This master and explosive mixture of drama, action and thriller, signed by the director of ‘The Raid’, is already in streaming

Gareth Evans is one of those little prolific creators but to those who should follow the track very, very closely. He drew the attention of the less complexed action cinema fans with the two incredible deliveries of ‘The Raid’, those epic of Thai brutality that revolutionized the martial arts cinema. After an interesting landing in Netflix with the unclassifiable ‘the apostle’, he focused his efforts on billing, ‘Gangs of London‘, a British gangster thriller who does not respond to the viewer. The series will premiere its third season on April 14 in Skyshowtime, so it is time to recover its first two vibrant In Skyshowtime (That at the moment it only has the first year available, although it is assumed that it will not take long to arrive the second) as In Movistar Plus+that does have the two initial seasons. An explosion of absolute violence, portraits without compassion, drama between characters to the limit and a visualization of completely revolutionary action. The series starts with the death of an important London mafia who has governed in the city’s underworld for two decades. His son takes the throne, which triggers a wave of violence, with even international repercussions. In this context, an undercover policeman begins to gain the trust of the organization, while the question of who has killed the king of organized crime floats in the environment. A starting point that we have already enjoyed on many other occasions, but exposed in a more vibrant way than ever: the intensity of the action (sometimes with unusual technical virguerías in a series of average budget such as this), the overwhelming of interpretations and scarce concessions that are made to the topics of the genre They give fruit a first thriller. Now you have the opportunity to discover why everyone speaks wonders of ‘Gangs of London’. In Xataka | The secret to succeed in organized crime is simple: the University, Factory of Successful Mafiosos

The director of ‘Independence Day’ and ‘Tomorrow’ produces this apocalyptic epic that has just come to streaming

If you are interested in catastrophes cinema, you have undoubtedly heard of Roland Emmerich: ‘Tomorrow’ or ‘2012’ until the most recent and hilarious ‘Moonfall’, his Cite has always been synonymous with the joggy and shameless show, as he demonstrated since his beginnings in classics such as ‘Independence Day’, ‘Universal Soldier’ ​​or ‘Stargate’. Now it comes to us To Filmin A film in which Emmerich assumed the role of a producer, but that maintains his vibrant rhythm and his vision of science fiction as a warning about our future: ‘The Colony‘. The film is directed by Tim Fehlbaum, which was already seen in a similar situation with ‘Hell’, in which a group of survivors had to protect themselves from the solar rays that had ended life on earth. Fehlhaum has also been nominated this year to the Oscar for Best Screenplay for his film about the kidnapping of several Israeli athletes in the 1972 Munich Olympics. On this occasion, climatic disasters have left the land completely uninhabitable, and the population has had to abandon it. However, on other planets, settlers are not able to reproduce, and a woman returns to earth to discover the cause of that infertility. In our desolate planet you will encounter an explorer with which it concludes that it is time for the settlers to return to the earth. But the few remaining land do not agree that it is a good idea. Undoubtedly, the most suggestive (and scary) of the film is the vision of the planet, whose surface, After climate change, it has been flooded by immense masses of water. Survivors take refuge in stranded loaders, in an aesthetic that partly reminds the world described in ‘Waterworld’. Not without some visual pessimistic poetry, ‘The Colony’ raises a bleak future, but in which there is space for hope. In Xataka | ‘Mickey 17’ is the new dystopian science fiction film that leads the box office. The problem is not enough

An overwhelming cast with second season already announced, and already in streaming

Eye to this cast: Michael Fassbender, Richard Gere and Jeffrey Wright, accompanied by secondary schools such as Jodie Turner-Smith, Katherine Waterston and John Magaro. A luxury squad for one of the most anticipated thrillers of this 2025 start: ‘The agency‘, who has aroused so much expectation that his second season has already been announced and that you can see now In Skyshowtime and In Movistar Plus+. In it we will meet An undercover agent of the CIA who receives the order to abandon his normal life to return to work in London. But when he falls in love, he is willing to sacrifice his work and his own identity to safeguard his private life, which will precipitate an international intrigue where they are involved, among others, a veteran agent of the organization. Behind ‘The Agency’ are the brothers Jez and John-Henry Butterworth, screenwriters of ‘Indiana Jones and the Dial of Destiny’. Signing the first two episodes is Joe Wright (‘The darkest moment’), which makes it very clear that we are facing a high -budget product, which is noticed in its action sequences (although the series has a rhythm that is cooked over low heat, and where intrigues abound in offices than the thrilling persecutions) and cinematographic finishing. At the moment, Skyshowtime (which presumes this series, rightly, as one of the most outstanding elements among its premieres this month) It has only released the first two episodes of ‘The Agency’. The issuance of the same will last to the ten chapters, so we will have time to get the meticulous rhythm and the oppressive atmosphere of this new spy epic. Header | Skyshowtime In Xataka | This is how US spies cheated Russia in the 80s and sold savage chips to the Soviets

Upon arrival in streaming it has become the most watched premiere in the history of Filmin

Of course, ‘The substance‘has become the RARE Av of the season. Not only his success has surprised his own and strangers, remaining on the poster more time than usual for a film in his style, but has done so with a daring and different proposal, which mixes elements known to fans (of the Body Horror eighties to the left over the troma), with a very particular point of view about what gender can offer. And in its first three days In Filmin (You can also see it In Movistar Plus+), has broken records within the platform, which demonstrates to what extent this unique proposal has penetrated deep: released last Friday, December 31, It has become the most watched premiere in Filmin’s historyregistering more viewed in its first three days than any other previous title. The previous film that held this brand was “anatomy of a fall”, and according to the platform, it has increased by 21.1% the mark of that. Demi Moore is a television star in low hours that sees his status in danger when the director of his chain decides to remove it from his aerobic program. The diva of the past decides to undergo a treatment that promises to generate a new version of itself, but younger, more beautiful and more perfect. But its rejuvenated alter ego (Margaret Qualley) has its own plans with the newly released reunion life with the privileges of youth. This surprising fable about the superficiality of the show business, panic to age and pressure on their body that society imposes on women connects both with ‘the fly’ and with ‘death feels so good for you’, and does so with An unusual graphic explanitude in a film that has been nominated for five Oscar. Directs Coralie Fargeat, which between ‘Revenge’ and this has become one of the key names of the fantastic contemporary. In Xataka | All the Oscar 2025 nominated and where to see them

Routine is the key to succeed in streaming

We already have unofficial (but very reliable) annual estimates of the most watched in streaming that Nielsen performs every year. And in 2024, the most seen has been … the usual. What forces us, without a doubt, to reflect: how is it possible that the most viewed series of the year are not the most spoken, and the most viewed platforms are not the ones that receive the most owners? Actually, the explanation is very simple. The most watched programs. According to the reportthe most seen 2024 programs have been the ‘Bluey’ animation series, with 55,620 million minutes in Disney+, and ‘Grey Anatomy’, with 47,850 million minutes (in the US, Hulu and Netflix). More animation, but it is for adults, cup the following positions: ‘Family father’ (44.2 billion minutes) and ‘Bob’s Burger’ (36,800). The top continues with series such as ‘The young Sheldon’, his mother series ‘Big Bang Theory’, some procedures with ‘Law and Order: Unit of Special Victims’ and ‘Criminal minds’, and closing the circle of the series for all public, ‘spongebob’. Ironies of life. A list that undoubtedly attracts attention. Where are that ‘My stuffed reindeer‘, that ‘THE PROBLEM OF THE THREE BODIES‘, those franchises of’Dune‘ and ‘Game of Thrones‘We all talk about? The first place with an exclusive product of a platform (everything on the list above is acquisitions) is’Bridgerton‘From Netflix, in 12th place, with 21,420 million minutes, followed by’ Love Is Blind ‘, also from Netflix. With figures above 10,000 million minutes are ‘The Boys‘. ‘Lincoln’s lawyer’, ‘Fallout‘(This was the new most seen series among the exclusive streaming), ‘Futurama’, ‘DolReacher‘. Simple explanations. This absence in the top 10 of successes of the most media and recent series has a logical explanation: the streaming It has become an active way to fill out leisure hours, but an accompaniment at home, which has replaced options for the past such as radio, music players or linear television itself. He streaming as “background noise” It is no longer a rarity, and therefore, however extravagant that sounds on paper, no one has missed that Netflix looks for series that in his dialogues “Explain what is happening”to be able to follow them without paying them attention. Long series, more hours. And on the other hand, there is the obvious reason that the more available footage, more hours of viewing they can accumulate. ‘Fallout’, in the best case, has eight episodes of approximately one hour: eighty hours per speaker. On the contrary, ‘anatomy of Gray’ cam 21 seasons of around twenty episodes each. And often, they are independent episodes that do not require constant attention. It is normal for these series to attract less attention but accumulate much more robust figures. Children have power. Finally children: the ten most viewed films of the year in streaming They have been almost all of animation: ‘Vaiana’, ‘Super Mario Bros.: The movie’, ‘Trolls 3: All together’, ‘Los Minions’, ‘Chark’, ‘Frozen’, ‘The Canine Patrol: The movie’ , ‘The upside down’ and ‘Baby boss’. The only exception is ‘Red One’, also oriented to the family. If we add to that the privileged position of ‘Bluey’ as the most watched program of the year on any channel and the obvious preeminence of Disney+ among the most viewed platforms, the equation is clear: children send, but not necessarily with productions of latest batch ( ‘The minions’ is from 2015 and ‘Vaiana’, of 2016). Again, figures outside the millionaire media movements of the platforms. La Puntilla, ‘Night agent’. And there is another element that contributes a nuance: the ‘Night Agent’ series, whose second season has debuted with 13.9 million views in its first four days. The monumental success of the firstwhich in 2023 almost reached 100 million views in their first 90 days in Netflix, and became the seventh most viewed of the English platform. And why is one more nuance to what we are talking about? For the surprising “normality” of the series, away from more creative, artistic or risky productions that mediately state on the platform, such as ‘the squid game’. The triumph of Normies. With the success of the first season of ‘Night agent’ there was talk of how surprising that he had razed such an anodine appearance. The critic Miles Surrey has recently defined it As “the Platonic ideal” of a Netflix series, or even refining more, a “hamburger with gourmet cheese”, that is, a series that combines accessibility and quality, a kind of stone Rosetta of success, which he shares with this rest of the series that have triumphed in recent months. And no one can doubt the quality and attractiveness for the masses of ‘Bluey’, ‘Big Bang Theory’ or ‘Grey Anatomy’, those commercial diamonds that, one more year, crowned the most watched lists. In Xataka | After years trying to conquer cinemas, Netflix wants to release only in streaming. And Hollywood didn’t like a hair

The historical agreement between Spotify and Universal promises a ‘streaming 2.0’. But we have already seen changes of this type

“The next era of streaming innovation.” According to the words of those involvedthat is where the agreement that Universal Music Group and Spotify have reached. This is an agreement that will cover several of the next few years and that will affect both the recordings and the artists’ royalties. It is the first step towards what both companies want to baptize as “era of streaming 2.0” The agreements come back. The pact is remarkable for many reasons, but above all because it is the first Spotify agreement with a multinational industry in several years. It is also commented to improve the conditions of payments to artists, which Since April last year They went down because of a platform rate in the United States oriented to audiobook lovers. Taking advantage of a 2023 lawthis rate allowed the company to pay less Royalties To the composers, which unleashed a sour response from the musical community. This covenant with Universal seems to want to solve some of the problems of that rate, but not just that. Spotify for Superfans. The idea of ​​’streaming 2.0′ It is not new, of courseand Universal has been caressing her for a while, but this seems to be the first firm step towards her. What could be realized? This “Spotify for Superfans” terminology is as the Verge defines The spotify that we are going to have (or part of it, at least) and that will take shape after the agreement. When Universal talked about this ‘streaming 2.0’ I thought, According to your presentationin “Super-Premium” subscriptions that grant advantages such as anticipated access to music, exclusive luxury editions, high-resolution audio and artists’ questions and answers. Further streaming that never. This ‘streaming 2.0’ consists of taking the technological capacity of the platforms one step further to offer extras to consumers. This translates into the need for these platforms to reach treatment with Majorsbecause they are the ones who will provide better quality audio, associated videos, extras to which no one has access, exclusive content of artists … that, or for discounted, that the large companies themselves melt their services of streamingas we have seen that happened in the audiovisual after the outbreak of Netflix. Are Spotify following its same steps? But … makes sense? We have heard similar ideas with the streaming audiovisual. In fact, that support in the “extras” is one of the differentiating cuddles of Prime Video, which with its “X-rays” provides information, trivia, filmographies and even possibilities of e-commerce of the content of their films and series. However, no one would say that it is one of the tricks that puts prime video above its rivals, but an anecdotal added. These are times when the catalog rules: people subscribe and quickly unless platforms in search of content to consume, and do it all the time. The extras are an appetizing gift, but … is that the base of the streaming of the future? In Xataka | The best free alternatives to Spotify to enjoy your music legally and without having to pay

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