influencers

dates, times, fights, performances and how to watch the boxing event of youtubers and influencers online for free

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We are going to give you all the information about the imminent Year VI Eveningwhich will take place this weekend. The tickets already flew out months ago, but in addition to giving you all the information we will also tell you how to watch it for free online in their official broadcasts. Let’s start the article by reviewing the dates and times of the event. Then, we will tell you the list of ten fights that will take place during The Year VI Evening, as well as the performances that will take place between them. To finish, we will tell you where you will be able to see everything for free and online. Event dates and times The event will take place this Saturday, July 25, but the day before there will be a preview with the weigh-in. Here you have the dates, times and everything that is going to happen in each of the two appointments that make up The Evening of the Year VI. July 24 at 7:30 p.m. – Weigh-in: The event will begin tomorrow, Friday, July 24, 2026 with the weighing of the participants in The Evening of the Year. It is a kind of preview in which each combatant will weigh in, face-to-face with his opponent and make his last public statements before the event. The weighing will begin to be broadcast at 7:30 p.m. Spanish peninsular time. Saturday, July 25 at 7:00 p.m. – Year VI Evening: And this Saturday, July 25, The Evening of the Year will take place. This is the main event, with all the fights announced, and special performances. The Year VI Evening will begin at 7:00 p.m. Spanish peninsular time, when a preview will be held with some interviews. This event will last around seven hours, until 2 AM Spanish peninsular time, and the first fight will be at 7:45 p.m., and the last one will begin at 1:30 AM. Fights of The Evening of the Year VI Now we are going to tell you the list of all fights that will take place during the Year VI Evening. It is a very balanced evening between men’s and women’s fights, and these are the names and the confrontations that we will be able to see in the ring. First Combat: Fabiana Sevillano vs la Parce. Second Combat: Clers vs Natalia. Third Combat: Edu Aguirre vs Gastón Edul. Fourth Combat: Marta Díaz vs Tati. Fifth Combat: Viruzz vs Gero Arias. Sixth Combat: Alondrissa vs Angie Velasco. Seventh Combat: Kidd Keo vs Lit Killah. Eighth Combat: Rivers vs RoRo. Ninth Combat: Plex vs Fernanfloo. Tenth Combat: TheGrefg vs Illojuan. Performances from The Year VI Evening Between the combats we will have various musical performanceswhich are the following. They will be musical shows that will take place periodically to liven up the evening. Yandel Anuel Bad Gyal Juanes La Pantera and Lucho RK In addition to this, you should know that both artists and fighters will bring guests. Not all, but some, both to make the musical performances more special and so that the fights have a little more entertainment. Where can you watch events for free? Both the weighing and The Year VI Evening can be seen for free and online on the official channels of Ibai Llanosthe famous content creator who is also the organizer of the event. These are the three channels where it will be broadcast in full and open: In Xataka Basics | Twitch Parent’s Guide: What it is, how it works, and how to protect young people’s privacy

Now influencers created by AI choose to be sad or endearing

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A grandfather who teaches how to choose watermelons. A young man with Down syndrome who laments that no one buys the pots he makes with infinite love. Both are generated by AI, and have managed, using sensitivity, empathetic messages and technology that increasingly imitates reality, to make millions of people believe that they are authentic. And let them buy. Above all, let them buy. The wisdom of the old sensei. Paco del Campo He posted his first video a little over two weeks ago. He already has more than a million followers between Instagram and TikTok. Checkered shirt, knitted vest, home remedies to sleep better, to choose ripe melons or to distinguish normal apples from organically grown ones. And of course, it sells books with home remedies with prices between five and thirteen euros. As detected Delia Rodríguezin the fine print of its website it is recognized that “Paco del Campo” is a commercial name, not a person. I can’t stand it in this city, let’s go to the countryside. Paco del Campo is not the only profile of advice on natural dyes, almost with tone rural-xploitation. Sofia.saludencasa gives holistic remedies and sells a book on the subject. Eduardo.holisticovidapossibly by the same author, gives advice and presents a book with very similar characteristics. The use of AI is obvious as long as the visitor is familiar with the visual tics of generative artificial intelligences, but it is completely normal that they fool most people and that they receive interactions and comments from dozens of people who believe that these experts are real. The hook is no longer beauty. Three years ago we were talking about Aitana López, the virtual model from the Barcelona agency The Clueless: an AI with a declared advertising profiledesigned for brands with a tight budget. Its appeal was the visual appeal of the digital model. Paco belongs to another category: unlike Aitana López, no one warns that he is an AI, and the design opts for normality rather than physical perfection. The consequence is that it deceives much more easily: why would AI, when it can generate absolute beauty, replicate an old man’s face? Very simple: confidence in what is close sells more than physical perfection. Even more perverse. This pattern of trust in profiles that want to dazzle with innocence takes on a more sinister nuance with the case of the now-defunct Martinmimoplants profile, which had more than 14,500 followers and 140,000 likes, but which disappeared from the map when the racket was discovered. It showed a young man with Down syndrome with a handmade pot business, lamenting that it doesn’t work. The fourteen videos posted by the account were artificial, and eleven of them did not carry any warning of AI-generated content. The most viewed video exceeded 600,000 views. Martinmimoplants is not the first to resort to this technique: profiles of needy grandparents selling crafts have been seen, but the detail of Down Syndrome is new. This has generated an immediate response: Down Spain described the strategy as “false charity” and asked not to donate or buy without first checking the reliability of the seller. For its part, FACUA, which had already announced that it would take the case to the authorities, formalized the complaint to the General Directorate of Consumer Affairs on July 8, five days after the VerificaRTVE report that exposed it, for abusive clauses. Majestic profiles. This article documented dozens of TikTok Shop accounts that showed supposed entrepreneurs crying about how bad their craft businesses were doing in order to actually sell products purchased in batches in China. The emotional script is the same as Martinmimoplants, and there is also a certain trait of vulnerability: disability in the Spanish case, and in those that The Verge points out, all African-American creators, that is, the thing takes on a racial point. Social networks are, for the most part, a space for business and it is beginning to be treated as such. For example, there are companies like the startup Doublespeed, financed by Andreessen Horowitz, which offers packages influencers synthetics for between 1,500 and 7,500 dollars, depending on the number of publications. The regulatory response. Article 50 of the European Artificial Intelligence Regulation will require labeling of deepfakes and synthetic content that could be confused with real material from the August 2, 2026. Until then, Paco can continue publishing. For now, be careful with profiles that appeal to what is endearing and natural when the exact opposite abounds in their genesis. Or as the classic said, be careful out there. In Xataka | The problem is not that your favorite influencer sells you the motorcycle. The problem is that maybe it doesn’t even exist.

Influencers have made it fashionable to give yourself cramps in your vagus nerve to cure stress. Science has bad news

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After a marathon day, what if the report doesn’t arrive, feed the kids, walk the dog, go to that Pilates class… And your brain refuses to turn off. You open TikTok or Instagram looking for a distraction and, between dances and recipes, a influencer. Wear a minimalist design device around your neck or clipped to your ear. It promises that with the push of a button and a few small electrical pulses, your anxiety will disappear, you’ll sleep like a baby, and your “brain fog” will lift. they call it “the great reset of the nervous system”. For centuries, the vagus nerve has functioned in complete anatomical obscurity, but today it has achieved an almost mythical status in the wellness ecosystem. According to The New York Timesthere are billions of social media impressions about this nerve. Celebrities like Kelly Ripa and podcasters like Andrew Huberman They praise their virtues. “A lot of this is being driven by influencers saying, ‘Just do this to stimulate your vagus nerve, and all the problems in your life will be solved,’” explains Dr. Kevin Tracey, a neurosurgeon and president of the Feinstein Institutes for Medical Research. It sounds like science fiction, but forecasts suggest that the stimulation of this nerve will generate a billion-dollar industry by 2030. The inevitable question that arises is: can we really “hack” our stress with neck cramps, or are we facing the umpteenth expensive internet placebo? To understand the phenomenon, you must first understand the biology. As explained by the Cleveland Clinicthe vagus nerve (whose name comes from the Latin “wanderer”) is the tenth of the twelve cranial nerves and the longest of all. It arises in the brain stem and winds through the neck, chest, and abdomen, connecting the brain to the heart, lungs, and digestive system. It is the main highway of our parasympathetic nervous system, the one in charge of the “rest and digest” function. Basically, it is the body’s handbrake. When we get stressed, the sympathetic system (the “fight or flight” response) is activated; When the danger passes, the vagus nerve should come into action to calm the pulse and relax the body. But why are people obsessed with electrocuting him? According to the magazine Women’s Healthwe live in an epidemic of chronic stress. The flood of emails, traffic jams and daily pressures cause what is known as “vagal dysfunction.” Our body gets stuck in survival mode and loses the ability to calm down.. The promise of a quick fix has led to the emergence of commercial devices. When faced with the idea of ​​using home electricity, it is normal to wonder if this is dangerous. Generally, the physical answer is no. According to Dr. Michael Kilgard, director of the Texas Biomedical Device Center, interviewed by The New York Timesthe batteries in these commercial devices are too small to burn the skin. The most you feel is tingling. However, the real danger is psychological and medical. “The strangeness of the sensations is annoying enough that people feel like the devices are doing something,” Kilgard warns. In most cases, these gadgets are “probably little more than a placebo disguised as neuroscience“. The risk lies in false hope: patients who spend hundreds of euros on devices that do nothing, delaying medical treatments that have been proven to be effective. To understand the true impact of this false hope, it is vital to separate the wheat from the chaff and define where scientific rigor ends. The line between medicine and marketing wellness The science of Vagus Nerve Stimulation (VNS) is real, fascinating and very complex, but it is light years away from what the marketers sell. influencers. There are real medical devices, but as a comprehensive review article published highlights in the scientific journal Comprehensive Physiologyinvasive stimulation (iVNS) “remains the gold standard with well-documented efficacy.” That is, we are talking about small devices similar to pacemakers that are surgically implanted under the skin of the chest, with cables threaded directly to the nerve. According to Cleveland Clinicthe FDA (the US drug agency) has approved these severe implants to treat cases of resistant epilepsy and severe clinical depression. Medical research continues to advance. A pivotal clinical trial published recently in Nature Medicine (the RESET-RA trial), demonstrated that an implanted neuromodulator system targeting the vagus nerve significantly reduced inflammation in patients with rheumatoid arthritis who were unresponsive to conventional medications. On the other hand, as a review points out from the magazine Exploratory Research and Hypothesis in Medicinethe use of non-invasive stimulators (in the ear or neck) is being intensively studied in clinical settings for rehabilitation after stroke or to slow cognitive decline. But what about the devices that anyone can buy online to “de-stress”? The experts are blunt. Dr. Kristl Vonck, neurologist at Ghent University, warns that consumer devices They are “lightly regulated and do not have to prove to the FDA that they actually work.” Many companies hide behind vague claims about “wellness” to avoid medical controls and use the language of real clinical trials as a mere marketing tactic. Furthermore, as a clinical researcher explains in The Conversationmanipulating the vagus nerve is not a panacea and does not work the same for everyone. Some people in clinical trials experience headaches, worsening migraines, or even a drop in mood when receiving stimulation. “Most diseases involve multiple biological and psychological factors, and no single nerve explains or solves all of them,” he says. Misinformation is not limited to devices; It also covers home diagnostics. The magazine Bustle recently echoed a viral trend on TikTok: the “three drinks” test. Content creators claimed that if you are unable to swallow saliva three times in a row and quickly, your vagus nerve is seriously deregulated due to chronic stress. The therapists had to intervene. Chloë Bean, an expert somatic trauma therapist, clarified that swallowing does involve this nerve, but not being able to do it three times in a row “does not automatically mean that your vagus nerve is stuck.” It … Read more

There are TikTok influencers reading ‘Wuthering Heights’ and not understanding its vocabulary. It shouldn’t surprise us

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A viral video where a young Spanish woman complains about the difficulty of reading the romantic classic ‘Wuthering Heights’ has sparked a generational debate about reading comprehension. But beyond the controversy, the data show a real problem: reading skills are falling in all generations, with digital natives being the sector of the population most especially affected. The video. It lasts just two minutesbut it has been generating debate for days. A 25-year-old girl complains, with her copy of ‘Wuthering Heights’ in hand, that she finds the language archaic, she needs to consult the dictionary constantly to understand terms like “tin” or “par excellence”, and she estimates that it will take months to finish it. The video has accumulated millions of views and has unleashed a generational war on social networks: how is it possible, say the most veterans, that a university student does not know relatively commonly used words or is not used to consulting a dictionary? The conversation should not be limited to pointing out blame and differences between educational levels. We are facing a generational change that alludes to how written language is processed, and ‘Wuthering Heights’ has become the accidental battlefield on which to explore that transformation. New times. There is a gap between contemporary narrative aimed at young audiences and literary classics. Young Adult (YA) prose, a genre that attracts millions of readers on social networks (a fact: 55% of the readers who roam TikTok are between 18 and 34 years old, and 78% they are women) prioritizes immediacy, agile dialogues and direct descriptions. It is literature designed for rapid consumption, in tune with digital rhythms. Emily Brontë, for her part, wrote for Victorian readers accustomed to long subordinate clauses, detailed descriptions, and a vocabulary that assumed a certain formal education. Distance is both temporal and structural: different narrative architectures for differently trained brains. The data. The TikTok viral could be interpreted as an isolated anecdote, but a recent study by the BBVA Foundation prepared by Spanish researchers with international data from the Program for the International Assessment of Adult Competencies (PIAAC). It reveals a progressive decline in reading and numerical skills since the Millennial generation: those born after 1980 show significantly lower cognitive skills than Baby Boomers and Generation X when they were the same age. According to the study, Generation Z obtains reading comprehension scores up to 20 points below Generation PIAAC standardized testswhich evaluate the ability to understand, interpret and use written information. The gap widens in numerical skills: young people born after 1995 show difficulties in interpreting graphs, calculating percentages or solving basic mathematical problems applied to real situations. The deterioration is systematic, and also affects developed countries with advanced educational systems. Eyes that do not see. The studies of eye tracking from the Nielsen Norman Group document how users read on the Internet following an F pattern: two horizontal sweeps across the top, followed by a quick vertical scan down the left side. Reading becomes selective keyword tracking. This behavior, typical of Internet browsing, is inappropriate for complex texts that require following arguments developed over multiple pages. The architecture of attention changes: we move from deep dive to shallow scan. The fault of social networks. Digital platforms are designed to capture attention through short, dopamine content. The algorithms reward 15-second videos, striking images, and texts that are consumed at a glance. The attention economy does not encourage depth, and reading ‘Wuthering Heights’ requires the opposite: sustained concentration, tolerance for ambiguity, the ability to memorize information while constructing cumulative meaning. They are skills that atrophy without training. If new generations show systematic deficits in these areas, the consequences transcend the debate over whether or not someone can read a Victorian classic. They affect how we process information of all kinds: medical, legal, financial, political… The young woman in the viral video may be a symptom of something more worrying than the inability to read texts with unusual vocabulary. Facilitate access? This controversy opens up a multitude of tremendously fascinating sub-controversies: educate better or facilitate access to complex texts? For example, Penguin Random House launched its collection in the United Kingdom in 2019. Penguin English Library with updated translations of classics, maintaining the original meaning but eliminating obsolete linguistic turns that slow down reading. The also British The School of Life He published versions “translated into modern English” of philosophers such as Schopenhauer and Nietzsche. AND apparentlythese editions sold 40% more than traditional versions among readers under 30 years of age during the year 2020-2021. But there is also the counterargument that simplifying language impoverishes the experience of reading. The classics are not just arguments or themes that can be transported to any packaging. For example, Brontë’s prose, with its labyrinthine subordinate clauses and convoluted vocabulary, builds atmosphere and rhythm. Removing that complexity to “make it easier” to read is like reducing the length of a classical music symphony because today’s listeners prefer three-minute songs. The search should perhaps be to improve reading training, not to adjust the texts to the less prepared reader. In Xataka | The best books to read in 2026: a selection of readings from all genres for a year between pages

Big Tech is paying up to $600,000 to influencers to promote their AI. Now the race is about perception

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Big technology companies are deploying their heavy artillery to attract users for their artificial intelligence services. Just like they count From CNBC, Microsoft and Google have found their new battlefield in influencers, with contracts that reach six-digit figures. The dimension of the phenomenon. According to data from Sensor Tower, generative AI platforms spent more than $1 billion on digital advertising in the United States during 2025, an increase of 126% compared to the previous year. That large companies promote their products through influencers is nothing new, and it is also a business that is very profitable for them, since by investing a small fraction of their budget they can get an avalanche of new users. According to CNBC, in order to attract new users for their AI services, Microsoft, Google, Anthropic and Meta They are hiring content creators to promote your tools on social networks. Figures. Microsoft and Google are paying between $400,000 and $600,000 to content creators for multi-month collaborations, according to sources close to the media. These contracts are not limited to specific publications, since according to the medium, they seek to ensure that influencers integrate AI tools into their usual content, tutorials and workflows. “We’re seeing a massive increase in creator spending from these AI brands. We’re getting a lot more interest from AI brands every month,” counted to AJ Eckstein, founder of Creator Match (an agency that connects brands with creators). How these agreements work. Collaborations range from LinkedIn posts explaining how to use Claude Code even videos on Instagram showing functions of Microsoft Copilot or the assistant Comet by Perplexity. Megan Lieu, AI and technology content creator with nearly 400,000 followers, explains told CNBC that his sponsored deals typically range from $5,000 to $30,000 depending on the campaign. Its most important collaboration to date has been with Anthropic to promote products from Claudealthough he did not specify the exact figure to the media. Some influencers can charge up to $100,000 per post, according to Eckstein. The other side of the coin. Despite the astronomical numbers, not all content creators are willing to jump on the AI ​​bandwagon. Jack Lepiarz, known as Jack the Whipper and with more than 7 million followers between YouTube, TikTok and Instagram, account to the medium that systematically rejects any agreement related to artificial intelligence. “I cannot with a clear conscience support something that is going to make it difficult for normal people to earn a living,” he declared to the outlet. Lepiarz previously turned down a $20,000 contract to promote AI imaging tools and says even $100,000 or $500,000 wouldn’t change his mind. Perception with Copilot. For Microsoft, these influencer campaigns can be especially key. And despite its large user base in Microsoft 365 services, only 3.3% pay for Copilotas told from Windows Central. The company needs its AI assistant, integrated into Windows, Microsoft 365 and Edge, to be perceived as a natural tool in daily work, and at the moment it is being especially difficult for them to achieve that. It’s public time. Big Tech hiring influencers occurs precisely at a time when companies are investing more than ever in advertising their AI tools. A few days ago we told precisely the case of Anthropic, which spent a million on ads during the Super Bowl. Separately, Google and Microsoft increased their digital advertising spending to promote AI products by approximately 495% last month compared to the previous year, according to Sensor Tower. The media also says that OpenAI multiplied its advertising investment tenfold in 2025. After years of making its tools known, it is now time to shape our perception of them. Cover image | aerps and Hillary Black In Xataka | The person who is earning the most money on Twitch by broadcasting 24 hours a day is not a person: it is an AI

There are dozens of influencers obsessed with helping us choose the perfect can of tuna. The problem is that what they say doesn’t make much sense.

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There is a fine line that connects volcanic eruptions, oil combustion, and waste incineration with our kitchens: mercury. A mercury that is produced in dozens of activities (mostly human), which ends up deposited in the waters, transformed into methylmercury by millions of microorganisms, stored in fish and, finally, in our stomach. It was only a matter of time before it became the huge food scandal it is today. Methylmercury also reaches social networks. The problem is so big that there is no shortage of experts and influencers that defend messages such as choosing cans of “tuna” over cans of “light tuna.” The music is that of institutions such as the European Food Safety Authority (EFSA) that recommends avoiding large fish; The lyrics hide many problems. At the end of the day, the viral message mixes correct intuitions, with more than debatable scientific evidence (it uses, to begin with, commercial classifications that do not have direct Spanish correspondence). This is not the first time that an idea that sounds good ends up giving us headaches. And why is that a problem? Because, like it or not, fish is a centerpiece of many diets. Not only for its protein contribution, but as a priority source of certain fats that are very difficult to replace by any other means (e.g. omega-3). The thing is, with all that, comes methylmercury. And exposure to methylmercury is a tricky thing: it can harm brain development and be toxic to the nervous system. In fact, it can cause symptoms such as tremors, memory loss, and cognitive dysfunctions. The most vulnerable groups are pregnant women, nursing mothers, babies and young children. Do all fish have the same amount of mercury? No, it doesn’t. According to the Spanish Agency for Food Safety and Nutritionthere are four really dangerous species: the swordfish or emperor, the bluefin tuna (Thunnus thynnus), the shark (dogfish, mako shark, dogfish, dogfish and blue shark) and pike. These are problematic in women who are pregnant or planning to be pregnant, nursing mothers and children under 10 years of age. In fact, AESAN recommends directly avoid its consumption. The rest of the species are not problematic for the effects of mercury: they are safe and healthy. And the AESAN recommends between three and four servings a week even in the at-risk population. And aren’t there more differences according to levels? That is, are there only dangerous and non-dangerous species? No no. It is true that each species contains a different amount of mercury. In fact, each copy has different levels. That’s where the problem comes from: we need simple ‘rules’ to help us deal with uncertainty. On a practical level, according to the available studies, we can only define species with low mercury content as those on this list: Pollock, Anchovy, Herring, Cod, Bacaladilla, Cockle, Mackerel, Squid, Shrimp, Crab, Cane, Coquina, Carp, Squid, Clam, Choco/Cuttlefish, Lobster, Coquina, Sea bream, Sprat, Prawn, Horse mackerel, Lobster, Prawn, European sole, Dab, Sea bass, Mussel, Merlan, Hake, Razor clam, Oyster, Pomfret, Flounder, Squid, Octopus, Shrimp, Atlantic salmon, Pacific salmon, Sardine, Sardinella, Sardinopa, Plaice, and Trout. Everything else has medium levels and making distinctions between them is impossible on a practical level. So it doesn’t make sense to follow these types of recommendations? In general, any attention we pay to food is good. The system is configured in such a way that, if we let ourselves goour diet gets worse. However, we know that Obsessing over diet is also full of problems.. Using heuristics that complicate the purchase without substantial improvements is not as good an idea as it seems. Image | Tobias Tullius In Xataka | The scientific reason why miracle diets don’t work is you

They are not influencers but they act as if they were.

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I recently ran the Valencia Half Marathon. Normal brand with no aspirations for anything. From the exit I found dozens or maybe hundreds of runners with their arms extended filming themselves. During the race it was a constant. From time to time I would find someone with their arm raised looking at the camera. Compromising posture and performance, and making it difficult for those of us who came from behind to overtake. But without putting down the phone. The arrival at the finish line was already an explosion. Many, as soon as they crossed it, took out their cell phones again and danced the same choreography as if they had agreed: exhausted look at the ground, triumphant look at the sky, smiling snort, bite of the lower lip during a long blink and a face of transcendence. A few days later, discussing the moviola with friends, they showed me the rest of the iceberg: tiktoks with music by Hans Zimmer, monologues about personal improvement. Everything packaged, everything monetized. Even if it is in likes. None of the ones they showed me and I guess almost none of the ones I saw at the race were professional influencers. They don’t have sponsors waiting for their content, but They have voluntarily assumed the burden of documenting and performing their own lives. They are unpaid workers of their own digital narrativescompulsive editors of experiences that no longer know how to live without mediating. The race is just the decoration. What they record is not the half marathon: they record themselves. His sensations, his overcomings, his protagonism. He running is interchangeable: could be crossfitit could be a trip, it could be motherhood. What is important is the self as content, the self as an audiovisual product. Perhaps they are not even dedicated to documenting their own life, but rather something that sounds similar but is very different: they are dedicated to living a pre-documented, pre-edited life, designed to be told. They have so deeply internalized the grammar of digital content that they can no longer experience anything without simultaneously thinking about how it will look on screen. They don’t think “how hard this is” but rather “how epic it’s going to be when I play the music.” We have created a generation that works for free as a documentarian of its own existence. Without a contract and without salary, sometimes not even with the aspiration of seeing that effort turned into pasta one day, but with the discipline of a professional. The arm extended for half a race was the perfect image of this new voluntary servitude: we sacrificed the immediate experience to produce its distributable version. We no longer live and tell it later. We produce content about ourselves while pretending to live. The algorithm has achieved its definitive victory: it does not need to pay us to work for it. We have forgotten that there is a difference between running and producing content about running. Or put more generally: between living and performing life. In Xataka | I increasingly like technology that doesn’t want anything from me: the one that has a purpose and leaves you alone Featured image | Xataka

Synthetic influencers are already selling in the thousands. A startup offers them as a service to manipulate networks

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Influencer accounts created by AI are already a reality, some even have hundreds of thousands of followers. There is a startup that has taken this idea to the next level: they create and manage synthetic influencers to orchestrate massive actions on different platforms, all using AI. Their website reads “Never pay a human again”, a true declaration of intent. Doublespeed. It is the name of the startup that offers the service. Using AI, they create the accounts of these fake influencers and also the content, all with minimal human intervention, just a few finishing touches. Its goal is to “orchestrate actions on thousands of social accounts through the creation and massive deployment of content.” They count in 404media that the startup is financed by the Andreessen Horowitzone of the most important venture capital funds in Silicon Valley. Make it look human. The platforms have systems to detect bots, but at Doublespeed they have the solution to make their AI influencers appear human to the algorithms. In addition, the accounts they offer have been used, since newly created accounts with hardly any interactions are easier to detect as bots. The company’s co-founder, Zuhair Lakhani, said in a podcast that use a “mobile farm” (like the click farms) to manage all their accounts and boasted that one client got almost 5 million views in less than a month with 15 of these AI influencers. Raising the level. He astroturfing It is a tactic through which artificial opinions are generated that seek to appear real and spontaneous, all in order to give an impression of support (or rejection) of a topic or product. What Doublespeed does is next level, creating not only the message, but the “persona” who spreads it. Doublespeed sells “packs” between $1,500 and $7,500, depending on the number of posts they want to generate. Cons the rules. The point is that this practice goes against the rules of the main platforms, such as Meta, which they expressly say that accounts that “make a misleading representation of identity to deceive or confuse people” will not be allowed. It is not the first company to offer services of this type, What is striking is that it has one of the largest funds in the world behind it. dead internet. Is a conspiracy theory which says that the internet is full of bots and humans have been replaced by algorithms. There is some truth in it. According to the cybersecurity company Imperva, in 2024 more than half of internet traffic was non-human. With the emergence of AI, networks were flooded with AI Slop and now it also comes in the form of fake influencers. Image | Reshma Mallecha, Pexels In Xataka | The more we know about the evolution of the internet, the closer we come to a conclusion: bots can kill it

Cocina con Coqui has gone to Andorra like so many influencers. The difference is that his fans have not forgiven him.

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If you are a crypto bro who has as part of his speech a inalienable right to pay taxes that you consider fair (that is, the minimum, or even a little less), when you go to Andorra to pay much less taxes from there than from Spain, your followers will even applaud it. But of course: not all content creators are the same. Or maybe yes. Those who are not equal are his followers. Who is Cocina Con Coqui. If you are not one of the gastronomic influencers, you may not be aware of who it is. Cooking with Coqui. It is about a cook whose real name is Coco, and who has achieved a great fame, with nearly four million followers on social networks. Its recent success has been boosted by the release of a cookbook which will go on sale the first week of November: it is already at the top of reservations in the gastronomy category on websites like AmazonFor example. Her personal story, as an immigrant who came to Spain from China as a child and who managed to build a career based on a passion for cooking, has generated strong empathy and admiration in a wide audience. The controversy. Despite her friendly and unproblematic image, the influencer gastronomy has been the subject of some controversy revealed that it pays taxes in Andorraa European tax haven in which a large number of influencers and Spanish content creators to avoid the country’s taxes. This revelation was initially spread through the publication of a screenshot of the influencer’s newsletterwhere the tax address in Andorra was clearly shown. This seemingly technical detail became the source of an intense debate. The networks are burning. Based on this information, social networks exploded with accusations, calling Cocina con Coqui a tax evader and questioning her commitment to the country that has seen her career grow. The influencer kept silence in the first momentswhich increased speculation and criticism. Its success thus brings to the fore the discussion about the fiscal responsibility of content creators. Why Andorra. One of the main reasons why public figures like Cocina con Coqui they choose to pay taxes in Andorra It is the attractive tax advantage that this state offers. Compared to Spain, where personal income tax can exceed 45% for the highest incomes, Andorra applies a maximum tax rate of around 10%, which represents substantial savings for high-income content creators. The Andorran tax system is recognized for its simplicity and stability, factors that attract self-employed professionals or digital entrepreneurs seeking to optimize their tax burden. Question of solidarity. However, this phenomenon generates an intense debate between legality and morality. Although these moves do not constitute a crime if the tax residence requirements are met, they are seen by an important part of society as an act that, being legal, It is not ethical or supportive. Thus, paying what the law allows is not always synonymous with doing what is morally expected, especially when it comes to taxpayers who have built their success in a country but decide to pay taxes abroad, which opens a crack between the law and the social perception of tax justice. In Andorra. The Rubius was one of the first Spanish youtubers to publicly announce that he was going to Andorra. Although he justified his decision by claiming that he wanted to be close to his friends who already lived there, he could not prevent a social debate from breaking out.​ Vegetta777, TheGrefg and Willyrex, with millions of followers, also settled in Andorra mainly for tax advantages. On the contrary, influencers who have remained in Spain such as Ibai They have seen their popularity reinforced by a decision that affects their pockets. Why not this one and others yes. Clearly, you can see among TheGrefg’s audience, very young, masculine and individualistic, a clear difference with Cocina Con Coqui’s followers, largely female and somewhat older. And although the tangana will undoubtedly have brought together a good part of habitual insulters on social networks who have seen the opportunity to parade unjustifiable racism, the truth is that among the critics words such as “evasive” and expressions of disappointmentand old posts have been recovered, such as in which he announced his transfer to fill them with comments, spoiling their attitude. In Xataka | From promoting raw liver as a nutritious food to ending up arrested for threatening Joe Rogan, Liver King’s unique journey

We began to follow the influencers because they looked like us. Now combing 170 euros are being bought

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It is not the first influencer That a expensive whim is allowed, but the one that has generated one of the most juicy conversations of the week. And all from an inconsequential apparently decision: Andrea Garte bought a hair brush of the Guerlain brand that cost 170 euros during a trip to Athens. And from there a discussion has been generated that affects the state of the matter itself influencer: Have these creators of content become an elite drift, completely disconnected from what your audience wants? A comb that will end all combs. In the first video that recorded the influencerGarte He got rid of praise towards the comb: The arrangement of the bristles and their length served to replace different brushes that always carried, which turned the purchase into an investment aimed at optimizing the space and reducing cosmetic achiperres. But the impact on his community soon began to climb. 11 tricks to dominate Tik tok Criticism in comments. The criticism among his followers They did not wait, where many reproached him for his little awareness of what priorities people with normal income have: “I miss the Influencers You recommend things available to mortals and not Millionaire Things “or” for this reason it is claimed that Influencers Current have lost influence capacity: they live in a parallel reality “were some of the criticisms it received. @andreage I’ve never had such an expensive 🫰 ♬ Original Sound – Andrearte Immediate reaction. Garte herself knows that she has found a controversial issue that generates conversation, so it has not taken long for the issue with more videos, protesting the controversy, presuming pelazo And joking With how expensive it is. Also, of course, has generated criticism and parodies of all kinds. However, below direct criticism and jokes for the superficial influencer. The theme of the bag. The controversy remembers which we live A few weeks agoWhen Lola Lolita argued in a documentary video about her day to day about a 4,000 euros bag. The controversy that followed, much more aggressive than the one who is suffering from garte, had a lot to do with the attitude of the influencerbut also put on the table how many of the Influencers Current (María Pombo, Georgina, Dulceida, Gala González, Marta Lozano, Alexandra Pereira) have built empires with millions of followers and millionaire contracts. We want to be like them. It is true that you are often Influencers They offer a aspirational content: We will never be able to enjoy the life train and the luxuries and excesses that these people live, so the videos in social networks become windows to some lives that are not within our reach. The problem is when Influencers As the same garte began as more or less normal girls who taught how they made up or how they dressed. There many of their followers watched them as something aspirational but attainable. With events such as Garte and the comb of 170 euros, that mirage fades. Survive at all costs. We quoted Lola Lolita A The sociologist Silvia Muelas, who explained that “The media survival of these characters depends many times on their ability to generate controversy or show excesses, which leads to an exhibition of self -destructive or disconnected behaviors of reality.” That complicated balance between wanting to be someone close or throwing themselves to the pool of luxury and excess, even showing a distant antipathy, is what marks behaviors such as Garte. On the edge. Several media already wonder if the era of Influencers is coming to an endgiven the disconnection of their followers that many experience, and whose Effects on perception of reality is beginning to be studied, because it is something that did not exist so far. A simple comb of 170 euros has unleashed a conversation about class, status and perception, and until we leave that alley, the phenomenon influencer will be living its greatest identity crisis to date. In Xataka | The Prado Museum closed its doors so that Dua Lipa could create content. That has generated a furious debate

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