Tom Hanks refuses to participate in the remake of this classic Hollywood film

In 2000, during the promotional tour for ‘Náufrago’, a journalist asked Tom Hanks If you would be willing to put yourself in the shoes of the protagonist of a remake of ‘The Invisible Harvey’, the 1950 fantasy comedy whose cast already led James Stewart and a rabbit that doesn’t exist. The response was blunt: “It’s like saying that we are going to make a new version of ‘It’s a Wonderful Life!’ For what? Leave her alone. ‘Harvey’ is perfect as it is, thank you.” Harvey: Origins. Before being a movie, ‘Invisible Harvey’ was a play. Its author, Mary Chase, took two years to write and premiered it on Broadway on November 1, 1944. It lasted 1,775 performances, until 1949, and in 1945 it won the Pulitzer Prize for Drama. In it, Elwood P. Dowd is an affable, bar-loving man who finds a good friend in Harvey, a six-foot white rabbit-like pooka (creature from Celtic mythology) that only he can see. His sister tries to put him in a clinic in a play that asks what exactly it means to be sane. The movie. When Universal bought the rights, James Stewart was the natural choice for the lead. The film hit theaters in December 1950 and performed reasonably well: around $2.6 million in revenue, but insufficient to cover the high rights costs for the work. Josephine Hull won the Oscar for Best Supporting Actress and Stewart was nominated, but the memory of the film eventually faded in time, recovering decades later as a piece of unintentionally lysergic friendly fantasy cinema. Other remakes… by Tom Hanks. Hanks rejected the project in 2000, but it cannot be said that the actor is opposed on principle to updating stories from the past. Or at least it wouldn’t be in a short time: in 2004 he starred in ‘The Ladykillers’ by the Coen brothers, a remake of Alexander Mackendrick’s 1955 British crime comedy ‘The Quintet of Death’. In 2022 he made ‘The Worst Neighbor in the World’, directed by Marc Forster, a direct adaptation of the Swedish ‘A Man Called Ove’ (2015) by Hannes Holm. A remake that has a tail. ‘The Invisible Harvey’ has been on the verge of materializing on numerous occasions, without ever coming to fruition. Don Gregory acquired the rights in 1996 and ended up selling them to Miramax, which He didn’t do anything with them either.. In November 2003, John Travolta was in negotiations to star in a remake co-produced by Dimension Films and MGM, which also fell through. The most serious attempt came in 2009, when Steven Spielberg he was interested in directing the film under the umbrella of Fox and DreamWorks. Spielberg’s first choice for Elwood was his frequent collaborator Tom Hanks, but when Hanks turned down the role, Spielberg shelved the project. Later the names of Robert Downey Jr. and other actors such as Jim Carrey or Adam Sandler circulated, without any of those names reaching beyond speculation. In December 2018, Netflix announced that it had picked up the rights to the project, with the writers of ‘Shrek 2’ and ‘The Smurfs’ on board. But since that announcement no progress has been made. The versions that did exist. Although the film remake was never made, the film does have history on television. The first remake came in 1958, with Art Carney in the title role. It was well received at the time, but without leaving too much of a mark. In 1972 it was James Stewart himself who returned to the character, in a Hallmark Hall of Fame production for NBC. Stewart accepted this second opportunity because he was dissatisfied with his performance in the original film: the result was a darker version and more faithful to the play than to the film. In 1996 the most forgotten version arrived: an adaptation for CBS with Harry Anderson as Elwood, and with Leslie Nielsen in the cast, with added scenes and a change of tone that was not very convincing. That same project was the one that Don Gregory ended up selling to Miramax when the rights to the film remake continued to float around. Header | Dick Thomas Johnson In Xataka | Originality is dead in Hollywood: ‘Moana 2’ culminates a year where only sequels triumph at the box office

this week, a remake of an explosive thriller, a disturbing documentary and very recent Spanish cinema

The week of April 27 to May 3 comes packed with new releases on Netflix. The most anticipated title for action thriller fans is ‘The Fire of Vengeance’. In the documentaries section true crime highlights ‘Should I Marry a Murderer?’, a three-episode docuseries about a woman who discovers her fiancé’s dark past. And the gem of the week is the Spanish ‘Mi Querida Señorita’, produced by Los Javis. series Should I marry a murderer? The documentaries true crime are one of Netflix’s safest bets, and ‘Should I Marry a Murderer?’ He wants to continue the streak. The British-produced docuseries begins with a more or less conventional love story: a young forensic examiner meets a man through Tinder and the relationship progresses quickly until a commitment is made. One day the man confesses that he has committed a murder and the victim is still missing. However, the woman decides to keep the commitment while gathering evidence against him. The series is built from real testimonies, archival material and reconstructions of the case. The fire of revenge One of the platform’s most ambitious action bets for this spring goes beyond the simple remake of the blockbuster directed by Tony Scott and starring Denzel Washington in 2004. The series is based on the original novels by AJ Quinnell and proposes a renewed vision of John Creasy’s character, taking advantage of the episodic format: a former special forces soldier suffers from untreated post-traumatic stress disorder that keeps him on the brink of collapse. A former colleague offers him a job as a bodyguard in Brazil, where he develops an unexpected bond with the person he must protect. Other series you will go to hell – April 27 Rescue Me: Rescue Team – April 27 envious (Season 4) – April 29 Parenthood – May 1 30 Rock – May 1 Glory – May 1 Booba (Season 6) – May 1 Miraculous: The Adventures of Ladybug – May 1 Movies Gladiator II One of the great film releases of 2024 arrives this week in the Netflix catalog, returning us to ancient Rome to explore what happened after the death of Maximus, placing the action fifteen years after the duel in the Colosseum. The protagonist is the grandson of Marcus Aurelius and son of Maximus, and is played by Paul Mescal: captured and enslaved after the invasion of his home in Numidia, he is forced to fight in the arena while seeking revenge. A top-notch cast with Pedro Pascal, Denzel Washington and Joseph Quinn stands out in this return by Ridley Scott to the universe that gave him one of his greatest commercial successes. My dear lady Free adaptation of the 1972 film of the same name by Jaime de Armiñán, which completely changed the image of José Luis López Vázquez, and which here delves into much more contemporary terrain thanks to the script by Alana S. Portero and the production by Los Javis. The story follows Adela, the only child of a conservative family, marked by silence about her intersexuality, a condition she is unaware of but that shapes her life. An unexpected friendship with a priest and other decisive events in her life take her from Pamplona to Madrid. The protagonist is Elisabeth Martínez, also an intersex actress who makes her debut here as the protagonist. Premiere: May 1 Other movies My name Agneta – April 29 Janur Ireng – April 30 Miraculous World: Paris, The Adventures of Shadybug and Claw Noir – April 30 Boys and girls – May 1 Exchanged – May 1 The son-in-law – May 1 In Xataka | Today the animated spin-off of the platform’s only powerful franchise premieres on Netflix: ‘Stranger Things’

The remake of ‘Prince of Persia’ aimed to be the turning point for Ubisoft. It has been canceled along with other titles

There are games that are not only played, they are remembered. ‘Prince of Persia: The Sands of Time‘ belongs to that category and for years was one of Ubisoft’s calling cards in its most inspired stage. Its remake, announced after a streak of ups and downsaimed to serve as a bridge between that legacy and a new stage for the company. What its cancellation reveals is just the opposite. Ubisoft is going through a period of harsh changeswith delays, cuts and decisions that reflect the extent to which the group is reviewing priorities to adapt to a tighter economic and creative scenario. The announcement came todayJanuary 21, coinciding with the presentation of financial results, and marks a turning point in the group’s strategy. Ubisoft announced a “reset” on a global scale that includes a new creative structure, a deep review of its game portfolio and an adjustment to the size of the organization. The company places these decisions in a more demanding market context, with higher costs and a “more selective” AAA. according to your own diagnosis. The stated objective is to gain agility, accelerate decision-making and guide the business towards what it defines as a more player-centered model. Cascading cancellations and delays. The restructuring has immediate consequences on the catalog. Ubisoft confirmed the cancellation of six games in development, including Prince of ‘Persia: The Sands of Time Remake‘, along with three new unannounced IPs and a mobile project. In addition, the company has decided to delay another seven titles to, as it explains, ensure that its new quality thresholds are met. One of those games, initially scheduled for fiscal year 2026, now moves to 2027, a move that directly impacts its short- and medium-term planning. A new internal map by brands and genres. One of the most profound changes affects how Ubisoft is organized internally. The company is reorganizing its production model to group its teams into five “Creative Houses”, each focused on specific franchises and genres, and supported by a “Creative Network” of studios to support production. The first brings together brands such as ‘Assassin’s Creed’, ‘Far Cry’ and ‘Rainbow Six’, while others group together sagas such as ‘The Division’, ‘Ghost Recon’ or ‘Splinter Cell’. ‘Prince of Persia’ is integrated into the fourth of these units, along with Rayman, Anno or Beyond Good & Evil, with its own leadership and greater creative autonomy. Beyond the canceled or delayed games, the restructuring implies profound changes in the company itself. Ubisoft has reiterated its intention to close studios, reorganize teams and reduce costs continuously over the coming years. In its plan, the company sets a reduction in its cost base of at least one hundred million euros by the end of its 2025-2026 financial year, and adds another two hundred million additional euros to be cut over the following two years. The group admits that the process will be difficult, but presents it as a necessary step to regain stability in a market that is increasingly less tolerant of errors. A new creative focus for the coming years. Looking ahead to this stage, Ubisoft states that it will concentrate its efforts on large open worlds and games as a service. At the same time, he has indicated that he will accelerate investments in “player-oriented generative AI”, a formulation with which he points to uses aimed directly at the player, without yet specifying how it will translate into specific titles. The company also recognizes that the revision of its roadmap will have effects on the release schedule and its financial forecasts. It is, in practice, the price assumed for the model change. Images | Ubisoft In Xataka | Sony has come up with something taboo in the world of video games: that AI starts playing for you when you crash

SEGA revives the war of consoles with a remake of what they do and Nintendon’t

The console war ended. We are in an increasingly global segment with PlayStation publishing in Xbox, Xbox being one of the great Publisher of PlayStation and Sega publishing games in Nintendo for decades. Currently, who continues with that war is The Japanese soldier who continued fighting in World War II Untilly enter the Cold warbut Sega wanted to pull nostalgia to embrace his past more thug. Watch this video: This is the launch trailer for ‘Sonic Racing: Crossworlds‘A game of karts in the pure style of’ Mario Kart ‘, but with characters from the’ Sonic ‘saga and the Sega universe. It is not necessary to pay too much attention to realize that the game that appears on a flat TV (but with a few years behind it) is’Mario Kart World‘, the title of Nintendo Switch 2. Sega, just in case, it makes it clear by making allusions at the speed at which the races go in the Nintendo game, the open world or La Vaca, protagonist of one of the most iconic circuits of ‘Mario Kart’. It is a thug trailer that ends with a Fulano, squeaking something that may not understand the first, but that cry is the SEGA WAR GRITO IN THE ADVERTISING OF THE 90. And, therefore, this trailer is a genius. Sega is that Japanese soldier who continued fighting Currently, as I said, the ‘console war’ of a school patio is somewhat surpassed by the companies themselves. ‘Gears of War‘is the icon, next to’Halo‘, from Xbox, and just arrived at PlayStation 5. ‘2‘It is one of the Sony games that has best worked for them in recent years and also It has just landed in Xbox. The two companies have published on PC for years and paints that this collaboration will go from here on. Sega is one Publisher multiplatform from the disaster of Dreamcast and His relationship with Nintendo has been good all these years. But, for his new ‘Sonic Racing’, and in the middle of remakes and sell nostalgia (Nintendo with that Virtual Boy Replica freshly announced), The Japanese company has made a remake of one of its most iconic videos. Take an eye on this video: Exact: that of ‘Sonic Racing: Crossworlds’ is a remake almost 1: 1 of the SEGA video of the 90s to make fun that the Super Nintendo did not have the ‘blast processing’ and, therefore, could not show graphics as fast as the mega drive (or Sega Genesis in other markets). What was the ‘Blast Processing’? Marketing, pure and hard. It was not a chip or anything like that and was part of that all “Genesis Does What Nintendon ‘” campaign, a great word game that comes to say that the Genesis/Mega Drive does what Nintendo can’t. Advertising throughout this arch It was very aggressive Among the companies, but Sega took the palm with mythical campaigns such as the ‘Nintendon’t’, the ‘Blast Processing’, the announcement of the price of mega drive 50 dollars cheaper than the Super Nintendo or this mythical of the Game Gear against the game boy that still seems tremendously beast: The history of advertising among these companies is so mythical that it has inspired stories of all kinds, a great book called ‘Console Wars‘And pieces that will remain for memory thanks to both games and the ads themselves. It was the most splendid era in commercial creativity And a competition between companies that disappeared When the first playstation arrived. This hooligan communication has been seen since then (such as Sony mocking how to give games in Xbox A few E3 has already), but this new ad of Sega is nice, it is effective and a missile to nostalgia. In Xataka | The great enemy of the Nintendo Switch 2 are not the Sony or Microsoft consoles. It is the PC

The remake of ‘Hold it as you can’ has worked very well at the box office. Excellent news for an almost dead genre: comedy

The new version of ‘Hold it as you can are not exactly a rarity: in a cinematographic panorama absolutely full of sequelae and remakesa new version of a 1988 classic is not a precisely revolutionary decision. Something more surprising sounds, however, that we are talking about REBOOT of a mythical comedy, which returns to the gender to the rooms through the big door. AGARRATE IT 2025. We all know ‘hold it as you can’: A trilogy of police comedies that the Zaz trio rolled after ‘lands as you can’, and that made Leslie Nielsen late and throbbing star of the surreal chufla. His success unleashed all kinds of imitations, some more fortunate than others (and in Spain, many of them with the “… as you can” by the title), and now enjoy a new installment with Lian Neeson and Pamela Anderson. And all respecting the original canon: destroying parody of the thriller codes, and prominence of a star not known for its comic roles and that puts an unexpected and devastating vision on the table. Well, it has worked. It has not become the number one of the box office (it was possibly either its intention, it remains behind ‘The fantastic 4’ and ‘bad types 2’), but he has had a great start in the United States: 17 million dollars, plus 11.5 million in the countries where it has premiered (Spain does not reach August 22). A budget of 42 million is estimated, so it is an excellent starting point, in a film that can grow and stay in the rooms if your mouth works. And there are reasons to believe that mouth mouth could be activated, because also against any forecast, the film is collecting very good opinions: an a- In Cinemascore and a 90% in Rotten Tomatoes They corroborate it. Long live comedy. This box office triumph is more than a punctual success: it is a success for a genre that had not enjoyed something like that for many years. In fact, Neeson himself ironized about it in An ad that has been seen as the promotion of the filmand in which he claimed different comedies (all from Paramount, producer of this new version): ‘The reporter’, ‘Out of wave’, ‘Hot Rod’, ‘Superdetective in Hollywood’, ‘Rock School’, ‘The Truman Show’, ‘Zoolander’ and others. The web Savecomedy.org Refer to the web where you can buy tickets for the new ‘hold it as you can’. Comedy is a serious thing. Although the video is a joke, the question is very serious. Because the study comedy, with great stars, has not died at all. But Yes has done it in the rooms: Being a genre where the show is not the priority, to a large extent it has been relegated to streaming, or shyly enters combination with other genres to Abrise step towards the rooms. ‘Lilo and Stitch‘It’s family cinema,’ Novocaina ‘is action cinema,’Mickey 17‘, science fiction, and’A Minecraft movie‘, an adventure fantasy. Except for some other very punctual example, such as ‘Bridget Jones: crazy with him’ or ‘somewhat pregnant’, which do not stand out especially at the box office, the case of ‘holding it out as you can’, a pure and adulteration comedy, it is a rarity. Much more that is successful. There are no stars. It is a pity that actors that we previously identified with comedy, such as Will Ferrell, Melissa McCarthy or Adam Sandler have been recycling or directly disappearing from the map (or, in the case of Sandler, taking refuge in the streamingwhere he obtains very juicy dividends). Will we see a resurgence of those times in which ‘Porky’s’ (in the eighties), ‘American Pie’ (in the nineties) or ‘Virgin at forty’ (in the two thousandsses) they generated trends, made authors and distribute emerged and unleashed a wave of copies? Hold it as you can get it in his day, Maybe your reboot can work again. Header | Paramount In Xataka | The figures suggest that the domain of blockbusters in Hollywood is not over. In fact, it will go worse

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