understanding Archives

There are TikTok influencers reading ‘Wuthering Heights’ and not understanding its vocabulary. It shouldn’t surprise us

February 16, 2026 by usatoday24

A viral video where a young Spanish woman complains about the difficulty of reading the romantic classic ‘Wuthering Heights’ has sparked a generational debate about reading comprehension. But beyond the controversy, the data show a real problem: reading skills are falling in all generations, with digital natives being the sector of the population most especially affected. The video. It lasts just two minutesbut it has been generating debate for days. A 25-year-old girl complains, with her copy of ‘Wuthering Heights’ in hand, that she finds the language archaic, she needs to consult the dictionary constantly to understand terms like “tin” or “par excellence”, and she estimates that it will take months to finish it. The video has accumulated millions of views and has unleashed a generational war on social networks: how is it possible, say the most veterans, that a university student does not know relatively commonly used words or is not used to consulting a dictionary? The conversation should not be limited to pointing out blame and differences between educational levels. We are facing a generational change that alludes to how written language is processed, and ‘Wuthering Heights’ has become the accidental battlefield on which to explore that transformation. New times. There is a gap between contemporary narrative aimed at young audiences and literary classics. Young Adult (YA) prose, a genre that attracts millions of readers on social networks (a fact: 55% of the readers who roam TikTok are between 18 and 34 years old, and 78% they are women) prioritizes immediacy, agile dialogues and direct descriptions. It is literature designed for rapid consumption, in tune with digital rhythms. Emily Brontë, for her part, wrote for Victorian readers accustomed to long subordinate clauses, detailed descriptions, and a vocabulary that assumed a certain formal education. Distance is both temporal and structural: different narrative architectures for differently trained brains. The data. The TikTok viral could be interpreted as an isolated anecdote, but a recent study by the BBVA Foundation prepared by Spanish researchers with international data from the Program for the International Assessment of Adult Competencies (PIAAC). It reveals a progressive decline in reading and numerical skills since the Millennial generation: those born after 1980 show significantly lower cognitive skills than Baby Boomers and Generation X when they were the same age. According to the study, Generation Z obtains reading comprehension scores up to 20 points below Generation PIAAC standardized testswhich evaluate the ability to understand, interpret and use written information. The gap widens in numerical skills: young people born after 1995 show difficulties in interpreting graphs, calculating percentages or solving basic mathematical problems applied to real situations. The deterioration is systematic, and also affects developed countries with advanced educational systems. Eyes that do not see. The studies of eye tracking from the Nielsen Norman Group document how users read on the Internet following an F pattern: two horizontal sweeps across the top, followed by a quick vertical scan down the left side. Reading becomes selective keyword tracking. This behavior, typical of Internet browsing, is inappropriate for complex texts that require following arguments developed over multiple pages. The architecture of attention changes: we move from deep dive to shallow scan. The fault of social networks. Digital platforms are designed to capture attention through short, dopamine content. The algorithms reward 15-second videos, striking images, and texts that are consumed at a glance. The attention economy does not encourage depth, and reading ‘Wuthering Heights’ requires the opposite: sustained concentration, tolerance for ambiguity, the ability to memorize information while constructing cumulative meaning. They are skills that atrophy without training. If new generations show systematic deficits in these areas, the consequences transcend the debate over whether or not someone can read a Victorian classic. They affect how we process information of all kinds: medical, legal, financial, political… The young woman in the viral video may be a symptom of something more worrying than the inability to read texts with unusual vocabulary. Facilitate access? This controversy opens up a multitude of tremendously fascinating sub-controversies: educate better or facilitate access to complex texts? For example, Penguin Random House launched its collection in the United Kingdom in 2019. Penguin English Library with updated translations of classics, maintaining the original meaning but eliminating obsolete linguistic turns that slow down reading. The also British The School of Life He published versions “translated into modern English” of philosophers such as Schopenhauer and Nietzsche. AND apparentlythese editions sold 40% more than traditional versions among readers under 30 years of age during the year 2020-2021. But there is also the counterargument that simplifying language impoverishes the experience of reading. The classics are not just arguments or themes that can be transported to any packaging. For example, Brontë’s prose, with its labyrinthine subordinate clauses and convoluted vocabulary, builds atmosphere and rhythm. Removing that complexity to “make it easier” to read is like reducing the length of a classical music symphony because today’s listeners prefer three-minute songs. The search should perhaps be to improve reading training, not to adjust the texts to the less prepared reader. In Xataka | The best books to read in 2026: a selection of readings from all genres for a year between pages

Make the “most mysterious book in the world” with dice and cards. How we are understanding the Voynich manuscript without deciphering a single line

January 12, 2026 by usatoday24

Voynich is an old acquaintance of this house: for years, we have been tracking (and gutting) each of the attempts to decipher the “most mysterious manuscript in the world.” They have all been unsuccessful and that includes, of course, the attempts to some of the sharpest minds of history. Now, however, we have a new idea. And, despite not solving absolutely anything, it sounds very good. What is the Voynich manuscript? Let’s start at the beginning: Between 1404 and 1438someone somewhere started writing a book in a language or code that no one has been able to decipher. A book that, since its rediscovery in 1912, has baffled everyone and especially cryptographers. Overall, this is an extraordinarily strange piece (full of illustrations of rare or non-existent plants, astrological symbols, strange creatures and naked women) about which we know only a handful of things. We know, for example, that it is a natural language (or a code related to a natural language) because complies with Zipf’s Lawan empirical regularity that only occurs in natural languages and that describes the frequency of appearance of words. Invented languages (especially languages invented in the 15th century) do not comply. We have known this since the 60s, but little else. And people are still trying to figure it out? Yes, absolutely yes. The Voynichians are a group of people who are extremely passionate (and ‘insistent’) about their manuscript and, in fact, have members in almost every social strata in the wide world. An example is today’s protagonist. A few weeks ago, the magazine Cryptology public a job of Michael A. Greshko in which a new and very interesting idea was proposed. Greshko is a renowned science journalist, he is an editor at Science and has worked for media such as the New York Times, the Washington Post, Nature, Scientific American and National Geographic. He is someone who is risking part of his prestige on this, come on. And what does he propose? Greshko has exposed something called “Naibbe cipher”. Basically, it is an encryption system that allows languages such as Italian or Latin to be transformed into a pseudo-writing that preserves properties of ‘voynichés’ (the ‘language’ of the manuscript). Respect, for example, things like glyph frequencies or word lengths. All this, with plausible cryptographic tools for the 15th century. And that’s precisely what’s interesting: Greshko doesn’t try to “read” the book; It attempts to demonstrate that, at that time and starting from a common language, a text similar to that of the manuscript could be constructed. How to make your own Voynich at home. According to the work of Cryptologiathe Naibbe method does things like break words into blocks (splits ‘gatto’ into ‘g’, ‘at’ and ‘to’), uses random systems (like dice or card rolls), and generates a homophonic cipher (ciphers specially designed to “counter the main deciphering tool for monoalphabetic substitutions, frequency analysis”). So, have we solved the problem? Not even close. As I said, Greshko has not deciphered the manuscript. He has simply looked for ways in which that manuscript could have been produced. For years, artificial intelligence algorithms have failed in the translation of the Voynich and, as the author explains, this may be because they do not know very well what to look for. Systems like Naibbe draw constructive possibilities that expand the options among which we can search. And in that sense, yes: Voynich is still much smarter than us. Although we don’t know for how long. Image | Gunnar Klack In Xataka | No, no “artificial intelligence” has deciphered the Voynich manuscript

Senna has given us back the passion for a Formula 1 that no longer exists. And its sound is key to understanding its success

December 27, 2025 by usatoday24

March 1, 1981. Brands Hatch, United Kingdom. He had fought for two karting world championships but was still a complete unknown to the general public. Not even in England, where the passion for motorsport is several steps ahead of other European countries, were they aware of what they were seeing. Brazilian with curly hair. The face of a child on the body of a 21-year-old boy. The arrogant look of someone who knows he is superior. And it is superior. That day was fifth at the controls of his Van Diemen. Two weeks were enough for me to get his first victory. With the circuit flooded, Ayrton Senna da Silva asked his team to put as much pressure as possible in their tires. They say that no one on the team believed in that decision but as a pilot who paid to have a guaranteed seat, the mechanics followed orders. The rest is history. The Brazilian driver began to string victories. Six races held that year in the Formula Ford 1600 with four victories. 12 victories out of 19 rounds in which he took the exit. At the end of that same year, Ayrton Senna fulfilled his family commitment and promise to Lilian de Vasconcelos Souza, then girlfriend and then briefly wife of the man considered the most talented Formula 1 driver in history. Senna returned to his country to run the family business. But he had already experienced what it was like to win. He had already experienced what it was like to be the best. And he came back to win it all. They exist, they are somewhere More than 40 years after that Brands Hatch race, Netflix released Senna. “While we were still searching, we recorded a Formula Ford in Sweden, an FF 1600,” The speaker is Gabriel Gutiérrezsound designer of the six-episode series in which the pilot’s life is recreated working with, among other tools, Dolby Atmos. Senna talks about the human side of the driver, his private life and his path to becoming a triple world champion. But if something attracts an amateur, it is the montage of the images, the recreations aboard legendary single-seaters. Recreations that would be nothing without their sound. “I received a call from a post-production supervisor from Brazil, Gabriel Queiroz, who told me about a new project by Vicente Amorim, with whom I had already worked on Holy. From the beginning, we started looking for cars worldwide and how to get models from that era to go out and record them,” explains Gutiérrez about how Senna was built. “The filming was going to be done with replicas of the cars that were custom-built models, fantastic, with enormous precision, but their engines were not Formula 1 racing ones,” Gutiérrez clarifies. Ayrton Senna in the Formula Ford 1600 in 1981 And there begins the challenge: to be able to record the most iconic models driven and against which Ayrton Senna competed throughout the decade of the 80s and early 90s. “Many people told us that we were crazy, that we were never going to achieve it, that those cars were dismantled and that they do not exist.” But boy do they exist. Whoever has ever gone to see a Formula 1 race, there is something that they do not forget: the sound. The current V6 hybrids have nothing to do with the brutal howl of the V10s of the late 90s and early 2000s that Senna himself would not see. What he did have in his hands were cars from a time that will not return. Between his debut in Formula 1 in 1984 and the fateful May 1, 1994 when he lost his life in the Tamburello curve of the Imola circuit (San Marino), the turbo V8 and the naturally aspirated V10 and V12 paraded through Formula 1, the latter with a brutal sound, hoarser than the return of the V10 from 1995 onwards. Pure sounds, without a trace of electrification, that danced inside the cabin to the metallic tapping of the gearbox lever. From stomping on the clutch to downshift, playing with the accelerator to synchronize the revolutions of an engine that was going above 10,000, 11,000, 12,000 rpm. The engine backfired before taking the first chicane at Monza where the Ferraris of Berger and Alboreto watched in shock as Ayrton Senna abandoned the car after Jean-Louis Schlesser crashed and got the only victory they would scratch to the McLarens throughout 1988. The hit of the accelerator at the start and the howl with each gear change before reaching the Parabolica and heading down the finish line. The no less powerful cry of the typhosi in the stands when they saw that they were returning to the top of the podium in Monza when just three laps before they had seen it impossible. They were years of pure driving, of senses. By sight, smell, touch… and hearing. For the protagonists and those who admired them. For those who saw a Brazilian debutant swims between the rails in Monaco in 1984jeopardizing the victory of an already renowned Alain Prost who managed to stop the race before its end, distributing half of the points in a decision that would end up costing him the World Championship at the end of the year in favor of Niki Lauda. Ayrton Senna aboard the Lotus 97T “We were able to record Ayrton Senna’s original Toleman from 1984 and the original Lotus, the 97T model at the Lotus Classic Track in Oxford, which was a fantastic recording. The Toleman was positioned as the new leading car for us, the favorite,” explains Gutiérrez. By then, they had already obtained a good handful of the cars that marked an era. As? Moving through the mist. Senna’s sound designer explains that his first idea was to talk to Frank Cruz, who held that same position in Rush by Ron Howard, a film about the duel between Niki Lauda and James Hunt in the 1976 World Championship. The film … Read more

Log In

Sign In

Forgot password?

Your password reset link appears to be invalid or expired.

Log in

Privacy Policy

Add to Collection

No Collections