We have solved the problem of space junk by burning it. A SpaceX lithium trail just proved to be a terrible idea

For decades, the aerospace industry has had a consensus solution to the problem of space junk: burn it. A fairly simple phenomenon that is based on the satellite reentry when it ends its useful life in the atmosphere so that it begins to suffer friction and completely disintegrates. But the reality is that we are facing a huge problemsince physics reminds us that matter is neither created nor destroyed. We have captured him. Science is realizing that we are not removing space junk, we are just vaporizing it into metallic aerosols that are changing the chemistry of our own sky. And the definitive clue to this problem was found on the night of February 19, 2025where a team of German researchers pointed a laser into the sky over Kühlungsborn. What they detected in this case at about 100 kilometers altitude, in the thermosphere, was something that should not be there, since there were large amounts of lithium. And it wasn’t there for no reason, since it just coincided hours before with the re-entry of a SpaceX Falcon 9 rocket which had disintegrated over the Atlantic between Ireland and the United Kingdom. Something new. The signal measured in this case was not very subtle, since was 10 times bigger to the usual concentration in that region, and this finding was collected in an article because it marks a great milestone: it is the first time that the metallic contamination released from a specific piece of space junk at the exact moment of burning has been observed “live” and from Earth. The metallic iceberg. The incident with this Falcon is not something isolated in our society, but is a symptom of the structural change we are experiencing. In 2023, a team of researchers already used different devices to be able analyze more than 50,000 aerosol particles in the stratospherewhich is the layer where our ozone layer resides, at about 15-30 km altitude. What did they see? Historically, the metals found in the stratosphere came from meteorites that entered our planet. But today it is estimated that 210 tons of aluminum per year in the atmosphere comes from the disintegration of satellites and rockets, compared to the 20 tons per year that vaporize naturally from meteors. But lithium is not the only metal in the atmosphere of our planet, since scientists have detected more than twenty elements, among which aluminum, copper, lead or silver stand out… This is something that does not fit with the normal composition of meteorites, but it does coincide with the materials that different aerospace companies use to create their rockets and satellites. There is no planning. The pace of launches has skyrocketed in recent years, and if today we are close to 10,000 objects orbiting the Earth, we have to know that only Starlink aspires to have more than 40,000 satellites in Earth orbit low. But the problem is that the useful life of these devices is short, so their inevitable fate is to end up vaporized over our heads. Its effects. Science here is quite clear that the effects of filling the stratosphere with these metals are currently unknown. But the projections suggest that we should not be calm because elements such as aluminum and copper are important catabolizers that can affect the delicate ozone layer. In addition to this, metallic particles can act as special condensation nuclei, altering the microphysics of polar stratospheric clouds. And if that were not enough, adding anthropogenic material to sulfuric acid aerosols changes their size and ability to scatter sunlight. Ironically, we are altering the reflectivity of the stratosphere, the same layer that some scientists want to use for climate geoengineering, without knowing what the consequences will be. The planetary limit. The models here suggest that, if the planned megaconstellations materialize, the fraction of stratospheric particles contaminated with aluminum from satellites will rise from the current 10% to around 50%. In other words, the load of metals in the stratosphere could grow by around 40% compared to natural levels. Here for years space agencies have assumed that disintegrating satellites was a completely harmless and clean practice. The example of the Falcon 9, which has validated the warnings of the scientific community, shows us that the Earth’s orbit and our atmosphere make up a connected ecosystem. In this way, launching tens of thousands of objects into space and then burning them on our own roof may be a solution to keep space clean, but we are dirtying the sky in return. In Xataka | Spain and Portugal have joined forces to launch satellites with a mission: to monitor catastrophes in real time

Three Chinese astronauts have delayed their return to Earth due to an impact on the ship. The suspect: space junk

The crew of the Shenzhou-20 spacecraft, which was scheduled to land this Wednesday in Inner Mongolia, has been forced to postpone its return to Earth. The cause is not bad weather, as is usual in manned flights, but the most feared enemy of modern space exploration: a probable impact of space debris. Evaluating risks. China Manned Space Agency (CMSA) broke the news this morning: The return of the three astronauts aboard Shenzhou-20 has been delayed indefinitely following suspicions that the ship may have been hit by a small piece of space debris. The ship is still docked at the Chinese Tiangong space station, where the crew are safe. The crew and engineers on the ground are analyzing the impact on the ship to try to determine the extent of the damage and assess the risks of the return journey. The problem is reentry. Three people traveled to the Chinese space station in April aboard the Shenzhou-20 spacecraft: Chen Dong, Chen Zhongrui and Wang Jie. The problem is not his immediate survival, but the viability of his ship surviving the atmospheric re-entry maneuver after the impact. In low orbit, objects travel at hypersonic speeds of up to 28,000 km/h. At that speed, even a tiny fragment of metal or paint can release devastating kinetic energy, especially if it hits critical components like the ship’s heat shield or its parachutes. What do we know for now? The CMSA has not specified where it believes the impact occurred or what data alerted them to the event. Now, engineers on the ground and the crew in orbit will perform telemetry checks, check for possible leaks, and analyze the guidance and propulsion systems. They will most likely use the Tiangong station’s 10-meter robotic arm to conduct a detailed visual inspection of Shenzhou-20. If necessary, an extravehicular activity (EVA) or spacewalk is not ruled out to assess the damage closely. A problem that China was trying to avoid. The irony of this incident is that the Shenzhou-20 crew itself is fully aware of the danger. In fact, part of its six-month mission in orbit focused on mitigating this risk. Two of the astronauts six hours passed in September by installing additional protective shields against orbital fragments outside the Tiangong station. Although they reinforced the station, the impact seems to have occurred in the way that would bring them back. Image | CMSA In Xataka | Three large pieces of space debris reenter every day: “one day our luck will run out and they will fall on someone”

Tamara was the background of the junk television barrel of the two thousands. Netflix has managed to reinvent it completely

The nostalgia It has absolutely unsuspected vericuetos. Who gets out of fashion Retro video gamesthe eighty cinema franchiseseven the looks that we thought we would not see anymore It is one thing. But recover an absolutely dependent television fauna from a very specific point of our pop culture (realities absolutely outdatedthe sagas of characters that seemed fiction but were very real, the excessive and openly feast aesthetics of the beginning of the century) is something very different. Superstar. The culmination of this return from that literally indescribable area of the two thousands has worked with the series’Superstar‘, a highly fictional chronicle of those years produced by the Javis, created by Nacho vigalo and issued by Netflix. Tamara and Margarita Sixdedos, Leonardo Dantés, Paco Porras, Tony Genil, Loly Álvarez and Arlequín make up an absolutely locked microcosm in itself and that is equally eccentric in the series. And a concert, tip. In a line curiously parallel to the argument of the series (which, we insist, is far from being a biopic to use), this new wave of interest in tamarism has the most unexpected effect of all: A YURENA MACROCONGERthe artist previously known as Tamara, on March 23, 2026 at the Vistalegre Palace in Madrid. The event will be titled ‘Yurena: the concert that was never’ and its promoter describes it as “A unique event that rewrites the story of an artist to which television turned into a phenomenon and time, in legend. “ Reinvent the past. The main characteristic of the series is that (unlike previous incursions of the Javis in certain areas of the past, such as’Poison‘) At no time is it intended to be a reliable portrait of what happened, but each episode focuses on one of the characters involved to tell that so television that is “its truth.” To the extreme: if one of them said he had Michael Jackson eating macaroni at his house, we see him; If another said that he was kidnapped by a sect that abused him and revealed plans for the underground control of Spanish reality, we see it. And what remains. Because the Spain of that time gives for much more: of the imitators of Chiquito de la Calzada (an indescribable phenomenon already in itself) to the guests of the program of Jesús Quintero, going through the fauna of the film of Jesús Cárdenas or the Guirigais that each night were mounted in the programs of Javier Sardá and Pepe Navarro. A true lack of control, noisy and subversive, which is portrayed and analyzed in ‘superstar’ with a very personal author, Vigalondo, where they are, on an absolutely novel plane, Tamara and David Lynch. Maybe the only honest way of seeing it. The return. Of course, ‘superstar’ has not entered the most watched international top of Netflix, because tamarism is an absolutely Spanish phenomenon, incomprehensible beyond our borders. But it has served to unleash a new wave of tamarist claim: the concert in Vistalegre will be its culmination, although as the artist says, She has never stopped acting. Because tamarism never left, it continued in our subconscious, waiting for the time to come back. Header | Netflix In Xataka | Netflix premiered the first scene generated with AI in an original production, and nobody realized: the moment has arrived

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