In two days, on Netflix, the first stop-motion film made in Mexico arrives with the seal of Guillermo del Toro

There are projects that are literally made with a lifetime’s savings. ‘I’m Frankeldathe first stop motion animated feature film produced entirely in Mexico and which comes with the seal of Guillermo del Toro’s production, comes to Netflix this June 12 with more than one hundred hand-built puppets, four years of craftsmanship. The beginning of its story dates back to 2021 and a semi-unknown anthology miniseries. It was in that year when the Mexican studio Cinema Fantasma, founded by brothers Arturo and Roy Ambriz, premiered on HBO Max (not available in Spain) ‘The Hidden Scares of Frankelda’, a stop motion anthology miniseries starring a ghost writer who tells horror stories to children. The success of the series led to the jump to feature length, initially as a 30-minute special, which grew to become a two-hour film. The Ambriz brothers ended up financing the production with their own savings. We will meet Francisca Imelda in 19th century Mexico, a writer of horror stories whose texts are ignored and dismissed by those around her. Forced into silence, she adopts the pseudonym Frankelda and continues writing until a tormented, supernatural-looking prince, Herneval, guides her on a journey into her own subconscious. Turned into a ghost, she discovers that The monsters he invented have come to life and threaten the balance between fiction and reality.. Just like explained Roy Ambriz: “When Mary Shelley published her books, she had to do so under the name of her husband, Percy Shelley. So we asked ourselves: how many Mary Shelleys would there have been in Mexico?” After seeing a provisional montage, Del Toro congratulated the creators and sponsored the project. The director was already in contact with the brothers since 2015 and the short film ‘Revoltoso’, which he produced. In ‘Soy Frankelda’ he served as creative advisor. It is a role in which the director fits perfectly, since he not only won the Oscar with his own version of ‘Pinocchio’ for Netflix, but he has supported the art of stop motion in very diverse ways, such as with the creation, together with the platform and the Parisian animation school Gobelins, of a stop-motion studio-laboratory. In Xataka | Today on Netflix, 6 seasons of a brutal and fast-paced action series with an impeccable score

Benicio del Toro and James Cameron have been obsessed with adapting a “cursed” work for decades: ‘Prometheus’

In March 2011, Guillermo del Toro resigned. He sent an email to his team announcing that the project to which they had dedicated years of work was definitively cancelled. Behind them were more than three hundred pieces of conceptual art, a script they had worked on for almost a decade, James Cameron as producer and Tom Cruise as star. The novel that inspired it, a classic of literary horror, is still waiting to be adapted ninety years after its original publication. Foundational text. HP Lovecraft He published ‘At the Mountains of Madness’ in 1936 in installments in the magazine ‘Weird Tales’. The story follows a team of researchers who travel to Antarctica and discover, within a colossal mountain system, the remains of a civilization that predated humanity. Its builders, known as “the Ancients” are organisms whose existence makes it clear that humanity does not occupy any special place in the universe, as happens in so many other stories by the author. It is a scheme that laid the foundations (after multiple experiments in the form of stories) of the cosmic horrorand its influence on cinema is obvious in movies like ‘Alien’ or ‘The Thing’. Marked at eleven years old. Guillermo del Toro discovered the short novel as a child in Mexico and it became an obsession that stayed with him for decades. In 2002 he began working on an adaptation with Matthew Robbins, screenwriter and frequent collaborator of the director on projects such as ‘Mimic’ or ‘Pinocchio’. They completed a script but difficulties began when they tried to finance it: Warner Bros. rejected the project, and Del Toro chained films while the project returned again and again to the drawer: ‘Hellboy’, ‘Pan’s Labyrinth’, ‘The Hobbit’… Ready. In 2010 the project took a little more shape, for the first time in its eventful career. James Cameron, fresh off the success of ‘Avatar‘, came in as a producer and Tom Cruise began talks to play the protagonist. The film would be shot in native 3D and distributed by Universal. In 2011, Del Toro was hurriedly working on a new version of the script to shoot that summer, but before that, in March, Universal archived the project. The reason was, mainly, the exorbitant budget of 150 million for a horror film for adults in which Del Toro did not want to reduce the violence. Curiously, Universal next financed ‘Pacific Rim’, which cost $190 million but, yes, had much less exaggerated violence. The coup de grace: ‘Prometheus’. In April 2012, del Toro published in the forums of their official website a text that related ‘At the Mountains of Madness’ with ‘Prometheus’, the feature film by Ridley Scott. According to the director, they had an identical premise, very similar scenes and an absolutely parallel final revelation. That is: explorers of unknown places discover an ancient alien civilization and realize something devastating about their own origins. More attempts. Despite the disappointment of ‘Prometheus’, Del Toro did not completely abandon the project. When he joined Legendary Pictures, he considered the possibility of making a PG-13 film, that is, with less violence. When he later signed a contract with Netflix in 2020, he submitted the project to the platform, but it was not accepted. In November 2022posted on Instagram 25 seconds of CGI footage prepared by Industrial Light & Magic for the 2011 version. The clip showed the Ancients in spectacular fidelity to Lovecraft’s description. Later would recognize than a feature film stop motion could be a viable format for the project. At the end of 2025, del Toro released ‘Frankenstein’ on Netflix, another project he had been wanting to do for decades. The film was a success in the awards season (nominated for nine Oscars and won three), with audiences and critics. Perhaps it is also, without us knowing it, an open door for one of the most deservedly legendary projects of modern fantasy cinema. In Xataka | HP Lovecraft wrote 75,000 letters in his entire life. And they give a definitive insight into all its secrets

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