In the 16th century, Spain wanted to control the Strait of Magellan by founding a city. It became a cursed settlement

A coin is a coin. And a compass, a compass. What seems so obvious changes when we talk about the old (and ephemeral) city ​​of King Don Felipea Spanish settlement founded more than four centuries ago by Pedro Sarmiento de Gamboa on the northern shore of the Strait of Magellan. Its objective was to become a fortress that would reinforce the control of the Spanish Crown in a strategic maritime passage, but the mission became so complicated that the town ended up becoming a death trap for its settlers. Things went so badly that with the passage of time the citadel ended up being renamed ‘Port of Hunger’a name much more in line with what happened there in the 17th century, and its memory it faded in the mists of history. We had to wait until well into the 20th century so that the secrets of King Don Felipe would emerge from oblivion… and the earth. Now the archaeologists have found among its ruins a small piece of silver that in March 1584 Pedro Sarmiento de Gamboa himself deposited there during the founding ceremony of the town. In its day it was a simple currency (a real of eight) that was used for ritual purposes. In 2026 it has become something more: a compassa guide that will help researchers better understand the structure and location of the city of Rey Don Felipe, the cursed citadel in the Strait of Magellan that should never have existed. At the ends of the world Today the world lives pending what happens in the Strait of Hormuz. Almost five centuries ago the eyes of the Spanish Crown were directed towards another maritime strait with important strategic value: that of Magellana navigable strip located south of what is now Chile and that stands out as the natural connection between the Pacific and the Atlantic. Since Ferdinand Magellan crossed it for the first time, in the autumn 1520the pass became an object of desire for the Spanish Empire, especially after other expeditions managed to cross it successfully and the English entered the race for its control through late 1570s from the hand of the corsair Francis Drake. To guarantee Spain’s geopolitical plans and its exclusive control of the transoceanic passage, the authorities had an idea: found permanent settlements in the area. The mission fell to Pedro Sarmiento de Gamboaa hardworking sailor who, among other missions, had participated in a (frustrated) mission of the Viceroyalty of Peru to hunt down Drake. Sarmiento first undertook an expedition with two ships in the autumn of 1579 to reconnoiter the coastline of the strait and explore its coasts and, once back in Spain, in 1580 he played a decisive role in getting the Council of the Indies to decide to build citadels and fortifications in the transoceanic passage to America. The expedition left Sanlúcar at the end of September 1581 with a fleet of 23 boats and around 3,000 men, including sailors and future settlers. Despite his enormous ambition, the adventure started badly. And not only because of the differences between Sarmiento and Diego Flores de Valdeswho had been appointed captain general of the Strait Navy. Before even leaving Cádiz, a storm sank half a dozen ships and killed 800 men. What followed next was a journey marked by disagreements between Sarmiento and Valdés, illnesses, the inclemency of the ocean and storms that caused the expedition to lose ships, crew and supplies. After various incidents and vicissitudes, Sarmiento and his men arrived at the strait at the beginning of 1584 and founded a city that they named ‘Purification of Our Lady’. It didn’t work. The location and climate did not help, so Sarmiento looked for a new enclave, near Cape Vírgenes, and founded a settlement which he called ‘Name of Jesus’. Determined to continue with the mission, the sailor chose part of the 340 people he kept and looked for a third location to create another citadel. On this occasion he baptized it with a nod to the Habsburg court (King Don Felipe) and celebrated the founding ceremony in March 1584. We know that Sarmiento himself participated in the ritual. On March 25, he laid the first stone of the citadel church and, with it, in the foundations, buried a real of eight silver. As they explain from the Bernardo O’Higgins University of Santiago, it was “a symbolic gesture that marked the birth of the city.” If the ritual was intended to promote the settlement’s fortunes, it only half worked. It has served archaeologists of the 21st century, who have just found the coin “in place and position” described by Sarmiento in his writings and now, thanks to that clue, they will have an easier time interpreting a map of the 16th century in which the buildings of the town are represented. The one who certainly had no use for the currency was the colonists who settled in Rey Don Felipe city. Theirs was a tragic story from the beginning. a cursed city Ciudad Rey Don Felipe may have enjoyed a privileged location from a geopolitical and strategic point of view, but the truth is that it soon became hell for its settlers. And not only because the crew of the ill-fated (and diminished) Armada del Estrecho arrived in Magallanes at the limit of their strength. In ‘Port of Hunger. Beyond the legend’a work signed by the historian Soledad González and the archaeologist Simón Urbina, a key piece of information is provided: “On board the ships or on land they saw people die or desert. nine out of ten colleaguesfriends or family. As if that were not enough, after founding the Nombre de Jesús settlement, the crew divided into groups to expand towards the Santa Ana peninsula, precisely to establish Rey Don Felipe. Once there, and despite the fact that Sarmiento de Gamboa was quick to lay the foundations of the new citadel (both in a metaphorical and literal sense), things did not improve. The scene looked so bad … Read more

Benicio del Toro and James Cameron have been obsessed with adapting a “cursed” work for decades: ‘Prometheus’

In March 2011, Guillermo del Toro resigned. He sent an email to his team announcing that the project to which they had dedicated years of work was definitively cancelled. Behind them were more than three hundred pieces of conceptual art, a script they had worked on for almost a decade, James Cameron as producer and Tom Cruise as star. The novel that inspired it, a classic of literary horror, is still waiting to be adapted ninety years after its original publication. Foundational text. HP Lovecraft He published ‘At the Mountains of Madness’ in 1936 in installments in the magazine ‘Weird Tales’. The story follows a team of researchers who travel to Antarctica and discover, within a colossal mountain system, the remains of a civilization that predated humanity. Its builders, known as “the Ancients” are organisms whose existence makes it clear that humanity does not occupy any special place in the universe, as happens in so many other stories by the author. It is a scheme that laid the foundations (after multiple experiments in the form of stories) of the cosmic horrorand its influence on cinema is obvious in movies like ‘Alien’ or ‘The Thing’. Marked at eleven years old. Guillermo del Toro discovered the short novel as a child in Mexico and it became an obsession that stayed with him for decades. In 2002 he began working on an adaptation with Matthew Robbins, screenwriter and frequent collaborator of the director on projects such as ‘Mimic’ or ‘Pinocchio’. They completed a script but difficulties began when they tried to finance it: Warner Bros. rejected the project, and Del Toro chained films while the project returned again and again to the drawer: ‘Hellboy’, ‘Pan’s Labyrinth’, ‘The Hobbit’… Ready. In 2010 the project took a little more shape, for the first time in its eventful career. James Cameron, fresh off the success of ‘Avatar‘, came in as a producer and Tom Cruise began talks to play the protagonist. The film would be shot in native 3D and distributed by Universal. In 2011, Del Toro was hurriedly working on a new version of the script to shoot that summer, but before that, in March, Universal archived the project. The reason was, mainly, the exorbitant budget of 150 million for a horror film for adults in which Del Toro did not want to reduce the violence. Curiously, Universal next financed ‘Pacific Rim’, which cost $190 million but, yes, had much less exaggerated violence. The coup de grace: ‘Prometheus’. In April 2012, del Toro published in the forums of their official website a text that related ‘At the Mountains of Madness’ with ‘Prometheus’, the feature film by Ridley Scott. According to the director, they had an identical premise, very similar scenes and an absolutely parallel final revelation. That is: explorers of unknown places discover an ancient alien civilization and realize something devastating about their own origins. More attempts. Despite the disappointment of ‘Prometheus’, Del Toro did not completely abandon the project. When he joined Legendary Pictures, he considered the possibility of making a PG-13 film, that is, with less violence. When he later signed a contract with Netflix in 2020, he submitted the project to the platform, but it was not accepted. In November 2022posted on Instagram 25 seconds of CGI footage prepared by Industrial Light & Magic for the 2011 version. The clip showed the Ancients in spectacular fidelity to Lovecraft’s description. Later would recognize than a feature film stop motion could be a viable format for the project. At the end of 2025, del Toro released ‘Frankenstein’ on Netflix, another project he had been wanting to do for decades. The film was a success in the awards season (nominated for nine Oscars and won three), with audiences and critics. Perhaps it is also, without us knowing it, an open door for one of the most deservedly legendary projects of modern fantasy cinema. In Xataka | HP Lovecraft wrote 75,000 letters in his entire life. And they give a definitive insight into all its secrets

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