movies

13 premiere movies and series to watch in November 2025 on Netflix, Prime Video, HBO Max and streaming

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The passing of Halloween has left us with a few interesting horror films in the catalogs of all platforms, but the next thing is coming, which is inevitably Christmas. Many of you will already be noticing how the romances of divorced women in sweaters are flooding streaming, but let’s try to abstract ourselves from that tempting little candy with a brief review of other attractive news for the month of November. That there is everything. Frankenstein Guillermo del Toro he has finally made his dream come true to adapt Mary Shelley’s canonical science fiction novel, while being both very faithful and very personal and in line with her usual obsessions. A monster different from the one we are used to in cinema, a mad scientist more deranged than usual and sumptuous settings and special effects that are the best of the show. That and the extraordinary incarnations of Jacob Elordi, Oscar Isaac and Mia Goth, of course. On Netflix November 7 Stranger Things S5 The final season of ‘Stranger Things’, which will premiere divided into three parts between November 2025 and January 2026, promises to bring an epic closure to the saga. Set in the fall of 1987, the city is scarred by the rifts open to the Upside Down, and the group is tasked with finding and eliminating Vecna, who is still alive. The government has placed the town under military quarantine, making the task difficult. The season will have 8 full length episodesalmost like feature films, and will bring the entire group together for one last decisive battle. We return to Hawkins for the last time! On Netflix on November 26 Vallecas File A documentary series in three episodes that reviews the most famous and high-profile poltergeist case in Spain, which occurred after a mysterious death in the Madrid neighborhood 35 years ago. The production explores unpublished archives, to which key testimonies are added to show the human drama behind the myth. The series delves into the limits between parapsychology, the poltergeist phenomenon and the power of suggestion, in a series that attempts to delve into the real case that inspired Paco Plaza’s film ‘Veronica‘. On HBO Max on November 7 ozzy: No Escape From Now A documentary that offers an intimate and unvarnished portrait of the last years of Ozzy Osbournelegendary leader of Black Sabbath, in which he had to face the physical deterioration caused by Parkinson’s and other ailments, cope with the awareness of his own mortality and the desire to return to the stage for the last time. Avoiding easy tears by showing Ozzy’s fragility and humor in the face of adversity, it gives a unique testimony of the last bars of the life of one of the last rock stars we had left. His influence is also reviewed with the appearance of figures such as Slash, James Hetfield, Billy Idol and Tom Morello. On Skyshowtime on November 2 The Paper When we first heard about the idea, we raised an eyebrow: was there really a need to invoke the spirit of ‘The Office’ in an entirely new series? But when the first reviews arrived, apparently everything was going well: without being ‘The Office’ (remember that in its first seasons ‘The Office’ was not ‘The Office’ either), Greg Daniels, creator of the original series, seems to have correctly invoked the spirit of the classic: the team that made the mockumentary of that series focuses this time on a historic paper newspaper and its editor, who tries to keep it afloat. On Skyshowtime on November 14 Bat-Fam Did you like the Christmas special movie?Merry Mini Bat Christmas‘? Average: the best thing to come out of DC in years, if you ask us. Now, their characters return with a look at the intimacy of the Wayne family, especially the heir to the Mantle, young Damian Wayne, but with a lot of new characters and old acquaintances, all passed through a delicious visual filter. Our favorite is clearly Man-Bat, so you’ll have to choose another one. On Prime Video on November 10 All of the law None other than Sarah Paulson, Naomi Watts and Glenn Close share the cast with… Kim Kardashian. Only the prolific Ryan Murphy could give rise to such a concoction, with a series of legal intrigue that distances itself (partially, because its usual casting returns, Kardasian included) from the grotesque horrors of ‘American Horror Story’ and company. A kind of ‘Suits’ in a feminine key where a group of lawyers specialized in divorces leave a firm dominated by men to open their own office. ANDn Disney+ on November 4 The Fantastic Four: Firsts Steps Although it was not the revolution that many expected (and that Marvel needs), the new Fantastic Four movie has reinitiated the presence of these iconic heroes on screen with a fresher approach and more faithful to the essence of Stan Lee and Jack Kirby’s comic. Adventure, science fiction and light family drama combine in a film that benefits from dispensing with close ties to the rest of the world. MCUalthough it cannot escape the style, tone, humor and, above all, the closed structure without much oxygen of the rest of the house’s films. Still, great finds like the new introduction of Galactus and his herald Silver Surfer, as well as a very appropriate leading quartet. ANDn Disney+ on November 5 Jakarta Two proper names usually linked to comedy, Diego San José (‘Come Juan’, ‘Eight Basque surnames’, ‘Vaya semanita’) and Javier Cámaraenter this time into dramatic territory with a series about disenchantment and second chances: a former Olympic badminton player finds himself becoming a physical education teacher, and finds in a problematic but talented girl the possibility of achieving a lost dream. It is about competing in Jakarta, where this sport has prestige and can rediscover some of the glory of the past, in a sporting drama without an epic of winners. ANDn Movistar Plus+ on November 6 Anatomy of a moment Directed by Alberto Rodríguez and based on the … Read more

This is what robotics needs to look like the movies

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Imagine an AI that not only answers questions, but can imagine scenarios, predict consequences, or plan actions before executing them. This is precisely what world models promise, a technology that is attracting attention from the main artificial intelligence laboratories and that could radically change how machines understand and interact with their environment. What exactly are they. World models are AI systems that build an internal representation of the environment, as if they contained a simulation of the real world. Unlike traditional supervised learning, which simply maps inputs to outputs using labeled data, these models learn how an environment works and they can predict what will happen next. It is similar to how humans use mental simulations to anticipate outcomes without needing to physically experience each situation. The example of the batter. Researchers David Ha and Jürgen Schmidhuber they explain it With a sports analogy: a baseball batter has just milliseconds to decide how to hit the ball, less time than it takes for the visual signal to reach the brain. What allows him to hit a fastball at 100 miles per hour is his ability to instinctively predict where the ball will go. Your muscles react reflexively based on the predictions of your internal mental model, without the need to consciously plan every possible scenario. Why they matter now. Prominent figures such as Yann LeCun (Meta), Demis Hassabis (Google DeepMind) and Yoshua Bengio (Quebec AI Institute) consider that these models are essential to building truly intelligent systems. The startup World Labs of Fei-Fei Li, one of the most influential figures in AI, raised last year 230 million dollars to develop them. On the other hand, General Intuition, a new AI lab owned by Medal (known for its app for recording and sharing game clips), just got a financing round of 133.7 million. The investment came primarily from Khosla Ventures founder Vinod Khosla (one of OpenAI’s early investors), who affirms that “multiple companies valued at hundreds of billions, potentially even trillions of dollars will be built” in this field. How they work. These systems have three fundamental capabilities. On the one hand, they compress complex sensory data (images, videos, text) into simpler representations. Second, they predict future states of the environment based on past and present information. Third, they use that learned model to simulate different actions and choose the best option. It is as if the AI ​​can “dream” different scenarios before acting. The case of video games. Ha and Schmidhuber also have a clarifying example To do this: imagine an AI learning to play a racing game. Instead of memorizing sequences of moves, you first build an internal model of how the game world behaves: how the car moves, how the road curves, where obstacles appear. You can then imagine future scenarios, testing different driving strategies in your simulated world before applying them in the real game. Promising applications. world models They are already transforming several fields. In autonomous driving, they allow vehicles to simulate traffic dynamics and pedestrian behavior to make safer decisions. In robotics, robots can imagine different ways to complete a task before executing it, especially useful when real-world training is expensive or dangerous. And in video generation, help create more realistic content: A model that understands why a ball bounces is going to represent it better than one that has simply memorized patterns. Beyond the video. A better video generation model would be just the beginning. LeCun describe how a world model could help achieve goals through reasoning: Given a video of a messy room and the goal of cleaning it, you could devise a sequence of actions (vacuuming, cleaning the dishes, emptying the trash) not because you have observed that pattern, but because you understand at a deeper level how to go from dirty to clean. “We need machines that understand the world, that can remember things, that have intuition and common sense,” affirms. The obstacles ahead. Train and run world models requires massive computing powereven compared to current generative models. Although right now thousands and thousands of GPUs are needed cloistered in gigantic data centers that They consume a lot of energy to run current models, training world models is another level. Furthermore, like all AI models, they also have the risk of hallucinate and internalize biases from your training data. The industry’s bet. Despite the technical challenges, there are different strategies in place. Google DeepMind and OpenAI they bet because with enough multimodal training data (video, 3D simulations and beyond text) a world model will spontaneously emerge within a neural network. LeCun, for his part, believe that a completely new, non-generative AI architecture will be necessary. What comes next. Several experts also predict that world models will allow you to create interactive 3D worlds on demand for video games, virtual photography and other applications. According to Justin Johnson, co-founder of World Labs, “we already have the ability to create virtual, interactive worlds, but it costs hundreds of millions of dollars and a lot of development time.” They could also revolutionize robotics by giving robots real awareness of their environment and their own body. As resume Mashrabov, “with an advanced world model, an AI could develop a personal understanding of any scenario it finds itself in and begin to reason out possible solutions.” Although LeCun esteem that we are still at least a decade away from the world models he imagines, the great expectation of the industry to see evolutions in the field of AI and the monstrous investment that this phenomenon is receiving, indicate that this technology could be the next great leap towards machines that not only react to the world, but understand and model it. Cover image | Michael Marais In Xataka | “The safety of our children is not for sale”: the first law that regulates ‘AI friends’ is here

So you can get Movistar Plus+ from 3.25 euros per month to watch series, movies and even football

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Given so much increase in the price of subscriptions to streaming platforms, it is appreciated that from time to time some of them launch promotions that we can take advantage of to pay less monthly or annually. Movistar Plus+ It is one of the platforms that usually has the most offers and now, with the Young Cultural Bonusthe service can be accessed for an entire year for 39 euros (which would be 3.25 euros per month). Of course, there is also another offer for those who do not have the Young Cultural Bonus. Movistar Plus+, annual subscription The price could vary. We earn commission from these links Series, movies and sports with good promotion As can be read in the Movistar Plus+ pagethe streaming platform right now has a promotion for those people who have the Young Cultural Bonus. By 39 euros (3.25 euros per month) the service can be accessed for a whole year and includes a good variety of movies, series and football. Among what we can find on the platform, we have a movie premiere every daythe original Movistar Plus+ series and also other international series — there is a lot of content on the platform, whether it is premiere content or not. In addition, every day the Movistar Plus+ match is broadcast LaLiga EA Sportsthe best in the Champions League and the Premier League and the entire LaLiga HyperMotion. You can also access the best match of each day of the US Open and Winbledonthe 12 Masters 1,000 tournaments and the most important matches at Roland Garros. In addition, it also includes the two best matches per day of the Euroleague and the best matches and moments of ruby, golf and padel. Not everyone has access to the Young Cultural Bonus, but that does not mean that we cannot access an offer from the streaming platform. If we subscribe month by month, the price is 9.99 euros, but if we do it monthly we pay 99.90 eurosor what is the same Approximately 8.32 euros or two months free. It is a good way to access all its content at a discount, something that not all platforms offer. In addition, it is worth mentioning that beyond the content that we can access with the subscription (through the Young Cultural Bonus, the annual or month-by-month offer), The service can be contracted regardless of whether we are the operator or not and without permanence. Some of the links in this article are affiliated and may provide a benefit to Xataka. In case of non-availability, offers may vary. Images | Movistar Plus+ In Xataka | Movistar Plus+ for non-Movistar customers: what it is, how much it costs, channels, additional services and how to contract it In Xataka | Best televisions in quality price: which one to buy and seven recommended 4K smart TVs

“They replicated the movie’s message”

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Few special effects designers have impacted both the world of cinema and him. If the eighties and nineties were aesthetically dominated by Industrial Light & Magic and the colorful and naive mastodon of the George Lucas company, The new century greeted a new generation of science fiction films and its effects. The flag bearer of that change was’Matrix‘And the impressive, even today impeccable digital tricks of John Gaeta. And although Gaeta went down in history for his revolutionary Bullet Time that allowed to capture scenes in a virtual space that could be digitally manipulable, a technique for which he won an Oscar to the best visual effects, his work was Beyond this foundational trilogyin films like ‘The curious case of Benjamin Button’ and ‘Avatar‘. He is one of the founders of Ilmxlab, a specialized Lucasfilm division in virtual reality and mixed reality, and we have had the opportunity to chat with him on all these issues during the Comic-with Malaga. Of course, we have no choice but to ask how you see His own role as absolute classic of the history of special effects. He tells us that “‘Matrix’ initiated a new chapter in the volumetric media: the real world was incorporated, including actors and characters, to a prototypic form of simulation.” But he did not understand it as a simulation, but as “a three -dimensional version of a real scene or moment.” And that fit the idea of ​​the film, where “we do not understand that we are already within the simulation.” That is, and there was greatness: the special effects took into account the argument and message of the film: if in the future the machines wanted to simulate the real world, they had to capture it visually and translate it: “we would have to capture the real world and translate it in some way to spatial media, computer graphics. And that was where we began to include the capture of actors.” Of course, technical difficulties began: “These things were like sculptures. They were not interactive or dynamic,” and had to create it from zero. “I think ‘Matrix’,” he concludes, “it was a catalyst event in the new medium form, a potential medium.” And therefore, sequences like that in which neo dodges the bullets are more than an exhibition of technical expertise: “That moment represents how your mind is imposed on matter, on Matrixthere is a certain self -realization. It is able to control the simulation that manipulated its reality, it is a decisive moment. And we needed to show something never seen, something supernatural, and that the viewer was witness. The future of effects When we ask about the future of special effects, it is very clear that they are in AI, something that is not surprising taking into account that it is currently immersed in the direction of Escape.aia platform that drives audiovisual narration with artificial intelligence. With it it intends to democratize the creation of content: “In the next ten years we will see the union of all media (from the cinema to other immersive such as virtual reality or video games) in a single multimodal medium thanks to AI.” What we are seeing now is just the beginning, “Once the generative AI is not as simplistic as it is currentlywhich is trained in two -dimensional passive media to simulate them. “What is that future, then?” When it begins to be much deeper when acquiring space intelligence, physical intelligence and scientific intelligence (because it will be trained for different purposes by scientists, educators, governments …), we will have the possibility of accessing entertainment that will no longer only consist of contemplating in a passive way. “ And that absence of passivity of the spectator (which will no longer be a spectator, according to Gaeta), is what the AI ​​will bring us: “Literally, we can say: ‘Well, now I do not want anyone who predetermines the content of this virtual world that has already shown me a story. I want to move away, turn around the corner, enter this world and start interacting with the characters and even play in this environment, or do what you want.” Gaeta blindly trusts the possibilities of AI to generate these completely interactive immersive worlds and that are created according to the user’s needs .. And this comes, of course, with SU batch of corresponding risks, on which Gaeta is reluctant to speak. But finally, he grants that “it is scary, it is exciting at the same time. It has always happened. As the technology with which cars were manufactured, which replaced the horses and is the same that ended up leading to the manufacture of tanks, and that is scary. It was supposed to be a great educator, and it turned out to be a device of distortion of reality. Everything has a price” “Technology is a double -edged sword, so there will be people who use things for good and create extraordinary things, solutions, inspiration, and then there will be evil people, who always exist, who will explode, try to enslave, try to destroy.” Gaeta is clear: “We have to be mature about it and know that technology always ends up revealing that duality.” In Xataka | Matrix was the first film to portray a real hacking. And inspired a generation of computer pirates

This Spider-Man’s animation fan is not official, but recovers a villain that we have always wanted to see in the movies

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The Fan-Filmslike any other form of fiction born of the fan culture, it is an abyss where the best and the worst place has a place. The lack of technical and economic means often compensates with enthusiasm, imagination and impudence, and in many occasions the results rival in ambition and findings with official adaptations. This is the case of ‘Spider-Man: Mask of the Chameleon’. The chameleon mask. This animated film of Spider-Man whose footage is around two hours and what can you see Free on YouTube It is a production made by a single animator and completely outside Disney. And the point is that the result is not bad: with an animation style that takes good game of its limitations, with a style Cel-Shading which reminds that of many video games a few years ago, however they enjoy a certain expressiveness and iconic forcefulness. The action sequences are well planned and openly inspired by Sam Raimi’s films trilogy, and dubbing work, although it has an amateur point, defends itself. The chameleon returns. The film takes up one of the most iconic villains of the Marvel Lanzes: the chameleon, which here executes a plan that replaces, with its skills to clone any foreign physique, to the mayor of New York. Other MCU characters such as Hulk and, of course, all the usual secondary peaplia of Spider-Man, such as JJ Jameson and even in a post-Credit sequence, a villain who anticipates future appearances. A villain with history. Interestingly, the chameleon was the first villain that Spider-Man faced, nothing less than in number 1 of his collection, in 1963. Since then he has been part of villain galleries such as the six incidents and twelve claims, but he has never had an adaptation of importance in the cinema: he was fleeting, almost like a cameo, In ‘Spider-Man: Far from home‘, as in’Kraven the hunter‘, since he is half the brother of the protagonist, but without confrontation with Spider-Man and winning his physical imitation powers only at the end of the film. It has appeared, yes, in innumerable animation series and in a handful of video games, including a fleeting cameo on a secondary mission of ‘Spider-Man 2‘. World fan. Spider-Man is one of the Marvel characters with more activity within the fan world. If we look out This IMDB list that lists a more or less definitive list of fan-films of the character (and that starts no less than in 1969, with a short), we will find 265 titles. If you stay wanting more after ‘Mask of The Chameleon’, we advise you ‘Spider-Man: Lotus‘(two spectacular times in real image),’The Green Goblin’s Last Stand‘(A character of the character’s fan-films) or’Spider-Man: Cake Day‘(Only eight minutes, but with great special effects). Abbiselafa Pictures. The head of ‘Mask of The Chameleon’ is Rasmus Ziegler, a Danish who on his channel Abbiselafa Pictures He has presented a few animation projects, although this ‘Spider-Man’ is the most ambitious to date. In your catalog we can find ‘Nightfall‘, a Batman fan-film focused on a group of thieves who are being persecuted by the dark gentleman; and one Episodic adaptation of ‘Dracula’ From Bram Stoker who, unfortunately, was unfinished. In Xataka | All spider-man games ordered worse to better

Between franchises, action and superheroes Hollywood has found a surprising gold mine: horror movies

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14.4% of the American box office already belongs to horror movies. It is its historical maximum and a great leap from 9.8% of last year confirming what we already suspected: the damn genre has become an unexpected hero of Hollywood. ‘Weapons‘, the last success of director Zach Cregger, has debuted with $ 42.5 million collected and 100% critical approval in Rotten Tomatoes. The pattern is confirmed. Why is it important. The era of streaming has created the perfect conditions for this genre: Cheap productions, between 5 and 30 million compared to 200 of a Blockbuster. Viral by its very nature. Consumed in the intimacy of the home, where no one judges you for shouting (when they reach the platforms). Simple equation: Less investment, greater return. The contrast. In 2021, the best previous year for the genre, dominated the sequelae. ‘Halloween’, ‘A Quiet Place’. Now the original stories, new scares. Six horror films have exceeded 50 million worldwide this year. There are 29 horror launches scheduled for 2025. The average budget is a tenth of a Blockbuster traditional. Yes, but. The industry fears an early saturation. Variety I already talked in April of ‘Horror Glut’ (‘Terror Empacho’). The risk is to turn fear into routine and end up tireding the viewer too early. In perspective. Historically, terror is the Hollywood refuge genre in times of crisis. In the great depression it was when the classic monsters of Universal were born. In the seventies (Vietnam, Watergate), they arrived ‘The exorcist‘ and ‘The Matanza de Texas‘. There were also rebounds in Pandemia. Today, with the industry staggering between The strike hangoverthe change of model towards the streaming And the threat of AI, terror is the answer again. Cheap to produce, easy to sell, impossible to ignore. And now what. The generative AI can be the following revolution of the genre. Special effects at balance price, scripts generated by trained algorithms in our deepest fears. Terror, which has always been the most honest genre about the human condition, could be the first to hug the AI without complexes. Fear sells. He has always done it. But now, also saves balances. In Xataka | More ads for less money: the equation of success that Netflix has deciphered big Outstanding image | Warner Bros. Pictures

In 2016 a man began to edit movies with kittens videos. Today he projects them in cinemas and is raising a fortune

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Imagine that you like cats so much that you decide to set up a movie from funny videos that you find online. And now imagine that You end up becoming a film festival And I peta. It is not fiction, it is the story of Cat video fest And last year he raised more than one million dollars. The phenomenon. The cats are A whole genre of the Internetone that seems that It never goes out of style. In 2016, Will Braden decided to set up a feature film with funny cats of cats because … why not? It was the principle of Cat Video Fest, an annual event that projects a cinemas in cinemas and has a very noble objective: to donate part of the collection to shelters and associations of needy cats. He began projecting in the United States and Canada, but growing popularity has made it projected in other countries in the world. Cats and that’s it? Yes, cats and that’s it. Throwing things from the table, in strange postures, making mischievas … there is no history or conductive thread, only funny videos of cats, one behind the other. The 2024 film lasted 73 minutes. Those are many cat videos. In a Variety reportthe creator admits that he sees more than 15,000 cat videos a year and selects about 200 for the movie. A job. “It’s my full -time work. On my card I see that I see cat videos,” says Braden. It looks like a fairly easy and pleasant job, but there is a quite dense part: request and get permits to use the content. The selection of videos takes a complete quarter, as is the same as getting the permits of everything. The last quarter before launch is dedicated to distribution and promotion tasks. Of course, he admits that his wife who is a primary teacher wins more than him. It is profitable. There is not much information about the total raised from the first edition, but we do know what they achieved in 2024. In a Note to Shareholders (Yes, he has shareholders), Will Braden said that the total collection amounted to 1,026. $ 470, of which she would donate $ 100,000 to shelters. In one Reddit Question SessionBraden said that the minimum they donate from each entry is 10%, “sometimes more depending on the city.” It does not give details of how the remaining 90% is distributed, but they do say they dedicate it to pay the cinemas where it is projected. The 2025 edition begins to project tomorrow and hope to get 1.2 million dollars only in the collection of the United States and Canada. Image | Cat video fest In Xataka | The ‘Maullido Division’, when Russia released 5,000 cats to help in World War II

How to use the trick to unlock hidden series and movies on Netflix

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Let’s tell you How to unlock series and hidden movies in the Netflix catalog with a simple trick. Sometimes there may be people who speak to you about some sensational content but then you do not find it on the platform, and this trick can be a solution. This trick is especially useful for unlocking content that is not translated into Spanish, such as many K-Drams. All you have to do is change a specific adjustment in the application configuration or the service website. Come on, although in the catches we make the changes to the web, you can also make them in the app. 7 tricks to make Netflix the most Unlock series and films in Netflix The starting point is what we have told you: you have heard of a series in Netflix, but when you look for it you do not find it in the catalog. You can see some recommendation, but not what you are looking for. Now comes the magic, you have to go to the Netflix settings and section Visualization language. Once you are inside, Change the language to English And keep the changes. Once you make this change, make the search again. You will see what New content appearsand in many searches you may find that program they had talked about but you couldn’t find. The series and films that appear now but did not appear before they are not bent to Spanish, although the most possible that you can see them with subtitles in your language. In Xataka Basics | Netflix price (2025): All plans and rates available in Spain

A youtuber has wondered why movies always improve in black and white. The answer: “Less distractions”

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The tendency to move black and white some successful films looks like a fashion more than a hollywood desperate for repairing and selling our favorite films several times. In some cases, however, the results are surprising, and there is an explanation for this: why in virtually all cases the black and white versions of films that were shot in color are so interesting, when they do not directly improve the original? Blanquinegros dinosaurs. It is the question that Youtuber Midday Reviews was asked when he checked for the umpteenth time one of his favorite films, ‘Jurassic Park’, This time in black and white. He discovered in her, thanks to an experiment that did not believe that he was going to take him to any interesting conclusion, a completely new film, one that returned to the terror to the saurios he experienced when he first saw the film, in the cinema and being a kid. The reason: less distractions. According to the author of the channel, this improvement is summarized in one point: the absence of color distracts less, and the viewer focuses unconsciously on planning, textures, lighting, microgest of interpretations. In aspects more linked to film creation, and therefore in black and white movies have a more “cinematographic” appearance. Not only because they are backward for times when films were less naturalistic and more focused on cinematographic language, but because the absence of color makes the spectator more aware that he is watching a fiction. Other examples. Midday Reviews reviews multiple examples of recent films that have received this treatment commercially, such as’Mad Max: Fury on the road‘(that George Miller himself considers The best version of the movie) either ‘Logan‘ (that He was born as an experimentbut that fans and director think that it is the definitive version of the film). Also mentions a case of which We have talked here‘In search of the lost ark’, a completely unofficial experiment, but that reaches the same conclusions as ‘Jurassic Park’: without distractions derived from color, background aspects such as edition or planning shine throughout its glory. You try. Midday Reviews recommends experiencing with your favorite films, ensuring that you will always find some interest with these colorless versions. And to demonstrate it, it puts some unusual examples: ‘Ninja turtles’ has almost expressionist lighting and planning details; And ‘Solo at home’ becomes an absolutely sinister dyes film thanks to its use of contrasts and that make it a film close to the horror genre. We have done it. Of course we have done it. We have tried an absolute icon of horror cinema: the first ‘nightmare in Elm Street’, overflowing with chiaroscuros, contrasted colors and games with lighting and colors. The result is not only a much more rough film, but completely loses the low -budget air of the Wes Craven classic, acquiring a very classic elegance. Apart from the fact that, as the video says, the lack of color allows you to repair in aspects such as the very detailed and terrifying texture of the special effects or makeup. Is it used for all cases? It will be a matter of testing, but the fun does not take away from you. Header | Warner In Xataka | The magic of the 70 mm: what makes a film recorded in this format so special and obsess so many directors

movies, series and sports for 10 euros per month

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If you are thinking Movistar Plus+. For alone 9.99 euros A month, you will have cinema, sports and series and, in addition, it allows simultaneous reproduction. If you want to discover what this platform offers, which has no permanence and you can cancel at any time, in addition to play on any devicewe tell you next. Subscription to Movistar Plus+ * Some price may have changed from the last review Cinema In the cinema section, Movistar Plus+ It offers a catalog with more than 2,000 films. In that extensive catalog you can find commercial, independent, Spanish cinema and the best festivals. In addition, you can vision ceremonies such as Oscar awards, Golden Globes or BAFTA. Series With your subscription you will have access to all the original Movistar Plus+series, as well as a large catalog of international series premieres. You will also have access to successful channels such as Warner TV, Calle 13, Axn, Fox, BBC Drama and Cosmo. Soccer If you subscribe to Movistar Plus+ by 9.99 euros A month (the basic price of the subscription), you will enjoy a selection of the best sport such as football, basketball, NBA, rugby, tennis, paddle, NFL and golf. In addition, you will enjoy a game of EA Sports and the best tes of Hypermotion every day. Also, you can also see the best Champions and Premier League game every day. Some gadgets to enjoy Movistar Plus+ on your TV Amazon Fire TV Stick 4K (last generation) * Some price may have changed from the last review Xiaomi TV Box S 2nd Gen – 4K Ultra HD * Some price may have changed from the last review Some of the links of this article are affiliated and can report a benefit to Xataka. In case of non -availability, offers may vary. Image | Movistar In Xataka | Best smart tv box. Which to buy and 11 set top box recommended from 27 to 214 euros In Xataka | Better televisions in quality Price: which to buy and seven recommended 4K 4K 4K

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