song

J Balvin shows his love with ‘Rio’, his new song

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J Balvin has returned to the music scene with a song that, beyond being a song, is presented as a window into his personal and emotional life. “Rio,” the first single from his upcoming album, not only demonstrates his artistic evolution, but also his connection to the most significant aspects of his life. The music video, recorded in an intimate and personal way, shows scenes from his daily life with his partner, the Argentine model and actress Valentina Ferrer, and his son. These images reflect moments of genuine connection and familiarity, moving away from the typical luxuries of the genre to focus on everyday experiences that many can recognize as their own. With introspective lyrics, Balvin opens his heart to reflect on the value of gratitude and the importance of finding fulfillment in his own home. One of the most powerful phrases in the song, “Why look for on the street / What abounds in my house”, sums up this message of self-discovery and appreciation for what is essential. This approach also translates into the musical production, which combines soft reggaeton with melodic rhythms that captivate from the first moment. A surprise for Valentina Ferrer During a show in Paris, J Balvin surprised his partner and mother of his son, Rio, Valentina Ferrer, by presenting the song accompanied by its emotional video. The Colombian artist shared the reaction of the model, who, visibly moved, could not hold back her tears as she approached to hug him in the middle of the concert, making it clear how much this special gesture meant to her. “I love you, you know ♥️… ‘Rio’, a song that comes from the heart and that you can now enjoy with your partners and families🙏”expressed the Colombian through his social networks. In the comments, Ferrer responds: “I love you so much !!! “To continue enjoying and growing as a family” Regarding the context of his career, “Rio” arrives at a time when Balvin is in a stage of introspection and gratitude. After the success of his album “Rayo” and with a world tour on the horizon, the singer seems to have found a balance between his professional and personal life. With this release, Balvin not only reaffirms his place as one of the most influential figures in reggaeton, but also demonstrates that sometimes music can be a bridge between art and personal authenticity. Continue reading more from Amazon Music here:· Barcelona: Primavera Sound and Amazon Music are ready for a new festival that celebrates music· Vive Latino made us lose our voices from shouting so much and saved others in the middle of the darkness· Amazon Music: How and when to watch Vive Latino from anywhere in the world

Frank Black celebrated the anniversary of an album that sounds better than ever now

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Regarding the grooves of his first album, Black changed things a bit in relation to what he had offered a couple of days before at the Fillmore in San Francisco; not in terms of the presence of the chosen songs, but in the order in which he presented them, because instead of performing “Los Angeles” in the first part of the concert, before launching into the entire “Teenager of the Year”, he left the piece for the closing segment. He did so with full knowledge that this is a cut that, for natural reasons, occupies a special place among his local fans, even though the lyrics seem to hint somewhat maliciously that he is referring to “another Los Angeles.” Before playing it, the host of the evening, who keeps his distinctive voice intact, introduced the musicians who accompanied him, almost all of whom came from our city; and at other times, he mentioned some of the experiences he has had in Southern California, implying the appreciation he has for a place where he has spent a lot of time. But he did not talk about the current fires, which could have left any casual viewer stunned, but which makes sense when it comes to an artist little inclined to public sentimental manifestations and even physical movement on stage. It was also appropriate that he ended the concert with “I Heard Ramona Sing”, another song from the debut album that attracted attention from its premiere for its catchy nature, and which once again achieved notoriety seven years later due to its inclusion in the band. soundtrack of “Scott Pilgrim vs. the World”, a film with which it had nothing to do (beyond the fact that the main character was in an ‘indie’ band), but whose female protagonist was precisely named Ramona. Made up mostly of the personnel who recorded “Teenager” – that is, bassist and keyboardist Eric Drew Feldman (who also produced the work), guitarist Lyle Workman and drummer Nick Vincent -, and with the addition of multi-instrumentalist Rob Laufer , Black’s band for the occasion naturally offered a particularly faithful interpretation of the plate; and he did the same with the cuts from the first album that were heard, in which Feldman and Vincent also participated. Aside from one mistake or another, the musicians established an impressive unity that was even more remarkable given that, outside of the two previous dates in the city of San Francisco, they had not really played together in a long, long time. And all they had to do was dedicate themselves to their thing, without fuss of any kind, to give life to an unforgettable night.

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