“Investing in the development of full electric cars would be an expensive hobby”

something like It happened to Luca Cordero di Montezemolo It has happened to Stephan Winkelmann, CEO of Lamborghini. He did not want to say but he said when asked about the new Ferrari Luce and all the controversy that has surrounded the Italian company’s first all-electric launch. And Lamborghini, unlike those from Maranello, canceled its all-electric project a long time ago. And both positions have their reason for being. “The right way”. It is the one they have taken at Lamborghini, according to Stephan Winkelmann. Those three words are part of the answers he has given to CNBC in relation to the new Ferrari Luce. Although Winkelmann assures that “each brand, each company has to decide for itself,” he has not hesitated to defend his position. And the head of Lamborghini considers that canceling its first fully electric car has been “the right path.” According to their internal reports, they claim that interest in a completely electric car from Lamborghini had slowed down and that is why they decided to stay with plug-in hybridization. “An expensive hobby”. This is how resounding Winkelmann himself was a few months ago when he confirmed that the project for Lamborghini’s first electric car had been cancelled: Investing heavily in the development of full electric vehicles when the market and customer base are not ready would be an expensive and financially irresponsible hobby towards shareholders, customers and towards our employees and their families. The words were collected by media such as Motorpassion and they emphasize the purchase intentions of Lamborghini customers, who They still prefer the company’s V8 and V12 engines. The company, however, has used its research on the electric car to carry out the Lamborghini Revueltoits first plug-in hybrid. Because?. As we told you during our introduction to the Lamborghini Revueltothe company was always very clear that electricity had to be a means to increase the sensations on board and improve dynamics, not aiming for a more language ecofriendly. This decision, like that of canceling its first electric car, has its own internal logic within a company like Lamborghini, which clearly opts for hypermuscular and hypermasculine cars where sportiness is almost its only reason for being. The only concession they have made is the Lamborghini Urus and its creation falls within the Volkswagen Group’s logic of cost utilization. a lot of sense. If the approach proposed by Lamborghini was that of an electric supercar, the truth is that there does not seem to be a market for this type of car. Mate Rimac, CEO of Rimac and creator of, perhaps, the sportiest electric car in the world, complained that political pressures to jump to electric cars They were precisely slowing down the potential sales of their electric cars. Beyond the fact that the customer may miss the sound of a V12 engine and the feel of a gearbox, the truth is that if the average driver is forced to skip the electric car, driving a combustion supercar will be even more elitist. It is very likely that more electric supercars will arrive but right now the context is against them. The public for this type of car seems to be revolting against the regulations that, supposedly, force them to jump to electric cars. By pure physics, the electric car needs to be much heavier than a combustion car right now. And finally, obviously lacks that sensory part which can only be associated with the sound and smell of a combustion engine. And the Ferrari Luce? It is logical that Lamborghini defends its position and claims that its customers are not looking for an electric car, but the public profile is different between Lamborghini and Ferrari. Or, what is certain, Ferrari is trying to catch a different audience. The Ferrari Luce is not an electric supercar, it is not an aggressive and aerodynamic sculpture on wheels as has been the norm in its history. It is a car designed to send the message that whoever has it is up to date and embraces innovation and groundbreaking products. Since we saw the interior of the car it is something that seems more than evident. The fact that the car was shown in a light blue color and without a trace of moving videos underlines that we are looking at the launch of a car as a fashion accessory for walking comfortably through the center of any city without the discomforts typical of a supercar. Click on the image to go to the original tweet A little pull. Although Stephan Winkelmann says he does not mean to say, the truth is that he says a lot with his response. Despite not wanting to get into controversy, his defense that Lamborghini customers do not opt ​​for this type of car is a way to distinguish the two types of customers. A reaffirmation of Lamborghini’s identity. It adds up Lamborghini’s social media post coinciding with the launch of the Luce, which reads “proud to keep you dreaming” or “proud to keep your dreams” and four attached images of a Lamborghini Revuelto in a tone of blue very similar to that used by Ferrari for the presentation of its Luce. Photos | Lamborghini In Xataka | If the Ferrari Luce breaks with the entire history of Ferrari it is for a very simple reason: new rich

TikTok’s new hobby is to enter one of the most guarded buildings in Hollywood by surprise: Scientology

The Church of Scientology building in Hollywood has been generating curiosity, controversy and mistrust in equal parts for decades. But in recent days, a group of content creators have found a peculiar way to interact with it: run inhold on as long as they can and leave through the emergency door before the staff escorts them there. The creation of traditional hooligan content, but in this case it allows you to take a morbid look inside buildings that jealously guard their secrets. Like Sonic, but faster. in culture gamera speedrun It consists of completing a video game in the shortest time possible, often exploiting unconventional routes and small system glitches to break records. To apply that logic to real life, there are a few kids who have chosen the Hollywood headquarters of the Church of Scientology as their setting, one of the most photographed and least known buildings in the neighborhood. The result: videos where the participants They burst through the front doorthey run through the hallways as much as the staff allows and end up being escorted to the exit. Nobody has gotten very far. Perverting the rules. The curious thing is that Scientology wants you to enter their buildings. Their headquarters are designed to attract curious visitors, with open tours and helpful staff. Of course: the organization prefers to do it on its own terms, guided, monitored and with the rhythm set by its recruitment protocol. What it does not tolerate is someone entering without warning, at full speed and with a camera pointing towards rooms with the door completely open. The staff at the Hollywood building has been identifying creators who routinely troll them for some time, and when they see someone who could be a problem, the doors close. That, inevitably, has added an element of play and challenge to the matter. How many people are there watching it. The most viral video of this trend accumulates more than 35 million views in one week. In reality, there are two or three main videos that are redistributed non-stop on different platforms, so in reality it is not so much a cultural or viral movement, as a couple of content creators who have found a key that interests millions of people. An unexpected debate. What the challenge has generated is a more substantial discussion about whether these videos function as a criticism of Scientology. Journalist Yashar Ali, known for his critical coverage of the organization for years, said in X that this type of content “fits perfectly with Scientology’s internal indoctrination, which teaches its members that the outside world is a violent place that wants to sabotage the spread of its teachings.” The speedruns They reinforce the idea that outside critics are hostile and disrespectful, which plays into the narrative that members need to protect themselves from the outside. Content magnet. The Scientology building in Hollywood is not an unknown building for critical content creators. TikTok accumulates years of videos about Scientology: testimonies from former members such as Leah Remini or the former manager Mike Rinderanalysis of their practicesrecordings on public roads of his recruitment methodsmany of them on platforms like TikTok itself. This informative content now coexists with the format speedrunalthough the depth and impact of both, evidently, are very different. Header | mikepmiller

of hobby for otakus to sensation parra all audiences in comic-con

He Cosplay It has been the clear visible face of the recent Comic-with Malaga: Media and curious They focused their attention, of course, in the dozens of assistants characterized as his favorite comic, anime, cinema and video game characters, among other corners of popular culture. We already had the opportunity to chat with some attendees when we related Our first 24 hours in Malagabut we wanted to go a little further. For this we have spoken with two relevant personalities within the world of cosplay. On the one hand, Sergio and Anabeldirective dome of Wondercosthe Almería Cosplay Association. On the other, with Furanoveteran Spanish cosplayer based in London, who has been Spanish representative at the Polymanga Global Easter Competition in Switzerland, or representative of the United Kingdom with his Vinnie partner in the World Cupy, the World Cosplay Summit in Nagoya, Japan, with more than 40 participating countries. We have perceived a regrowth of the popularity of the cosplay in Spain, and we start there. Has it been our feeling? “Before the pandemic the cosplayers were a minority, few people disguised. But from 2021 A boom has been noticedespecially in events such as Comic-Con, “they tell us in Wondercos. But why is that date?” Simply, when they were locked up, people found there a hobby that they did not know. Also post-pandemic there has been a certain rise of geek or otakus events: before there were at most six or seven large events in Spain and already, and now it is spreading and each city tries to have its own version of the event, so that the fans are more visible. “ And of course, this leads to the business: “There are companies that have realized this and get more and more outfits. As a consequence, the price of the materials has also been democratized. Before making a suit cost a lot of money, now it can cost you between 200 and 400 euros, depending on your economic and clear possibilities, it also depends a little on how professional you want the layer or the helmet to be.” Because of course, in cosplay there are levels of dedication and professionalization. Furano tells us that “people think it is simply to dress as Spider-Man, but Do not see all the work behind: paint, sewing, embroidery, 3D modeling… Because the seam has been done for centuries, but the level of sewing in the world of cosplay of 10 years ago was totally different. “And he continues:” Now people are done to their own shoes. I saw some girls from Germany last year in the World Cup who were dressed in ‘Monster Hunter’ who had cultivated their own cotton and with it they made their fabric to make some little braids that carried in the suit … “ Photo: Zippy Cosplay In a few years, the techniques have lived a tremendous evolution: “When I started, things were done with the eva rubber of the corner bazaar (the yoga sterilla material) stuck with Superglue in a Zara shirt with three stickers and we were very happy.” But the thing was changing: Furano affirms that “the first revolutionary change of cosplay was the Worbla, a thermoplastic material that when heating is malleable, and when it cools it is hard. It serves to create armor, props, all that kind of thing” As for the future of the fans in technical terms, the people of Wondercos are clear: “3D impression has made The cost is the most accessible in history: It is easy to look for the STL file of your character, climb and print it. That is helping that many people who do not want to get cumbersome with Eva rubber or silicone gun to have the opportunity to get into the world. ” Furano agrees, but with a nuance: “If you simply want to make your cosplay and take it to the comic-with, you download a file from wherever, you print it, you sand it, you paint it and that’s it. But if you want to participate in a cosplay contest, that 3D model you will have to do it yourself, and you have to know 3D modeling. Is it simpler? Yes.” What seems to both coincide is that “there are a lot of more information now.” Photo: Furano People Know agent What is detected under this whole work is a certain sense of community and collective hobbies, which is precisely for what is created an association like Wondercos: “The goal was to help people create their zero costumes, teach techniquesmake talks, classes, a little of everything, from making a fabric suit like working materials. We consider ourselves a training association. “And they add:” We believe that if a person learns to get a suit, then things like going to events, to photo sessions, etc., fall alone. “ However, within the Cosplayers themselves are divided into diverse groups. For example, Wondercos tells us that “there are those that we usually call within the community Cosmakersthat it would be the people who buy a normally manufactured suit and put it during an event. They are more dedicated to the issue of makeup, wigs, and so on. And then we have the PROPMAKERSthat they would be the ones who make the zero suit. “ Furano also sees a division, but of another type: “Cosplay comes from Costume and Playand there are people who enjoy the Costume and people who enjoy the Play. I believe that the new generations prefer to buy a suit, put it on, have fun. And there are others who enjoy is spending six or seven months, or two years, making a suit, and then they put it five minutes to go to the event, get on stage and get off. That is my case: The side that I like is to sew, the construction and others. And now we are a minority. “ However, the message sent by these prominent members of the Cosplayer community is not the division or conflict, rather … Read more

Two Swedes created Flightradar24 as hobby in 2006. They just sold it for a fortune

Flightradar24 has sold 35% of its shares in the London Fund Sprints Capitalvaluing the company at 500 million dollars. The founders have pocketed 175 million maintaining control with the remaining 65%. Why is it important. The operation makes Mikael Robertsson and Olov Lindberg, two aviation enthusiasts who created the platform in 2006 as a personal project. Today is the undisputed world leader in real -time aerial follow -up. The general panoramic. Flightradar24 billed 420 million Swedish crowns (about 38 million euros) in 2024, with a growth of 18% and a profit margin of 52%. An extraordinary profitability in the technological sector. The business model. The company combines three main income sources: Premium subscriptions (Silver, Gold and Business) that unlock advanced functions such as historical data and weather layers. Advertising in the Basic Free version. Sale of commercial data to airlines, regulators and companies in the sector. Between bambalins. Success is based on a global network of more than 30,000 ADS-B receptors operated by volunteers that capture the aircraft signals. This collaborative infrastructure has given a decisive competitive advantage over rivals such as FlightTAware. Yes, but. Some users have already expressed concern In forums like Reddit About the future under risk of risk. They fear that aggressive monetization of service and free access is prioritized. In perspective. This sale reflects an opposite model to the usual in Spanish startups. The Swedish founders have maintained control for 18 years, building a de facto monopoly before opening the capital, something that has only partially occurred and maintaining control. A lesson of strategic patience. And now what? Sprints Capital, known for its investments in Hemnet and Modular Finance, will contribute resources for international expansion. The founders have ensured considerable fortune without losing the helm of their own creation. Outstanding image | Flightradar24 In Xataka | The GPS has become the Achilles heel of modern aviation. And engineering already has its substitute ready

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