshop to the legend – 50 years of games, 30 of revolution: Ian Livingstone is a key figure in the history of the video game and the role, of the eighties books, through the creation of Tomb Raider and its connection to Games Workshop, reviews more than three decades of career. MY reinventiondo: ANDl Contemporary terror in the comic: Some of the most scary comics authors of recent times, such as Werther Dell’dera (someone is killing the children), Álvaro Martínez Bueno (The Nice House on the Lake), Martin Simmonds (the department of truth) and Fernando Blanco (W0Rldtr33) explore the new era of horror in the comic. This is a comic for Marvel: Natacha Bustos is one of the most unique Marvel creators and what else departs from the norm. In this talk discover how a comic is created like Moon Girl and Diabolic Dinosaur for the most important editorial in the world. Warriors: Dafne Keen (Logan, Dark Matter), Gwendoline Christie (Game of Thrones, Star Wars) and Natalia Dyer (Stranger Things) talk about how they give life to women with powerful personality in fantasy worlds and science fiction. The American Comic Market: Myths and realities: Carmen Carnero (Exceptional X -Men), Natacha Bustos (Moon Girl and Diabolic Dinosaur), Rafa Sandoval (Absolute Superman) and Laura Pérez (Night) share their experience, from areas that go from the absolute indie to the mainstream, in the competitive US market. Friday, September 26 Round table: “Professionalization of cosplay: art, trade or profession?”: Round Table with Yaya Han, Anhyra Cosplay, Geheichou and Talent. We analyze the professionalization of the cosplay and what this phenomenon has ahead, at a table that adds to the many workshops on the subject that are distributed by the agenda. “The Matrix ▶ ︎ Neo Cinema ► Future” a conversation with John Gaeta: John Gaeta, Oscar -winning pioneer and legendary responsible for the FX of films and series such as Matrix or The Mandalorian, among other pieces of the Star Wars franchise, redefined his field with his inventiveness. In this talk he shares his vision about the present and future of effects, and how creativity and technology transform film, video games and more. Batman #1: With millionaire sales, Matt Fraction’s new Batman comic and Jorge Jiménez is redefining the stories of the dark gentleman. In this round table they tell how they do it .. 50 years of video games in Spain. Past, present and future: Santiago Bustamante, director of the Oxo Museum, talks with a medium legend, Pablo Ruiz, founder of Dinamic and FX Interactive. The Renacer of Dungoons & Dragons: A historical role of dice and paper, Jeremy Crawford (main designer of Dungeons & Dragons) explores how the most iconic role -playing play in the world has reinvented itself for a new generation. Presentation of Tron Ares: The expected sequel to the science fiction classic will be attended by its protagonist, Jared Leto, revealing the first secrets of this new delivery of adventures in cyberspace. Fantasy melodies: Nobuo Uematsu. Scenic reading and concert: Nobuo Uematsu, is one of the video game music composers, and made history with those of the Final Fantasy saga. In the comic he will take the stage to share the stories and inspirations behind his most iconic soundtracks. Saturday, September 27 Elesky in concert: Sound bands of great Spanish video games: Pianist Elesky will offer a unique concert, playing live some of the most emblematic melodies of Spanish video games. A musical journey that celebrates national talent and revives the emotion of titles that have left their mark on the industry. Devir Show: Special 25th Anniversary: A historical company company we celebrate its 25th anniversary and revive key moments of the genre in Spain such as the arrival of Catan, Carcassonne or Secret Code, until the popularization of the role with Warhammer Fantasy or Pathfinder. Worlds for negotiaBrir: The romantasy that is changing the rules: Iria G. Parente and Selene M. Pascual with Lucía Cerezo explore how Romantas and is revolutionizing fantastic literature. Editorial successes that fuse romance and fantasy and that pass under the radar of critics, but that hook millions of readers. From script to the big screen: Fantastic cinema made in Spain: A tour of the races of some of the best director of Fantastic and … Read more

The arrival of the iPhone Air has changed everything. Guide to choose perfect iPhone in Apple’s new family

Apple has presented new iPhone, four to be exact: iPhone 17, iPhone Air, iPhone 17 Pro and Pro Max. Unlike other years, alignment has changed. The novelty is that The Plus model tells us goodbye and the new iPhone Air arrives instead. Let’s see how the iPhone family looks after launch. iPhone 17: The always base model iPhone 17 The dry iPhone. Is the successor of iPhone 16 and maintains the usual spirit: a more content size and double camera. It is the iPhone for those who do not need the triple camera or the most powerful processor. This year the iPhone 17 wins points because its screen finally adds to the 120hz, something that so far away further away from its older brothers. It is made of aluminum and, to protect the screen, it has the new Ceramic Shield 2 which is up to three times more scratch resistant. It arrives in five colors; Black and white for the most traditional and three more casual tones (lavender, green and blue). Its price starts from 959 euros For the 256GB version. iPhone Air: The new class comes wearing Tipazo iPhone Air Is The great novelty This year. After The failure of the ‘mini’ modelsApple tested the opposite: an iPhone ‘plus’ that bet on a much larger screen. The formula has not set and the iPhone Air is the new Apple attempt to sell us a fourth iPhone. As with the macbook air, The iPhone Air claim is thinness. Specifically, it measures 5.6 millimeters thick (with the exception of the camera module, where by the way Apple has managed to put practically the entire hardware) and weighs 165 grams. The iPhone Air is for those who want the most exclusive design, even at the expense of making certain sacrifices. It only has one camera and, although the figures of autonomy are not as disastrous as it was rumored (27 hours of video playback), the fact that Apple announced an external battery specially designed for this model leaves us with enough doubts. Another important factor is that It has no physical sim, So if you decide to go for the new ultradelgated iPhone, It is time to hire an ESIM. The iPhone Air arrives blank, gold, sky blue and black and its price starts from 1,219 euros For the 256GB version. This is 260 euros more expensive than the iPhone 17, but 100 euros cheaper than the iPhone 17 Pro. iPhone 17 Pro and iPhone 17 Pro Max: For the most demanding iPhone 17 Pro Max and iPhone 17 Pro If you are looking for the best experience, especially at the photographic level, you have to go for a Pro. They have a triple camera that, in addition to the wide angle, also include a teleobjective that reaches 8 increases. They also have the Apple A19 Pro processor with steam camera to avoid and carry Ceramic Shield 2 both in the front and rear. What model choose? It will depend on the size you prefer (6.3 or 6.9 inches) and also the budget. The iPhone 17 Pro Max Cuesta 1,319 euros and the iPhone 17 pro max 1,469 euros In the 256GB versions, that is 150 euros apart. A point to keep in mind is that, in addition to the screen size, the Pro Max also has more battery. iPhone 16 and 16 Plus: last year’s models still have a lot to say iPhone 16 Plus and iPhone 16 As usual, Apple keeps the iPhone 16 and iPhone 16 Plus on sale one more year. Although they are models with a year old, they are still two very interesting options For those who want to pay less, whenever he does not mind giving up some novelties. The main and most important is the soda rate. In the new models it is already 120Hz, but on the iPhone 16 it was still 60Hz. They also have the chip last year (Apple A18) and the ultra -angular chamber was still 12 megapixels. The output prices are 859 euros for the iPhone 16 and 959 euros for the iPhone 16 Plus, 100 euros reduction. iPhone 16E: The “Cheap” iPhone iPhone 16E Although he was not part of the presentation of September 9, the iPhone 16E It is still selling on the Apple website so it is part of the family. Is the successor of iPhone se And the first of its kind that bets on a Front without button where the screen is the protagonist. Of course, there is no dynamic island but the Notch Classic of previous models. It makes some concessions such as that it only carries a camera or a smaller screen. Is The iPhone for those looking for the most affordable model. However, with a price of 709 euros For the 128GB, it is not exactly cheap, especially if we compare it with the previous ones, whose price was around 530 euros. Specifications of the entire iPhone family iPhone 17 iPhone Air iPhone 17 Pro IPhone 17 pro max iPhone 16 iPhone 16 Plus iPhone 16E screen 6.3 inches 2,622 x 1,260, 460ppp Brightness up to 3,000 nits Promotion 120Hz True Tone, HDR Dynamic island 6.5 inches 2,736 x 1,260, 460ppp Brightness up to 3,000 nits Promotion 120Hz True Tone, HDR Dynamic island 6.3 inches 2,622 x 1,260, 460ppp Brightness up to 3,000 nits Promotion 120Hz True Tone, HDR Dynamic island 6.9 inches 2,868 x 1,320, 460ppp Brightness up to 3,000 nits Promotion 120Hz True Tone, HDR Dynamic island 6.1 inches 2,556 x 1,179, 460ppp Brillo up to 2,000 nits True Tone, HDR Dynamic island 6.7 inches 2,796 x 1,290, 460ppp Brillo up to 2,000 nits True Tone, HDR Dynamic island 6.1 inches 2,532 x 1,170, 460ppp Brillo up to 1,200 nits True Tone Notch processor Apple A19 Apple A19 Pro Apple A19 Pro Apple A19 Pro Apple A18 Apple A18 Apple A18 storage 256GB 512GB 256GB 512GB 1TB 256GB 512GB 1TB 256GB 512GB 1TB 2 TB 128GB 128GB 256GB … Read more

Taking spectacular photographs of the Perseids seems impossible. NASA has a guide to demonstrate otherwise

The Perseids are already here and, although there are still a few days to reach their peak of activity, it is convenient to keep in mind some clues and tricks if our intention is to capture them in a photograph. Because as more than one will have proven, this is not always easy. AND Who better than NASA to point to any of these tricks. The first step: plan. If we want to get a good image of this rain of stars, the first thing is to think where and when. The Perseids or Tears of San Lorenzo can be seen for several weeks of summer, approximately between June 17 and August 24, and reach their peak of activity around August 11 and 12. Where and when it is also important when it comes to circumventing the great enemy of astrophotography: light pollution. First, it is convenient Avoid full moon And the phases in which it reflects the most light, since, although we do not perceive this light, it reduces the contrast that our eyes require to see the fleeting stars. It is also important flee from light pollution that generate the lights of cities and other settlements, so perhaps we should plan a trip to the field if we want to see these stars. Finally, we must also know where to look. Perseids owe their name that seem to radiate The constellation of Perseus. Knowing how to locating this constellation in the sky is very useful when restricting the angle to which to aim the objectives of our cameras and increase the probability of capturing some of these flashes. Second step: the team. A tripod can be helpful. Photography will require a long exposure. Maybe they are just a few seconds, but our pulse or any other involuntary movement could spoil a perfect shot. If we do not have a tripod we may resort to a “homemade” solution, such as supporting our camera on some rocks, but that will subtract maneuvering capacity. It can also be useful pertrech In order not to have the chamber trigger and thus avoid additional vibrations, but we can also dodge this requirement with the camera timer. Regarding the lens, NASA’s recommendation is in angular. Since we do not know when and where the next flash will happen, it will be best to cover a lot to increase our chances of success. Third step: Prepare. Once in position, we can start looking The constellation of Perseus. Orient our camera towards it will increase the chances of capturing the flashes of this rain of stars. The approach, best manual. The reason is that cameras self -effect systems can be lost in night darkness. Since we will not have to change the focal point, this does not imply any problem once we have taken the ideal approach. We will have, of course, to walk with an eye: sometimes focusing on infinity is not the best option, so it is a good idea to try small adjustments until you find the ideal approach. There is still a detail. We had said that capturing a rain of stars requires long exhibitions. Calculate how long can also require adjustments, but NASA also has a trick to facilitate work: Rule 500. It is about dividing 500 by the focal distance of the lens, and using the figure as time, in seconds, that our open shutter will remain. This value represents the maximum time that we can maintain the exposure before the terrestrial rotation makes the background stars begin to spread. If we have a 20 mm lens, we will have that 500/20 = 25 seconds of maximum. Experiment, enjoy. Rule 500 can be a good start, but we will still have to adjust our ISO and opening values, which will also allow us to play with shorter exhibitions. We can make small changes and verify how each one affects the quality of the image or its aesthetics. He last advice that NASA It has for those who are encouraged to photograph the persistes (or any other rain of stars) is simple: enjoy. These astronomical events offer us an opportunity to see the night sky in a different way, in advance generated by the unexpected flashes that cross the night sky on some summer nights. In Xataka | What are they and how exactly the Perseids are formed, the most fascinating astronomical phenomenon that we can see today Image | Fatih Turan

If the question is “How to make a good prompt for AI”, Anthropic has just given us his guide

Anthropic, the creator of Claude, has published its definitive guide of Prompt Engineering. A free Bible that synthesizes years of research in practical techniques to get the most out of Claude. Why is it important. The majority of users barely scratch on the surface of what the generative AI can do, leaving below even what could benefit in their day to day, even if they are not engineering uses. The panoramic. The guide covers from the foundations to the most sophisticated. From how to be clear and direct in a request to advanced techniques such as Multishot Prompting or the chains of thought. Culminates with strategies such as the chain of Prompts complex And all enlightened with real examples of Claude. In detail. The nine central techniques of this guide function as a ladder: Clarity and direction. Say exactly what you want. Prompts Vagos produce vague results. Various examples. It shows Claude how to think with several cases of use. Thought chains. Ask Claude to think step by step before answering. XML Tags. Structure the answers with greater precision. System roles. The classic “You are a lawyer”, “You are a data analyst”, etc. To change the chatbot perspective. Prellenate of answers. Guide the tone and format starting the answer. The context. Anthropic explains that many of the problems with generative AI are solved with better Promptsnot necessarily with more powerful models. This is an attempt to democratize techniques that they only knew somewhat more advanced developers. Open the guts of what they know it works. For example. The guide includes concrete examples: Instead of ‘Create a Dashboard’, he writes ‘creates a complete analytical analytical dashboard with interactive graphics and filters’. For code Frontendadds specific modifiers: “Includes soft transitions, micro -interctions and visual effects that demonstrate advanced web development capabilities.” And for complex tasks, the guide recommends using XML labels as to structure Claude’s thought. The difference is in specificity: say exactly what you want produces much better than vague instructions. The AI ​​returns you what you give. Yes, but. There is an important nuance: this guide assumes that you already have clear success criteria and ways to evaluate results. Without that base, even the best Prompt It is a shot in the air. And now what. For developers, this is gold. For the user something else casual, It is worth dominating at least the first techniques for minimizing hallucinations and improving the results. He Prompt Engineeringthat some time ago it seemed a kind of black magic to invoke in a mystical way, it is every time a skill that can be learned, measured and better perfect. Outstanding image | Xataka with Mockuuuups Studio In Xataka | Chatgpt has been a tool. If you start remembering all our conversations, it will be something else: a relationship

Humanity has been using the Earth’s magnetic field as a navigation guide. Some researchers want to retire it

In recent decades, GPS has become part of our day to day. If it is a military technology, the global positioning system has been guided by roads, forests and seas, in the city and in the mountain, but always with an important limitation, access to satellites that place our navigation devices. That could change. Magnav. Thanks to magnetic navigation systems or Magnav, and more specifically to a new development that uses a quantum adjustment system that promises more precise navigation. A navigation, in addition, immune to interference, accidental or caused, which allows significantly reducing satellite navigation dependence. Magnav systems (Magnetic-Anomaly Navigation) o Navigation by magnetic anomaly are based on the fact that the Earth’s magnetic field It is not uniform. That is why it is possible to use a magnetometer that indicates our position by measuring small variations in the magnetic field of the planet. Use the Earth’s magnetic field as Navigation reference It is not something new but something we have been doing since the invention of the compass, but the new system promises to achieve unusual precision. That’s where the quantum dimension of the new system comes into play. Navigation “quantum”? The new technology, They explain their developersis based on the use of quantum magnetometers that combine a noise elimination system with a cartographic algorithm. The magnetometers are based on the optical detection of the precession of the atomic spin, for which they use a steam cell that contains rubidium atoms, They detail. This technology opens the door to measure the magnetic field of the Earth with greater precision, which translates into a better capacity to locate ourselves on the map. All this, they also highlight, in a device small enough to be used in autonomous vehicles or in fixed wing drones. Q-ctrl. Behind this system is an Australian company, Q-Ctrl (name that refers to “Quantum Control”) The company emerged in 2017 Like a Spin-off of the quantum science group of the University of Sydney. By land and air. RecieBy land and air. Recently, the team responsible for this system put it to the test. With satisfactory results: the device obtained errors in the measurements up to 46 times less than the inertial navigation systems usually used as a complement to the satellite. The measurements were made on flights at a height of 19,000 feet, in which it was also possible to fly with a total error in the 22 -meter trip, 0.006% of the distance traveled. The results were “consistently” at least 11 times better than those obtained with inertial systems. The team responsible for the development of the new tool has published some details in an article. The article has not passed the pairs review filter but can be found freely Through the repository Arxiv. Substitute or complement. Satellite navigation systems are central today and this is precisely its weak point: the emergence of GPS signals puts both commercial routes and passenger transport, but it could also put into check military operations in cases of armed conflict. The interception of these signals can therefore be used as well as a commercial and war weapon. We have various tools that allow satellite navigation to attend, but few systems can at the same time have the accuracy of these without depending on them. That is why having alternative mechanisms of high precision can be more precise than ever. In Xataka | The North Pole is moving very fast, and that has forced many airports to rename their clues Image | NOAA NCI / Q-ctrl

Millionaires, tycoons and presidents: Guide to who was and where at Trump’s inauguration

The packed dais in the Capitol Rotunda on Inauguration Day featured four of the five richest men in the world, five U.S. presidents, technology and business magnates, and two foreign leaders in prime locations. Donald Trump’s inauguration was attended by traditional, unprecedented and unorthodox guests, from Supreme Court judges to the vice president of China and the director of TikTok, an application that the United States authorities have identified as a risk to national security, along with the person Trump has chosen to lead the intelligence community. There were also members of the president’s family and other familiar faces in Trump’s circle. Lawmakers mostly sat across from Trump, watching the new president take the oath of office. Here are who was on the stand and who they sat next to. 1. Shou Zi Chew, the CEO of TikTok, was sitting next to Tulsi Gabbard, whom Trump has nominated to be director of national intelligence. Trump intervened this weekend in an attempt to stop a ban on TikTok, which is seen as a potential national security threat. The president has credited the social network with helping him win last year’s election, but the platform faces a ban if the China-based parent company does not find a buyer approved by Washington. 2. Joe Rogan, one of the world’s most popular podcasters, sat down for a three-hour interview with Trump in the final stretch of the campaign and ultimately endorsed him a day before the election. Trump has expressed his gratitude to him. 3. A group of billionaires and tech tycoons sat in the same row. They included Facebook founder Mark Zuckerberg; the founder of Amazon, Jeff Bezos; to the CEO of Google, Sundar Pichai and the CEO of Tesla, Elon Musk, the richest man in the world. They were seated behind Trump’s wife, Melania, and their children, but in front of several of his Cabinet nominees. Musk, who has grown closer to Trump since the election, sat closest to Trump. Bernard Arnault, CEO of French magnate LVMH, the world’s largest luxury goods seller whose brands include Louis Vuitton and Christian Dior, was on the opposite side of the stand. 4. Barron Trump is Trump’s youngest son. The president has acknowledged his contribution to the online campaign, saying it introduced him to internet personalities he had never met before. Barron Trump is now 18 and a freshman business student at New York University, but he will have a room in the White House. 5. Kai Trump, one of Trump’s granddaughters, is a social media influencer and avid golfer. Kai Trump is only 17 years old but has grown in popularity over the past year, taking the stage at the Republican National Convention and speaking briefly at a rally over the weekend. She is the daughter of Donald Trump Jr., who has helped her father with some of his elections and is seen as an enforcer of loyalty in his circle. 6. Miriam Adelson and John Paulson were among the Trump campaign’s biggest donors and got prime seats at the ceremony alongside the next White House chief of staff, Susie Wiles. Paulson, a billionaire investor, hosted a fundraiser in Palm Beach, Florida, that set a record for a single event, adding $50.5 million to the campaign last April. Adelson is co-owner of the NBA’s Dallas Mavericks and the widow of casino magnate Sheldon Adelson. She is a major Trump supporter and, along with Zuckerberg, hosted another inaugural event on Monday. 7. Former Presidents Bill Clinton, Barack Obama, George W. Bush and outgoing President Joe Biden also received prime seats. All of his wives, except former first lady Michelle Obama, were also sitting there. Michelle Obama had previously announced that she would skip the swearing-in ceremony. He didn’t give a reason. 8. In an unprecedented move, Trump invited foreign leaders to the inauguration, and they, too, got coveted seats at the ceremony. The president of Argentina, Javier Milei, was sitting next to the Italian prime minister, Giorgia Meloni. There was also China’s vice president, Han Zheng, whom President Xi Jinping sent to represent him. China’s ambassador to the United States, Xie Feng, was also nearby.

Claudia Pina and Garol Graham subdue Atlético de Madrid and guide Barça to the final of the Spanish Super Cup

He Barça women’s team is already waiting for a rival in the final of the Spanish Super Cup after having defeated the Atlético de Madrid 3-0 in the single-match semi-final played at the Butarque stadium. Unlike most matches, the Barça team had a hard time finding cracks in the solid defensive approach of the red and white players. However, as the minutes passed, fatigue took its toll on a team that based its game on seeking counterattacks. Barcelona took command from the beginning, with their usual high pressure and long possessions in the opposite half, a full-fledged declaration of intentions from the Pere Romeu who bottled Atlético in the first 15 minutes. Throw of the match in the semi-final of the Spanish Super Cup. The weapons of both teams In the middle of the first half, Ajibade herself had a golden opportunity inside the area that went rubbing the sticka serious warning that encouraged her teammates to join the attack and begin to put the rival defense in trouble. Barcelona was uncomfortable and Atlético was very well planted, however on the edge of half-time (minute 45) Claudia Pina He hit a shot from outside the area after a pass from Patri Guijarro to make it 1-0 and pour cold water on Víctor Martín’s team. A great goal. The second half started with a braver Atléticowith the lines 10 meters higher and playing in the opposite field. The possible comeback involved taking risks, especially when it came to applying pressure. Aitana Bonmatí fights to get the ball during the game. Technical details of the match: FC Barcelona: Cata Coll; Paredes, Mapi León, Paralluelo (Graham, min. 64), Claudia Pina (Kika Nazareth, min. 86); Alexia Putellas, Patri Guijarro; Ewa Pajor, Walsh (Aitana, min. 64), O.Batlle (Torrejón, min. 86) and Brugts (Rolfo, min. 72). Atlético de Madrid: P.Larqué, Moraza, Lauren Leal, Xenia, Boe Risa (Ana Vitoria, min. 75), Gaby G., S.Lloris (Barth, min. 85), Ajibade, Tatiana P. (Sheila, min. 85), Gio (Luany, min. 75) and Medina. Goals: 1-0, min. 45; Pineapple. 2-0, min. 73, Pina. 3-0, min. 92, Graham. Referee: María Eugenia Gil Soriano (Committee of Galicia). He cautioned Gio Garbelini and Ajibade in the 28th minute (49th minute). Incidents: First semifinal of the Women’s Soccer Super Cup, played at the Municipal de Butarque stadium, in Leganés.

Log In

Forgot password?

Forgot password?

Enter your account data and we will send you a link to reset your password.

Your password reset link appears to be invalid or expired.

Log in

Privacy Policy

Add to Collection

No Collections

Here you'll find all collections you've created before.