dressed

Spain’s secret weapon in the Olympic Games is a skater dressed as a Minion. Universal almost prevented it

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Tomàs-Llorenç Guarino Sabaté had been preparing for months for the most important moment of his sporting career. The 26-year-old Catalan skater, six-time Spanish champion, was clear about how he wanted to make his debut in the Olympic Games: dressed as a Minion, on the ice of Milan-Cortina 2026performing a medley of songs from the Universal Pictures animated saga. He had used that program throughout the season in international competitions, with the characteristic costume of blue jumpsuit and yellow t-shirt. I thought I had all the permits in order. Drama at Universal. On February 3, just four days before the opening ceremony of the Games, Guarino received devastating news: Universal Pictures was denying him permission to use the Minions’ music and costume in the Olympic event. “I was informed that I no longer have permission, due to copyright issues,” the skater explained in a statement published by the Royal Spanish Ice Sports Federation. Their competition was scheduled for Tuesday, February 11. Changing programs at that point seemed impossible. Permits? What permissions? In August 2024, before starting the season, he had processed the necessary permits through ClicknClearthe official system that the International Skating Union (ISU) makes available to athletes to manage music rights. His intervention included four pieces: Universal Pictures’ characteristic fanfare in the Minions version, ‘Freedom’ by Pharrell Williams (which appears in ‘Despicable Me’), and two other compositions related to the franchise. Negotiations begin. The week before the Games, Universal Studios requested additional information about the music and costumes that Guarino had been using for months. A race against time then began: the skater and his team had to negotiate simultaneously with Universal Pictures, Pharrell Williams, Sony Music and Juan Alcaraz, each owner of different rights of the songs. But as the news spread on social media, the massive support for Guarino convinced Universal to reconsider its position. All good. The skater quickly got approval for two of the songs, and got permission for a third by contacting the composer, also Spanish, directly. The fourth and final piece, Pharrell’s, was resolved at the last moment. On Friday, February 7, just two hours before the figure skating competition at the Games began with the team event, final confirmation came. The Royal Spanish Ice Sports Federation (RFEDH) announced that Guarino had obtained all the necessary licensesand managed to participate as planned last night. The laws. Guarino’s case is not an isolated incident. For decades, the International Skating Union (ISU) strictly prohibited the use of music with lyrics in competitions. Skaters could only choose instrumental pieces, usually classical music, that were in the public domain and did not raise copyright conflicts. In 2014the ISU decided to allow vocal music to attract a younger audience and modernize the image of the sport. The first time was in PyeongChang 2018. More cases. This artistic opening brought unforeseen consequences: skaters began to use copyrighted music, and artists began to claim compensation for its use. Alexa Knierim and Brandon Frazier used a version of ‘House of the Rising Sun’ performed by the duo Heavy Young Heathens in Beijing 2022, who sued them. This year, Russian Petr Gumennik They denied permission to use the music from the soundtrack of ‘The Perfume’. Belgian Loena Hendrickx changed one Celine Dion song for another at the last minute due to legal complications. Canadian artist CLANN expressed his displeasure upon discovering that the American Amber Glenn had used one of her songs, even though she had won the team gold medal with it. Mea Culpa. ISU President Jae Youl Kim has openly acknowledged the extent of the problem during these Games. The organization continues to seek solutions, but the complexity of the music rights ecosystem (involving songwriters, performers, production companies, record labels and distribution platforms) makes any licensing system vulnerable to errors or misunderstandings. The 2014 decision to modernize the sport by allowing vocal music was intended to revitalize it and bring it closer to new audiences, but has generated an unforeseen side effect. In Xataka | Surya Bonaly, the unattainable skater who ended up being banned from “dancing with death”

Zara dressed Bad Bunny at the Super Bowl. That says much more about Zara’s plans than about Bad Bunny

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On the grass of Levi’s Stadium, at halftime of the Super Bowl, the Puerto Rican artist made history Bad Bunny. At an event where ads cost $16 million a minute, he didn’t appear dressed in Gucci or Dior or Versace. Benito Antonio Martínez Ocasio “materialized” with a total look creamy white, almost angelic. A monochrome suit designed to float rather than step on, visually blending with the lime lines of the field. The big surprise was not only aesthetic but also corporate: behind that sobriety was Zarathe flagship brand of Inditex. It was a movement of contrasts. Just a week before, the singer had swept the Grammys with a spectacular design Schiaparelli haute couture. Going from the most exclusive Parisian craftsmanship to retail Arteixo’s overall performance in just seven days is not an accident, but rather a declaration of intent in the most expensive setting on the planet. The architecture of an “anti-luxury” look What we saw on stage was not off-the-shelf clothing, but a designer piece bespoke (custom made). The initial outfit consisted of pleated pants, a shirt, a tie, and a key piece: a padded sports-inspired t-shirt (linebacker) that evoked the protections of American football. All in a sober and calculated, stylized cream tone by his regular collaboratorsStorm Pablo and Marvin Douglas Linares. The design evolved in real time. Midway through the performance, Bad Bunny transformed his silhouette by adding a double-breasted double-breasted blazer in the same hue, elevating the sporty tone to classic sartorial elegance. However, so that no one forgets that sobriety is an aesthetic choice and not an economic necessity, the Puerto Rican maintained a single nod to status superstar on your wrist: an Audemars Piguet Royal Oak watch. A piece of yellow gold 18 carat with a malachite dial that served as a silent reminder: the suit may be democratic, but Bad Bunny’s time is money. Zara’s choice stood out even more due to the contrast with her companions on stage. While he wore the mark of high street par excellence, Lady Gaga appeared with a design from the Luar brand and a brooch representing the flor de maga (the national flower of Puerto Rico), maintaining the dialogue between fashion and cultural identity. This movement represents an alliance where both parties gain cultural capital, but from opposite directions: Zara seeks to rise towards luxury and Bad Bunny seeks to “come down to earth” towards authenticity. According to experts consulted in Guardianlike Professor Andrew Groves of the University of Westminster, seeing a Zara suit on a Super Bowl stage is a statement about the “power shift” (power-shifting). The suit projects authoritybut that authority comes from Bad Bunny’s cultural position, not the seal of a luxury house. It’s a way of saying that style doesn’t lie in price, but in narrative. Furthermore, there was an undeniable language connection. Being the first artist to perform at halftime entirely in Spanish, challenging the Anglo-Saxon hegemony of the event, the choice of a global brand of Hispanic origin came full circle. As they pointed out from the Vigo Lighthouse“Zara is Spanish, as is its music”, the shared language functioning here as a tool for mass projection in the American market, beyond the complex historical legacies. Fast Couture and the commercial counterpoint For Zara, this is the culmination of a strategic shift. The brand issued a statement highlighting that “artistic vision” was prioritized and clarifying a crucial point: this outfit will not be made available for sale. By renouncing the immediate mass sale of the product, Zara positions itself as a creator of culture and visual narrative, moving away from the image of a seller of quick copies. They have preferred the prestige of having been there to the immediate cash benefit. However, the commercial machinery did not stop completely. Here lies the genius of the strategy: while Zara capitalized on the immaterial prestigethe tangible business was at the feet. The sneakers that completed the set were not from Inditex, but rather the BadBo 1.0his most personal collaboration with Adidas. Unlike the unaffordable tailored suit, these did go on sale just 24 hours after the show for about 160 euros. The artist achieved the perfect balance: narrative exclusivity for clothing, mass consumption for footwear. Benito’s clothing functioned as a canvas for encrypted messages that the internet attempted to decode in real time. On the one hand, the padded T-shirt read the artist’s maternal surname, “OCASIO”, along with the number 64. Speculation soared: Was it the year of birth of his mother, Lysaurie? A reference to the victims of Hurricane Maria? A nod to a Billboard music record? Finally, the most intimate answer was given Complex Magazine: The number was a tribute to his late uncle, who wore that number during his time as an American football player. Bad Bunny turned a sports shirt into a family love letter. On the other hand, white as a political response. The color cream/white It wasn’t accidental either. Colorimetry experts They point out that this tone conveys transparency, purity and leadership (“I have nothing to hide”). This visual message gains strength after his speech at the Grammys, where he protested against ICE (Immigration Service) stating: “We are not savages, we are humans.” Wearing angelic white in front of millions of spectators visually counteracts the narrative of danger associated with Latino immigration in certain political discourses. Marta Ortega’s plans To understand why Zara invests resources in dressing a superstar without then selling the clothes, you have to look your recent business strategy. Inditex, under the presidency of Marta Ortega, is trying to distance Zara from the stigma of fast fashion to bring it closer to fast couture or “affordable luxury.” A clear example is the recent reopening of its store in Barcelona, ​​designed by the Belgian architect Vincent Van Duysen with an aesthetic of boutique deluxe. Zara no longer wants to compete only on price with Shein or Primark; wants to compete in image and experience with luxury brands, maintaining affordable prices. Dressing Bad … Read more

The phenomenon of the year in Tiktok Spain is an influencer dressed in the nineteenth -century maiden mode

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The phenomenon of Inés de Robles (better known as Inesdrobles) It is particular for very different reasons. On the one hand, it is a fashionable Tiktaker who, however, remains faithful to a style that cannot even be described as Vintagebut hugs the rancid and little strident as a sign of identity. Second, those who have raised their commentators. And now, he is riding the wave of fame Tiktaker. The template. Inés de Robles videos are always the same, which has undoubtedly helped you establish a definite style. For example, never speak; simply, with unusually current background music (Quevedo, Mar Lucas, J Balvin, Ozuna … a whole Playlist own of a young woman of tastes mainstream), which accompanies of often frightful playbacks. Dressed in clothing Vintagethat sometimes they touch the directly typical of the last century (although, as we will see, not quite), it always makes a characteristic gesture: it bends a foot on the knee of the opposite leg, and stretches it and supports the ground as if it were a ballet step. 11 tricks to dominate Tik tok The comments. However, what has made it viral are its commentators: with a very white and nothing offensive sense of humor, they joke about the outdated aesthetics of videos. “She does not do history exams, she does Storytimes“,” I have gone so much that I have reached the Renaissance “,” I came out in ‘For his illustrious’ and I gave me ‘me’ “,” Fonograph of the lady? “,” This video has reminded me of the summer of 1874 “,” That is the treaty of newly signed tordesillas, right? ” 300,000 ‘Like’ and several thousand comments. Famous (and promotions) arrive. Fame is knocking on the door of Inés de Robles in the form of faranduleo, with collaborations where other people poses with her and makes her famous gesture with her foot. Some of them have been Beéle, Violeta Mangriñán, Omar Montes and even Iker Casillas. And of course, promotions have arrived, some more naked (Grefusa!a Futurist optics), and others more appropriate (Carolina Herreraa online copying where Gutenberg’s Bible says there). His last nine videos, all of April, are guests or promotions paid. An inimitable attraction. The result of this whole mixture is a fascinating account, since Inés de Robles never speaks, which makes her look like a young woman trapped in a bubble. The curious use of artists as inappropriate as the Zowi or Bad Gyal in the background in their videos contrasts with the descriptions of the videos, halfway between naivety (“enjoying sunset”, “excursion day”) and the consciously rancid (“APPOINTMENT for Thursday Tea”, “Tuesday of Mandados”). Or it is one Performance very careful or one of the last traces of spontaneity of Tiktok. And if so … What do you want to tell us exactly? @inesdrobles Recording some themes to the rhythm of @beéle 🤘🎶 #INESDOBLES #INESDEROBLES #Classicgeneration ♬ Sobloove – Beéle Inés: Origins. To discover the answer you just have to go back to the beginning of your account, not far behind in time (July last year), where we see elements such as fashion music and trap display, but in line unquestionably more modernaccompanied by their Two sisters. Some photo linked to rhythmic gymnastics also makes it clear where it comes from The famous and enigmatic gesture with the leg. The outfits They are, above all the last ones, already directly out of a period of the 1st period, possess to continue with the joke of the traveler in time. The Old Money style. As Absolutely everything can be categorizedInés de Robles aesthetics It can be framed In a recent current known as Old Moneya style with connection points with fashions Cayetana, PREPPYCatholic or prick and that is inspired by the lifestyle of American rich families, with luxurious leisure exhibition: golf, equestrian or tennis. Table skirts, poles, pearls … Everything that implies a social category in which it does not just enter, but carries generations in the family abounds (hence the “old money”, not very successful literal translation). Of course, here the ingenious account comments have twisted the concept and have taken Inés to dress with clothes that go beyond the merely aristocratic to get into the directly nineteenth. Header | Tiktok In Xataka | We have been waiting for years at airports for years. Tiktok’s “airport theory” believes that it has been a mistake

the best dressed of the 2025 Sundance Film Festival

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The awards season has already begun and if there is a film festival that we cannot ignore that is the Sundance. This is a cinephile event, held in Park City, Utah, that brings together relevant figures of the seventh art with the aim of highlight their independent projects. An event that began last Thursday, January 23, and will last until February 2, inviting the attendees to not only captivate us with their skills in terms of interpretation, but also with outfits that exude great personality. Would you like to discover which actresses have stood out the most with their clothing choices, so far, in the respective events that have taken place? Let’s get to it! 17 © Getty Images © Getty Images Lili Reinhart The American performer, protagonist in Riverdalehas delighted us, just a few hours ago, with a double bet. First of all, a breaker total look leather effect consisting of a long coat, matching set jacket and miniskirt, turtleneck sweater and contrasting black high boots. And secondly, a air configuration preppy Consisting of a round-neck sweater with a white shirt, a pleated miniskirt, tight stockings and high-heeled shoes with a patent finish. 27 © @jlo © @jlo Jennifer Lopez Yesterday, Jennifer Lopez shared, through her social networks, a first stylistic proposal for Sundance. We talk about a total look black leather effect. A style as elegant as it had character that was achieved with the addition of a long trench coat with a belt (to stylize as much as possible) and a cape. As far as accessories are concerned, she finished it off with a beret, gloves and matching high boots. The singer also surprised with a second bet: a two-piece beige of sporty airconsisting of a body with laces and elastic band and matching bottom. 37 © Getty Images © Getty Images Cynthia Erivo The British interpreter of Wicked Nor does she stop causing a sensation with her looks. At Sundance he convinced us with a high impact double appearance. On the one hand, the actress surrendered to a two-piece jacquard set made up of blazer sculptural with peak lapels and full-length skirt midi and tube silhouette. A set which she elevated with suede boots and maximalist jewelry. On the other hand, he also triumphed by embracing the current of double denim and finishing it off with a voluminous two-tone black and white fur coat. 47 © Getty Images © Getty Images Sarah Jessica Parker If there is something that Sarah Jessica Parker is an expert in, it is the impossible combinations. And the actress, who presents the documentary The Librarians at Sundance 2025, he did not hesitate to embrace a look not suitable for everyone. We are referring to a style composed of a feather coat, a grayish cardigan, Victorian style ruffled dressscreen glasses and high boots in fuchsia, vitamin footwear that, for sure, we will seek to recycle in Spring/summer 2025. 57 © Getty Images © Getty Images Juliette Lewis The American actress, as soon as the film festival began, stunned with a long, short-sleeved dress midi curdled three-dimensional gold flowers. A design with a background naked sequin dress that she wore with hoop earrings and high brown suede boots. Two days later, he got it right again in terms of clothing, although with blazerdenim shirt, baggy jeans, high boots with pointed toes and knitted hat. 67 © Getty Images © Getty Images Glenn Close The iconic interpreter of fatal attraction caught everyone’s attention last Friday with an elegant black and white look. A style consisting of a white shirt with a bow and black, straight-cut, leather-effect pants. Likewise, she surrendered to a coat with peak lapels and a jewel brooch. As far as accessories are concerned, she finished her proposal with a rhinestone belt and matching leather boots. 77 © Getty Images © Getty Images Olivia Colman Colman was one of the actresses who They did not hesitate to succumb to the tailored suit to pose in photocall. We are referring to a black two-piece set of blazer single button and baggy pants. A option as relaxed as it is timeless which he wore with two-tone shoes oxford. As a more informal option, the interpreter dressed, on the 24th, in a sweater with geometric motifs, wide-leg jeans and white sneakers.

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