Ukraine’s biggest problem is not Russia. There are three European countries trapped in a perverse mechanism: type C accounts

Europe faces a decision that goes far beyond an accounting discussion and that defines its strategic credibility: what to do with the more than 210,000 million of euros of Russian assets frozen since the beginning of the invasion of Ukraine. The problem is twofold, because it is not just about figures, but about what comes after activating the operation. The European crossroads. Yes, because the question is not only whether that money should be used to support kyiv at a critical moment, but whether the European Union is capable to take the risks political, legal and economic implications of doing so. As Washington presses for a quick exit to the conflict and reduces its financial support, Brussels finds itself caught between the urgency of avoiding a Ukrainian defeat and the fear of unleashing a russian retaliation that directly hits several of its Member States. Putin clearly. Statements this week by Vladimir Putinloaded with contempt for European elites and confidence in a protracted war, are not simple rhetoric. Moscow makes it clear that it is not contemplating real concessions and that it considers the use of its frozen assets as theft that demands a response. That response would not be symbolic, but surgical: selective seizures, accelerated nationalizations, endless litigation and the use of the Russian financial system as a weapon. The message, a priori, is unequivocal: if Europe crosses the line, Russia will not only punish Ukraine on the battlefield, but also European countries that still have exposed economic interests within their territory. The real blockage. I remembered this morning the financial times he crux of the whole situation. Although the debate is presented as a struggle between hawks and cautions, the real blockage comes from a handful of countries specific, with Belgium, Italy and Austria at the head. It is not a question of ideology, but of direct vulnerability. Belgium hosts Euroclear, the warehouse that guards most of the frozen Russian assets, and fears becoming the first target of retaliation judicial and economic. Italy and Austria, for their part, maintain banks and companies with billions trapped in Russia, benefits included, which they cannot repatriate. For these countries, authorizing the use of Russian money is not an abstract foreign policy decision, but rather an immediate risk to their financial and corporate systems. Type C accounts: the ace of Moscow. At the center of this fear are the calls type C accountsthe mechanism created by Moscow to withhold dividends, interest and assets from Western companies. That money, formally owned by European and American companies, is under Russian control and can be frozen, redistributed or directly transferred to the state budget with a simple decree. For the Kremlin, these accounts are a retaliation tool fast and effective, far superior in agility to slow Western judicial processes. For Europe, they are an invisible chain that binds entire governments when making strategic decisions, because any false step can translate into lost billions and internal political crises. Germany pushes, Europe hesitates. Germany has become the main political engine of the plan to use Russian assets, convinced that without that money there is no realistic way to support Ukraine for another two years without skyrocketing the European debt or depending on impossible unanimity. Berlin insists that the risk must be shared among everyone and that failure to act would send a devastating sign: Europe is not capable of defending its own security. However, this logic collides with the reality of countries that feel that the risk is not distributed, but rather concentrated in their national balance sheetsits banks and its courts. A (bad) peace as a threat. This financial blockade occurs in an even more disturbing context: European fear to an imposed peace on terms favorable to Russia. For many capitals, an agreement that consolidates Moscow’s territorial gains would not only leave Ukraine defenseless, but would force Europe to prepare for a scenario direct confrontation in the medium term, with longer borders, a strengthened Russian army and a weakened European deterrent. In this framework, the frozen Russian money stops being a tactical lever and becomes a strategic investment: either it is used now to support Ukraine, or it is paid for later in the form of massive rearmament and risk of war. The final dilemma. In short, the European Union has frozen Russian assets to prevent them from returning to Moscow without reparations, but now it must decide whether it dares to give the next step. Without that money, Ukraine could run out of liquidity in a matter of months, losing all negotiating power and forcing a deal from weakness. With him, Europe is exposed to reprisals, litigation and immediate economic losses, concentrated in a few countries that are currently holding back the decision. The crossroads are clear: assume the political and financial cost now, or accept that the fear of type C accounts determine European security policy. Not only the future of Ukraine is at stake in that election, but also Europe’s ability to act as a coherent geopolitical actor when your own interests are at risk. Image | RawPixel In Xataka | A missile has been bombarding Ukraine’s defenses for weeks. What no one could imagine is that he is not Russian: he is from the West In Xataka | A day later the satellites leave no doubt: Russia fortified a bridge, and a Ukrainian drone made science fiction a reality

There is a whole literary genre dedicated to perverse crimes in the most cuquis and friendly spaces in the world. And he is breaking it

We identify the black novel, invariably, with what is known as HARD BOILED: hard detectives, bloody crimes, sordid environments. But … what if there was another way to raise gender? Settling in certain classics of the genre, the novels Cozy Mystery (“Cozy mystery”) They are more than a niche: they are a very profitable way to continue taking advantage of a historical style of making crime literature and suspense. But … what are exactly? They are police novels that present the crime and its resolution in “clean” environments: small peoples, picturesque communities or scenarios of everyday life (bookstores, coffees, gardening clubs). Explicit violence and sex are deliberately excluded from the scene, and the narrative focuses on the interaction between unique characters (often an amateur detective, almost always a woman, with a great sense of humor and daily skills) and the logic of the research. But this sounds to me … Of course it sounds to you: the eccentric detective, which takes advantage of its harmless appearance to gain the confidence of the suspects has as famous historical precedents as the Miss Marple Miss Agatha Christie And her most distinguished heiress: the Jessica Fletcher de ‘A crime has been written‘. Its roots can be traced even further: the British mystery novels of the nineteenth century and, in general the peaceful style of the “golden age” of the mystery (whose most popular representative is Christie) and where in addition to amateur detectives such as Miss Marple, we saw rural environments or closed communities, crimes executed “out of the scene” and ingenious resolution. In the 1980s, several writers began to claim and modernize that friendlier and more casual approach to the international boom of the darkest police novel. Since then, the Cozy Mystery He has experienced several popular cycles: the last one we are living now, supported by compartmentalization in increasingly detailed and specific subgenres that the editorial industry lives (of the Romantasy to the stories of Love with skaters). An editorial boom. Not only throughout the world authors such as Richard Osman, Joanne Flike or Kate Carlisle have become stars: also in Spain the subgenre has become a boom. Editorial Alma, for example, has found a real reef, and is exploiting fever by the Cozy With a collection that it already has almost forty titles to which are added, of course, its corresponding Children and Youth Variants. In the collection, titles such as ‘A lovely old woman … and lethal’, ‘Pride, prejudice and poison’ or ‘The last cupcake’ make clear the constants of the genre: kind satire, cuquis crimes and peaceful environments. And together with all these are, of course, the classics: ‘The Thursday Crime Club’, by the aforementioned Richard Osman, was one of the first supervantas of this last success of the genre. What’s behind: feminism … There is an inspiration for the genre that does not go unnoticed: its feminist inspiration. Women are present in Cozy Mystery as authors and also starring the books themselves. Gender can be understood as a reaction to the traditional black novel, historically monopolized by male voices and marked by the representation of women as a victim, secondary or femme fatale. The protagonists of these books are usually common women but extraordinary acuity, carriers of a logical, observer and empathic look. Following Miss Marple’s wake, many of them are mature, widowed characters, retired or housewives, whose age and experience confers authority and charisma. A true disarticulation of gender stereotypes, claiming values such as intuition, daily wisdom and practical sense, with women deeply integrated into their community, which gives a collective dimension to the narrative. A quiet and silent challenge of crime and punishment codes, eminently male law and order of the traditional genre. … and well -being. The warm and comforting style of these books (and their editions, with covers of soft tones and domestic scenarios) point to addresses that have nothing to do with the usual policeman: pleasant routines, the beauty of the everyday. And there is an echo in the prose of these books: light but not banal, ironic without cruelty … that is, a kind of comfortable reading, a very appropriate emotional refuge in these times of crisis, uncertainty and stress. We have spoken on other occasions about entertainments that disconnect us And peace provide us, and without a doubt the Cozy Mystery It has a lot to do with this trend: in a hyperconnected society, we crave return to small, intimate and without shocks. Except for small crime than another, but that is resolved easy. In Xataka | If you join the lifelong hobbies you have the editorial phenomenon that is sweeping in bookstores

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