The incredible story of the tallest building on the planet that ended up becoming the largest swimming pool in the Soviet Union

During the coldest winters of the Soviet Union, there was a place in Moscow where thousands of people they continued bathing outdoors while huge clouds of steam completely covered the landscape. In fact, from some points in the city the silhouettes of the swimmers could barely be distinguished among the artificial fog. For many foreign visitors, that scene seemed more like something out of a science fiction movie than in the center of a Soviet capital. I don’t remember spaces that have given so much, literally. The cathedral that Stalin erased from the map. Yes, for decades, one of the strangest places in Moscow was that huge smoking circle where thousands of people swam under the snow without thinking much about what had existed there before. The fascinating thing is that that place had first been the largest orthodox cathedral of Russia, then the land chosen to build the tallest building on the planet and finally the outdoor pool bigger. Today, on that same site, it rises again a gigantic cathedral golden Few stories explain so well how architecture can become an ideological battle permanent between empires, revolutions and erased memories. The monument that celebrated the defeat of Napoleon. The story began after Napoleon Bonaparte’s withdrawal from Russia in 1812, when Tsar Alexander I promised to raise a huge cathedral in honor of Christ the Savior as thanks for the survival of the Russian empire. The project went through decades of delays, design changes and ideological disputes until it became a gigantic cathedral orthodox partially inspired by Hagia Sophia of Constantinople. Its construction took more than forty years and the final result completely dominated Moscow skyline with huge golden domes visible from the Kremlin. The building represented the union between religion, monarchy and Russian imperial power at a time when the country was trying to project itself as a great European power. The ancient Cathedral of Christ the Savior Stalin wanted to erase the old Russia and build something greater. After the Revolution of 1917the Bolsheviks began a fierce campaign against religion because they considered that the new Soviet society couldn’t share space with symbols of the old imperial order. Churches were closed, confiscated or reused as warehouses, cinemas or homes, but the Cathedral of Christ the Savior It was too visible to survive. In 1931, by direct order of Joseph Stalin, the building was demolished with explosives to make way for to the most delirious project of Soviet architecture: Palace of Soviets. The plan was to build a 415 meter colossus crowned by a gigantic statue of Lenin about one hundred meters high, a building so enormous that it would have surpassed any existing skyscraper on the planet. The objective was not only architectural. Stalin wanted to physically demonstrate that Soviet communism had forever replaced the old, religious, tsarist Russia. This is how the Palace of the Soviets would have looked The tallest building on the planet never came into existence. The architect Boris Iofan He spent years obsessed with that monumental project, designing enormous auditoriums, stepped terraces and spaces designed to glorify the Soviet State and its leaders. It was excavated a gigantic crater next to the Moscova River, the foundation work and part of the metal structure began got upbut reality ended up destroying the Soviet propaganda dream. The terrain was difficult, water continually flooded the area and the German invasion of 1941 definitively paralyzed the works. Much of the steel accumulated for the building ended up reused in fortifications and bridges during the war. What should have been the greatest architectural symbol of world communism ended up becoming a huge muddy hole in the middle of Moscow. Then something even more surreal happened. Instead of resuming the project after the war, the Soviet regime made a completely unexpected decision: transform that immense circular foundation into a gigantic public swimming pool. This is how the Moskva swimming pool was born, inaugurated in 1960 under Nikita Khrushchev. The place became the outdoor pool bigger of the Soviet Union and possibly the world, with 130 meters in diameter and capacity for thousands of people. The water remained heated even in winter, creating huge clouds of steam over the center of Moscow as citizens swam surrounded by snow and sub-zero temperatures. For entire generations of Soviet people, that space stopped being a religious or political symbol and became simply an everyday place where they could learn to swim, meet with friends or escape the cold. The most famous swimming pool in Moscow and its legends. The gigantic circular pond acquired over time a almost mythological fame. The dense columns of vapor made visibility difficult in winter and began to circulate rumors about accidents, drownings and alleged “suicide cults” linked to the ancient sacred ground where the destroyed cathedral had stood. There were also stories about humidity and corrosion that the complex caused in nearby buildings and nearby museums. Still, millions of people used the pool for decades and for many Moscow residents that place ended up forming an inseparable part of their personal memories, even if they knew that they were literally swimming over the ruins of one of the most important temples of imperial Russia. The Cathedral of Christ the Savior restored on what was the largest pool The fall of the USSR changed everything again. With the Soviet collapse, Russia began to recover religious symbols and nationals who had been persecuted for decades. Maintaining the gigantic pool turned economically unsustainable due to the enormous cost of heating and electricity, while a movement grew that demanded the reconstruction of the original cathedral. In 1994 the pool was emptied and demolishedand soon after began an accelerated reconstruction financed by donations and institutional support. He new temple was built in just a few years and consecrated in 2000 as a almost exact replica of the building destroyed by Stalin. For many Russians, that reconstruction symbolized the return of religion and Russian historical identity after the Soviet period; For others, it … Read more

After renting swimming pools during the summer, a new business is on the rise in Madrid: private terraces in winter

In a chalet in Boadilla del Monte, a group of friends drinks their wine as the afternoon falls. In the center of Madrid, a couple celebrates a birthday on a stranger’s terrace. In Lavapiés, a group of twenty-somethings toast in a room. In all cases, there is something in common: none of them are owners, but for a few hours they can pretend that they are. Madrid is rented in fragments: swimming pools in summer, terraces in autumn and lounges in winter. The everyday turned into a stage, intimacy turned into a product. Renting all year round. What started as a summer curiosity —renting private pools by the hour— has become a new form of urban leisure. Platforms like Cocopool, Born as the “Airbnb of water”now they also rent interiors for the rest of the year. However, behind this fashion there is something deeper than a simple leisure trend: an attempt to buy a life. aestheticthat ideal of calm, natural light and well-being that we see every day on social networks. From the dip to the shelter. Renting pools by the hour is still very popular and there are more and more platforms where you can choose where to take your next dip. What seemed like a seasonal business has become deseasonalized. In 2022 Cocopool launched as the “Airbnb of swimming pools”. Now, as explained by its CEO Gerard Xalabardéthe company has come up with “new verticals that cover the same needs the rest of the year.” In autumn and spring, users can rent terraces and gardens; in winter, private lounges with fireplace, sofas and equipped kitchen. In Madrid, the company has 15 interior spaces and 62 terraces or gardens, with prices ranging from 15 to 300 euros, depending on size and luxury. The average cost is around 32 euros for interiors and 34 for terraces, according to company data. The wish of a life aesthetic. This boom not only responds to a practical demand, but also to an aesthetic desire. Renting a well-kept terrace or a designer living room is not just about seeking comfort, but —as Xataka Home explains— “engage in an aspirational lifestyle, even if just for a few hours.” What used to materialize in Pinterest photos or TikTok videos is now experienced in the flesh: a garden with garlands, a light wooden table, a blue pool without background noise. According to Trendsthe phenomenon aesthetic It combines nostalgia for bygone eras with an obsession with the visually perfect: a life that seems orderly, beautiful and under control. In parallel, one could speak of “silent luxury” as the new form of exclusivity: minimalism, noble materials, neutral colors and absence of ostentation. In other words, renting a beige living room is not just leisure: it is a little aesthetic therapy to escape, for a few hours, from everyday clutter. “All for hours.” Pool rentals were just the beginning. The logic of sharing has been extended to almost any experience: terraces, gardens, living rooms, naps and even weddings. But beyond business ingenuity, there is a clear drift: the capitalization of any redoubt of private life. The intimate becomes the stage, the everyday becomes the product. Fewer and fewer things escape the logic of express rental. What was once shared among friends is now reserved with a card. What was rest is now sold as an experience. However, there are also those who find in these platforms a practical solution, not a fantasy. aesthetic. In a city where the flats they shrink and houses rarely allow more than six people to gather, renting a terrace or living room for a few hours can be a reasonable—and affordable—way to celebrate a birthday, a family reunion, or a meal with friends. Not everything is posturing: sometimes there is simply a lack of space. Although, in the words of geographer Vicent Molins, “Madrid has become a product.” And economist Juan Torres López warns that this trend “erodes urban ties and deepens inequality,” because it turns coexistence into business. In other words: if everything can be rented, everything can no longer belong to us. A copy of a copy. In just five years, Spain has gone from renting other people’s beds with Airbnb to renting moments of life: a pool, a terrace, a nap or, soon, a wedding. Everything is offered by the hour, everything is measured in experiences. Platforms like Cocopool, HolaPlace or Nap & Go They capitalize on a shared desire: to experience what we see on networks, even if it is for a while. A more orderly, beautiful, more aesthetic. Maybe, as El País warned“the brand grows, but the city gets worse for those who live in it.” Or maybe we’re just learning to put a price—literally—on what used to be free: the feeling of belonging, of having something of your own. Because, in the end, that life that we so long for on screens is nothing more than a copy of another copy. And we, paying to imitate her, are also a little bit. Image | FreePik Xataka | Neither air conditioning nor fan: the best thing to cool off in summer is a swimming pool. On these platforms they are rented by the hour

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