literally

We knew that living near the sea made us “gain” years of life. What we didn’t know is that it was literally

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We have known for a long time that getting closer to nature has benefits for our health. Beyond avoiding pollution in our cities, getting closer to the natural environments around us can improve our psychological well-being, perhaps even encouraging us to lead a more active life. Little by little, we are also observing that something similar happens if we change the mountain for the sea. More sea, more life. A study has observed a correlation between residing in coastal areas and greater longevity. The analysis provide evidence of the link between bodies of water and the health and well-being of people. Of course, the relationship between “blue spaces” and health is a little more complex than it might seem. 50 kilometers. The study observed that the benefits of living near the ocean improved the quality of life of people residing within a strip of about 50 kilometers of the coast. Inland, however, they observed a very different trend: people who lived near bodies of water of a certain size (about 10 km² in surface area) tended to have shorter life expectancies. “Globally, coastal residents are expected to live a year or more longer than the median age of 79, and those who lived in more urban areas near inland rivers and lakes were more likely to die around age 78. Coastal residents likely lived longer due to a variety of interconnected factors,” highlighted in a press release Jianyong “Jamie” Wu, member of the team responsible for the study. 66,000 census areas. The study was carried out in the United States, where the team analyzed 66,263 census areas, studying life expectancy and its relationship not only with the proximity of bodies of water, but also with socioeconomic and demographic factors to control the results. Details of the study can be found in an article published in the magazine Environmental Research. Searching for the cause. The team points out different factors that could mediate this relationship, such as milder temperatures, better air quality, more opportunities for recreational activities, better transportation, less vulnerability to droughts, or income. These factors could explain why residing near the coast is associated with a longer life expectancy, in contrast to people who live near inland waters. “Pollution, poverty, lack of opportunities to be physically active and a greater risk of flooding are the main triggers for these differences,” Yanni Cao indicatedco-author of the study. Correlation or cause? Fits remember that the existence of a correlation does not always imply the existence of a direct (or even indirect) causal relationship. For example, if income is the determining factor, this causal relationship could take different forms. A possible route would start from the fact that the coastal areas they would be more expensiveso they would attract people with more income, income being a factor that we know affects our life expectancy. Another possible way would be that coastal areas generate higher incomes by offering more job opportunities, and these incomes would again be the determining factor in longevity. In both cases the mediating factor is the same, but the causal relationship is not. In Xataka | Why it is hotter in cities than in the countryside: the urban heat island effect In Xataka | Perhaps aging better does not depend only on the body: science is also beginning to study the effect of art and culture Image | Emiliano Arano This article was originally published in August 2025

In Japan there is no doubt that they live worse than 30 years ago. Houses are literally getting smaller.

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The demographic crisis that drags Japan comes long. In 2024 we say that it is the great challenge of the nation, the same one that we could summarize with one fact: if we continue like this, By 2531 all its inhabitants will have the same last name. That’s why we have seen all kinds of ideas and proposalssome with more common sense than othersbut all with the idea of ​​raising birth rates and combating aging. Now there is another fact that aggravates the situation even more: the houses are smaller. The house shrinks. The data is official and comes from a study that is carried out every five years in the nation. The average housing space in Japan has reached its lowest level in 30 years, with an average of 90 square meters at the end of 2024three square meters less than the 2003 peak, according to the government study. The change reflects a trend towards reduction in the size of homes, evident in the last five years. Additionally, in both single-family homes and multi-family units, including rentals and condominiums. Multifamily, in particular, average only 50 square metersfive less than what the government considers adequate for two adults in urban areas. It’s the economy, friend. They counted on a report in Nikkei that the increase in construction costs, which has shot up 30% since 2015 in the country, is the main driver of this reduction of space in homes. To keep prices affordable and protect their profit margins, builders are downsizing homes, a practice known as “hidden price gouging.” Not only that. In addition, land prices in popular residential areas are also on the rise, which further aggravates the situation. This increase in prices has reduced the demand for larger, more expensive, personalized homes in favor of smaller, cheaper units. Impact on quality of life. It is another of the legs that slips from the problem. The reduction in living space creates discomfort, especially in small homes. For many people, like a 50-year-old woman who lives in a 30-square-meter apartment with her husband, the situation is described as suffocating. Even single-person homes, which They represent 38% of households according to the national censusare often considered too small for a comfortable lifestyle. And then there are young people, who face greater barriers to accessing larger homes, with prohibitive prices even on the second-hand market. Young people and birth rates. All this leads to what we indicated at the beginning. The reduced living space and the impossibility of purchasing larger homes discourage young couples from, for example, starting families, exacerbating the already worrying drop in the birth rate. Housing policies alone do not seem sufficient to reverse this trend, and experts such as Masayuki Takahashi emphasize that The key is to increase salaries in a sustained manner. During the period of high economic growth in Japan, rising wages allowed more people to access spacious housing, something that is not the case today. The elderly and housing. The housing problem goes much further. In fact, every time More seniors in Japan face difficulties renting housingeven if they have financial means. Cases like that of an 88-year-old man in Tokyo, who, with more than 100 million yen in savings after planning to sell his apartment, experienced multiple rejections for not being able to provide an emergency contact under 70 years of agea common requirement among homeowners in the nation. After four months of searching, he managed to find an apartment, but the case reflects a broader problem. Rent and the veto for older adults. According to 2020 census data, Japan had 6.7 million single-person households with residents aged 65 or older, accounting for 12% of the total. By 2030, it is estimated that this number will reach 8 million. Again, even though there are approximately 9.3 million of vacant homes, landlords’ reluctance to rent to seniors is a significant obstacle. In August 2025, the Ministry of Infrastructure published a survey specific about owners of the akiya which revealed that approximately 60% of these properties were inherited, with more than 70% built before 1980, and that more than 70% show signs of deterioration or damage. Reasons? 66% of landlords expressed reluctance to accept older tenants, in a ministry survey. The main fear: the risk of death of the tenant alone of which we have talked beforewhich can require costly cleanups and require reporting to future tenants for three years. This situation is worsened by the increasing loneliness of older people and the lack of close family members throughout the nation. Ultimately, and with official figures and data In hand, it does not seem that the housing problem in Japan has improved for three decades. In reality, and sticking to those numbers, houses are literally smaller and more expensive, both to buy and to rent. a problem that we see in many other nationswhere the practice of downsizing in homes to maintain competitive prices ends up affecting the stability of the real estate market and the residents’ own quality of lifewith special emphasis on the case of young people and the elderly. A version of this article was published in January 2025 Image | Ted McGrath In Xataka | Japan has known for many years the secret to cleaning dust less frequently at home In Xataka | If you thought that living in Japan was already a luxury, wait until you see the latest house signed by Aston Martin

1,800 years ago the Romans had an amulet against bad luck. It was literally a tiny penis.

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Measures about three centimetersis cast in bronze with great detail (anatomical) and despite being around 1,800 years old, it is surprisingly well preserved. We talk about a phallus. A penis. An ancient figurine representing male genitalia that archaeologists have just unearthed in a roman site from Cumbria, in the northwest of England. The most curious thing, however, is not the appearance of the penile statuette itself. But that it took so long for researchers to find it. We explain ourselves. Under a cricket pitch. He Carlisle Cricket Club is a large resort for cricket lovers located on the outskirts of the town of Carlise, in Cumbria, England. That’s today, of course. If we go back almost 20 centuries to that same land, located on the banks of the eden riverwelcomed some hot springs where the Romans came to chat and relax. Years ago a group of archaeologists started investigating in the area to search for remains of that remote Roman past. Among the many things they recovered at the site, in addition to ceramics, fragments of pillars and heads sculpted in stone, there is one that has attracted attention: a penis. What do you mean, a penis? The figurine in question revealed it a few weeks ago the photographer Pete Savin in And archaeologists believe that the piece has some 1,800 years. It would be logical to think that Savin or the director of the site, Frank Giecco, raised their eyebrows when they encountered such a discovery. However, the opposite happened: what had surprised them for some time was not finding any phallic figurines among the Roman ruins of Carlisle. “It is unusual that we have not found a phallus-shaped object at the site before, as it is very rich in other types of objects,” admits Giecco to the BBC. Don’t say penis… No, say best amuletwhich is the function fulfilled by the figurine found in Cumbria. The researchers they are convinced that its purpose was not to simply represent a penis and the piece did not have an obscene or sexual nature either. It was not even a symbol of fertility. At least that wasn’t his main goal. For the Romans the device surely acted as a talismana protective tool designed to attract good luck and ward off the evil eye. The Romans were so convinced of the healing power of these phallic representations that they frequently resorted to them, either by capturing them in figurines that they would then hang from their belts and use as jewelry or by carving them on the walls. Click on the image to go to the tweet. A phallus for the collection. The truth is that you have to take a quick look through the newspaper archive to see that discoveries like the one in Cumbria are relatively frequent. Even in England. Or in Cumbria itself. In 2019 a group of archaeologists from the University of Newcastle cataloged there several inscriptions left by Roman soldiers in a quarry near Hadrian’s Wall, a series of ‘graffiti’ drawn on the rock in 207 AD and including (exactly!) the relief of a phallus. Last year another team focused on Vindolandaone of the Roman forts that protected Hadrian’s Wall, encountered another similar surprise. During their excavations they located a penis-shaped pendant hidden among the challenges of a wall from the 4th AD. Archaeologists speculate that the piece, made of jet, was lost at the beginning of that same century. And given how polished its surface is, they believe that the owner of the amulet handled it frequently. Small, big, huge. Carlise’s piece barely exceeds three centimeters and Vindolanda’s (at least for the photos shared by researchers) appears even smaller. However, not all representations were so minuscule. In 2022, while investigating a site in the province of Córdoba, archaeologists discovered a bas-relief that shows a 45 centimeter phallus long. The figure was carved directly on the cornerstone of a large building, another relatively common habit. “It was common to place them on the facades of houses and soldiers wore small phallic amulets as symbols of virility,” explains to The Country Andrés Rodlán, director of the project, although he also recognizes that Córdoba engraving breaks the mold. “This one is unusually large.” The list of phallic representations found in recent years goes on and on, with discoveries stretching from the distant lands of Britannia. to Omritin Israel. Why this obsession? The experts believe that phallic figures were so popular not because of their explicit nature, but because of their enormous load of meanings. Whoever carried a figurine of a penis or decided to sculpt it on their wall did not simply intend to show a male genital. He sought to protect himself with an amulet capable of warding off the evil eye. In fact, they not only surrounded themselves with images of more or less anatomically accurate penises. They also created figurines of winged phalluseswith animal shapes or with bells. “Phallic emblems are found on a wide variety of Roman objects, from amulets and frescoes to mosaics and lamps. They were symbols intended to attract good luck and ward off evil spirits. As the ancient author Pliny attests, even babies and soldiers wore such amulets to invoke divine protection,” they explain from the MET Museum. The reality is that, if history has shown anything, it is that humanity has always shown a fascinating inclination to represent penises everywhere. Images | The MET Museum and Carole Radatto (Flickr) In Xataka | Almost 2,000 years ago a Celtiberian soldier visited the most remote frontier of the Roman Empire. Then he returned to Soria with a souvenir

literally urinating in the same bathroom

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In 1961, Italian artist Piero Manzoni sealed 90 small metal cans claiming they contained his own excrement and sold them as a work of art under the name “Merda d’artista”. Decades later, some of those cans would reach hundreds of thousands of euros at auctions and would become one of the most famous examples of how contemporary art can transform the eschatological into an object of worship. Venice and its strangest attraction. The Venice Biennale It is often sold as the great showcase of world contemporary art: national pavilions, monumental installations, political debates and artists trying to capture the attention of hundreds of thousands of visitors. However, this year the city has ended up finding its great phenomenon in something very more absurd and eschatological. As hundreds of thousands of tourists walk through the canals and exhibitions, the longest lines are not in front of the United States, Russia or Israel pavilions, but in front two portable toilets blue ones installed in the Austrian pavilion. There, visitors are literally invited to urinate to keep a human performance alive. The idea, developed by the artist and choreographer Florentina Holzingerhas turned something as mundane as a chemical bath into one of the most talked about, uncomfortable and viral experiences in all of Venice. A surreal system. The “Seaworld Venice” installationpresented by Austria, functions as a kind closed circuit between tourists, waste and human bodies. The urine collected in the bathrooms goes through a complex filtering system before being pumped into a huge transparent tank where a naked woman remains submerged for hours breathing through a diving mask. A few meters away, another room exhibits deposits of faeces and pipes filling with brown sewage while visitors, artists and the curious observe the process with a mixture of fascination and repulsion. Not only that. The entire pavilion has been partially flooded and completed with deliberately excessive scenes: there are naked women spinning on jet skisperformers climbing rotating metal structures and almost apocalyptic musical shows in the middle of the Venetian lagoon. All this under an (il)logic that mixes ecology, bodily decay and extreme visual provocation. Art and virality. The great irony of this edition of the Biennial is that many of the political and cultural controversies that seemed destined to monopolize the conversation ended up eclipsed by some simple chemical baths. The death of the main curator of the event, the tensions due to the presence of Russia and Israel or the criticism of the American pavilions have taken a backseat to the endless queues to participate in this kind of “urinal orgy” of the Austrian work. Even artists historically associated with scandal, as Maurizio Cattelan (famous for installing a solid gold toilet at the Guggenheim), appeared orbiting around an installation that literally turned tourists’ pee in central part of the artistic experience. If you like, the situation sums up perfectly. an uncomfortable reality of contemporary art today: in an era dominated by social networks, virality and mass tourism, the ability of a work to generate conversation and selfies can end up being as important as its conceptual content, or something like that. Provocation as language. As for the artist, Holzinger has spent years building her career precisely on that border between grotesque spectacle and artistic reflection. His previous works included nuns skatingperformers suspended through hooks embedded in the skin or scenes of simulated incontinence related to aging. In Venice he once again uses bodily fluids, nudity and uncomfortable situations as a mechanism to break taboos and force the public to react. His defenders maintain that under the scandal there is a serious discourse about the human relationship with waste, pollution, the environmental fragility of Venice and the contemporary obsession with purity. own partial flooding The Austrian pavilion aims to function as a reference to the rise in sea level and the vulnerability of a city built on water. To achieve this, the team even had to collaborate with environmental engineers and technical specialists to design a filtration system capable of operating without damaging the historic building from 1934. When to go to the bathroom is the news. The final scene perfectly sums up the surreal tone of this Biennial. While some national pavilions remained practically empty and others were consumed by political protests or diplomatic debates, hundreds of visitors they were still waiting their turn to enter some portable toilets that have accidentally become the great attraction of Venice these days. in a city saturated with tourismlines and experiences designed to be photographed, the Austrian facility ended up functioning almost like a perfect caricature of the Biennale itself: masses of people moving to voluntarily participate in an eschatological performance become a global cultural phenomenon. Venice, a city accustomed for centuries to living off spectacle and foreign fascination, has just discovered that even something as basic as going to the bathroom can be transformed into an artistic experience capable of eclipsing half the art world. Image | Wolfgang In Xataka | In 2024, Venice invented an entrance fee for tourists: it has turned out so well that it has doubled and expanded it In Xataka | Venice spent 5 billion euros on flood barriers. Five years later they are already “unsustainable”

Spain still has dozens of reservoirs that cannot be used because literally no one has laid pipes

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It was inaugurated in 2015, cost 57 million euros and has a capacity for 30 hm3 of water, but the Siles dam in Jaén hasn’t been used for a decade because no one has made the necessary pipelines to irrigate the Sierra del Segura. It is not an isolated case. An example. The Rules dam was inaugurated a little earlier: in 2004. At the end of 2025, while the province of Granada was at 29% of its capacity, the Vélez de Benaudalla reservoir was close to 70%. The secret is the same: going 20 years without pipes that allow us to use water. These are flagrant cases, but there are many more (and for the most varied reasons): Alcolea in Huelva, Mularroya in Zaragoza, Castrovido in Burgos… Is there anything more Spanish than making reservoirs and taking years—or decades—to build the pipelines that make them useful? The house on the roof. In a country like Spain, each useless cubic hectometer is not only de facto lost water, it is also a tremendous ecological damage inflicted on river channels for no reason. And, if that were not enough, it is economic nonsense. It makes no sense to mobilize all the resources necessary to launch a reservoir and then leave it forgotten. Above all, because (whether we like it or not) we live in an agricultural giant that needs water security that we cannot guarantee. The opportunity cost of delaying the pipelines necessary to launch these reservoirs impacts the economic and employment development of entire regions. A Spanish problem? To tell the truth, we cannot say that it is a purely Spanish problem either. Portugal, France or Italy have had similar problems. What happens in Spain is that there is an enormous fragmentation of powers that means that, when any problem appears, everything comes to a standstill. In our case, the central State designs and finances the main dams and key sections. However, it is the autonomous communities, the hydrographic confederations or the municipalities that they must run the secondary networks. And in determining what is the main or secondary tranche (and who should pay the bill) most problems arise. But not the only ones. And it is that, as the processes become eternallicenses expire, works are not awarded, litigation drags on, environmental requirements become stricter and solving the problem becomes impossible. In the end, the dams are what is striking (what is politically profitable). The “last mile” (that whole set of pumping stations, pipelines and treatment plants) is much less striking, as crucial as it is. When problems become entrenched, there are no good solutions and administrations prefer to put the issue aside rather than make decisions. The country of a thousand preys. Because yes, it is true: Spain has many damsbut dozens of them remain vats of water with no use. And as much as the causes are clear, it is still striking that not even water crises like those of recent years manage to solve this. Image | Red Zeppelin In Xataka | “In the next ten years, Spain and Latin America are going to suffer (a lot) with water,” Robert Glennon (University of Arizona) A version of this theme was published in 2025

why the USSR was obsessed with a planet that literally ate its machines

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There was a time when it was thought that Venus would be a good planet to explore or even terraform. After all, it is close to Earth. Carl Sagan himself made a theoretical proposal to adapt this planet for human life. Therefore, it is not surprising that it became one of the biggest objectives of the Soviet Union (USSR) during the beginning of its space race. With the Venera missions, dozens of probes were sent to explore the neighboring planet. A few were enough to prove that it was a more inhospitable place than one thought. However, that did not make those scientists give up their efforts. Only 16 named probes. Between 1961 and 1984, The USSR sent 28 probes to Venus. Only 16 of them, those that partially completed their mission, were baptized as Venera. Of those 16, only 13 crossed the atmosphere of the neighboring planet and 10 managed to land. Some even survived a few minutes to transmit important information to Earth. The violent destruction of each probe provided new data that was used to improve the next one. Even knowing that the next one would also succumb, the program continued forward and laid the pillars of the space exploration technologies that came later. An inhospitable planet. Venus It is an extremely inhospitable planet for many reasons. To begin with, its temperatures are very high. Temperatures can reach 465ºC, which is why many Venera probes literally melted when they reached their destination. The pressure is also very high. It is equivalent to about 90 atmospheres and could quickly crush a submarine. Many of these probes were also crushed. On the other hand, more than 96% of its atmosphere is carbon dioxide, making it highly toxic, although that is not as problematic as the corrosive clouds of sulfuric acid that accompany it. The Venera probes also had to deal with this corrosion. step by step. The first Venera probes lost communication with Earth before even reaching Venus. Others, however, managed to transmit information from the surroundings of the neighboring planet or even on its surface. The first to send data before being crushed by the pressure were Venera 5 and Venera 6. Previously, Venera 4 had been the first probe to manage to pass through the atmosphere of a planet other than Earth. Venera 7 even managed to land and stay 23 minutes on the surface of Venus before being torn apart by the heat and pressure. Later, Venera 9 sent the first black and white images. Images of the surface of Venus taken by the Venera probes Special mention to Venera 13. Possibly the greatest advances came with Venera 13. Although it was planned to last 32 minutes, the probe stayed on Venus for 127 minutes before disappearing like all the others. There he managed to take photographs much more advanced than those of Venera 9. He also measured the composition of the atmosphere and used a lightning detector to measure the electrical activity of Venus. It was even able to analyze the winds thanks to its built-in anemometer. Along with Venera 14, it was possibly the probe that provided the greatest discoveries before disappearing like all the others. 40 years later. With the Venera missions, the USSR verified that, in reality, Venus was a planet too inhospitable for exploration. But knowing our neighbors can help us know ourselves. For this reason, despite knowing that it was all suicide, 28 probes were sent, with landing, chemical analysis or image taking technologies that have continued to be used over time. Today, more than 40 years after the launch of the last probe, we can access the data obtained by many other missions that have also headed to Venus. Other missions. First it was NASA, in 1970, with its Mariner 10 probe. Although its main objective was Mercury, it also had time to explore the surroundings of Venus. Later in 1989 The Magellan mission made the first global map of the Venusian surface. Today the American agency is preparing for the launch of VERITAS and DAVINCI+, which should leave for the neighboring planet in the coming years. For its part, Europe launched the Venus Express probe in 2005 and Japan launched the Akatsuki probe in 2010. In the next decade, Europe is prepared to launch Envision, which will be in charge of studying the core of the planet. All of these missions were clearly inspired by the Venera probes. Of course, even if we can never live there, being able to send probes to a planet that melts and crushes ships is a great achievement of space technology. Images | Reimund Bertrams (Wikimedia Commons) | USSR In Xataka | A day on Venus: the (hellish) conditions on the surface of the neighboring planet

literally turning Donbas into “Donnyland”

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For decades, one of the greatest obsessions of Soviet power was to convert certain cities in personal symbols of leadership, to the point that Stalingrad not only appeared on maps and speeches, but also in propaganda, in military reports and in the way millions of people understood the course of a war. Because sometimes the way a place is named can influence as much as what happens inside it. The Ukrainian war and names. In the midst of stalled negotiations and agonizing wear and tear on both sides, the New York Times had this morning that Ukraine has introduced an idea as striking as it is revealing: naming a disputed area of ​​Donbas nothing more and nothing less than like “Donnyland” in honor of Donald Trump. This is not an isolated occurrence, but a calculated attempt to influence Washington’s position at a time when its role fluctuates between ally and mediator. The proposal, which mixes irony and strategy, reflects the extent to which kyiv perceives that language, symbols and political psychology can be as important as territorial control on the ground. Donnyland as a pressure tool. Apparently, the concept arose in private conversations as a way to push the US administration to toughen its stance in the face of Vladimir Putin’s demands. The logic is quite simple: if a hypothetical demilitarized or economic zone carries the symbolic seal Under Trump, the United States would have more incentives to protect it and guarantee its stability. From that perspective, it is not just a name, but an attempt to convert a devastated and partially depopulated strip in a political assettransforming territory into a negotiating card designed to alter the balance of power at the table. Borodyanka Donbas as a key piece of the blockade. The region in question, still under ukrainian control but pressured by russian forceshas become one of the main friction points in the peace talks. kyiv fears that giving up that territory will facilitate future offensives, while Moscow insists on complete control, blocking any significant advance. In this context, ideas like that of a neutral zonea special economic model or even that of a shared administration have been explored without success, making it clear that the future of Donbas remains the hard core of the conflict. TOadopting the logic of “branding”. The hypothetical use of “Donnyland” fits into a broader trend in which countries try to attract the attention or favor of great powers through symbolic gestures hyperbolic, such as previous infrastructure proposals or agreements with the name of American leaders. Furthermore, this type of movement reveals a diplomacy increasingly personalizedone where perception, ego and narrative can influence as much as military facts. In this case, Ukraine seeks to turn a disputed territory into a political project with its own name, attempting to align strategic interests through a simple change of label. From Stalingrad to Donnyland. As we said at the beginning, history offers precedents for how names can become tools of power, as happened with Stalingradwhose symbolism during the Second World War reinforced the figure of Joseph Stalin and turned the battle into a global political icon, or more recently with the Polish proposal from Fort Trump There is no doubt, although the context is different, the underlying logic is quite similar: using a name to project power, mobilize support and condition decisions. In the current case, Ukraine recovers that historical intuition and adapts it to a modern diplomacy where influence also involves connecting with the personal motivations of the leaders. Between strategy and symbolism. Be that as it may, and despite the striking nature of the proposal, the truth is that the talks remain blocked, with rigid positions and little progress on key issues such as territorial control or security guarantees. Of course, the “Donnyland” idea It has not yet been formalized and coexists with other more technical proposals, but the simple fact of its mere existence reveals the level of improvisation and/or creativity that diplomacy has achieved in this conflict. In the end, more than a solution in itself, the initiative shows the extent to which Ukraine is willing to explore any avenue (even symbolic) to tilt a war that is no longer decided only on the battlefield. Image | Picryl, Pexels In Xataka | In 1914, submachine guns forever changed the way war was waged. In 2026, it’s algorithms’ turn In Xataka | Ukraine has captured a North Korean missile from Russia and opened it: the surprising thing is not its parts, but how they work

In 1953 Hollywood filmed a blockbuster in front of US nuclear tests. It was the most radioactive movie in history, literally

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Year 1953, during a nuclear test in the Nevada desert, several Las Vegas hotels offered their guests privileged views of the mushroom cloud at dawn as if it were a tourist attraction at Disneyland, with cocktails included and terraces full of spectators. The scene, which is difficult to imagine today, reflected the extent to which certain risks were perceived very differently in the midst of the nuclear age. Filming in the Cold War. In the mid-50s, The Conqueror It was born as a historical blockbuster that from the beginning involved decisions that were difficult to justify, such as choosing John Wayne to play Genghis Khan himself under the production of Howard Hughes. Filming moved to locations in Utah, an area that offered spectacular landscapes but was, at the time, close to areas where the United States was filming atmospheric nuclear tests. The context was not a secret, but its risks were not fully understood either, since public and scientific perception of radiation was much more limited than today. That combination of cinematic ambition and geopolitical moment left a scenario that, seen with perspective, is much more disturbing than what it seemed like then. The real environment. This perfectly documented that nuclear testing in the Nevada desert generated radioactive fallout that moved to populated areas, subsequently affecting known communities as “downwinders”. It is also proven that the filming team worked in one of those regions, and that part of the surrounding material was transferred to other sets, potentially expanding exposure. This context is neither a theory nor a subsequent reconstruction, but a historical fact recognized by investigations and official organizations that have studied the consequences of those tests. The passage of time and the uncomfortable statistics. What happened? That, over the years, a significant part of the cast and production team developed cancerincluding figures such as John Wayne himself (who died of the disease in 1979), Susan Hayward and Dick Powell. The most cited figure that gives an idea of ​​the possible impact speaks of more than 90 cases among about 220 people linked to the production, a fact that has fueled the fame of the filming as one of the most disturbing and cursed in the history of Hollywood. Even so, we must remember that this number comes from of informative accounts and not from controlled epidemiological studies, which requires treating it with some caution despite its impact. What is proven and what is not. The line between facts and story is key in history. It’s proven that there was exposure to a potentially contaminated environment and that several team members developed serious illnesses over time. What is not proven is a direct causal relationship between filming and these cancers, since factors such as personal habits (including smoking) and the lack of comparable clinical data, facts or causalities may enter, making any definitive conclusion difficult. Therefore, the case remains an ambiguous terrain: perfectly plausible in its approach, but not scientifically confirmed. From failure to modern myth. Upon its release, the film was received quite coldly and criticalremaining in the popular imagination as another failure within the industry. However, as the decades passed, his memory has changed completely, transforming into a story that combines Hollywood, Cold War and invisible risk. What at the time was simply a bad creative and logistical decision ended up being reinterpreted as an episode from the world of celluloid. loaded with symbolism about the limits of knowledge and (i)responsibility. The context changes everything. Because the story of The Conqueror lies not only in what happened during filming, but in how that same filming fits within an era in which exposure to nuclear risks formed part of the everyday landscape. There is no doubt, what seemed acceptable then is today perceived as true nonsense, and this radical change of perspective is what turns the case into something more than a movie anecdote. It wasn’t just a problematic shoot, but an example of how seemingly normal decisions can take on a completely different meaning. with the passage of time. Image | RKO In Xataka | The day a man dared to go further than anyone else: a real fight with Bruce Lee where there were no limits In Xataka | One of the most iconic scenes from ‘A Clockwork Orange’ had an infallible trick: the pain you saw in the scene was not fiction

Without the support of Europe it would have been literally impossible.

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We tend to see the space race as that. A competition in which one country comes first. In 1969 it was said that the United States defeated the Soviet Union (USSR) in the race to put humans on the Moon. Before, it had been the USSR that had prevailed by taking the first human into space. Now, many consider that NASA has once again emerged victorious, by defeating China, which He also wanted to put his flag on our satellite. But, in reality, it has not been NASA alone that has achieved this first step towards returning to lunar territory. Other agencies are involved and, above all, we cannot forget that, without the support of Europe, these four astronauts would not be traveling to the Moon. Literally. Three European engines. The Orion capsule is guided, directed and powered by a set of 33 engines called the European Service Module. The surname is not trivial, since It has been designed by the European Space Agency (ESA) and built by Airbus under ESA guidelines. In addition, the engineers at ESTEC, ESA’s technical center located in the Netherlands, work closely with their colleagues at NASA’s Johnson Space Center, monitoring that everything is working properly with this essential piece for the proper development of the Artemis missions. The main engine. The European Service Module has a main engine that is responsible for promoting the speed changes necessary to guide Orion properly towards the Moon. It is a space shuttle engine that has already traveled to space on 6 missions between 2000 and 2002. ESA scientists have reconditioned and restored it so that it fits perfectly into Orion and meets all the needs of this capsule. Eight support engines. The main engine has eight auxiliary engines that intervene in the orbital corrections that are necessary for the trip to reach a successful conclusion. 24 precise motors. Finally, the European Service Module has 24 smaller engines, distributed in 6 capsules, which are responsible for driving more precise control of Orion’s movements. They can function individually or collaboratively, as needed. A key piece at a critical moment. On the second day of Artemis II’s trip, the European Service Module starred in one of the critical moments of this trip to the Moon. This is translunar combustion by injection, a process by which the capsule is accelerated to propel itself out of Earth’s orbit and, therefore, begin the real journey to the Moon. It’s not the first time. The European Service Module was already used on Artemis I with magnificent results. At that time the capsule was sent to the Moon unmanned. Without a doubt, the participation of four astronauts in the process makes this trip even more exciting, which continues to be possible, in large part, thanks to European intervention. Therefore, although NASA has the most press in all of this, we must not forget that it was Europe that pushed its astronauts, as well as a Canadian astronaut, to the Moon. Instead of talking about careers, we can talk about teamwork and, in the process, remember that, although some space agencies make more noise than others, those that work in the shadows are as indispensable as the rest. Images | THAT In Xataka | NASA is on its heels, so it has made a decision: advance its return to the Moon to 2030

There are people so extremely competitive in ‘Tetris’ that they are literally breaking the game

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He ‘Tetris‘ for NES has been in circulation for 35 years. Most players who try this or any of the other home versions still operate it with their thumbs, like in 1989. But in the competitive scene (where the NES port is the most common version), however, the grip of the Nintendo controller is different. And it continues to evolve: for a few years now a new technique has been making it possible for the game’s classic records to be pulverized one after another. So much so that the first human to “beat” ‘Tetris’ did so with this new technique. ‘Tetris’: The End. The NES ‘Tetris’, released in the United States in 1989, has an ending. More or less: upon reaching level 29, the falling speed of the pieces doubles so abruptly that it is considered impossible to react in time to rotate and move them. The score counter also freezes when it reaches 999,999 (the so-called maxout). It’s not exactly impossible to overcome, but it’s difficult enough that it’s always been considered that way. For years, it was considered the ceiling of the game The best players in the world competed in the annual Classic Tetris World Championship (CTWC) with the goal of accumulating as many points as possible before level 29 stopped them. That was the way to determine a winner: maximum points before level 29. The considered best player in the world was Jonas Neubauer, with seven titles in nine consecutive finals. The controller was held as it has always been done, pressed at the speed that human thumbs would allow, and level 29 was the limit. DAS: the lifelong technique. DAS is the acronym for Delayed Auto Shift and it is the traditional way of playing. This is the standard behavior of the game when the D-pad is held down: although the pieces fall at maximum speed, there is a short delay before the piece begins to move, and that speed is around 10 Hz (ten moves per second). Competitive players who use the DAS technique do not simply hold the button down: they have perfected the pressure times to take advantage of that delay and throw pieces to the side with maximum efficiency. Between 2010 and 2017, the early years of CTWC, DAS players dominated the scene, but the deadly level 29 held everyone back equally. However, as we will see, this form of control has become outdated although today, the tournament has created its own category (the DAS Jonas Cup) to preserve this technique within the official competition. A sign that it is a classic wood technique, but it also indicates to what extent it has been displaced by more modern ones. Hypertapping is coming. This consensus was broken in 2011. Thor Aackerlund demonstrated that level 29 could be overcome with a different technique: instead of holding down the D-pad to take advantage of the delay of each piece, he pressed the controller repetitively and very quickly, pressing the D-pad at full speed. He hypertappingas this technique is known, allows the pieces to move at about 12 Hz, bypassing the DAS delay. Aackerlund thus reached level 30, and the community adopted the technique immediately. Problems and glory of hypertapping. Without a doubt, the big problem with the technique is how physically demanding it is: counterintuitive gripping positions on the controller, continuous muscular effort and, therefore, a real risk of injury. In 2018, 16-year-old Joseph Saelee defeated seven-time world champion Neubauer in the CTWC final using hypertapping. The effect was immediate: in a very short time, the hypertappers They took the records to levels that no one had reached: Saelee reached level 31 in 2018, and for 2020 the best hypertappers They had reached level 38. The ceiling was rising, but it was still a ceiling. The drummer. In November 2020, Christopher Martinez designed a new technique. Instead of pressing one finger on the pad at full speed, he placed one static finger on top of the pad and tapped the back of the controller with the others. When pressing from the bottom up, it was the crosshead that pressed the finger, so to speak. The result was up to 30 beats per second, the technical limit allowed by the framerate 60 Hz of the NES. Or put another way: double what the hypertapping faster. Martinez was inspired by techniques of tapping fast developed by speedrunners. Justin Yu, CTWC 2023 champion, described the principle as “you don’t have to use a single muscle; you use all your fingers to push the controller into your hand.” The ergonomic advantage is important: the hypertapping exhausts, but the rolling It distributes the effort between several fingers, in a way that the players themselves have compared to the way in which pianists and drummers optimize the effort of their arms and hands to reach high speeds. And it’s completely legal in tournaments. Stratospheric levels. The breaking of the invisible ceiling that until the arrival of the hypertapping had been at level 29 moved on. In August 2022, the player EricICX reached level 138, where the colors of the pieces are corrupted due to a bug in the original code: the developers had never planned for anyone to get that far. And then, Willis Gibson, known online as Blue Scuti, only 13 years old and with two years of experience playing ‘Tetris’, reached level 157 in a 38-minute session and the game crashed. He became the first person to “beat” the NES game. The post-rolling era. He rolling It is also changing how competitive players train. Instead of starting from level 1, they work directly from level 29 (which was previously the limit), because if you master the fastest level as your usual starting point, the previous ones lose all difficulty. CTWC co-founder states that, possibly in a few years all the finalists will reach level 28 with the score at the maximum and continue up to 50 without much difficulty. The last frontier. Level 255 was the theoretical … Read more

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