audiences

two similar brothers focused on very different audiences

by

Now that the new Xiaomi 17 and Xiaomi 17 Ultra have been announced, it is worth stopping to think about which one best fits what we are looking for. Should we opt for a better battery or a more versatile camera system? Do we want a smaller phone or do we prefer a bigger one? Let’s review the key differences of the new generation of Xiaomi. The differences between the Xiaomi 17 and Xiaomi 17 Ultra Bigger or smaller Xiaomi 17 (left) and Xiaomi 17 Ultra (right). The most obvious difference between the two phones centers on the size. The Xiaomi 17 has a diagonal of 6.3 inches while that of the Xiaomi 17 Ultra is 6.9 inches. Here we have to play with experience: do we feel comfortable using a mobile phone that is almost 7 inches? If the answer is no, the choice is clear. Because in addition to size there is another factor that influences: the weight. The Xiaomi 17 Ultra weighs 27 grams more, something that can be noticed when using it with one hand. Stay with this: we have to know if when using a cell phone, or when putting it in our pocket, we will feel comfortable due to size or weight. Because in the design, these are the two big differences, since in everything else we are practically talking about twin brothers. For example, both phones offer a 120 Hz refresh rate so that the phone looks much more fluid when playing games or navigating through the menus. Both displays also offer 3,500 nits of peak brightness, ensuring they look great outdoors. They are also compatible with Dolby Vision and HDR10+, two image formats that add a broader color palette. What does vary is the resolution due to the size of the screens, but it is not something that is noticeable with the naked eye. Processor and RAM and storage configurations RAM and storage configurations of the Xiaomi 17 and Xiaomi 17 Ultra. While it is true that in the same generation mobile phones are usually differentiated by the processor (among other things), not here: both the Xiaomi 17 and the Xiaomi 17 Ultra come with the Snapdragon 8 Elite Gen 5which is the most powerful processor currently available in Android phones. Where we do find a difference is in the RAM and storage configurations. The Xiaomi 17 is available with two configurations of 256 GB and 512 GB of internal storage, while the Xiaomi 17 Ultra starts at 512 GB and is available with a 1 TB version. Depending on how many photos, videos, or files you want to save, you may want more or less storage. The same goes for RAM.: The Xiaomi 17 is only available with 12 GB, and the Xiaomi 17 Ultra is only available with 16 GB. This is important because the market is moving towards artificial intelligence: if you want to process AI locally, the more RAM memory the mobile has, the better. If it is not something that is part of your plans, you will be able to notice the difference when running several apps at the same time, although in both cases you should not have any problems because 12 and 16 GB are good RAM figures for a mobile phone. More size does not mean more battery That a mobile phone is larger means that it can contain a larger battery, but this is not always the case and the new generation of Xiaomi makes it completely clear to us: the Xiaomi 17 incorporates a 6,330 mAh battery and the Xiaomi 17 Ultra comes with a 6,000 mAh battery. The difference is small, so will this be noticeable in practice? Yes, and it will probably be quite noticeable. The larger the screen, the more battery a mobile will consume. Taking into account that the Xiaomi 17 comes with a larger battery and a smaller screen, we will have more hours of autonomy on a single charge. In addition, it should also be noted that the two phones do not charge with the same power. The Xiaomi 17 offers 100W and the Xiaomi 17 Ultra offers 90W. The difference is small, but enough so that the cheapest mobile phone can have the battery fully charged in less time. A review of the photographic section Xiaomi 17 Ultra photography kit. The biggest difference between these phones is in their photography section. In both cases we once again have the Leica collaboration and both the front camera and the main sensor are the same. The difference is both in the ultra wide angle, which the Xiaomi 17 Ultra has a larger aperture, and especially in the telephoto lens. The Xiaomi 17 incorporates a 50 MP f/2.0 telephoto lens, which means that it has a very interesting aperture for taking photos in environments with more complicated lighting, such as indoors or sunsets. Instead, the Xiaomi 17 Ultra comes with a 200 MP telephoto lens with variable aperture between f/2.30 and f/2.96, allowing you to capture photos with better resolution with or without zoom. In addition, there is a quite interesting point: the Xiaomi 17 Ultra is the only mobile phone that is compatible with both photography kits of the brand. They are two accessories that are a great addition if what we are looking for is to have a photographic experience. In the previous generation (that of Xiaomi 15 Ultra) its corresponding photographic kit we liked it a lot. In summary: which Xiaomi mobile to choose according to your tastes and needs Why choose the Xiaomi 17 The Xiaomi 17 is no worse, it is a mobile phone that is focused on other types of users and that stands out in some sections: Best battery. The Xiaomi 17 has a larger capacity battery and its charging power is also greater. smaller size. As it is a smaller mobile phone, it is more comfortable to carry in your pocket. Good photographic section. It will not have the … Read more

Telecinco audiences have been in free fall for four years and their recovery has come with an unexpected format: blind weddings

by

He success of ‘Married at First Sight’ on Telecinco and the more than 410 million dollars generated by ‘Love Is Blind’ on Netflix show that realities Romantic and friendly blind weddings are no longer entertainment to watch on the sly and feel guilty. Now they generate very profitable franchises and, in the case of Mediaset, a welcome boost of oxygen to their disastrous audiences. Getting married without knowing each other: the origins. Well, the origins are the traditional weddings of convenience, but let’s talk about TV. In 2013, the Danish public channel DR3 broadcast the first episode of ‘Gift ved første blik’, where a panel of experts in psychology and compatibility paired strangers who would meet for the first time at the altar, getting legally married before starting to live together. The success in his country was immediate and generated the ‘Married at First Sight’ franchise, which has had 35 different versions before reaching Spain, where it was already seen in 2015 on Antena 3. In 2026 it reached a new version on Telecinco. The hearings. The result in terms of audience has been very stimulating for the Mediaset channel, after months of trying with launches and schedule changes that have not quite worked out. The premiere recorded a 13.9% audience share and nearly 947,000 viewers, leading its time slot, with a devastating 22.2% in the age group of 25 to 44 years. The following weeks consolidated and even improved those numbers, reaching 14.2%. 44% of viewers who saw the premiere repeated in the second broadcast, which indicates a level of loyalty that Telecinco needs like breathing. For this reason, it has already announced the renewal for a second season. We already know the context: Telecinco is going through a very serious audience crisisclosed 2025 with a 9.4% average annual share (the worst result in its history), which may end up impacting its advertising revenue. That is why in 2026 Mediaset is adopting a conservative policy, returning to its realities classics and experimenting just enough with programs like this one, new but with proven formulas. Blind dates. Meanwhile, Netflix finds success with a very similar format: ‘Love Is Blind’, which the platform premiered in 2020. In it there were no experts who matched the contestants, but rather a group of single men and another group of single women who got to know each other on dates without seeing each other physically, until couples were formed and we saw them becoming intimate in coexistence. Thirty million households watched it in the first four weeks of broadcast. The franchise has already spread to eleven countries, from Brazil to Japan. The figures for ‘Love Is Blind’. The data analysis company Parrot Analytics has estimated that he reality has generated more than $410 million in global subscriber revenue since its premiere. The secret of these stratospheric figures (and other realities platform romances like ‘Jugando con fuego’) is in its structure: fixed format, rotating casting with each season. It’s like a fictional franchise, but at a much faster pace, because each season is produced before the previous one ends. The cost of between 100,000 and 500,000 dollars per episode makes these programs much more attractive to platforms than fiction. When Netflix saw what it had on its hands (‘Love Is Blind’ remained among Netflix’s ten most viewed titles in the United States for 86 days in 2022) it did not put all its eggs in the same basket: it diversified the bet into different countries, each with its regional peculiarities, which multiplies income without doing so proportionally to the cost because, for example, the advertising is done. Furthermore, unlike the binge watching Common on Netflix, episodes are released weekly, which keeps the conversation going on networks. A historic format. They are not the first programs of this type: ‘Blind Date’, on ABC in 1949, when there were hardly any televisions in American homes, and ‘The Dating Game’ in the sixties They exploited similar starting points. What ‘Married at First Sight’ brought was the panel of experts that gave a pseudoscientific excuse to the fooling around between strangers and the inevitable marital quarrels. But what makes them a financial triumph is the economics of their production, which has turned Netflix’s proposal into one of the most profitable ideas in the history of the platform. In Xataka | Spotify and Netflix join forces, entering unexplored territory that has nothing to do with music, movies or series

with his latest Rosco, he has achieved audiences typical of the last century

by

Rosa Rodríguez has entered the history of Spanish television, thanks to the 2,716 million euros she won in the legendary final rosco of ‘Pasapalabra’. The nightly special gathered 4.1 million viewers at its peak (a 45.3% share), figures that seem taken from another decade. But what is notable is not the prize or the specific audience, but rather that this contest, broadcast outside the prime timehas maintained for 25 years a capacity for convening that defies all logic. The fragmentation of audiences pulverizes formats each season, but ‘Pasapalabra’ grows. What happened. After 307 duel programs with Manu Pascual, Rodríguez, an Argentine teacher living in Galicia, completed the Rosco that gave her access to the largest jackpot ever awarded by ‘Pasapalabra’. Rodríguez and Pascual starred in the longest duel in the history of the program, 307 broadcasts faced in the final Rosco, a mark that far exceeds any other confrontation in the format. Pascual accumulated the absolute record for individual participations with 437 programs, and on six occasions he was one letter away from completing the rosco. On Thursday night, Rosa correctly resolved the 25 definitions (from “cruiser” to “Earl Morrall”, the American football player who closed her victory – not without controversy, since her pronunciation was not entirely correct, which triggered the inevitable on social networks. tongo accusations-) and dethroned Rafa Castañountil then holder of the largest jackpot with 2,272 million euros obtained in March 2023. Pascual left the contest with 270,600 euros accumulated, a considerable figure that does not mitigate the frustration of having touched the jackpot on half a dozen occasions. The audience. The data turns Pasapalabra into a statistical anomaly. This season, the contest registers a daily average of 1,928 million viewers with a 20.3% screen share. These figures correspond to its usual evening broadcast, in a time slot, eight in the afternoon, which the industry does not consider prime time and which competes with the end of work days, commuting and family routines. The tentacles of Pasapalabra. The impact of the program transcends its own broadcast. On Thursday Antena 3 reached 18.9% daily averagedouble its usual performance. ‘The Anthill’with Rosa and Manu before Rosco, scored a spectacular 23.5% of shareits best figure since March 2023. Vicente Vallés’ nightly news program reached close to 3.1 million viewers, its highest in three years thanks to the audience awaiting the outcome. The evening magazine ‘Y Ahora Sonsoles’ and the daily series ‘Sueños de Libertad’ also recorded season highs dragged by the ‘Pasapalabra’ effect. It was the day with highest television consumption of the entire seasonwith 10 million Spaniards in front of the television after 11:00 p.m., 20% more than the previous week. A revealing fact: the final Rosco segment alone reaches a 25% screen share and 2.6 million viewers on average, surpassing the global audience of the entire program. It is the moment of maximum tension, when the secondary screens turn off. 25 years. The permanence of ‘Pasapalabra’ in the Spanish television ecosystem for a quarter of a century is complex to explain. Since its debut on Antena 3 in July 2000, the contest has aired on three different networks, several judicial stoppages and presenter changes. It has not lost cultural relevance. Its format maintains a deliberately simple structure: two contestants accumulate seconds in verbal agility tests that they then invest in the final Rosco, 25 definitions whose answers correspond to the alphabet. That invariability is, paradoxically, one of its greatest attractions. An anomaly. The context in which Pasapalabra thrives makes its success even more surprising. At the end of 2024 63.3% of Spanish households with Internet access used at least one paid audiovisual platform. Netflix, Amazon Prime Video, Disney+ and the rest of the on-demand services have radically reconfigured consumption patterns: viewers decide what to watch, when to watch it and on what device to play it. The rigidity of the traditional television schedule should be an obstacle, but it is not However, the numbers refute the supposed obsolescence of linear television. Digital platforms accumulate 16.7% of total audiovisual consumption in Spain, and traditional television maintains 83.3% according to a Kantar analysis from July 2024. Among those over 50, free-to-air television continues to be the dominant medium, with consumption exceeding three hours a day on weekends. ‘Pasapalabra’ capitalizes on that type of audience. The unique touch. What distinguishes ‘Pasapalabra’ from extinct formats like ‘Who wants to be a millionaire?’? Its ability to generate events within the routine. Each Rosco is not just another episode: it is a potentially historic event, a unique opportunity to witness a record. The architecture of the growing jackpot transforms the daily broadcast into a series with no pre-established end. The suspense builds up for months until it explodes on nights like this Thursday. At prime time. Atresmedia’s decision to move the delivery of the boat to prime time generates a recurring debate among Pasapalabra’s loyal audience. Miguel Aparicio, director of the program, recognized that initially the team resisted this strategy: they preferred to “reward that follower who pays attention day after day” while maintaining the surprise factor. When Rosa completed the Rosco, Antena 3 built an entire programming architecture around the event, with a special prior to 8:00 p.m. in the program’s usual time slot, the appearance of the contestants on ‘El Hormiguero’ and finally the broadcast of the decisive Rosco after 11:00 p.m. This tactic has been repeated with the last big jackpots: Pablo Díaz in July 2021 (30.8% and 4.3 million), Rafa Castaño in March 2023 (37.4% and 4.5 million) and Óscar Díaz in May 2024 (30.1% and 3.2 million). They were all moved to nighttime hours after weeks of building expectations. The strategy works. Not only for the contest, which multiplies its usual audience, but for the entire grid. In Xataka | Telecinco’s crisis is so great that it is leading it to extreme measures: merging sets to save costs

of hobby for otakus to sensation parra all audiences in comic-con

by

He Cosplay It has been the clear visible face of the recent Comic-with Malaga: Media and curious They focused their attention, of course, in the dozens of assistants characterized as his favorite comic, anime, cinema and video game characters, among other corners of popular culture. We already had the opportunity to chat with some attendees when we related Our first 24 hours in Malagabut we wanted to go a little further. For this we have spoken with two relevant personalities within the world of cosplay. On the one hand, Sergio and Anabeldirective dome of Wondercosthe Almería Cosplay Association. On the other, with Furanoveteran Spanish cosplayer based in London, who has been Spanish representative at the Polymanga Global Easter Competition in Switzerland, or representative of the United Kingdom with his Vinnie partner in the World Cupy, the World Cosplay Summit in Nagoya, Japan, with more than 40 participating countries. We have perceived a regrowth of the popularity of the cosplay in Spain, and we start there. Has it been our feeling? “Before the pandemic the cosplayers were a minority, few people disguised. But from 2021 A boom has been noticedespecially in events such as Comic-Con, “they tell us in Wondercos. But why is that date?” Simply, when they were locked up, people found there a hobby that they did not know. Also post-pandemic there has been a certain rise of geek or otakus events: before there were at most six or seven large events in Spain and already, and now it is spreading and each city tries to have its own version of the event, so that the fans are more visible. “ And of course, this leads to the business: “There are companies that have realized this and get more and more outfits. As a consequence, the price of the materials has also been democratized. Before making a suit cost a lot of money, now it can cost you between 200 and 400 euros, depending on your economic and clear possibilities, it also depends a little on how professional you want the layer or the helmet to be.” Because of course, in cosplay there are levels of dedication and professionalization. Furano tells us that “people think it is simply to dress as Spider-Man, but Do not see all the work behind: paint, sewing, embroidery, 3D modeling… Because the seam has been done for centuries, but the level of sewing in the world of cosplay of 10 years ago was totally different. “And he continues:” Now people are done to their own shoes. I saw some girls from Germany last year in the World Cup who were dressed in ‘Monster Hunter’ who had cultivated their own cotton and with it they made their fabric to make some little braids that carried in the suit … “ Photo: Zippy Cosplay In a few years, the techniques have lived a tremendous evolution: “When I started, things were done with the eva rubber of the corner bazaar (the yoga sterilla material) stuck with Superglue in a Zara shirt with three stickers and we were very happy.” But the thing was changing: Furano affirms that “the first revolutionary change of cosplay was the Worbla, a thermoplastic material that when heating is malleable, and when it cools it is hard. It serves to create armor, props, all that kind of thing” As for the future of the fans in technical terms, the people of Wondercos are clear: “3D impression has made The cost is the most accessible in history: It is easy to look for the STL file of your character, climb and print it. That is helping that many people who do not want to get cumbersome with Eva rubber or silicone gun to have the opportunity to get into the world. ” Furano agrees, but with a nuance: “If you simply want to make your cosplay and take it to the comic-with, you download a file from wherever, you print it, you sand it, you paint it and that’s it. But if you want to participate in a cosplay contest, that 3D model you will have to do it yourself, and you have to know 3D modeling. Is it simpler? Yes.” What seems to both coincide is that “there are a lot of more information now.” Photo: Furano People Know agent What is detected under this whole work is a certain sense of community and collective hobbies, which is precisely for what is created an association like Wondercos: “The goal was to help people create their zero costumes, teach techniquesmake talks, classes, a little of everything, from making a fabric suit like working materials. We consider ourselves a training association. “And they add:” We believe that if a person learns to get a suit, then things like going to events, to photo sessions, etc., fall alone. “ However, within the Cosplayers themselves are divided into diverse groups. For example, Wondercos tells us that “there are those that we usually call within the community Cosmakersthat it would be the people who buy a normally manufactured suit and put it during an event. They are more dedicated to the issue of makeup, wigs, and so on. And then we have the PROPMAKERSthat they would be the ones who make the zero suit. “ Furano also sees a division, but of another type: “Cosplay comes from Costume and Playand there are people who enjoy the Costume and people who enjoy the Play. I believe that the new generations prefer to buy a suit, put it on, have fun. And there are others who enjoy is spending six or seven months, or two years, making a suit, and then they put it five minutes to go to the event, get on stage and get off. That is my case: The side that I like is to sew, the construction and others. And now we are a minority. “ However, the message sent by these prominent members of the Cosplayer community is not the division or conflict, rather … Read more

‘La Revuelta’ and ‘El Hormiguero’ do not face a war of audiences, but politics lies, and yesterday we saw the first exhibition

by

As they say in the series: “In the last season of ‘La Revuelta’ vs. ‘El Hormiguero’ …”. And the last thing that happened is that after the Zambombazo de las Campanadas With Broncano and Lalachus in La1, The audiences were retreating timidly and ended with a clear victory of ‘El Hormiguero‘. Not sweeping, but winning consistently every night. Does that want to say that this season the waters are going to calm down and ‘La Revuelta’ will admit his quiet defeat, letting motorcycles reign? Not remotely … The audiences. After sweeping Monday with football, on Tuesday 9 she marked the return of ‘La Revuelta’, after a week in which Motos already had her new season at solo. Broncano stayed on Tuesday only a few tenths of his competitor (16.4% compared to 16.8%). Last night the distance increased, getting closer to what we saw in spring (16.5% of ‘El Hormiguero’ against 15.1% of ‘La Revuelta’). They are figures that give us an overview, but not detailed of what happened yesterday, since among other things and how we have spoken other times, Broncano does not announce your guestswith what does not depend on their potential to propel their figures. What happened yesterday was a especially tense night, with two unusually politicized and strident guests. Mariló Montero against Broncano. Invite Montero to the set of ‘La Revuelta’ It seemed a counterfit idea, although there was an excuse: he is a contestant of the new edition of ‘Master Chef’, but a good part of his career has passed as a combative conservative speaker in large audience programs as ‘Public mirror’ or in La1 itself, whose morning magazine presented between 2009 and 2016. The interview with Broncano was so tense that, for the first time, the guest did not sit to sit. They were discussed, from absolutely contrary positions, issues such as bullfighting (Defender one, Antitaurino the other) or freedom of expression (the famous and so relative “nothing can be said” that so often comes up in ‘El Hormiguero’). The interview was embedded in a tense atmosphere and between accusations not veiled that Broncano had been finger by the government to propaganda. Montero, however, was in a hostile environment: it was booed and its arguments were dismantled almost without opposition. Broncano preached for converts and the program served to strengthen his audience and positions. Nacho Cano and Motos. For its part, ‘El Hormiguero’ He invited a lavish Nacho Cano to his setwho sowed his appearance of shocking statements: he assured that he lives with fear and that he keeps money so that, in case of being killed, “those who do it, pay it.” He said that “I fear that they hit me” three days after denouncing by prevarication (For the third time) To the judge who brought the Malinche case, already filed. He aited the government of being a criminal gang, told the Police as part of the conspiracy and said that only the Civil Guard can save us from this union. Leaving aside the crazy accusations of canoe, the truth is that his words were dyed of a fury somewhat out of control and clearly politicized. And that, on the one hand they contrasted with that idea that “nothing can be said” and, on the other hand, that only the1 is politicized. Hostilities are intensified. The impression that leaves us on the tense night of Wednesday 9 is that both programs have drawn the heavy weapons to combat their rival from the beginning. Motos has taken three conservative icons this week such as Bertín Osborne, Arturo Pérez-Reverte and Nacho Cano, and Broncan Ampendera on the left. The numbers no longer. Perhaps because they know that if the PSOE government ends ‘the revolt’ it can have the days counted (it does not matter or not: that is the vision of the program), and perhaps the fight for audiences, Broncano and theirs may have chosen to intensify the fight in the political mud. Bringing Montero to ridicule it is not exactly the most elegant of the movements, but the presence of Nacho Cano in ‘El Hormiguero’ was able to be squeaky even for the regular motorcycles, given the extravagance (and radicality) of the guest. If this has done nothing but start, we will be entertaining this course. Header | RTVE / Atresmedia In Xataka | The motorcycle and broncano clash honors a long television custom: that of the presenters wars

There was a day that MotoGP rivaled in audiences with football. The Aragon GP confirms that this time has died

by

Moto GP, the queen category of the World Motorcycling, the most often of all, is ever seen in Spain. At least that is what some public data indicates, a rare thing in a country of great biker tradition like Spain and that has Marc Márquez, again, as a claim to fight for a title six years later. What is happening? One million. One million viewers. That is the figure that, According to Kantar Mediafollowed the race of Moto GP last Sunday through the sixth. Although the race became In the third program of the day with the highest market share, the truth is that the number of people who followed motorcycling per open on television was not as high as one would expect. Especially if we consider that the trend is being down. The X account Lord of the Mediawhich regularly collects information related to sports audiences in Spain indicated that the monitoring of motorcycling is going down in Spain. Click on the image to go to the original tweet The data are going down. Compared to last year, it is estimated that some 600,000 people have stopped following the queen category of the World Cup. Of the 1.6 million of the Spanish Grand Prix that followed the race in 2024 to the million viewers of the last Grand Prix of Aragon, who joined, according to Kantar Media, one million people in front of television. Along the way, in Spain other great open awards have been offered and the data (at least first) say that some interest has been lost. This user collects that the first date already mentioned last year was the aforementioned Grand Prix of Spain, with those 1.6 million. From there he went to the Grand Prix of Catalonia and the Solidarity GP (the race that replaced in Barcelona to the appointment that the calendar in Valencia should have closed and that could not be run because of the Dana). In both cases 1.3 million viewers were counted. But this year we are having worse figures. The Spain Grand Prix left 1.2 million viewers in front of television and, first, one million viewers at the Aragon Grand Prix last weekend. Sure? The data of a million spectators hides other figures. In See you They explain that the Dazn and Aragon TV viewers must be added to the data of La Sexta, where the race was also issued. In that case, the data add a non -negligible figure. The total sum leaves the race in 1,282,000 spectators. Of these, Dazn would add another 152,000 spectators and the local television another 72,000 followers. That is, of the almost 1.3 million viewers, more than 15% used other platforms to follow the race. The market share also rises from 14.5% to 16.1% which would leave it as the second most watched program of the day (surpassing, yes, to the roulette of fortune, authentic rock in daily television consumption). What could happen? The truth is that, as we said, seen with some perspective the data of last weekend does not seem so bad. In 2020, 2021 and 2022, when the race was issued by Tedeport, Telecinco and 1, respectively, the million spectators were not able to arrive. However, we do not have the data of how many people followed Dazn last year the races of the Motorcycling World Cup. Either in See you They offered follow -up data for the private platform on the first appointment of the year in open. A bitter fact. Despite the game of figures, the truth is that it seems that in a year the interest has declined. But most worrying, they point out from Motorpasion motorcycle It is expected that Marc Márquez, that this year leads the championship again and has very serious options to take the title six years later, is not generating the expected pull. Especially if we take into account that the Spain 1 Grand Prix of Formula 1 took 2.2 million viewers in front of the television despite the fact that neither Carlos Sainz nor Fernando Alonso had real possibilities of Victoria, which always serves as a traction. However, neither has formula 1 achieved large figures last year. The 1.44 million data in Telecinco in 2025 is slightly higher than the previous year but is far from the 1.72 million of 2022 and the 1.84 million of 2021. Only to good results fever In the first races with Aston Martin they managed to raise the figure to 2.25 million viewers in 2023. The best days were left behind. What seems very clear is that the Motorcycling World Cup does not attract what attracted before. In recent years the races of the queen category have stagnated between one million and a million and a half spectators. But the big figures were left behind. These, on the other hand, have not seen each other for more than a decade. 2015 was the last great year of huge audiences in motorcycling. That season were recorded almost six million viewers In the duel between Jorge Lorenzo and Valentino Rossi for taking the title. In 2013, the World Cup closure also brought together almost five million in front of the spectator. The second most seen in history, between both appointments, was the world title of Álex Crivillé in 1999. A cluster of circumstances. There are several factors that explain why motorcycling has lost bellows in recent years although one seems to be erected above all. Crivillé’s title was the first of a Spaniard in 500 cc, so the expectation was maximum. The duels of the Spaniards with each other (Jorge Lorenzo-Dani Pedrosa) or with Valentino Rossi attracted an enormous interest. But in Motorsan They regretted in 2018 that passing the distribution of the World Cup to a payment chain He had killed the audiences. It had passed in a few years of six million viewers just over 300,000 followers in front of television. Without an open television network that follows the entire World Cup it is … Read more

RTVE wants to win the war of audiences at any price. Although that price is the 55 million of the World Cup

by

On February 18, the Contest for the Rights of the World Cup in 2026 in the US ended. According to the worldRTVE has made the rights paying 55 million for the matches that will be distributed with Midopro, which can create your own channel to sell the rights to platforms. A very expensive bet for sport, but also a safe value for audiences. And in the new stage of the public entity competing with the private ones, it is a strategic play. A lot of sport. Traditionally, RTVE has had under its mantle the channels to go to consume sports, especially the1 for more importance competitions. And it is clear that the public chain knows well that it is a reference in that sense, because it has invested 360 million euros in sports rights. Some of them: Eurocup 2028 2028 Los Angeles Olympic Games in 2028 and Brisbane in 2032 Winter Olympic Games D’A Ampezzo, in Italy, in 2026 20 selection matches and 20 games of other selections at the Nations League The Champions Finals between 2025 and 2027 Copa del Rey 2024-2025 League summaries in 2025 FIBA competitions between 2025 and 2029 Cyclist return to Spain. The search for the audience. RTVE knows that the front row competitions have no rival: Spain’s parties of the Eurocup They reached 56% of Share and certain sports of the Olympic Games in Paris, such as tennis, They were put at 37.5% quota. Figures capable of saving TVE audiences in the months in which they are issued. The purchase to the FIFA of the rights of the next World Cup makes it clear that RTVE wants to continue in this line. 100 million extra. Precisely these last two sporting events, the Eurocup and the Olympic Games, required an extra impulse. The government had to inject 100 million extra euros to the entity to finance the purchase of these rights, as reported by the then Cascajosa Conception in her first appearance before the Mixed Budget Control Commission. To compete. RTVE has been since the middle of last year, but especially with the arrival of its new president, José Pablo López, competing from you to you with the private ones. Broncano and ‘La Revuelta’ They are the clearest case, Equing with audience to ‘El Hormiguero’ And at the same time, damaged by the successes of Tele5as if it were a private one. And the thing does not end there: among the next plans of the new director of public television, Sergio Calderón (with long experience in mainstream production and Mediaset management), is A magazine for the afternoons where Belén Esteban and María Patiño will be, and the signing of great entertainment names as Buenafuente. Money is not a problem. RTVE is in a singular situation, since although its budgets are closed (and immovable: The same money has been allocated since 2009), is entering the signing market and betting of private ones. A movement that He has won criticismalthough it is convenient to be clear that TVE does not directly compete with the private ones in a very clear aspect: it does not put advertising (although it does have sporadic sponsorships in the programs, which has given it the occasional legal disgust). Therefore, its budget remains public, its expenses too … but its intentions seem linked to the destination of private ones. In Xataka | Cristiano Ronaldo would love to score all the goals of the World Cup. There is a technology that prevents it

The audiences, in unpredictable terrain between the bad Broncano streak and the increasingly patent recovery of TV5

by

‘La Revuelta’ It seems to have worked as a revulsive for the stagnation situation that the traditional television audiences liveEl Hormiguero‘. Nothing that was released in that strip seemed to be able to compete, and no format that Tele5 experienced after the fall of ‘Save Me’ planted face. From the fall of last year, however, and with its audiences matching and surpassing those of motorcycles, Broncano seems to have launched a poisonous dart, a doubt: there is nothing sure in the figures of linear television spectators. Broncano collapse. A little less than a month ago We talked about how, with six months of the premiere of ‘La Revuelta’, the competition with ‘El Hormiguero’ had not yet thrown clear data. In the last quarter of 2025, Broncano came out victorious, however little, in the strip of strict coincidence and also in the number of spectators. However, both the Champions and, especially, the unexpected success of ‘The island of temptations’ has affected Broncano’s figures, which had a historical minimum last March 12 And, in general, its lowest figures since it premiered in autumn. The solution, this Thursday. Taking advantage of the fact that this Thursday will be issued number 100 of ‘La Revuelta’, TVE will experiment changing the emission timeand delaying it until 22.35 hours. Like so many other times, Broncano sees his time changed because of football, since TVE will give the match between Spain and the Netherlands before. The seventh gala of ‘Celebrity sewing teachers’, which It is not having very good audiences eithera week is postponed. It is unlikely that TVE is looking for a schedule change for ‘La Revuelta’, since it cannot be allowed, as Tele5, to base its entire grill on a single product. But at the moment it can be an experiment to verify how it is given to escape from the motorcycle sponator. Meanwhile, Telecinco triumphs. Although the Mediaset channel is still in total audiences below Antena 3 and the1 (it will be necessary to see if it recovers second place with the spectacular audiences of ‘The island of temptations’ and ‘survivors’ of March), its climb thanks to the Montoya phenomenon is remarkable not only for the damage it is doing to Broncano, but by the improvement itself for the global computation of the channel. And it is not the only strip that improves its data, but that mornings and afternoons have also experienced remarkable increases. Realities Explosives Montoya became Thanks to the power of memes In a global phenomenon, but what Telecinco perhaps did not expect was that it helped to give a tremendous push so much to the final stretch of ‘The island of temptations’ (a spectacular 26.9% quota came to have in its tenth week on Monday, leading every week and with an average of 19.1%). But the phenomenon continues: in its second week, ‘survivors’ already averaged 20.6% of Share in its main section, and exceeds 20% in three of its first editions. Figures completely from another era, almost pre-streaming. Not everything is the islands. And not just that. Last week, Ana Rosa showed that His return to the morning It had been a good idea because it is not only planting face (without destroying, but enduring the envy very dignity) to Arús, but since he left the afternoons, ‘late’ is strengthening his presence. Last Tuesday 11, both Ana Rosa (15.8%) and ‘afternoon’ (10,1) made respective records of Share In his trajectories, and also ‘Jorge’s diary’ (10) strengthened his space, since he has a good run of double -digit audiences, and on Tuesday he made his best fact since its premiere, demonstrating that the change to the second half of the afternoon has sat very well. Are you seeing Telecinco, finally, the conclusion of your journey through the desert? Header | Mediaset – RTVE In Xataka | Years pass and television continues to mark the times to Netflix. Montoya’s “signing” is the best example

I have tried the new cheap folding of Zte. It is a substantial improvement to take it to all audiences

by

Folding phones arrived mainly in two forms, while the industry advances more and more folds, see the Huawei mate xt either Samsung’s own that Silhouette appeared during the last Unpacked. However, now that this segment begins to take run, there are few firms that take the opportunity to mid -range: One of these is zte. Last year we met the ZTE NUBLIA FLIP 5Ga good attempt for less than 600 euros to rival the other firm involved in these mid -range “, Motorola and its Motorola Razr 40. Sinned in certain sections such as the quality of its hinge and a very little useful external screen. His successor is the zte Nubia Flip 2 5G, a phone that I have tried in the MWC and that Confirm a general improvement: It is a great affordable alternative capable of exempting us from emptying our account. TECHNICAL SHEET OF THE ZTE NUBIA FLIP 2 5G ZTE NUBIA FLIP 2 5G Internal screen 3 -inch OLED screen 900 nits External screen 6.9 -inch AMOLED screen Resolution of 2,790 x 1,188 pixels 120 Hz soda rate PWM: 2,160 Hz 1200 nits 443 ppi Dimensions and weight 7.2 mm thick (folding) 193 grams PROCESSOR MEDATEK DIMENSITY 7300X RAM To be determined STORAGE To be determined Front camera 32 MP Rear camera Main: 50 MP Depth: 2 MP BATTERY 4,325 mAh Fast charge of 33 w Operating system Android 14 Connectivity 5g WIFI Bluetooth 5.4 OTHERS Dactillas footprint recognition Facial recognition PRICE From 699 euros Giving more use to your external screen is the key As happened with Samsung, Zte has learned from his mistakesand in this new Nubia Flip 2 we already have an external screen that is useful to review notifications, take photos without opening it and of course, to have a sympathetic virtual pet. This outer panel is not round, it has become rectangular, more in the line of current folding. In fact, Allows you to see a YouTube video as well as open other recurring applications, such as Facebook. Win in versatility with a subtle change that others gave in the past: increase the diagonal in addition to the form. They are 3 inches with AMOLED technology that acts as a complement. The sensations in hand remain equally good. Built on an aluminum alloy frame and a back of glass, the cloud flip 2 5g It feels premium. Nor could we expect less, because despite being cheaper than usual, it is not a cheap mobile. Inside, a Chip manufactured by MediaTak is hidden, saying goodbye to Qualcomm that put one of its Snapdragon in the predecessor. It is a Dimensity 7300x Manufactured in the 4NM process of the TAIWANASA TSMC: the change of chip or feel good, or bad, since in performance it is along with the Snadpragon 7 Gen 1 of the first cloudy Flip. The unit I have tried to mount 8 GB of RAM and 256 GB Internal storage, nothing out of the ordinary, and sufficient for fissure yield: there are no lags in the firm’s interface, which by the way, is accompanied by small touch -ups to make the most of the form factor of this folding. And luckily, in the time I have been using it I have not appreciated excessive warming, one of the most alarming points of the first model. Necessary cuts to maintain a competitive price Where most benefit cuts are noticeable in that simple cameras module, because there are no artifice or many sensors here: the Nubia Flip 2 5G Equipa a single usable camera. It is a 50 megapixel sensor that aligns next to a depth sensor (2 MP) and a ring that makes flash. On its internal screen, the 32 megapixel front chamber is hidden, in a circular cut as has predominates for years on Android. In the absence of evidence, I hope that ZTE has remedied one of his biggest problems, especially in the portrait mode that left a poor bokeh effect due to a bad cut. On the other hand, it has IPX4 and IPX2 certification, which gives resistance to dust entry. Your software is born outdated: Android 14 Made by mine, the manufacturer’s customization layer. That, yes, this time it is seasoned with some artificial intelligence capabilities such as call transcripts and a personalized voice assistant, as well as Google Gemini. Assemble a fingerprint reader, which as in the rest of folding, is not under the screen. It is located on the unlock button, something that does not dislike. The biggest claim of this Nubia Flip 2 5g is not its processor, or its cameras: affects the fateful point of these devicesthe price. And with everything, he goes up to his predecessor: 699 euros in Europe. Obviously we are not facing a bargain, but it is great news in a market that advances little by little and that is mainly directed to the premium segment. Say that folding comes to democratize are major words For a device that is not cheap. However, it throws a halo of hope, and demonstrates that with certain resignations, it is possible to have a price for mortals. I see increasingly the folding mid -range, who knows if the third generation of these flip gets the final price, I will not lose sight of it. Images | Xataka In Xataka | The dream of mass folding mobiles remains distant. They are still expensive and fragile

Log In

Forgot password?

Forgot password?

Enter your account data and we will send you a link to reset your password.

Your password reset link appears to be invalid or expired.

Log in

Privacy Policy

Add to Collection

No Collections

Here you'll find all collections you've created before.