What is it, how does it work and how safe is this application to install OpenClaw on your mobile with just a couple of clicks

Let’s explain to you What is QuickClaw and how does it work?an application created by developer Max Blade to install OpenClaw easily on your mobile. Thus, you can have this popular AI agent without having to deal with APIs, servers and long configuration processes. The application does all this in a completely private way, and creating the agent within a virtual machine for your greater security. You just have to go to their website quickclaw.appclick on the download that is currently exclusive for iOS, and install everything with a single touch. What is QuickClaw QuickClaw is a mobile application that allows you to use OpenClaw easily on your mobile. Install OpenClaw It is a fairly complex process that can put many people off, and what this does is allow you to install it with a single click and without the need for complications or technical knowledge. Thus, you can have your own agent artificial intelligence on your mobile. This means that you will have an AI that does not limit itself to responding to what you ask or perform simple tasks, but can take control of your applications and perform tasks in multiple steps. All of this is done relatively safely. I say relatively because it will use an isolated workspace within your mobile, although the application will also needs access to a lot of your data to function, which may compromise your privacy. In exchange for this, you will have an application that will be able perform various types of tasks for yousuch as creating or editing files, browsing the Internet and taking actions there, managing your calendars, managing your reminders and more. How QuickClaw works The first thing you have to do is install the QuickClaw application, which at the moment It is only available for iOS in the App Store from Apple. When you install the app, you just have to launch it and An OpenClaw instance will be created and launched on a virtual machine “safe”, so as not to touch your device or its operating system. All this in just one minute. The process will then create a Gateway or user service that remains running, in addition to other components that allow OpenClaw to control applications, send messages and execute actions. All this will be done automatically with the recommended OpenClaw installer. This application is configured so that OpenClaw connect to Claude’s AIwho will be in charge of understanding your requests and carrying out the tasks you ask of her. All of this will be designed to be able to control the agent from your mobile using the app itself. What you can do with this app These are some of the tasks you will be able to perform from your mobile just by asking OpenClaw through QuickClaw: Write documents, essays and code, which are delivered as real files. Browse the web and research topics on your behalf. Set reminders and wake-up calls with personalized summaries. Read and manage your calendar and emails. Create, edit and organize files in your private workspace. Execute multi-step tasks autonomously. Remember the context of the conversations. How secure and private is the app One of the features of QuickClaw is to isolate OpenClaw in a virtual machine. This is an important security measureso that nothing the AI ​​agent does can damage the operating system of your mobile device. OpenClaw is an open source agent, which makes it transparent and secure, people can check that it doesn’t do more than what it says it does. However, QuickClaw is not open sourceso you have to trust the word of its creator. Lastly, you should know that everything you make is sent to Anthropicthe company behind Claude. Currently this company is known for its commitment to offering ethical AI, although this can always change in the future. Your data within QuickClaw will be encrypted and anonymous. In addition, your conversations stay within your mobile, since everything runs locally. In Xataka Basics | Dangers of OpenClaw (formerly Moltbot or Clawdbot) and how to protect yourself from them before deciding to use it

We thought that AI was going to take our position. The reality is that it is making us work more and rest less

The most pessimistic vision of the future of AI predicted that the automation of processes would mean the elimination of many jobs. The most optimistic assure that AI will not replace employees, but rather will enhance your skills making them more productive, which will translate into shorter days. A analysis of Harvard Business Reviewbased on eight months of observation at a US technology company with about 200 employees, reveals something very different: AI is making employees take on more tasks, but also make them work longer days. Do more with AI. The study observed that the use of AI in the company It did not simplify the work, but rather expanded it. The researchers observed that employees, product managers, and designers began using AI on their own initiative, even though the company did not force them to do so. What it did do was provide business subscriptions to those who decided to use it in their work. This use made employees begin to tackle more and more tasks, not only within the scope of their position, but, for example, employees from the sales department asked AI for help. to program a tool to help them in their task. Employees argued that, with the help of AI, they had immediate response to their ideas and projects, which allowed them to accomplish more tasks. The end of breaks. The help of AI and the elimination of friction in starting new tasks motivated employees to take on more and more tasks, increasing their daily workload. The most curious thing is that the researchers discovered that this additional motivation also implied that employees gave up their natural rest times. The increase in workload, even voluntarily, increased their levels of cognitive fatigue and exhaustion, influencing their decision-making capacity. By not having to stop and reflect in front of a blank page of a report or simply go to a colleague’s desk for help with a question, employees endured greater mental strain. This progressive exhaustion had an impact on worsening of work quality and in personnel turnover due to burnout. Fast pace and multitasking. He productivity increase The initial advantage that AI provided made it possible for employees to have several open fronts. The researchers detected that employees assigned a task to the AI ​​(or even several tasks in parallel processes) and, while obtaining a result, started a new task. This practice caused a state of perpetual multitasking, with frequent interruptions and “juggling” between different ideas and open projects, which contributed to exhausting employees’ cognitive capacity a little more. More work for you, more work for others. Daring to take on tasks that did not correspond to them, in turn caused a supervision overload for the departments to which it did correspond. For example, if someone in the sales department created code to streamline the analysis of their sales data, that would require the engineering department to review that code to make sure it was correct. that is correct and safeincreasing your workload with unplanned projects. Blurred boundaries between work and life. One of the most notable consequences is how AI acts as an always-available “co-pilot,” removing barriers between work and personal hours. The employees who participated in the analysis ended up extending their work hours on their own initiative, reviewing ideas or polishing the work they had started with AI at home. As its authors point out, “organizations could see this voluntary expansion of work as a clear victory. After all, if workers do it on their own initiative, why would that be a bad thing?” However, this apparent initial advantage for companies can mask a long-term problem “Overwork can impair judgment, increase the likelihood of errors, and make it difficult for organizations to distinguish between true productivity gains and unsustainable intensity,” the researchers note. The report ‘Barometer of AI in the world of work’ prepared by PwC, corroborates that in companies with a high implementation of AI, productivity increases between 20 and 30% on average, but it is only maintained at these levels if it is accompanied by ethical governance and redistribution of efforts. Without these adjustments, the promise of efficiency becomes a trap of greater individual effort that ends up burning out employees with heavier workloads and longer hours. In Xataka | “The world is in danger”: Anthropic’s security manager leaves the company to write poetry Image | Unsplash (Christina @wocintechchat.com)

Has anyone gotten it to work inside a toaster?

If someone tells you that they have managed to make it work Windows 98 inside a toaster, the first thing is to distrust. The second thing is to imagine one of those smart toasters with a screen, very different from the one most people have at home, and think that therein lies the catch. In the video that supports this article you can see precisely thata modern toaster that, by design, already invites you to believe that anything is possible if you modify the appropriate software. But what is really engaging is not the idea, but the path behind it to turn it into something out of the ordinary, as if it had a nineties PC inside. A toaster with Windows. As we can see in the material shared by “Throaty Mumbo”, the original hardware of the R180 Connect Smart Toasterwhich is presented as “the world’s first connected toaster,” is not prepared to run Windows 98. Instead of forcing that path, the creator opted for a two-tier architecture where the physical control of the device and the execution of the operating system live in different but coordinated environments. Understanding hardware. Given the technical limitations, the next step was to find out how the toaster components actually communicate to find an alternative solution. To do so, the creator used a common electronics tool, a logic analyzer connected to the wiring between the touch screen and the control board. This analysis allowed us to observe the flow of internal orders and detect that the device exchanges command packets approximately every 30 milliseconds to coordinate temperature, tray movement and operating states. Raspberry Pi Pico in control. Once the flow of internal orders was deciphered, the next move was to take control of that electronic conversation. For this, a Raspberry Pi Picowhich began to intercept the original signals and generate new ones capable of governing the behavior of the device. This type of replacement does not imply redoing the entire toaster, but rather placing yourself at the exact point where it is decided what should happen at each moment. From there it is possible to direct heat levels, tray movements and operating states, creating the necessary foundation to coordinate the actual hardware with the computing environment that will be integrated later. Where do we install Windows 98? The answer was to add a second independent hardware block, a Raspberry Pi 5 configured as a small functional computer. This device does not replace the toaster, but rather coexists with it within the same set, providing the power and compatibility necessary to load the classic operating system. To reinforce the retro aesthetic, the entire set was integrated into a 3D printed casing with a 1990s appearance, thus closing the visual distance between the technical experiment and the experience shown on a new 7-inch screen. toast.exe and the manual toasting ritual. With the system already in operation, the interaction is not resolved automatically, but rather through a specific program created for the project. The file, called “toast.exe”, acts as a gateway to the process and provides a step-by-step tour from the Windows 98 desktop itself. First you have to locate the executable on the screen, open it and activate the start command, and then manually control parameters such as heating, cycles and tray movement. Windows 98 doesn’t really live inside the original toaster, but it’s not a superficial illusion either: it works thanks to an integration with several components added later. The result is a hybrid object that continues to fulfill its everyday function while recreating a computing experience from another era. Images | Throaty Mumbo (YouTube) In Xataka | We are preparing to say goodbye to Windows 10, but part of the US air traffic control still works with floppy disks and Windows 95

We already know how ads work on ChatGPT. If you don’t like them, go to checkout

He who warns is not a traitor. From December 2026 ChatGPT hidden code showed the imminent arrival of advertising. It’s something that has just become a reality. OpenAI recently published that it is already testing ads in the United States, something that will affect all users of the free version and some of the paid version. Announcements come to ChatGPT. USA firstbut no one will be free of them. The ads have officially arrived for the free version of ChatGPT and the Go plan. Taking into account that the cost of Go is 8 euros per month, the debate is revived as to whether a paid app is legal or not to have advertising load. Users of the Plus and Pro plans are saved from ads. At the moment, they are in the testing phase, hoping that they will reach the rest of the world in the coming months. Because. Because OpenAI needs moneyit’s that simple. The company’s accounts are not working out, and it stands out in its press release that in order for ChatGPT to continue improving and offering free features, it is necessary to start showing ads. If you want to use ChatGPT for free without any type of advertisement, it will be possible, in exchange for limiting the number of free daily messages. How ads influence responses. They don’t, according to OpenAI. The responses will continue to be oriented to the user’s demands and the training we have done on the model. Ads will always be labeled as sponsored content, and visually separated from the GPT response itself. If you’re wondering how the ads you’ll see will be selected, according to OpenAI they will match ads sent by companies to conversation topics. If you’re searching for a recipe, you may be shown food-related ads. About privacy. Advertisers will not have access to our chats, history or personal data. They will only receive information about the performance of their ads. Products from sensitive categories related to politics or health may also not be advertised. Likewise, from the app’s own settings, we can configure whether we want to personalize the ads (whether our history and chats are used to improve the suggestions or not). The party is over. Advertisements on ChatGPT were simply unavoidable. The key now is whether OpenAI, faced with Antrophic’s explicit refusal to introduce advertising in Claude and a Google that can afford not to depend on it, will be able to integrate ads without degrading the product or breaking the perception of neutrality. Image | OpenAI In Xataka | ChatGPT pretends to know everything even when it has no idea. Stanford University believes it has the solution

Thousands of people change their clothes right after work. Neuroscience has something to say: they are right

The sound is almost universal: the jingling of keys in the entryway, immediately followed by the sound of a zipper being lowered, a button being released, or a bra being unclasped. For millions of people, the day doesn’t end when they clock in at the office or close their laptop, but rather the moment they take off their stiff jeans, suit or uniform and slip into something soft. That sigh of relief is not just physical; It is the acoustic signal that the brain has just changed gears. The Scandinavians, experts in naming the intangible, are clear about it. In fact, the Danes use the term Hyggebukser to define those pants that you would never wear to go out, but that are so comfortable that, secretly, they are your favorites. But this goes beyond a Nordic trend. Meik Wiking, director of the Happiness Research Institute, explains in his book Hygge Home that the objective of this clothing is to offer “a break for your responsible, stressed and compliant adult self.” It’s about creating a sensation soft that prompts the brain to feel safe, allowing us to “experience the happiness of simple pleasures knowing there is nothing to worry about.” To understand why this gesture has become vital, we must first understand what we have lost. Historically, work and home clothes were not so differentiated until the arrival of the Industrial Revolution, which standardized indoor work spaces. However, in the modern era, the line has become dangerously blurred. As journalist Amanda Mull points outwe are experiencing a “leak” (seepage) from work to home. Before, taking off the uniform guaranteed mental freedom. Now, “many people wear the same jeans they wore to work to cook dinner, with their cell phones and laptops never too far away,” which prevents the mind and body from truly disconnecting from productive work. This phenomenon worsened after the pandemic. Five years after the health crisis, the fashion sector is still “knocked out”, as they point out in Herald. The consumer has changed his priorities: he prefers to invest in experiences rather than formal clothing, and the rise of teleworking has reduced the need for complex wardrobes. According to Eduardo Zamácola, president of Acotex, in statements to the same medium: “People go to work with versatile, casual-style garments; the most dressed pieces have taken a backseat.” However, this permanent convenience comes at a price. Although teleworking has been shown to make us happier and allow us to sleep 27 minutes more on average, it also has brought new challenges to separate leisure and business times. The Science of “Clothing Cognition” This is where science validates intuition. Changing clothes is not a superficial matter; It is a cognitive tool. Researchers Hajo Adam and Adam D. Galinsky coined the term Enclothed Cognition (Apparel Cognition) to describe how clothing systematically influences the wearer’s psychological processes. In their famous experiment, they showed that subjects wearing a lab coat described as “doctor’s” increased their sustained attention compared to those wearing the same coat described as “painter’s.” The conclusion is fascinating: the effect depends on two simultaneous factors, “the physical experience of wearing the clothing and its symbolic meaning.” If we extrapolate it to the living room of our house, the logic holds: if your brain associates tracksuits or pajamas with “absolute rest”, putting them on will physiologically activate relaxation. But if you wear those same clothes to work, you break the symbolic association and the cognitive “spell” disappears. This connects directly to the theory of “Role Transitions.” Researchers Blake Ashforth and Glen Kreiner explain what we need “micro-transitions” or rites of passage to cross the boundaries between our different roles (from employee to parent, from boss to partner). Changing clothes acts as a physical and psychological boundary that facilitates this transition, preventing the stress of one role from contaminating the other. Ritual as anxiolytic From clinical psychology, the action of changing is understood as a direct message to our biology. “Clothing works as a direct message to the brain. Taking off your outer clothing (…) is a very clear way of telling your nervous system ‘you can slow down now,’” explains psychologist Marta Calderero to Vogue. It is pure contextual learning. Furthermore, the act itself has power. A study published in Organizational Behavior and Human Decision Processes confirms that the rituals —defined as predefined sequences of symbolic actions— are effective tools to regain a sense of control and reduce anxiety. Performing the ritual of changing clothes when you get home reduces uncertainty and prepares the individual for a different mental state. But be careful, comfort should not mean sloppiness. Style expert Anuschka Rees warns in his book The Curated Closet about the importance of identity at home. As he points out: “Not just any old cloth will do. Choosing clothes that also represent you when you are at home, not just when you go out or when they see you, is super important on an identity level.” Home clothes should be a “healing wardrobe”, lovingly chosen to generate real well-being. So for those working from home, the strategy must be even stricter. The psychologist Isabel Aranda warns that “The fact that you wear the same clothes all day transmits a flat rhythm and makes every day seem the same”, distorting our perception of time and affecting our biorhythms. The recommendation is even if you don’t go out, change. Wear one clothes to work and a different one to rest. “It’s a way of telling your body that you’re still active,” says Aranda. Interestingly, there is a counterpoint in the corporate world known as the “red shoe effect” (red-sneakers effect), where breaking the dress code (like Mark Zuckerberg with his sweatshirt) can denote status and power. However, in the privacy of the home, we do not seek power over others, but power over our own well-being. In an increasingly volatile and uncertain outside world, where fashion and work schedules have lost their rigid structure, home remains our refuge. Changing clothes when crossing the … Read more

Mexico needs the Mayan Train to work. And they are so desperate that they have put it in military hands

There are many ambitious trains, but like the Mayan Train there are not as many. And it’s not because this train stands out for its speedby go through impossible tunnels either for luxurybut because few trains in the world must support a load as heavy as this one: being the backbone of the tourism in Mexico. Born with tremendous ambition, he started his engines with promises of wealth. AND is crashing resoundingly. So much so that Mexico has completed the transfer of control of the train to the Secretariat of National Defense. Army, to manage. FONATUR Tren Maya was the organization attached to the Ministry of Tourism that, since 2018was responsible for leading and managing the project. However, things did not work out, the plans were not fulfilled and, already in September 2023, when Obrador saw the arrival of the deadline to launch the train, he began to take steps for the Secretariat of National Defense to take control. After a series of steps, and as we read in Chroniclerit was at the end of 2025 when the process was finalized for Tourism to stop operating the train and Defense to take charge of it. Goals. The program has the following goals: Consolidate responsible transportation with the environment and society. Offer a safe and innovative transportation system. Ensure profitability through efficient management. That last point sounds like an ax to the previous management, but they are going to have a difficult time. Indifference. It was a few weeks ago when, in an article published by El País, the figure was revealed: the Mayan Train moved 5% of the expected demand. Neither tourists nor locals seem to have the slightest interest in a vehicle that was born to unite the different regions of the Yucatan Peninsula. Just because, It is the tourist jewel of Mexicobut also a tremendously unequal region in which Chichén Itzá brings together the majority of archaeological tourism, to the detriment of the others. And it seems that the train is not solving this. The report states that, during the first year, it transported about 3,200 passengers daily. Do we contextualize? The forecasts were for 74,000 passengers per day. Billionaire failure. It is a hard blow for a project that was already born on the wrong foot. It was the most ambitious project of the previous president, Andrés Manuel López Obrador, one without private or foreign capital, 100% Mexican, which caused headaches practically from the beginning. Obrador took advantage of that public investment, but from an initial budget My dear between 120,000 and 150,000 million Mexican pesos -about 7,400 million euros-, it ended up costing more than 500,000 million pesos -about 24,500 million euros- for 1,500 kilometers of roads. Current itinerary Expansion. The change in management is not symbolic: a series of actions have been proposed to expand services. On the one hand, passing under military control implies that seeks to operate with greater security for passengers, especially in areas where conflicts with drug traffickers are a problem. Greater professionalization of management is also sought through an administration under military command, but in the background there is an expansion plan. The aim is to transport cargo such as food for isolated indigenous communities or medical goods. Also that the train serves as a humanitarian corridor in the face of misfortunes, and for this they will create more than 3,000 additional kilometerswith an extension to Puerto Progreso. Will anything change? It’s the million dollar question. On the one hand, the Sheinbaum Government has made it clear on more than one occasion that they want the railway to be the backbone of the country not only for the transportation of people, but also as a freight corridor. The goal By 2030, four million passengers per year and 4.7 million goods per year will be moved thanks to the integration with the Interoceanic Corridor of the Isthmus of Thuantepec. Come on, turn the train into something that can compete against the Panama Canal. But of course, it can become a way to move goods, but we have to see if passengers use it to move. In statements to El País, it is more profitable for locals, and it is also more practical, to get around by bus. And tourists usually arrive in Yucatán with already established itineraries that do not require train services. And, on the other hand, there are the controversies associated with the military and the construction sections that they were in charge of in the past. Sections 5, 6 and 7 were commissioned directly to SEDENA, and there are not few cases of environmental violations, social conflictsviolation of human rights against indigenous Mayan communities and extra costs associated with those sections under military control. Images | Mayan Train, ProtoplasmaKid In Xataka | Urban transportation in Mexico City hangs by a thread. Literally: they will have the longest cable car in the world

He is 82 years old and has earned 746% betting on a mine that doesn’t even work

Canadian Eric Sprott has multiplied his investment in Hycroft Mining by eight thanks to the precious metals boom. And its stake is now worth more than $2.1 billion, despite the fact that the mine has not been operating for years. Numbers. Sprott is a veteran investor commonly recognized as the “gold magnate.” In 2022 it invested $28 million in Hycroft Mining. Today its participation exceeds 2.1 billion dollars, having achieved a profitability of 746%. The company’s shares have soared more than 425% in the last two months and have accumulated a rise of more than 1,500% since the tycoon began to expand his position last summer. A mine that does not mine. Hycroft owns an open pit deposit in northern Nevada that has been operational since the 1980s, but the company has not mined gold since 2021. Instead, it reprocesses previously mined ore that remains on the surface. Most of its reserves are underground and the company lacks a defined plan to resume mining operations. In fact, it has not generated income since 2022, when it had a turnover of just $33 million, according to data from Bloomberg. Gold and silver rally. Hycroft operates as if it were “a huge underground ETF,” according to defined Brian Quast, precious metals analyst at Bank of Montreal. Gold and silver prices have reached all-time highs over the last year, and investors are looking for any way to get exposure to this rally. Even if the mine is not operating, its reserves gain value with each rise in prices. Sprott has been defending investment in gold and silver for decades, and this bet has placed him among the few billionaires who have been able to capitalize on the current boom. From almost bankruptcy to stock market stardom. Just like account Bloomberg, Sprott’s initial investment came as Hycroft was close to insolvency. Together with AMC Entertainment, which had plenty of liquidity after the meme stock phenomenon, the Canadian ended up saving the company from its creditors with this investment. The announcement skyrocketed the shares almost 100% in the premarket, although the enthusiasm did not last long, as by the end of 2022 the value had fallen below half the entry price. Sprott sold a fifth of his position, barely recovering his investment. For three years, his bet remained stagnant while the price of gold rose without stocks following suit. Searching results. Last summer, Sprott changed strategy. Between June and January it has invested an additional $187 million to almost double its stake to exceed 40% of Hycroft’s capital. “I am doing everything possible to expand my position to the maximum,” declared in October to Tony Denaro, content creator dedicated to finance. Their move coincided with new drilling results that identified higher-quality silver deposits than expected and areas with expansion potential. AMC stared. The other major investor, who rode the wave with Sprott in 2022, was the AMC cinema chain, although it did not suffer the same fate. In December, when his Hycroft shares finally turned positive after years of losses, he sold 80% of his stake to Sprott for $24 million. Adam Aron, CEO of AMC, justified the operation ensuring that it was “the right time to monetize and reallocate capital” to its core business. Two months later, that block of shares is worth $172 million. The gold fortune. Although precious metals are on the rise, few big fortunes have been able to take advantage of the boom. According to the report UBS Global Family Offices 2025, these types of asset structures barely allocate 2% on average to precious metals. Only a few investors like Sprott or Hong Kong’s Cheah Cheng Hye have bet heavily, as share Bloomberg. For Sprott, Hycroft’s spotty track record is precisely its biggest draw, because as gold and silver prices rise, the likelihood increases that reprocessing will become increasingly profitable, opening up more possibilities for monetizing underground reserves. “You cannot find a more leveraged and significant reward,” said the investor. in the interview with Denaro. Cover image | Palisades Gold Radio and Leonie Clough In Xataka | Seven of the ten largest fortunes in the world in 2026 are due to AI: this illustrative graph makes it very clear

This new short is inspired by his science fiction work

The comics and animation of the eighties are the key aesthetics of a project that, if all goes well, will see the light of day soon and that comes with a label well known to Spanish fans: that of Alfonso Azpirithe much-missed artist who gave visual form to the great successes of the Golden Age of Spanish soft in games for dynamicTopo and other companies. His unmistakable style is part of the DNA of a very promising project: ‘Love Story’ The origin. To trace the origin of this idea we must go back to a tiny science fiction story written by Carlos Buiza (an essential figure in the development of Spanish science fiction in the sixties as co-creator of the magazine Nueva Dimensión) and which was illustrated by Azpiri still taking his first steps, in 1972. Buiza had already obtained some fame with a story, ‘El asfalto’, which Chicho Ibáñez Serrador adapted in an episode of ‘Stories to keep you awake‘ which achieved notable relevance. In 1972, Buiza published ‘Love Story’ in an issue of ‘Triunfo’ magazine dedicated to science fiction, along with an illustrated header of an Azpiri still far from his days of fame but in whose lines the future genius was already guessed. Later, Azpiri would transform the story into a comic, which appeared on the author’s compilation album ‘Pesadillas’, published in 1985. The influences. ‘Historia de amor’ will become a short film directed by Jose Luis Quirós and David Díaz-Guerra, but it takes a leap in its visual references from the seventies, focusing on a style more typical of the eighties, when Azpiri, already in full command of his art, published comics such as ‘Lorna’, ‘Mot’, ‘Nightmares’ or ‘The Vagabonds of Infinity’. The authors also mention authors of the time such as Moebius or Frank Miller, and animes such as ‘Ghost in the Shell’, ‘Evangelion’ and ‘Cowboy Bebop’ as key influences. What is it about? AZ, a dreamy alien on a barren planet, Polkj, is kidnapped by humans. But he wants to discover the secrets of the universe, life and love before they experiment on him. The connection that arises with humans clashes with the objective of these invaders: that AZ be infected with a virus that will exterminate his species and allow humans to escape from a dying planet Earth. Who is behind. ‘Love Story’ is co-directed by José Luis Quirós and David Díaz-Guerra. The first has been twice nominated and winner of the Goya Prize, and is behind very personal works, such as ‘The tower of time’. Next to him is the Runik Animation studio, which has collaborated in the making of films such as ‘Planet 51’, ‘Catch the Flag’, ‘Fantastic Beasts’, ‘The Avengers’ and ‘Pacific Rim’. As for Díaz-Guerra, this is his first short film as a director, but he has experience as a screenwriter and, significantly, as a theoretical physicist, which guarantees a very stimulating approach to the science fiction that is a core part of the short. How will it be done? The short will use 3D animation as a basis for modeling and lighting, working in real time with Unreal Engine. There will be motion capture to reduce costs and, finally, traditional animation sequences for selected moments. All of this will be combined with selected sequences drawn with watercolors, in search of a style with a nostalgic touch that goes back to Azpiri’s comics. How much and for when. The estimated budget of the project, according to what the creators of ‘Love Story’ tell us, is 50,000 euros, of which they already have 10%. There is a long road ahead of searching for financing to reach the planned goal of releasing in the fourth quarter of 2026. At this moment, Runik Animation, together with producer Juan Nieto and Nvidia (which collaborates by providing hardware to the team) are in the initial phase of developing the script and storyboards. In Xataka | 30 years of ‘Navy Moves’, when Dinamic made the best game of the year in the entire world

OpenAI is very clear that ads on ChatGPT are going to work. So much so that they are going to charge more than TV for them, according to The Information

A few days ago we knew that OpenAI was going to draw up a plan to insert advertising in ChatGPT. Now, according to they point Sources from The Information, the company is already establishing the rates that it is going to start charging advertisers, and the truth is that they are going to give something to talk about. The media shares that OpenAI asks for approximately $60 per 1,000 impressions (CPM), a very high figure when compared to other media, including television. The problem is that OpenAI does not yet offer anywhere near the same measurement tools as Google or Meta. The price thing. The figure of 60 dollars is at NFL levels, according to reflects Gennaro Cuofano, founder of The Business Enquineer. OpenAI has not yet specified what data it will provide to advertisers, only that it will be “high level”, so there is some skepticism if we take into account that companies like Meta and Google allow us to track very specific and detailed metrics when we see an ad through their platforms. Vender access, without results. The company is betting for capitalizing on its audience of more than 400 million users before building the necessary infrastructure to offer this type of service. As Cuofano details, it’s about “selling reach now, building attribution later,” similar to what Facebook did in 2010, when it had a massive, fast-growing audience and opted for ads without yet an advanced metrics infrastructure. Time has ended up proving Zuckerberg’s platform right, but we will have to wait to see if the move is worth the same to OpenAI. Nfinancial need. The strategy can also be seen as an attempt by OpenAI to reverse the economic situation through which it passes. And as we knew through internal documents, the company projects operating losses of $74 billion by 2028, driven largely by AI operational costs. The idea is that the ads appear in the coming weeks only for free and download users. Go plan in the United States, while Plus, Pro, Business and Enterprise subscriptions will be free of advertising. OpenAI affirms that the ads will not influence the chatbot’s responses and that it will never sell conversation data to advertisers, in addition to avoiding sensitive topics such as mental health or politics. And now what. OpenAI will now have to demonstrate that it can scale this model beyond experimental budgets. And to scale a platform towards revenues that exceed tens of billions of dollars in advertising, it will be necessary to build a very solid measurement infrastructure and establish relationships with advertising agencies that it does not have now. It remains to be seen if the same promises that feed your ecosystem of products also allow them to build an advertising ecosystem as large as Google, Meta or Amazon have demonstrated in recent years. Cover image | OpenAI In Xataka | “The assemblies are not going to be done by AI”: we talk to the kids who have become carpenters, truck drivers and tinkerers

In 1987 a death was filmed so savage that people had to cover themselves. The trick to achieve it turned RoboCop into a cult work

In 1987, the film director Paul Verhoeven gave a twist to action science fiction with RoboCop. In reality, that was a cocktail very much to the director’s liking where there was satire, cyberpunk and police thriller. The difference was that he did not limit himself to telling the fall and rebirth of a hero: he decided to win over the viewer with emotional hammer blows, with a death. so cruel and excessive that it was impossible to look at without feeling uncomfortable. The scene that changed everything. Alex Murphy, the protagonist, appears up to that point as a good cop thrown into a corrupt world, but the film doesn’t have time to build him up calmly, so it does it by the most brutal way: literally, it tear apart in front of the viewer so that, when he returns converted into a machine, he understands that what has been lost is not only flesh, but humanity. Verhoeven explained it with an almost religious and at the same time tremendously cynical idea: “if you want to resurrect Murphy as an all-powerful RoboCop, first you have to crucify him.” And that crucifixion, instead of being symbolic or elegant, is filmed like a physical nightmaredirty and painful, one designed so that the viewer cannot avoid the impact. The slaughter as a narrative. The sequence It is constructed like a public execution, with the criminals laughing in the background, and that is possibly the key to its violence: it is not just that it unlockis that along the way they humiliate him, turn him into a broken toy, and torture him as if the gang were enjoying the show. The scene is escalating until it seems impossiblewith the protagonist trying to understand what is happening to him while his body stops obeying him, and the band acting like real madmen. There is the moral trick of the director of RoboCop: The villains were absolutely grotesque, yes, but the film removes any sympathetic veneer from them and turns them into a total social menace. Thus, when the final shot arrives that puts an end to the execution, the viewer is no longer watching the typical “80s action” film, he is seeing the point of no return that makes the entire film, from that minute on, a story. of loss and revenge. The old school of effects. It is impossible to talk about this classic without mentioning what makes it unique. The how was filmed: no less than under the orders of the legendary Rob Bottin with an artisanal obsession that today seems unthinkable based on meticulously designed prostheses, molds, fake parts and physical tricks. In order for the mutilation to work without putting the actor at risk, a a fake hand From a real mold, it was reconstructed in fiberglass and divided into sections so that it could be “popped” with compressed air and stage blood without the need for explosives near the face. It wasn’t just an effect, it was a device home engineering: internal blood tubes, pressure control, parts that could be assembled and disassembled, and a repeatable explosion pattern to always nail the same result. “Death” was also filmed with a staging designed to hide the real and sell the fakewith raised floors, holes through which to put the real arm under the stage, and a member of the team moving from below a false arm attached with Velcro as if it were a living limb. The underground trick. Plus: Murphy’s death is supported by a secret choreography that the viewer never saw: operators out of shot, hidden mechanisms and an absurd number of hands working to make a second of screen seem like an organic nightmare. Not only that: a foam arm in disguise with a police uniform, a metal structure to hold it, hinges at the “elbow” and even a support anchored to the false floor so that everything could resist the violence of the effect. While the actor was dying and staggering above, below there was a team of professionals pumping blood by hand and adjusting compressed air. Even the shots that “break up” the armor were reinforced with simple but brilliant physical details, such as small charges of talcum powder to simulate fragmentation, a very cheap solution that, in camera, added texture and turned the scene into something tactile, with dust, impacts and material that seems to fall off the body. The Peter Weller doll. Another stroke of genius came with the moment of the auction: for a final shot that in the released version lasts a sigh, a Murphy’s full torsoa sophisticated doll with a latex face made from a mold of the actor, an internal fiberglass skull and mechanisms to move the neck, jaw and body. It was not a static mannequin, it was a creature manipulated by cablescapable of opening his mouth in a silent scream, leaning, trembling and reacting to the shot as if there was still life inside. The execution was designed so that the back of the head “jumped out” with a controlled explosionwith pieces pre-cut to break in a specific way and with the interior prepared with blood and soft fragments, so that the horror felt mechanical but compelling. In addition, the “sweat” detail was added with water sprayas if the doll was breathing for the last time, and a motor with vibration so that the body seems to tremble with fear, an almost obscene trick due to its human nature that returns to artifice. Censorship as an enemy. The most incredible thing is that, even so, what was seen in the rooms was a cropped version. RoboCop’s violence clashed head-on with the rating system of the time, and the film was given an X rating several times, forcing reedit, cut and sacrifice material until a commercially viable qualification is achieved. Paradoxically, the cut that helped save it was one that its own creators considered “shabby” or too obvious, the moment in which Murphy’s arm flies off pulled by a … Read more

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