There are projects that are literally made with a lifetime’s savings. ‘I’m Frankeldathe first stop motion animated feature film produced entirely in Mexico and which comes with the seal of Guillermo del Toro’s production, comes to Netflix this June 12 with more than one hundred hand-built puppets, four years of craftsmanship. The beginning of its story dates back to 2021 and a semi-unknown anthology miniseries.
It was in that year when the Mexican studio Cinema Fantasma, founded by brothers Arturo and Roy Ambriz, premiered on HBO Max (not available in Spain) ‘The Hidden Scares of Frankelda’, a stop motion anthology miniseries starring a ghost writer who tells horror stories to children. The success of the series led to the jump to feature length, initially as a 30-minute special, which grew to become a two-hour film. The Ambriz brothers ended up financing the production with their own savings.
We will meet Francisca Imelda in 19th century Mexico, a writer of horror stories whose texts are ignored and dismissed by those around her. Forced into silence, she adopts the pseudonym Frankelda and continues writing until a tormented, supernatural-looking prince, Herneval, guides her on a journey into her own subconscious. Turned into a ghost, she discovers that The monsters he invented have come to life and threaten the balance between fiction and reality.. Just like explained Roy Ambriz: “When Mary Shelley published her books, she had to do so under the name of her husband, Percy Shelley. So we asked ourselves: how many Mary Shelleys would there have been in Mexico?”
After seeing a provisional montage, Del Toro congratulated the creators and sponsored the project. The director was already in contact with the brothers since 2015 and the short film ‘Revoltoso’, which he produced. In ‘Soy Frankelda’ he served as creative advisor. It is a role in which the director fits perfectly, since he not only won the Oscar with his own version of ‘Pinocchio’ for Netflix, but he has supported the art of stop motion in very diverse ways, such as with the creation, together with the platform and the Parisian animation school Gobelins, of a stop-motion studio-laboratory.
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