The games of 2026 aim to be graphic marvels. NVIDIA is clear that the solution is in AI

The GDC, or Game Developers Conference, is a very special video game event. It is not focused on announcement of new titlesbut to holding presentations and roundtable talks between those who create video games. Lovers of the most technical issues in the industry consider it an unmissable event, and the one who does not skip an edition is NVIDIA. And in this GDC 2026 it has arrived with all his muscle and a clear idea. The future of gaming goes through artificial intelligence. DLSS 4.5, the umbrella. Leaving aside the current situation of the PC market due to the requirements of artificial intelligence and unprecedented crisis where we find ourselves, AI applied to video games is something that NVIDIA has been pushing for several generations. A lot has happened since the RTX 2000 and the arrival of ray tracing in real time along with a solution to make performance more sustained: DLSS. Deep Learning Super Sampling is a scaling tool that allows the GPU to render the game at a low resolution and then scale it to the native resolution of our monitor. This allows for improved frame rates in performance while maintaining image quality. With the passing of generations, DLSS has been evolving until it becomes a complete neural rendering suite that involves several technologies. It is no longer just scaling through deep learning, but another series of techniques to improve both image and performance. For its main work, DLSS 4.5 presents greater understanding of the scene, improving both image quality and performance at higher resolutions. But he has more things up his sleeve. Frame Generation. One of them, perhaps the most notable, is the enhanced frame generation mode. If in the previous generation DLSS could multiply the frames per second of the image by up to four (through this deep learning, four frames were “invented” for each native one provided by the GPU), with DLSS 4.5 the figure increases to 6x. This is crucial to maintain fluidity in games with extreme graphical loads if we want to play at 4K. Because at 1,440p, the power of the GPU is more than enough, but to play in 4K with all the current effects activated, generating frames seems key if we want to take advantage of the high refresh rates of the monitors. According to NVIDIA data, the step from 4x to 6x increases performance in titles with path tracing in 4K by up to 35% on RTX 50 GPUs. It uses Reflex technology, also from NVIDIA, so that latency is minimal, and the scenario is most curious because we can be playing a game in which most of the frames are reconstructed, and not native, without us realizing the latency. Multi Frame Gen, the “magic”. Within that frames per second multiplier, there is a very interesting technology: DLSS 4.5 Dynamic Multi Frame Gen. Its name is quite self-explanatory and,. Basically, it consists of an algorithm that establishes the best frame multiplier for each moment depending on the image, the performance of the GPU and even whether we have vertical synchronization activated or not. It is an automatic change that changes all the time between 2x and 6x (passing through intermediate multipliers) with the objective of always maintaining the highest possible frame rate per second, but without spending resources foolishly. That is to say: if we have a 120 Hz monitor, the GPU changes the multiplier depending on the situation to always try to guarantee those 120 FPS, but without wasting resources. If in a game we are in a phase with low graphic load (an interior, for example), only a 4x multiplier may be necessary. If we go outside, maybe we need that 6x push, and what the system does is change automatically. The next time we are inside it will go back to 4x and so on constantly. The explanation is simple: the aim is to make the experience as consistent as possible, but without generating frames foolishly to prioritize native frames over those generated by the AI. “New” word: path tracing. And all these technologies to give life to games that will soon begin to consume more and more of the PC’s native resources. Because if ray tracing is already demanding, we are going to have to get used to a new term: path tracing. It’s not new, but it’s basically a more complete form of ray tracing that attempts to even more realistically simulate how light impacts game geometry. Ray tracing can be applied to everything (shadows, reflections or global illumination) or separately, but path tracing is a unified solution. In short: it is like applying all possible ray tracing, but at the same time. This consumes a lot of resources, something we can see in games like ‘Cyberpunk 2077‘ either ‘Resident Evil Requiem‘, and is the reason for DLSS 4.5 rendering techniques and 6x frame generation. The games are ready. In the end, it’s about AI allowing you to achieve performance that the GPU, on its own, might not achieve. In top-of-the-range graphics like RTX 5080 or RTX 5090 We may want to ‘pull’ the native resources, but with others like the 5070 or the 5060, these AI ‘helps’ allow us to further stretch the visual quality of a game while maintaining good performance. And all these tools together will be necessary if we take into account what is to come. Because we have already mentioned some games, but over the next few months others will arrive like ‘007 First Light‘, ‘Resonant Control‘, ‘Star Wars Galactic Racer‘ either ‘Directive 8020‘ that promise to be visual wonders and that will integrate these technologies. In Xataka | Nintendo has not been just a video game company for thirty years. But it is now when it is showing it with dividends

The creative death of Marvel’s MCU left a huge hole. One that in my case is filling WWE on Netflix

Twice a week I like to live a cathartic experience, and it is something that I strictly adhere to since the beginning of 2025. WWE and Netflix they started a million-dollar collaboration (a decade at a rate of 500 million dollars a year) so that their star shows could be seen around the world. Gone are those weekend mornings in Four with La Bomba Batista, Rey Mysterio or Randy Orton who starred in the childhood of an entire generation, but thanks to the platform of streaming, nostalgia hits harder than ever by allowing us to experience nothing less than the farewell tour of the greatest of all time: John Cena. But beyond the trip to childhood, my religious weekly ‘Raw’ and ‘Smackdown’ have helped me realize that with a ring and a handful of wrestlers they are scratching the same part of the brain as I expected the MCU to activate during these last years. The interrelation of the character arcsinvincible enemies, unexpected turns of a hero and alliances on the horn is something that Marvel has lost since ‘Avengers Endgame’ and that I find almost every week in wrestling. All that is needed is a suspension of credulity that is generated by the cathartic nature of the slaps (choreographed, not fake) and by how dedicated the public is to an event that also has the added bonus of being held live. Perhaps it sounds ridiculous for those who have not known about this world for 20 years, or for those who have barely entered it, but once you are part of the wheel, it is difficult not to get hooked by multiple aspects: combats measured to the millimeter with a physical preparation from another planet, soap opera stories between the stars where the distance between reality and fiction is separated by a bad fall or a word out of the script, or demonstrations of aura with entrances like those of Penta either Roman Reigns. But everything has its dark side and, as often happens, being a woman places me (even more frequently) in a dilemma. 7 TRICKS to get the MOST out of NETFLIX Triple H is not spared either The eternal “separating work and author” that does not prevent the bitter taste in the mouth produced by wanting to see the new Woody Allen or Roman Polanski movie or refusing to continue reading to JK Rowling. And the WWE is an almost inexhaustible source of controversies that makes it very difficult to draw the line and be able to simply enjoy a high-quality show and wrestlers who give their all in vibrant fights. The WWE has suffered under the previous management of Vince McMahon and their continuous scandalsbut with the arrival in 2022 of Paul Levesque (known as Triple H for wrestling lovers, and also McMahon’s son-in-law) as the new content director, they wanted to sell a new post-Vince era, establishing a gender equality policy on the roster and moving away from wrestlers with whom racial stereotypes were promoted. Since the replacement took place, there is no doubt that the female presence has increased in WWE, and continues to do so year after year; In its annual report we can see that of its superstars a 40% are womenin front of the 35% from previous year. And not only does it increase in number, but in quality; offering us stories and combats that are often infinitely superior to those perpetrated by male stars on the roster. Names like Rhea Ripley either Becky Lynch They are the female reference and those who lead the way for new recruits. The combination of global streaming thanks to Netflix and the growing number of female talentshas been the key factor that has managed to boost the increase of this audience. And, already in the documentary ‘WWE: Unreal’, the creative director that high percentage stood out: “WWE women have become an integral part of what we do. 40% of our audience is female. So, when you start down the road to ‘WrestleMania,’ you try to approach it with them the same way you do with the guys, you approach the narrative in the same way. “However, at the same time, this reality is continually clouded by putting its stars against the ropes beyond the ring itself. And the figure of Triple H is not exempt from controversy either. It is not only that he has visited the oval office alongside Trump this summer to join the Presidential Council on Sports, Fitness and Nutrition, reminding us once again of the US president’s relationship with the world of WWE and, inevitably, being a reminder of what political side the company joins. Not in vain, when the worst of the pandemic forced bodies to pile up in refrigerated trucks, even in New York, the WWE was one of the first sports practices to resume thanks to an exemption from Republican Florida. But the bulk of the excesses during his mandate are directed at the female public. Wrestlers and female audience against the ropes The WWE, through a agreement with Saudi Arabia which began in 2018 with the celebration of one of its events in the Middle Eastern country, was added to the list of sports that participate in the sportswashing strategic to whiten the image of the regime. This agreement, reprehensible for all that it implies on a political and social level, becomes even more flagrant and uncomfortable if we highlight what it means directly for the women of the company. In those first three events since 2018, the participation of the women’s section was totally prohibitedneither could they compete nor, of course, were female audiences allowed. It seems that, therefore, with that agreement of 100 million dollars annually Triple H easily forgets about that high percentage of female spectators that he brags about. It was not until 2019 when the Saudi authorities, in a display of modernity, allowed female wrestlers to compete, as long as they wore wrestling clothing that completely covered their bodies. … Read more

Slide Marvel’s formula to break the MCU crisis

Marvel has been trying to Reconfigure the MCU To show off the strength that viewers enjoyed in ‘Iron Man’ and ‘Endgame’. The study, owned by Walt Disney Company, has several bets on the way to achieve it. These include projects such as’Avengers: Doomsday‘ and ‘The fantastic 4: first steps‘. In the case of the first, The strategy goes through a kind of “Nostalgia Operation”designed to reconquer the most veteran fans with heroes who already lived their moment of glory. If we focus on the second, which is what concerns us in this article, the axis seems to revolve around recovering a classic and recognizable villain of comics. The threat of Galactus in ‘The Fantastic 4: First Steps’ “Four brave astronauts travel to space and return changed forever,” Pray the start of the trailer published Thursday. So, ‘The fantastic 4: first steps‘It presents us with the characters already in their stage of heroes, in an elegant retrofuturist atmosphere that, in principle, seems loaded with optimism, although things begin to twist quickly. Reed (Pedro Pascal), his wife Sue Storm (Vanessa Kirby), his younger brother Johnny (Joseph Quinn) and his friend Ben Grimm (Ebon Moss-Bachrach) enjoy a relative peace and tranquility, especially after the news of the prompt arrival of Reed and Sue. However, a threat lands from space, challenging the entire planet without prior notice. Galactus, the consumer of worlds, now is sightd by planet Earth, and has sent to its herald, Silver Surfer (Julia Garner)to launch a warning. “Are we safe?” Asks a journalist at the fantastic 4, to which Reed responds with a tense “I don’t know”, although later he does not hesitate to tell the planet that they will do their best to protect it. Galactus’s threat seems large enough for heroes to doubt their ability to stop it and, probably, end up trapped in their destruction spiral. Above all this falls a special pressure on Reed, which drags some guilt for having forced the limits of space and, perhaps, having caused the arrival of the threat. Before their official arrival at theaters, the fantastic four starred in a first film produced in 1994 that never reached. More than a decade later, the group finally landed on the big screen with The 2005 version directed by Tim Storywith Chris Evans, Jessica Alba, Ioan Gruffud and Michael Chiklis in front. Although he did not conquer critics, he worked well at the box office and gave rise to a sequel in 2007. The story returned to theaters in 2015 with a new cast: Miles Teller, Kate Mara, Michael B. Jordan and Jamie Bell. This time, neither the critical reception nor the collection accompanied. Now, all eyes are put in the new installment, which promises to recover the lost pulse. Its premiere in Spanish cinemas is scheduled for July 25. Images | The Walt Disney Company In Xataka | ‘A Minecraft movie’ is becoming such a large phenomenon that is causing disturbances in cinemas

The first trailer of ‘The fantastic 4: first steps’ reveals the most important ingredient for Marvel’s future: its villain

Surrounded by considerable paraphernalia (a countdown of more than an hour, the appearance of the four protagonists, a scenario that imitated the launch of a rocket), Marvel has launched the first trailer of ‘The Fantastic 4 first steps‘, advance of what we can expect from the anticipated arrival of the first family to the MCU And it’s not for less: Marvel He knows that he plays a lot with this new production, more than with any other film planned by 2025, such as the closest ‘Captain America: a new world’ or ‘Thunderbolts’. After stumbling in 2024 as ‘The Marvels’ and a parenthesis as notorious as the one that has been 2025 and only ‘Deadpool and Wolverine’ in theaters, ‘the fantastic 4 first steps’ is Marvel’s opportunity to recover the pulse of the pulse of the cinema mainstream which controlled with a iron pulse during the early phases of the MCU. On July 25 we will have to wait to see this movie, which The truth is that it is unusually faithful to the original comicsespecially thanks to the retrofuturist atmosphere in an alternative reality: the costumes, the fantasticar, herbie, the Baxter building … everything is both modern and classic, and the effect is very intriguing. Pedro Pascal, Vanessa Kirby, Joseph Quinn and Ebon Moss-Bachrach are perfect in papers traced to the originals. There are many elements that do not appear in the trailer and that are about to be revealed: from Reed Richards using their powers to the rumored silver wake. What is seen, although only on his back, is to Galactus, the most colossal enemy of the fantastic four, and one of the nemesis par excellence of the Marvel universe. The presentation in this return to the classic Marvel is not accidental: frustrated plans with Kang … Is Disney presenting the villain that will vertebrate the next movies of the house, as Thanos did? Are the company decidedly cosmic? We will have to keep waiting to know. Header | Disney In Xataka | The loose box office of ‘Venom 3’ forces Hollywood to reconsider superheroes: they are no longer a golden egg chicken

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