expensive literary retreats to overcome mobile addiction

February weekend, Welsh coast. A group of women sits around a table accompanied by appetizing portions of pasta and fruit. They ignore each other very politely. Nobody looks at their cell phones, but at the voluminous books they carry with them. They open them, begin to read their own in silence, and pay 1,200 euros (or more) for that strange privilege. Expanding business. In the United States and the United Kingdom, a new category of travel experience has been born: reading retreats. A group of people meets in a rural house or hotel boutique during a weekend to advance their personal readings, in friendly silence and without obligation to read a common book, as happens with reading clubs. Very expensive and exclusive, prices vary from company to company Page Break (between $1,000 and $1,200 per weekend) up to Ladies Who Lit (£3,450 for four days in Mallorca) or Bad Bitch Book Club (between $950 and $1,750). It’s his thing. Although today it is perceived as a solitary activity, reading as something introspective is a historically anomalous perception. For centuries, reading was a social practice: families gathered by the warmth of the fireplace to listen to loud sermons, women sharing stories while they sewed, travelers exchanging books in train cars. In fact, the appearance of the railway in the 19th century generated an entire industry: the publisher Henry Walton Smith began selling cheap novels on the platforms of London stations, and Allen Lane installed a vending machine for books from the Penguin publishing house (the Penguincubator) in the subway lobbies. It is read less.The decline in reading rates is well documented. From 2003 to 2023, the share of Americans who read for pleasure daily fell from 28% to 16%, approximately 3% annually. The report from which these data come, prepared from more than 236,000 participants, indicates that the drop is more pronounced among the population with the lowest income and lowest educational level, although the decline affects all demographic groups. Teleworking has also affected a historical reading space: the commute to work. The importance of BookTok. But in the face of this general decline in reading rates, especially in more modest classes, there is a demand for reading as a form of leisure that disconnects from the connected and hyperactive rhythm in which we live. Paradoxically (coming from a social network), the TikTok reading community has a lot to do with this new vision of reading: with 200,000 million views under the hashtag booktokthis social network is already a sales engine that rescues titles from oblivion and catapults works by independent authors to the best-seller lists. According to the founder of The Literary LeagueAccording to Gabi Valladares, who has organized reading retreats at the Scribner’s Lodge resort in the Catskills, “book vacations offer a built-in connection point,” adding that they are “undemanding,” combining time with authors and other fans with free hours to simply read. It disconnects. The idea, even though the Internet is the platform for disseminating this type of retreat and its philosophy, is to disconnect from the online world, in search of recovering uninterrupted reading. As Leah Price points outauthor of ‘What We Talk About When We Talk About Books’, the current problem is not work, historically the main competitor to reading, but “the competition from short-form digital content.” The year 2018, when Wi-Fi reached the entire New York subway network, was described as “horrible” for reading in the subway by Uli Beutter Cohen, who interviews travelers about their reading for his Instagram account Subway Book Review. Some clubs. Bad Bitch Book Club was born in 2018 as a Facebook group of friends with common interests. By 2020, confinement boosted the page to 38,000 members worldwide, receiving income of around $200,000 annually through a Patreon subscription of 14 per month. Their summer camps in The Forks, Maine, received 500 applications for 240 spots spread over three weekends. Page Breakfounded in 2024 by Mikey Friedman, has a different proposal: participants read aloud (in turns, we imagine) the same novel throughout the weekend, interspersed with frugal meals and themed games, getting closer to the idea of ​​a traditional book club. For a recent retreat in the Joshua Tree, California desert, the company received 50 applications for 15 spots, which were assigned by lottery. Your goal: millennials and zetas too busy to commit to a conventional book club. Women. The profile of attendees is overwhelmingly female. Emma Donaldson, founder of Boutique Book Breaks (spa hotel retreats in the English countryside), notes that to date she has only had one male guest. The organizers attribute this bias to the feminization of the publishing industry in recent decades and to marketing for these retreats that adopts the language of well-being: candles, bath salts, non-alcoholic cocktails… Theorist DeNel Rehberg Sedo connects the popularity of these women’s reading clubs with the awareness groups of the 1960s and 1970s, speaking of spaces that “continue the training of women and distance them from domestic responsibilities.” The metaphor of well-being is not accidental. When the debate Often focused on choosing between reading as accelerated consumerism or as a reflective practice, these retreats offer a middle ground. The possibility of reading slowly, without being accountable to any algorithm, in the company of other people who also do not understand why the hell reading a book has become something that costs so much work these days. Header | Photo of Michael Kyule in Unsplash

There is a whole literary genre dedicated to perverse crimes in the most cuquis and friendly spaces in the world. And he is breaking it

We identify the black novel, invariably, with what is known as HARD BOILED: hard detectives, bloody crimes, sordid environments. But … what if there was another way to raise gender? Settling in certain classics of the genre, the novels Cozy Mystery (“Cozy mystery”) They are more than a niche: they are a very profitable way to continue taking advantage of a historical style of making crime literature and suspense. But … what are exactly? They are police novels that present the crime and its resolution in “clean” environments: small peoples, picturesque communities or scenarios of everyday life (bookstores, coffees, gardening clubs). Explicit violence and sex are deliberately excluded from the scene, and the narrative focuses on the interaction between unique characters (often an amateur detective, almost always a woman, with a great sense of humor and daily skills) and the logic of the research. But this sounds to me … Of course it sounds to you: the eccentric detective, which takes advantage of its harmless appearance to gain the confidence of the suspects has as famous historical precedents as the Miss Marple Miss Agatha Christie And her most distinguished heiress: the Jessica Fletcher de ‘A crime has been written‘. Its roots can be traced even further: the British mystery novels of the nineteenth century and, in general the peaceful style of the “golden age” of the mystery (whose most popular representative is Christie) and where in addition to amateur detectives such as Miss Marple, we saw rural environments or closed communities, crimes executed “out of the scene” and ingenious resolution. In the 1980s, several writers began to claim and modernize that friendlier and more casual approach to the international boom of the darkest police novel. Since then, the Cozy Mystery He has experienced several popular cycles: the last one we are living now, supported by compartmentalization in increasingly detailed and specific subgenres that the editorial industry lives (of the Romantasy to the stories of Love with skaters). An editorial boom. Not only throughout the world authors such as Richard Osman, Joanne Flike or Kate Carlisle have become stars: also in Spain the subgenre has become a boom. Editorial Alma, for example, has found a real reef, and is exploiting fever by the Cozy With a collection that it already has almost forty titles to which are added, of course, its corresponding Children and Youth Variants. In the collection, titles such as ‘A lovely old woman … and lethal’, ‘Pride, prejudice and poison’ or ‘The last cupcake’ make clear the constants of the genre: kind satire, cuquis crimes and peaceful environments. And together with all these are, of course, the classics: ‘The Thursday Crime Club’, by the aforementioned Richard Osman, was one of the first supervantas of this last success of the genre. What’s behind: feminism … There is an inspiration for the genre that does not go unnoticed: its feminist inspiration. Women are present in Cozy Mystery as authors and also starring the books themselves. Gender can be understood as a reaction to the traditional black novel, historically monopolized by male voices and marked by the representation of women as a victim, secondary or femme fatale. The protagonists of these books are usually common women but extraordinary acuity, carriers of a logical, observer and empathic look. Following Miss Marple’s wake, many of them are mature, widowed characters, retired or housewives, whose age and experience confers authority and charisma. A true disarticulation of gender stereotypes, claiming values such as intuition, daily wisdom and practical sense, with women deeply integrated into their community, which gives a collective dimension to the narrative. A quiet and silent challenge of crime and punishment codes, eminently male law and order of the traditional genre. … and well -being. The warm and comforting style of these books (and their editions, with covers of soft tones and domestic scenarios) point to addresses that have nothing to do with the usual policeman: pleasant routines, the beauty of the everyday. And there is an echo in the prose of these books: light but not banal, ironic without cruelty … that is, a kind of comfortable reading, a very appropriate emotional refuge in these times of crisis, uncertainty and stress. We have spoken on other occasions about entertainments that disconnect us And peace provide us, and without a doubt the Cozy Mystery It has a lot to do with this trend: in a hyperconnected society, we crave return to small, intimate and without shocks. Except for small crime than another, but that is resolved easy. In Xataka | If you join the lifelong hobbies you have the editorial phenomenon that is sweeping in bookstores

This literary science fiction utopia advocates the disappearance of millionaires. And Musk, Bezos and Zuckerberg love

The saga of ‘the culture’ of Iain M. Banks is one of the series of Science fiction books most important and influential of the history of gender. And among his fans are names as notorious of the Tech sector as Elon Musk, Mark Zuckerberg either Jeff Bezos. What is still curious: the message and background of the saga are in one direction, it could be said, diametrically opposite to the businesses led by these billionaires. So … why do you like so much? The culture of ‘culture’. The saga consists of no less than ten books, the first of them written in 1987 and the last in 2012. In them there is a society in which the pan-human (similar to us in appearance, but without being completely clear what relationship they keep with humanity) coexist with artificial intelligences, having overcome any problem of scarcity of the past. All citizens can careless work: technology takes care of everything. Until death is a problem of the past: diseases have been left behind, and minds can move from one body to another when bodies do not give more. Below the work. ‘Culture ‘is one of the most clearly positioned science fiction works in political terms, already a difference from conservative thought classics such as’ the rebel rebellion’ of Ayn Rand Or allegations of white supremacism not very camouflaged such as ‘The landing’ or ‘Turner’s newspapers’, leans towards the socialist utopia, more in the line of other classications such as ‘Iron heel’ by Jack London. In the Society of ‘Culture’ goals are reached Socialist theory: Post-scarce society, abolition of money and private property, radical equality, voluntary work, collective management, absence of coercive laws, personal freedom … an authentic utopia. Stones to the roof itself. And since there are no inequalities for economic reasons, the same concept of oligarchs is aberrant. Banks hated the idea that a lot of money will concentrate on a few hands. As he exposed This article in Voxthe solution to antisocial behavior in ‘culture’ is not the legal punishment, but to make the offender a social out of theory, cancellation. Something against what they have manifested openly These billionaires. And well, then there is the subject of the genre completely fluid in this utopian society: the rigid genres are completely overcome. And we already know how little they like Musk, Bezos either Zuckerberg LGTBI ideas. What do you see? It is clear What do they like about ‘the culture’ then: The fascinating vision of technology as a solution to all problems. From facilitating the most daily tasks to overcome in space battles, everything is mediated by artificial technology and intelligences. Of course, for Banks technology is not an end in itself, but a tool in search of a more just and equitable society. And without millionaires. But it is easy for these oligarchs of technology to skip that part, because the comfortable is to get carried away by the sissured show that also proposes ‘culture’ (which are adventure novels, not thesis). Of course, it should be noted that there are voices, such as The journalist Max Readwho affirm that perhaps Musk, Bezos or Zuckerberg have not completely misunderstood ‘culture’. Especially if we compare it with the findings of the other utopia par excellence of science fiction, ‘the dispossessed’ of Ursula K. Leguinis of dyes closest to anarchism. Possessing utopias. As technology is more complex, the bridges of understanding between science fiction and innovation are more constant. Science fiction has helped us to imagine the future and carry it out, and therefore the technological elites of Silicon Valley have reinterpreted utopias as inspiration, and even sometimes as Brandingas Musk did Putting Space X ship namesinspiring Neuralink’s own concept and defining itself as an “utopian anarchist of those described by Iain M. Banks.” He is not the only one who appropriates the saga: Bezos will adapt the first book of ‘La Cultura’ In Prime Video. And Zuckerberg promoted the saga in your reading club In 2015. However, this possession of the ideas of Banks or other utopias as a generator of imaginary and technological concepts has very obvious inconveniences when it goes from socialist utopia to business narrative. The critical sense of literary works is diluted and enters a paradox: that of the technocratic utopia. Banks is not here to meet her, but something tells us that he would have produced chills. In Xataka | The groundbreaking world of Chinese science fiction: this is the literature from which ‘the problem of the three bodies “has come out”

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