Olympic

Italy has convinced Olympic nutritionists to put cheese in every risotto

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Brazilian snowboarder Pat Burgener has summed up better than anyone the paradigm shift that separates the Winter Olympic Games in Beijing 2022 and those in Milano Cortina 2026. In a video that has gone viral, it contrasts two scenes: in one, the Swiss Nicolas Huber stoically endures the endless nasal tests in the Chinese health bubble; In the other, Burgener appears enthusiastically tasting Italian food in the Olympic village. He’s not the only one. Austrians Stefan Rettenegger, Johannes Lamparter and Thomas Rettenegger have documented on social networks how they unapologetically enjoy local cuisine and even Italian-style naps. The contrast is total. The restrictive and purely clinical environment of four years ago has given way to an authentic Mediterranean feast. And at the epicenter of this culinary revolution in the Olympic villages, there is an undisputed protagonist that crowns each pasta or risotto dish: mountains of grated cheese. Far from being a simple gastronomic whim, the decision to replace the classic synthetic energy bars with portions of cheese wrapped in Olympic logos, or to snack muffins rich in proteins baked with this dairy, responds to a calculated nutritional and commercial strategy, As detailed in a report in The New York Times. If Italian food had an athlete competing in these Winter Games, it would undoubtedly be cheese Grana Padano. This cured dairy, often considered Parmigiano-Reggiano’s less expensive sibling, has literally colonized the event. The strategy goes far beyond putting cheese wedges on Olympic buffets. The intention of Mirella Parmeggiani, marketing manager of the consortium that manages its production, is to position this food, which Benedictine monks began to make in the 12th century, as a true “ally in the healthy diet of sports enthusiasts.” To achieve this, the Organizing Committee of the Milano Cortina 2026 Olympic and Paralympic Winter Games has signed an official collaboration agreement with the Grana Padano Consortium. The organization considers this entity a firm “ambassador of Italian taste throughout the world” and highlights that they share fundamental principles of sport such as commitment, passion and generosity. But the agreement also has a geopolitical dimension. Italy will reach a record of 70 billion dollars in 2025 in agri-food exports. And the DOP (Protected Designation of Origin) system of the European Union protects more than 850 Italian products under strict standards of origin and elaboration. In the case of Grana Padano, the milk must come from specific regions in northern Italy and the cheese must mature for at least nine months. In fact, only in 2024 were exported 2,685,541 Grana Padano wheels to international markets The message is clear: cheese is protein, but it is also national identity and gastronomic diplomacy. Marketing genius or real nutrition? Seeing this display of gastronomic diplomacy, it is inevitable to ask: are we facing simple marketing genius or is there a real scientific basis that justifies the constant presence of cheese in high-performance Olympic menus? From a nutritional point of view, Grana Padano provides approximately 33 grams of protein per 100 grams of product, without carbohydrates or sugars and with a high concentration of calcium and vitamin B12. Sports nutritionist Saúl Sánchez points out that parmesan and Grana Padano They are placed among the cheeses with greater protein density – 32 grams per 100 grams in the case of Grana Padano – and maintains that its saturated fats should not be demonized in the context of a varied diet. From the sports fieldswimmer Gemma Mengual has described cheese as a “superfood” for elite athletes, while karate fighter Damián Quintero highlights its usefulness both before and after training. The technical explanation usually focuses on casein, a slowly digestible protein that progressively releases amino acids, contributing to prolonged muscle recovery. In the Nutrimi Forumone of the main scientific meetings on nutrition in Italy, Dr. Maria Letizia Petroni defended the approach Food Firstwhich prioritizes natural foods over the systematic use of isolated supplements. In that context, he mentioned cured cheese as a rich source of leucine and proteins of high biological value useful in post-workout recovery strategies. The milky labyrinth and the “protective matrix” The success of cheese in sports clashes, paradoxically, with the controversial scientific debate on the consumption of liquid milk in adulthood, what many experts already call the “dairy labyrinth.” While some studies associate a high consumption of full-fat dairy products with certain metabolic problems, cheese is saved from this screening thanks to the so-called “dairy matrix”. Modern science has discovered that the saturated fat in cheese does not behave in the body the same as that of an ultra-processed product. The bacteria, vitamins and polar lipids produced during maturation alter the way the body absorbs these fats, mitigating inflammation. In addition, it solves the big problem with milk: lactose. While in countries like Spain lactose intolerance affects around 30% of the population, the long fermentation process of Grana Padano (often more than 24 months) makes it a natural product lactose free and highly digestible for athletes around the world. The evidence, under the papers One of the studies most cited in this conversation was published in 2024 in the Journal of Exercise Science & Fitness. He tested 35 untrained young men during four weeks of strength training combined with cheese supplementation. Participants who consumed a dose equivalent to 13.4 grams of protein from cheese three times a week showed improvements in body composition and reductions in total and LDL cholesterol compared to the lower dose group. However, it is worth clarifying: the study was not carried out on elite athletes, the sample was small and no significant additional improvements in strength were observed compared to training alone. The authors themselves pointed out the need for broader research. In the field of aging, a systematic review published in Nutrition Research observed that dairy protein may help increase lean body mass in older adults. It also found small benefits associated with vitamin D in functional tests. However, the results were not consistent in all the trials analyzed. In other words, there are interesting … Read more

The wildest race on the Olympic tracks in Cortina was in 1981. A man launched himself dodging bullets and assassins on a motorcycle

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There are places that seem calm until someone decides to take them beyond reason. Scenarios conceived for precision and discipline that end up becoming, through a combination of ambition and audacity, within the framework of feats that border on the impossible and they leave a mark that is difficult to erase. The slopes of Cortina, in Italy, have seen all kinds of sporting feats, but few like the one that occurred in 1981. Return with the aroma of cinema. When the Winter Games They return to Cortina d’Ampezzothe tracks not only recover their sporting history, but also one of the sequences more wild and brutal never shot in the snow. The scene in question turned these mountains into the scene of impossible chases, shootings adrenaline in full descent and suicidal jumps that were etched in the collective memory long before he was once again at the center of the Olympic calendar, or even before Tom Cruise himself will amplify the scene in his Mission Impossible saga. The wildest chase. The story took place in 1981, during the filming of For Your Eyes Only which led to James Bond himself (then played by Roger Moore) to flee skiing of armed killers, motorcycles and even a biathlete who shot him while he was descending at full speed. In fact, the brutal sequence culminated with a maneuver as absurd as it was legendary: sliding down an Olympic bobsleigh track at more than 80 kilometers per hour and be thrown into the void as if it were a ramp. It was an extreme scene even for the saga, which came from sending the agent into spacebut which found in the Italian Alps a new limit for its formula of constant danger. Six weeks on the brink of disaster. The sequence in question required more than a month of filming, expert drivers inherited from The Italian Jobpiano wires, cameras mounted on bobsleighs and snow transported by trucks in the middle of the drought. Not only that. The team continued despite injuries from Roger Moore himselfburning bobsleighs and a level of risk so extreme that it was necessary to check every screw on the cameras before launching across the ice. Bogner and the men who did know how to ski. Behind the camera was Willy Bogner Jr.former Olympian and pioneer of ski filming, who decided roll the action back and designed double-tip skis to survive the challenge. Around them, specialists as John Eavesworld champion freestyle skier, learned to bobsled down the slopes again and again, while some actors struggled simply to stay upright on skis. Curtain, specialists and memory. Another of the key names was in the figure by Giovanni Dibonaa local specialist recruited to test whether it was possible to ski in and out of the ice channel, a feat that defined the entire final sequence. Decades later, The Wall Street Journal said that Dibona barely remembers why they were chasing Bond, but he remembers the titanic effort involved in filming in those conditions, an experience that made him understand that action cinema was not very different from extreme sports. Between glamor and tragedy. Plus: the filming was also marked by death. During a break for the 1981 world bobsleigh championships, an American athlete died in competition and, on the last day of filming, a young Italian stuntman He died when his sleigh overturned. All of this contrasted with the glamorous premiere of the film, a grand premiere attended by the then Prince Charles and Diana of Wales. Bond got off his skis, Cortina didn’t. The truth is that, over the years, the character of James Bond left the snow behind for other purposes such as hanging of trains and helicoptersbut Cortina remained a temple of vertigo, one shared by cinema and sport. There, those who lived through that filming know that the Bond films and the Olympic Games have something essential in common: they both look elegant from the outside, but they hide a hardness that only those who have ever gone downhill understand (or above) without network. Image | United In Xataka | One of the best comedies in history turned this simple scene into the most expensive. 9/11 and a highway were to blame In Xataka | In 1987 a death was filmed so savage that people had to cover themselves. The trick to achieve it turned RoboCop into a cult work

Spain’s secret weapon in the Olympic Games is a skater dressed as a Minion. Universal almost prevented it

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Tomàs-Llorenç Guarino Sabaté had been preparing for months for the most important moment of his sporting career. The 26-year-old Catalan skater, six-time Spanish champion, was clear about how he wanted to make his debut in the Olympic Games: dressed as a Minion, on the ice of Milan-Cortina 2026performing a medley of songs from the Universal Pictures animated saga. He had used that program throughout the season in international competitions, with the characteristic costume of blue jumpsuit and yellow t-shirt. I thought I had all the permits in order. Drama at Universal. On February 3, just four days before the opening ceremony of the Games, Guarino received devastating news: Universal Pictures was denying him permission to use the Minions’ music and costume in the Olympic event. “I was informed that I no longer have permission, due to copyright issues,” the skater explained in a statement published by the Royal Spanish Ice Sports Federation. Their competition was scheduled for Tuesday, February 11. Changing programs at that point seemed impossible. Permits? What permissions? In August 2024, before starting the season, he had processed the necessary permits through ClicknClearthe official system that the International Skating Union (ISU) makes available to athletes to manage music rights. His intervention included four pieces: Universal Pictures’ characteristic fanfare in the Minions version, ‘Freedom’ by Pharrell Williams (which appears in ‘Despicable Me’), and two other compositions related to the franchise. Negotiations begin. The week before the Games, Universal Studios requested additional information about the music and costumes that Guarino had been using for months. A race against time then began: the skater and his team had to negotiate simultaneously with Universal Pictures, Pharrell Williams, Sony Music and Juan Alcaraz, each owner of different rights of the songs. But as the news spread on social media, the massive support for Guarino convinced Universal to reconsider its position. All good. The skater quickly got approval for two of the songs, and got permission for a third by contacting the composer, also Spanish, directly. The fourth and final piece, Pharrell’s, was resolved at the last moment. On Friday, February 7, just two hours before the figure skating competition at the Games began with the team event, final confirmation came. The Royal Spanish Ice Sports Federation (RFEDH) announced that Guarino had obtained all the necessary licensesand managed to participate as planned last night. The laws. Guarino’s case is not an isolated incident. For decades, the International Skating Union (ISU) strictly prohibited the use of music with lyrics in competitions. Skaters could only choose instrumental pieces, usually classical music, that were in the public domain and did not raise copyright conflicts. In 2014the ISU decided to allow vocal music to attract a younger audience and modernize the image of the sport. The first time was in PyeongChang 2018. More cases. This artistic opening brought unforeseen consequences: skaters began to use copyrighted music, and artists began to claim compensation for its use. Alexa Knierim and Brandon Frazier used a version of ‘House of the Rising Sun’ performed by the duo Heavy Young Heathens in Beijing 2022, who sued them. This year, Russian Petr Gumennik They denied permission to use the music from the soundtrack of ‘The Perfume’. Belgian Loena Hendrickx changed one Celine Dion song for another at the last minute due to legal complications. Canadian artist CLANN expressed his displeasure upon discovering that the American Amber Glenn had used one of her songs, even though she had won the team gold medal with it. Mea Culpa. ISU President Jae Youl Kim has openly acknowledged the extent of the problem during these Games. The organization continues to seek solutions, but the complexity of the music rights ecosystem (involving songwriters, performers, production companies, record labels and distribution platforms) makes any licensing system vulnerable to errors or misunderstandings. The 2014 decision to modernize the sport by allowing vocal music was intended to revitalize it and bring it closer to new audiences, but has generated an unforeseen side effect. In Xataka | Surya Bonaly, the unattainable skater who ended up being banned from “dancing with death”

the future of Olympic Games broadcasts is now

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FPV (First Person View) drones capable of reach one hundred kilometers per hour have burst into Olympic broadcasts with a disturbing promise: to turn sport into something visually indistinguishable from a video game. In alpine skiing, cycling and extreme sports tests, these aircraft equipped with synchronized telemetry systems They follow the athletes from angles that until recently were technically impossible, generating plans that seem extracted from virtual simulators. Who is behind. Olympic Broadcasting Services (the organization created by the International Olympic Committee in 2001 to act as host station for the Olympic and Paralympic Games) is responsible for generating the television, radio and digital signal for media around the world. He began to implement this technology systematically in Beijing 2022. For Paris 2024 Its use had multiplied in disciplines such as BMX, skateboarding and sailing. The question is no longer whether drones can follow athletes, but to what extent this video-ludic aesthetic is reconfiguring our perception of sport. The technology. The devices that Olympic Broadcasting Services has deployed at Milano-Cortina 2026 are not adapted commercial drones, but rather platforms built specifically for sports broadcasting. The Dutch company Dutch Drone Gods has developed a model for sleigh descent tests (bobsleigh, skeleton and luge) that weighs just 243 grams (less than an iPhone) and reaches speeds of 100 kilometers per hour. These cinewhoop type devices They incorporate propellers protected by inverted ducts that improve aerodynamic efficiency. They allow smoother curves, essential for following athletes on steep descents. The technical key lies in the high-end COFDM transmission system that integrates directly with the infrastructure of broadcast traditional, allowing native HD HDR video (both progressive and interlaced) to be transmitted that is seamlessly incorporated into mobile units’ color adjustment systems. How many are there? OBS has deployed 25 FPV drones in total for these Games. They are operated by teams of three specialists (pilot, director and technician) who work synchronized through a dedicated communication channel to manage flight paths, timings and technical adjustments. One of the pilots He assures that it is the most difficult job he has ever done: flying in small spaces up to fifty times per session, consistently, with no margin for error, with millions of spectators watching live. The past. Milano-Cortina 2026 represents the massive winter debut of this technology. The path began in Paris 2024, where FPV drones were used for the first time in competitions. mountain bikingoffering an unprecedented immersive perspective. At the current Winter Games, the most dramatic application has occurred in sliding sports: for the first time, Spectators can follow complete routeswith athletes reaching speeds of over 140 kilometers per hour. Previously, coverage of these disciplines was done with a succession of quick cuts between fixed cameras. Now we can follow the athlete without interruptions, which helps to have a better impression of the speeds they reach. In alpine skiing, drones accompany athletes down the legendary Stelvio descent. In freestyle skiing and snowboarding, the devices are launched with them from the 23-meter springboard. The characteristic high-pitched whir of the rotors has become a recognizable soundtrack of these Games. It is particularly audible during testing. snowboard big airwhere the synchronization between the athlete’s jump and the flight of the drone must be millimeters. How we see sport. We reached this point after decades of developing sports broadcasts. In the mid-eighties there were already cable-suspended camera systems (with variants such as the SpiderCam) that offered aerial angles impossible for fixed cameras. The next step was portable cameras mounted on the athletes themselves. GoPro popularized action cameras during the past decade. Rio 2016 marked another milestone with the introduction of virtual reality, an attempt at total immersion in the sporting event. Regulatory challenges. The 2015 incident at Madonna di Campiglio, where A 10-kilogram drone almost hit skier Marcel Hirschercaused a temporary ban from the FIS that lasted until the 2023-24 season. Race director Markus Waldner then declared that drones were detrimental to safety. A decade later, Milano-Cortina’s 243-gram drones demonstrate how lightweight design and improved protocols can mitigate these risks, although the recent incident with Australian snowboarder Ally Hickman emphasizes that the technology still requires improvement. Header | Matthieu Pétiard in Unsplash – Ricardo Gomez Angel in Unsplash

The tremendous hole that the Olympic Games have left to Paris

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When they ended The Olympics of Paris last year there was something that did not end: the National Debateextensible to many other games in other planet enclaves, about its true legacy. For critics with the event, the Supreme Audit Institution of France has just given them all the world’s gasoline, one in the form of a devastating economic report. The real weight of the games. As we said, the Courtes Cours has reviewed Uploaded the public cost of the Olympic and Paralympic Games of Paris 2024, encrypting the contribution of the State and the territorial collectivities In 6,650 million eurosthat is, about 700 million more than expected in June. In its report presented to Parliament, the Rue Cambon institution details that the updated figures include both the expenditure on the organization, that amounted to 3,020 million (With a very high weight of security), such as infrastructure destined, which reached 3,630 million, first incorporating the disbursements of local authorities and works to guarantee the use of SENA, estimated at 331 million. In spite of certain cost overrun surplus of 75.7 millionwhich avoided resorting to the state guarantee. Comparison with other editions. The Cour holds that Paris games were almost Twice less Regarding costs for public coffers that, for example, those of London 2012, although it alerts on the security chapter, whose infrapreting was remarkable: compared to the 200 million calculated in the candidacy dose, the real expense amounted to 1,440 million. This deviation, far superior to that provided for in the 2024 Finance Law, constitutes the main reason for concern indicated by the magistrates. “Modest” impact. He Report Introduce This time an evaluation of the public income associated with the event, which total 293.6 million euros coming from fiscal collection, the special transportation of transport and advertising sales of France Télévisions. However, these figures must be corrected by Fiscal exemptions (57 million, as in the case of Omega sponsor) and for the so -called “eviction” effect on sectors such as tourism. Cour concludes that the impact on the economy was limited: just 0.07 % of GDP In 2024, compared to 0.25 % estimated by INSE for the third quarter of that year. Beyond the short term, it insists that it is premature to assess the effects in the medium and long term. Debate and criticism. Le Monde told that the Methodology of the Cour has generated friction with the Olympic responsible. The Cojop reproaches that The report It has included expenses that do not consider directly linked to games, such as subway prolongations, burial of electric lines or cost overruns of the renewal of the Grand Palais, as well as the construction of schools. Also questions that they were not taken into account The amortization nor the proportionality in the use of shared infrastructure. According to Tony Estuet, president of the Organizing Committee, the real public cost did not exceed 2.5 billionso he denounces problems of rigor and a systematic bias against the project. The debate about the legacy. One of the central points of the controversy is the tangible inheritance of Paris 2024. While the Government defends that investment in transport, housing and the Decontamination of SENA They represent lasting improvements, social groups denounce phenomena of gentrification, eviction and a “social makeup” that benefits the international image of France more than its most vulnerable citizens. The Cour too He raised doubts on the true capacity of these investments to transform urban life in the Parisian region. A historical ballast. The debate on Paris 2024 is inserted in a long tradition of games that end up being financial watchmaking bombs For host cities. From Montreal 1976, which took three decades to pay A monumental debtuntil Athens 2004, often cited as one of the factors that They worsened the crisis Greek financial, Olympic venues have experienced chronic cost overruns. The reason? The committees They usually inflate calculations Return of investment in the candidacy phase, presenting optimistic projections that rarely materialize. The case of London 2012 showed that even when the games are presented as “reasonable”, the budget weight It ends up duplicating The initial forecasts. The COI crisis. Plus: The International Olympic Committee has been going through a Crisis of legitimacy and headquarters. Less and fewer cities are willing to assume the associated financial and political risks: Los Angeles 2028 was awarded without competition After the withdrawal of other candidacies, and the last winter edition in Beijing 2022 had to be held In artificial facilities In full desert, an example of the anomalies facing the organization. Cortina-Milán 2026 too It has been questioned by APPROVESlogistics improvisations and political tensions between regions and central government. In this context, Paris 2024 reflects both the symbolic greatness and the structural fragility of an increasingly difficult Olympic model to sustain. Success with doubts. If you want, immediately, Paris 2024 has been considered an organizational and sports triumph, projecting that image of France as a country capable of hosting a global first -order event. In fact, both Cour and Cojop They have seen In Paris’s experience, a model to consider the Olympic Games of Winter of 2030 In the French Alps, to which They will be allocated Six of your seven recommendations. However, the debate about its true financial and social legacy is far from closing. French experience feedsIn addition, an argument that crosses borders about the future of games: if they will continue to be an aspiration for cities or simply a risk that most will prefer to avoid. Image | Public domain, WHOISJOHNGALT In Xataka | The Paris Games should be those of the Olympic Break Dance premiere. They ended up being the “kangaroo dance” In Xataka | Winning a gold in countries like South Korea is better than the lottery. There are athletes who don’t have to think about money anymore

Millions of people are hooked right now to an Olympic Games where cats compete. Cats made with ia

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What happens if together Internet obsession with cats With? Well, well mixed, they can be the ingredients of the next viral success in networks such as the one we have seen this weekend. If you have Instagram or Tiktok, there are many chances that you have seen (or have shared) a video of cats making springboard jump with pirouettes worthy of gold medal. This has cooked this viral liver that has already become a whole Trend 300 million visualizations and upload. The creator of these ‘Kitty Olympics’ has been @PabloPROMPTa Canarian psychologist amateur to create videos with AI. In its networks it has an important sum of followers, but the figures that you have achieved with this video are demential. In the first hours already He was surprised Growth: 1.5 million in just 5 hours. It was just the beginning. Right now it has almost 70 million in Tiktok and 237 million on Instagram. The thing was not there. As we said at the beginning, the video unleashed a whole wave of similar videos, what in the jargon of the networks we would call Trend. In Tiktok, the search ‘Olympics Animals’ returns results where the protagonists are giraffe dogs, capibaras, camels or lions, some of them with several million visualizations. How he has done it. Videos created with AI There are many, but not everyone gets so much impact. The realism of the video and the naturalness of the jumps that cats give is what attracts the most attention. For its creation, the new model of Hailuo aihe Hailuo 2 that was released a few days ago and promised notable improvements in the realism of physicists. While I wrote these lines I have tried the free version of this tool to create these gymnasts and, although it is not as striking as the ‘Michi Olympics’, the result is not bad. Creation yes, but halfway. From the first generative AI tools, the controversies with artists They have been to the agenda, even Some have come to sue To these tools for intellectual property. With the social networks filling with videos made with iaanother problem arises, that of effort and originality; While there are creators dedicating hours to videos of a few seconds, others such as Daniel Bitton They presume “generate 8 or 10 videos in less than 30 minutes” and also the algorithms are favoring them. In the case of the video that this Olympic trend originated, although it has been this user who has published the video on networks, he did so from a Prompt of another user (@fofrai), so it was not an original idea of ​​his. The other face. Although we can discuss the originality or effort it has taken, the video of the Olympic cats has triumphed because it is fun and is very achieved. However, the content created with the networks is increasing and does not always have this sympathetic appearance. A few months ago we talked about ‘AI Slop’ or The garbage that began to flood social networks. The phenomenon consists of videos made with AI (quite disturbingby the way) that he had managed to break the algorithms of recommendation of Tiktok and Instagram. Based on saturating them, they ended up showing these videos to a larger audience. On the other hand, there is the problem of content created with ia that is presented as realas happened a few days ago with the Conflict between Iran and Israel. In response, the platforms like Tiktok are starting to label it. In Xataka | The Ghibli paradox: the most viral success of AI is at the same time a symptom of its problems as a daily product

Radja Nainggolan, said drugs, came from converting an Olympic goal into his return to football

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Belgian footballer Radja Nainggolan was allegedly indicated Monday as a member of an organization dedicated to drug trafficking so was put in preventive arrest. However, the unusual is that The arrest occurred just a couple of days after returning to professional football after six months of absence. Nainggolan, former member of the Belgium National Team and club player such as Inter Milan or Rome, had returned to the practice of professional football in the second division of his country with the humble Lakeren-Temse team just last weekend and His presence did not go unnoticed by scoring an impressive Olympic goal. The goal happened at minute 70 ′ while his team was down on the scoreboard. After charging a corner from the left, the ball closed with effect and culminated surprising the rival goal. Although the archer’s reflection was to take out the ball, it was already inside the arch and for its part Nainggolan was celebrating with the rest of his teammates. It is not clear if the club will terminate the Nainggolan contract before the signs of supposedly appearing in cocaine traffic that would have taken place in the time in which the player was away from the playing land. This is not the first time that Nainggolan is interfering with a controversy inside or outside football. In the past he faced facts related to alcohol, tobacco and drug use during his stage as a player, as well as a strong character for which he was expelled from both the courts and some clubs where he militated. Look at Nainggolan’s goal here: Continue reading: (tagstotranslate) f \ u00fatbol

Olympic medalist was pardoned by Donald Trump after assault on the Capitol: “I regret it”

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Joe Biden came out of the White House granting pardons and donald trump He arrived doing the same. The 47th president granted a pardon to 1,600 people who attacked the Capitol in January 2021. Among them, former swimmer and Olympic medalist Klete Keller. Keller actively participated in the taking of the Capitol when trump lost the election to Biden and denounced alleged electoral fraud. In an interview with Washington Post He revealed his feelings after learning of the pardon. “It’s an incredible feeling of relief,” he said. Keller He faced a 10-month sentence that was reduced to six months under house arrest and three months on probation. He also had to perform 360 hours of community work. “It didn’t seem real to me. And when I woke up this morning, I thought, ‘Oh my God. This is over. I no longer have to contact my probation officer. “It is an incredible feeling of relief,” he revealed. Keller He stated that he participated in the taking of the Capitolbut without being aware of the damage this caused. “I know my actions angered and caused harm to millions of Americans. I told this to the judge and I meant it. I acted without thinking. “I didn’t stop or take time to reflect,” he said. Klete Keller in the Rotunda of the United States Capitol on January 6, 2021, in Washington.Credit: Justice Department | AP Likewise, he acknowledged that he is grateful for the decision of trumpwhich considers a second opportunity to move forward. Klete Keller born in Vegas. Currently, he is 42 years old and retired. It was part of the era of glorious swimmers alongside Michael Phelps, Lochte and Vanderkaay. He even participated in the 4×200 relay. The trio broke the 4×200 world record at the World Championships. Melbourne 2007. He was also a reliever for Ian Thorpe in the Athens Olympic Games in the 4×200. To his credit he has four gold medals, one silver and three bronze medals. In the Sydney Olympics and Athens He won the bronze and silver medal in the 4×200 freestyle. In Beijing won the gold. Klete Keller reacts after a heat of the men’s 4×200 meter freestyle relay during the swimming competitions at the National Aquatics Center at the 2008 Beijing Olympic Games in Beijing.Credit: Thomas Kienzle | AP Keep reading:· Trump pardons Ross Ulbricht, convicted of operating the illegal black market website Silk Road· Capitol attacker rejected Trump’s pardon and called it an “insult” to the police· Biden granted presidential pardon to New York immigrant rights leader Ravi Ragbir

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