Prime video is becoming an “aggregator” of other platforms. And the arrival of Apple TV+ is the last example

It has been since October in countries like the United States or the United Kingdom, but as of today, Apple TV+ will be available within the offer of prime video in other European countries, such as Spain, Germany and Italy. The fate of the Apple platform is still a peculiar symbol of how things are going to the business of streaming… and how Amazon is raised. Amazon friends. Like so many other channels of the Prime Video offer, to access the Apple TV+ programming, an extra (9.99 euros) that adds to the rate that the client already pays for Amazon Prime is added. The offer includes many of the most outstanding series of the Apple platform, such as’Separation‘,’ Silo ‘,’ The Morning Show ‘,’ Slow horses ‘,’Ted Lasso‘, movies like’Wolfs‘ either ‘The secret abyss‘And sporting events such as Major League Soccer and Major League Baseball. Another channel. Apple TV+ thus adds to The offer of prime video channelswhich has become a remarkable reponent of other people’s catalogs, almost forty, although all need the client to pay an additional rate. Among the most outstanding are some of cinema and series such as Crunchyroll, AMC+, MUBI, Lionsgate+or the exclusive Amazon MGM+. There are also sports such as Dazn Pro or Laligatv, although it undoubtedly attracts three platforms that we know for their activity outside Amazon: Max, Skyshowtime and, now, Apple TV+. Apple’s fluctuations. Leaving Skyshowtime aside, a recent platform and of which there are still no data on failures or successes, Max and Apple TV+ coincide in a trajectory of astronomical losses. Warner has spent years old submerged in radical cuts What have Affected to your premiere calendar Already the production of Max and HBO. Apple TV+, meanwhile, has had to end renouncing its purpose of becoming a Major from Hollywood after failures as notable as those of ‘Napoleon’ or, above all, ‘argylle’, as well as vision figures that They pale next to competitors Like Netflix. Time to grow. This last detail is especially relevant: despite the undisputed quality of its catalog, the penetration of Apple TV+ is incomparable to that of its rivals, and hence the treatment with Amazon: geting that series as ‘separation’ or ‘Ted Lasso’ look more is essential to continue producing callity content. Apple TV+ is not collected to give control over its products, something that has always gone against its business philosophy, but in this case it needs it. An previous agreement. It is not the first time that Amazon and Apple reach an agreement related to the content of Apple TV+, since its films were available for rent in Prime Video. What Amazon got in 2020 It was that Apple did not force the spectator to leave prime video and to enter its platform and make him pay 30% commission of the App Store. It was a favor treatment that had an unusual bridge between Apple and a rival company, and made Amazon Partner Apple privileged, undoubtedly taking a first step for the appearance of Apple TV+ as a prime video channel. The transformation of streaming. What is also clear is that the appearance of a channel as relevant as Apple TV+ in Prime Video, adding to Max and Skyshowtime, demonstrates not only Amazon’s financial muscle, which will have had to pay their own for that privilege, but also allows us to advance to a possible streaming panorama transformation. We will stop seeing in the future, perhaps, islets of exclusive content that do not communicate with each other, such as Netflix or Disney+, and we will see more platforms that intersect their catalogs, leaving in the viewer field the possibility of choosing one or another service according to offers, prices or temporary exclusive. Although in that sense, few can shade the splendid offer of Amazon channels. In Xataka | Prime Video has a plan to differentiate from its competition: become a repository of foreign channels

The director of ‘Rogue One’ signed one of the best science fiction films in recent years, and now comes to Prime Video

After spending less than a year for Disney+, ‘The Creator‘, the magnificent futuristic dystopia of Gareth Edwards, Reach Prime Video. The Amazon platform can provide a tremendous impulse to this film that, Despite the praise received with its premiere in 2023he punctured at the box office. This relegated to a secondary role both in the awards season, where its excellent technical invoice should have been recognized, as in the public reception. Edwards has a very peculiar vision of the genre, a very unique eye for drama and intimate, which has been reflected in his films even for successful franchises: ‘Godzilla’ and ‘Star Wars: Rogue One’, two productions found A similar balance between the show and the small -scale emotion. In that sense, where ‘The Creator’ finds more similar is in the director’s first movie, the excellent ‘monsters’. In ‘The Creator’, Edwards enters an iconic science fiction issue, artificial intelligences, classic since Asimov wrote their robots stories, but with a fiercely modern perspective: in a war between the human species and artificial intelligences, an exagent of the special forces is recruited to locate and execute the creator, a mysterious architect of the AI ​​that has developed a devastating weapon end to war and mean the victory of the machines. He must prevent it. The film is raised as an empathetic approach to the other, to the IAS that in this case are far from being like Skynet, no matter how much they face humans with virulent violence. The great mystery of ‘The Creator’ is precisely what are the last intentions of that creator, and everything is raised in a devastating war environment, with special effects that, despite its modesty (or precisely thanks to it) They work much better than that of so many Blockbusters. An essential event for lovers of the genre. Header | Disney In Xataka | ‘The Creator’ is the science fiction film of the year. And also a declaration of war to clonic franchises https://www.xataka.com/streaming/pelicula-ciencia-ficcion-importante-2023-esta-disney-sus-sugerentes-predictions-ia

The box office did not treat it well, but this stimulating apocalyptic fable now reaches prime video and it is worth recovering it

There are those who tire postapocalyptic films with arbitrary rules that must be met to survive. Do not make noise. Don’t look. Don’t talk. Do not move. And in ‘You never release‘, that now premiere prime videothe rule is clear from the first moment: do not stop grabbing your classmates, do not stay alone, or get on the way. However, this proposal starts from that point to go in a very dike direction A manido start, yes, but effective and reserves a good amount of surprises. Everything fits that in command of this party we have Alexandre Aja, the Frenchman who terrified us at the beginning of his career with the extraordinary remake of ‘Las Colinas has eyes’, and that he has then developed a career full of ups and downs, yes, but With pieces of pure horror as estimated as ‘high voltage’, ‘Piraña 3D’, ‘Hell underwater’ or ‘oxygen’. On this occasion, Aja presents us with two twin children who live sections in a cabin in the depth of the forest with his mother (Halle Berry), which tells them about a dangerous spirit that lives abroad. To survive they must always be together, even tied by strings. It is a measure that will begin to question according to children are growing and suspect that the world does not work as they have told them. Mental illnesses, traumas and overprotection are some of the ingredients of this tense story not exactly apocalyptic (although moods are very there). Full of macabre details that certify the good visual taste of AJA, ‘You never let go’, unfortunately, it was received very timidly at the box officeand raised only 21.8 million dollars compared to the already lean 20 that had a budget. It is time to recover it and give it a new opportunity. In Xataka | ‘Oxygen’: a science fiction thriller of Netflix and Alexandre Aja (‘High voltage’) in which surprises and claustrophobia abound

The best history of superheroes in recent years returns to prime video with its third season

There will be those who prefer, of course, the two great, Marvel and DC. There will be those who are more decided by bilious versions of the superhero cosmos, such as the sensational ‘The Boysand his Spin-off ‘GEN-V‘, although here we prefer to see this successful Amazon series as a satire that uses superheroes as a backdrop, rather than as a purely superhero story. But The truth is that superheroes do not end up exhausting: In fact, DC has recently returned with the hilarious’Monster command‘, spiritual sequel to also magnifgic ‘The Pacifier’. Perhaps this last series by James Gunn is the only one capable of shadowing ‘Invincible‘, which now premieres its third season In Prime Video: genuinely superheroic, but with absolutely adult content regarding the conflicts that the violence it shows, it has become an impressive appointment for gender fans. From the aesthetics to the background, all ‘invincible’ is both a love letter to superheroes and a question of their main topics. The series continues at the point where the previous season stayed: we meet Mark’s father, Omni-Man, who is apparently repentant of what happened in the past, and Mark will test its almost omnipotence to the limit. All among absolutely devastating action pan: this is one of the most frantic and violent seasons of the series. Meanwhile, Mark will ask what exactly distinguishes a hero from a villain and will undertake a search for his own identity that will have such fun moments as the adoption of a new suit and as emotional as the protection and education of his brother. That baby of the second season? He has become a teenager who does not know prudence, but devastating super powers. Header | Prime video In Xataka | The new Spider-Man series arrives at Disney+, but it has something that is raising controversy: its animation style

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